Bound by law? : tales from the public domain PDF
Preview Bound by law? : tales from the public domain
?,-iv Nil* 9 »I9 Jennifer CENTER FmORM Sim OF PUBLIC DOMAIN jiwuHKi-mvn-r>rH>nl) ,S0Mg_2lC»jT2JgS£^_jr£g_ Copyright © 2006 Keith Aoki, James Boyle, Jennifer Jenkins This work is made available under the terms of a Creative Commons Attribution, Non-commercial, Share-alike license. http://creativecommons.0rg/licenses/by-nc-sa/2.5/ This license gives you important freedoms, including the right to copy and distribute this book noncommercially without permission or fee, so long as you adhere to the terms described below. ^creative ^commons COMMONS DEED Attribution-NonCommercial-ShareAlike 2.5 You are free: • to copy, distribute, display, and perform the work • to make derivative works Under the following conditions: Attribution. You must attribute the work as: BoundBy Law®2006 Keith Aoki, James Boyle, Jennifer Jenkins Noncommercial. You may not use this work for commercial purposes. Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the copyright holder. Your fair use and other rights are in no way affected by the above. Digitized by the Internet Archive in 2017 with funding from Duke University Libraries https://archive.org/details/boundbylawtalesf006aoki r WELCOME TO THE CENnR...THE CENTER FOR SWOy THE OF THE PUBLIC DOtlAIN. k^ 70N/GHT WE ARE DISCUSSING A SUBJECT THAT TAAKES^RONG ” " MEN AND WOMEN TREMBLE. OUR SUBJECT IS NOT 1 ^ EPISODE IN OUR LITHESERIES ABOUT OUR GUIDES, TWO OBSCURE FIGURES SHADOWS THEARTS Wia E^INEONE PORTION OfA LEGAl- WHO DWELL IN THESE miucm Boundary^ a kind of zone, WHOSE LIVES ARESPENT IN AN OBSESSIVE THIS IS THE LINE BETWEEN QUEST TO CHART THISLINE, ALMOST AS if INJUUCWAlPR0PBHJ7amwePUBUCWflAW, THEY WERE CONDEMNED BY SOME THE mysterious realm where ghastly curse to BE THE MAPMAi^ERS OF MATERIAL IS FREE FOR ALL TO USB WITHOUT PERMIS5I ON. Z 3 documentaries are records of our culture. But our culture IS FULL OF ARTIFACTS PROJECTED BY INTELLECTUAL PROPERTY RIGHTS MUSIC, IMAGES, PHOTOGRAPHS. - Ql FltmAKERS "Clearing rights' ARESoneTiires IS THC PROCESS OF finding theri&hu ASKED TO CLEAR holder, AMO GEfTlMq PERNISSlOM OR RIGHTS TO these PAVING TO use /^ATEPIAL. CULTURAL FRAGtlLNTS, EVEN THEY IF APPEAR ONLY INCIDENTALLY. HOW 5HOULDTHELAW BUT DocumentARiANS DRAW LINES BETWEEN NOT MERELY ARE eilmmakers'need to IN the POSITION OF DEALING WITH OTHER PORTRAY A CULTURE FULL PEOPLES RIGHTS,, they're ALSO IN THE OF LEGALLY PROTECTEO OWN" POSITION OF ASSERTING THEIR MATERIAL, AND THEIR THEY MAY WANT TO RECEIVE PAYMENT, DESIRE TO PROTECT OR PREVENT CERTAIN USES THEIR OWN WORKS ? OF THEIR FOOTAGE. SU BERlSia^c " V V 4 w/.' WANTED TO MAKE A FILM I CAPTURING A PAV/NTHC LIFE OF NEW YORK. My DOCUMENTARY WOULD LET THE. CITY SPEAK FOR The gaps BETwffN ITSELF Rich and poor, THE M/X OF "HIGH" AND "low" CULTURE - THE HUMAN COMEDY (ORIS IT TRAGEDY?) /' 5 6
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