Bob Dylan's 1965 Appearances - A Documentation

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3 Rumored 1965 shows
5 1965-01-29 Municipal Auditorium, Springfield, MA
6 1965-02-10 Rutgers Gymnasium, New Brunswick, NJ
7 1965-02-12 Troy Armory, Troy, NY
8 1965-02-14 State College, Bridgewater, MA
9 1965-02-17 The Les Crane Show, WABC-TV Studios, New York, NY
10 1965-03-05 Convention Hall, Philadelphia, PA

11 1965-03-06 New Haven Arena, New Haven, CT

12 1965-03-12 Taft Theatre, Cincinnati, OH
This is an attempt to document all of Bob Dylan’s public
appearances in 1965 using only contemporary sources. 14 1965-03-17 & 18 Syria Mosque, Pittsburgh, PA
Another purpose is to debunk at lot of rumored dates that always 15 1965-03-19 Reynolds Coliseum, Raleigh, NC
seems to be included in 1965 concert listings online.
16 1965-03-20 Bailey Hall, Ithaca, NY

At the start of 1965 Bob Dylan was well-known as a ‘leading
17 1965-03-26 Ciro's, Los Angeles, CA
protest singer’ and by the end of the year, a full-fledged pop star.
It’s very unlikely he would appear at a concert hall anywhere 18 1965-03-27 Civic Auditorium, Santa Monica, CA
without it being mentioned in the local press. 19 1965-04-03 Berkeley Community Theater, Berkeley, CA

The number of contemporary reports that could be found varies from 21 1965-04-09 Queen Elizabeth Theatre, Vancouver, BC
almost nothing (Manchester, Buffalo) to almost too much to cram into
these pages (Burlington, Toronto). 23 1965-04-23 Public Auditorium, Portland, OR

Should you have additional cuttings or information, please pass it along to whoever else 24 1965-04-24 Center Arena, Seattle, WA
is still researching the 1965 concerts because I’m so sick of it. (I hear the clock tick.)
25 1965-04-30 City Hall, Sheffield, England
Damn, I forgot to include the press conferences…
26 1965-05-01 Odeon Theatre, Liverpool, England
27 1965-05-02 De Montfort Hall, Leicester, England
28 1965-05-05 Town Hall, Birmingham, England
29 1965-05-06 City Hall, Newcastle, England
30 1965-05-07 Free Trade Hall, Manchester, England
31 1965-05-09 & 10 Royal Albert Hall, London, England
32 1965-06-01 BBC TV Studios, Shepherd’s Bush, London, England
34 1965-07-24 & 25 Newport Folk Festival, Newport, Rhode Island
37 1965-08-28 Forest Hills Tennis Stadium, New York City, NY
39 1965-09-03 Hollywood Bowl, Los Angeles, CA
43 1965-09-24 Municipal Auditorium, Austin, TX
45 1965-09-25 Southern Methodist University Coliseum, Dallas, TX
46 1965-10-01 Carnegie Hall, New York, NY
48 1965-10-02 Symphony Hall, Newark, NJ
49 1965-10-08 Civic Auditorium, Knoxville, TN
51 1965-10-09 Municipal Auditorium, Atlanta, GA
53 1965-10-16 Memorial Auditorium, Worcester, MA

54 1965-10-17 Civic Center, Baltimore, MD
56 1965-10-22 Rhode Island Auditorium, Providence, RI
57 1965-10-23 Patrick Gymnasium, Burlington, VT
60 1965-10-24 Masonic Temple, Detroit, Michigan
61 1965-10-29 & 31 Back Bay Theater, Boston, MA
63 1965-10-30 Bushnell Memorial Auditorium, Hartford, CT
64 1965-11-05 Auditorium, Minneapolis, MN
66 1965-11-06 Barton Hall, Ithaca, NY
67 1965-11-07 Music Hall, Cincinnati, Ohio
68 1965-11-12 Music Hall, Cleveland, OH
69 1965-11-14 & 15 Massey Hall, Toronto, ON
74 1965-11-19 Veterans Memorial Auditorium, Columbus, OH
75 1965-11-20 Kleinhans Music Hall, Buffalo, NY
76 1965-11-21 Onondaga County War Memorial, Syracuse, NY

77 1965-11-26 & 27 Arie Crown Theatre, Chicago, IL
℗2022
79 1965-11-28 Coliseum, Washington, DC
This file is meant to be distributed
freely and for free anywhere. 80 1965-12-03 & 04 Community Theater, Berkeley, CA

83 1965-12-05 & 11 Masonic Auditorium, San Francisco, CA
BEDSEDK 84 1965-12-10 Community Concourse Theatre, San Diego, CA
~v= ...
85 1965-12-12 Civic Auditorium, San Jose, CA
86 1965-12-17 Municipal Auditorium, Long Beach, CA
DESEADCH
87 1965-12-18 Civic Auditorium, Pasadena, CA
TOO MUCH PAPERWORK 88 1965-12-19 Civic Auditorium, Santa Monica, CA
Rumored, canceled, unconfirmed, and unlikely

January Provincetown Playhouse, New York, New York
Early January
Dylan makes a surprise appearance ar the Playhouse on MacDougall Street,
performing some of the material he is due to record for Bringing It All Back Unconfirmed
Home.

