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Boys: Masculinities in Contemporary Culture PDF

337 Pages·1996·23.704 MB·English
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B o y s Boys Masculinities in Contemporary Culture E d i t e d b y P a u l S m i t h Edited by Paul Smith ISBN 978-0-3670-0921-2 www.routledge.com aninformabusiness (cid:31) 9780367009212.indd 1 9/10/2018 7:16:04 AM Boys CULTURAL STUDIES Series Editor Paul Smith) George Mason University Boys: Masculinities in Contemporary Culture, edited by Paul Smith The Audience and Its Landscape, edited by James Hay, Lawrence Grossberg, and Ellen Wartella Eye on the Flesh: Fashions of Masculinity in the Early Twentieth Century, Maurizia Boscagli Art and the Committed Eye: Culture, Society, and the Functions of Imagery, Richard Leppert Youth, Murder, Spectacle: The Culturai Politics of ccYouth in Crisis,)) Charles Acland · Viewing, Reading, Listening: Audiences and Cultural Reception, edited by Jon Cruz and Justin Lewis The Madonna Connection: Representational Politics, Subcultural Identities, and Cultural Theory, edited by Cathy Schwichtenberg Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies, Elizabeth G. Traube Enlightened Racism: The Cosby Show, Audiences, and the Myth of the American Dream, Sut Jhally and Justin Lewis FORTHCOMING Girls: The Representation of Femininity in Popular pufture, edited by Elizabeth Ann Kaplan Being Indian and the Politics of Indianness, Gail Valaskakis BOYS Masculiniint ies ContemporCaurlyt ure EDITED BY PauSlm ith El Routledge � � Taylor & Francis Group LONDON AND NEW YORK First published 1996 by Westview Press Published 2018 by Routledge 52 Vanderbilt Avenue, New York, NY 10017 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © 1996 by Taylor & Francis All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. A CIP catalog record is available from the Library of Congress. ISBN 13: 978-0-367-00921-2 (hbk) Contents Acknowledgments lX 1 Introduction, Paul Smith 1 2 A Buffalo, New York Story, Fred Pfeil 9 3 Father Figure, Danae Clark 23 4 Dinge, Robert Reid-Pharr 39 5 Homo Academicus, John Champagne 49 6 Male Horror: On David Cronenberg, Christine Ramsay 81 7 Telling Differences: Race, Gender, and Sexuality in The Crying Game, Sharon Willis 97 8 Scattered Speculations on the Value of Harvey Keitel, Clint Burnham 113 9 Hot Damme! Reflections on Gay Publicity, Eric Clarke and Mathew Henson 131 10 The Prettiest Postcolonial: Muhammad Ali, Grant Parred 151 11 "Beat me outta me": Alternative Masculinities, Cynthia Fuchs 171 12 Prosthetic Gender and Universal Intellect: Stephen Hawking's Law, John Michael 199 13 Conservative Cowboy Stories: Adventures of the Chosen Sons, Linda Kintz 219 vii viii Contents 14 Of Newts and Quayles: National-Political Masculinity in the Current Conjuncture, Matthew Ruben 255 15 A White Boy Is Being Beaten, Lisa Frank 293 About the Book and Editor 309 About.the Contributors 311 Index 313 Acknowledgments Masculinity isn't al.ways a pleasant thing to behold, and it's always difficult, sometimes unpleasant to write about-it's certainly a difficult thing in just about every respect-so I want to thank all the contributors to this volume for having been so willing and so assiduous in producing their work. I made it all the more difficult for them by drawing heavily on their patience and goodwill, and I thank them all for their continual cooperation. I hope they had some fun, in any case. Chapter 2 is reprinted from Fred Pfeil, What They Tell You to For.get (Wainscott, NY: Pushcart Press, 1995). Chapter 4 will appear in a special issue, edited by Jose Munoz, of the journal Women and Performance. Paul Smith ix

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