“Bob Dylan: A Life in Stolen Moments” by Clinton Heylin

February 13 Carnegie Hall, New York, New York
TRIO CONClRT . h C.
---/t'"WltlJ--

Canceled
s-...,~1-.,,e. ..... ~
_,nn,...._•-0*1'..n
4J0f. ,.,U- •Sc-.CN. T,.....c -'I«M,,,U.. ,I,•.,' I
1964 Newport Folk Festival program

March Westport, Connecticut
At one concert,
a year ago, at Westport, Connecticut

the closest I got to him was to be
waiting on line to get in, as he was Unconfirmed and unlikely
whisked by, by a covey of policemen.

Dave Morton, interviewed by Robert Shelton, early 1966
March Trenton State College, Trenton, New Jersey Unconfirmed and unlikely
March Princeton University, Princeton, New Jersey Unconfirmed and unlikely
March Buffalo, New York Unconfirmed and unlikely
March 21 Capitol Theatre, Ottawa, Ontario (with Joan Baez)
DAN
This was a Joan Baez solo concert; it actually took place on March 28.
No mention of Dylan in the pre-show publicity or the reviews, AIZ
I
he was touring in California anyway.
-·

......
SUIIIAY,
CAMOl
Tlhllf

March 24 Pittsburgh, Pennsylvania (with Joan Baez) (Afternoon & evening shows) Unconfirmed and unlikely
March 28 Berkeley Folk Festival, University of California, Berkeley, California 2 Hanh 1965
Dear lob:
The 1965 Berkeley Folk Festival actually took place between June 23 ••r•
and 27. Bob Dylan did not appear. W:e~ .. : , ~ontMceC :att: OrM::a,r:y Anen :Ptoi·ll~ar~'•~ :in :O.a ktlaalnkd -but youw ith IOIMpl~•
briefly you at ~
WShe elbtoavne vfzo:loiluto wlfd.!. :caybobouur: t: v:o:aotx k:d tha eln ctel ..th.• ftionrt thel p peyaotu •c:vd.o~• yc, e~.warnh: i.c-ho: u:rl~ o·brr ayat -
TBF-E ORILDK KE.u LnrEv.Yu. ~BF EORILDK KE.u LnrEv.Yu. !~th:e~1y :.a~:r0et. n,.d C1. .: td1 ;:r~i &••, :ht.~ rd0 :. t~~r:: :U1t:t11: t;,:br:rJ !t!!:;°!Cf::r! ~96,:°~eod~ b!our .. ,
MFl'DE.J'SUIIITDSI·-JV..:.C-A.n L . .. MfFtl.EJ'IUSIITDS·I-J-V :.C.A. DLIN I !aIy ..o&:hu:•arr: v a1en~t adh~ yo=bp•~ tui=od,=lu ntt~o& ~ b ••a !r:ve•ua,tn ~ iuJ upba oat d~nydb ev~tc1aia.tlubkr H .v•: l i t!cb,ud 'ot!a~ntl'nt!u : :ol1nlnka 1et.h ,e.e 1,. l lC:flnopoarldy no ~cu daru l: rFU:inH.gnt. iav: a:o•l. n: .•ean ·o!-fr
Blau.akt. eyl. -. ,z-1 1t oPrH ytiovualr. infPoaxrmbea.pt1lo n)" &OUn JdVoI-IJ••l 111 lticr in a brochure fro.
~ ~T!.1:!~-:n:O 1!"!~~!.,~,:~!~tl•!!c~i·n~ =~::•'
~ao 1to ~,p :.. =k. ·=Ea~c·h· s1.t:anf:fl :--='Hr• r. h houH4 • block° tz-°" the campua
t~~ eat!!~:J':~i~l.!:t,!:l~.:n ~ ..
MIIE mm . flll llCDOWEU •:•: !NaCr .fo:r: :mtt: ;p:rro~alr~-.=.. -~C~ba~rlHr ;:~ See.a!•r: t•. .:a; ~ala:o! ~• !r;q.~ublaiZld' raenta' f•f -·
S.111..., ... --
uDImIIIT,D IEcn o• La w. w111 0 1,1u1WmTY W~!-iU ld llke to ~ riu an luvi:tat.t.i~oni r't~o b:e• w:ltthd ~ut :th!br ::ybNi:r•,
:ic'!~o;.~!u.!.~t!e::b
DI Diii • IIIBTT - to comiaa·
-----
A'"T'_ T MI. ..'1.N .IY.U,.... l ff'.t ...0., _CtAMltrOlt.I .IJ.U..A.. If you ha"• que1t1on.1 I !wt:ou1l~db0 a: ·p!~lN :H:r,d~ rto c t!hta'Y.e! ; ysou aca!:ll can:1yt~lM:: _
i:rU:~!~o~~;!=tr c~!c:4
t~•U-lfO·IN·~fO••-'u!•~11'1!;'t!1!1t.UcI!IM: ~ balal lno&=f cowenbto atlc taerad: :tffoaoa':ld:' .!Utrbarhr. "vy:Ni:thr: '~•o u~rP tH P. Htivthaall., but V1a rlnoouw1 kanrotwht 1t hat,a,.u
lULlalt.,._ • .,._..,_,, :!~ u,. 1 .J:!~!~p~~i:a~r=t~~!:!k
auttarht. with
No reply fro. you b expected to tbil lettar--1 vill be ln touch vith
Hr. Cro, ... n. 1 1lncaraly hope you can co- to Buk.elay tbla June••
Wedneaday, the 23rd th.rouah Sunday, cha 27th.
IHt .... rd1,

lGl..oa.bm..a . e,r"Drn' a.yl.il .al ,.ln..D e .,e cl/iovN eevAr .yCY roorkH •an

Letter from festival producer Barry Oliver

May 11 Marquee Club, London, England
Dylan is rumored to sit in with Lee Hazlewood during his set. Hazlewood was most likely playing residencies in Los Angeles folk clubs at the time.
Appearing at the Marquee on this date was Manfred Mann.
MAY 1N5
PR08RAIIII£
.. WUOOUI lntlT, lOHOO.. .. WI (C::l•" '")
Rumored, canceled, unconfirmed, and unlikely, continued

April 4 or 8 Seattle, Washington Unconfirmed and unlikely
April 7 Community Theater, Berkeley, California
Dylan was rumored to be a guest at a Joan Baez concert, their last performance together in 10
years. However, Joan Baez played in Miami, Florida on this date.

October Orpheum Theater, Madison, Wisconsin Unconfirmed and unlikely

November Antioch College, Yellow Springs, Ohio Unconfirmed and unlikely
November 13 Ohio State University, Columbus, Ohio ·-On Other·····---·-,

[-·-··-····:-~·=pusesj

Ohiu l nh••rl'il)
or
\fter wttk,- raging comro-
Hn4)', rhe Camvu" .-\tfui~ Commit· Canceled
tee al Ohio Unavenity decided not
to allo" nob Uylnn to AJ>JM'ar on
('am~Ull ~O\. I:!.
\t the last minute, Uylan was
offtrf'11 JJil,0041 by l'hi SiKma l>flta
fraternity AlthouR"h :a petition
~armg 2,(i(..CI ~ignatures collected
In ju11t a day and I halt v.as sub-
milled. the l'ampu~ Affairs Com-
mittee was teary or widespread fi-
nanrinl injur)' "h~h might o«ur
if Uy Ian. "ho to e\·erybody's sur-
prise is currently touring the mirl·
\\till, DJ>J»eared that weekend Hf'
would hue performed at the t:ni-
versitr the snme night u the Nor-
man Luboff C'holr.
Despite argumenu by a Phi Sig-
ma Oelt.a spokesmen that there
would 1M' no finunt'ial ,njur)· in
vclved - the fraternity is insured
aJ[ainst. any possible 1011 by a ftrm
in C'olumhu1 - nnd l'harKe~ that I
:t!h:'e~ ~CN A~l>C~ n:w~"a·;s~ "\i~n:se Jns:i~t:i:v•ie:~ ~teoe atu
N'-

November 16 McCarter Theater, Princeton, New Jersey Unconfirmed and unlikely

December State University, Seattle, Washington Unconfirmed and unlikely
December 8 Pirate Stadium, Costa Mesa, California Canceled
FALL CONCERT Coast signs Dylan contract;
Bob Dylan coming to Orange· Coast
Fall Concert set for Dec. 8
Bob Dylan, renowned folk onge Co a s l's fall ccnecrt. year. Both the Arts and A:1· Coast has signed 1hc con· According to l\1urpfly. 500
and roll singer. will be the '111e 1...'L•ttcert will be held Wed· semblles Commissioner and tract for roe Bob Dvlan Fall scats on the field will ~ell for
sole artist' appearing at Or· »csday. December 8, in the I anticipate a very large turn- Concert, to be held 1.Vednes· 82.50 CJ<'h. 2 000 :\SB seats in
Prrate Stadium out," Fred Ruf, head Hepre- ~JY. nee. 8 in Pirate Stad- the stands will sell for Sl.50
Rally, dance set vhAyc. coArd rin tg s oton d ShAaswsne mbMliuers· ssetundt<a.t'Jllvtse tsoa idp urHceh asuer gedl' hae1i1r mm".S ome or th<! best seals ga eseaacths , o2n.5 0t0h eg efanre rasli deps u obrl thi ec
for homecoming Commissioner, tickets will ,:o tickeLS a, esrl.) as JJOSSible to students for as much as a stadium sell for SJ.50 each.
on sale next Friday In the to insure good seals. dollar less than other sears". and 3.000 general public seats
aSl1ntu Fdd aee.snrmtottv l. lt t"leb'Cisan enn,t lt seatram . rt rothcA:ikett ftBIahienoeld o ksCstsacotaonntrdcses e.r. nrP nrdSi cstu$erd2se e .ffn ootr $r 2 s.t58ch0a e tos Ddf oIynyr · ottuan k.nl.eiy 1l ) a'h Odotrovpa aesne ngeate lal Bg Cees.~ot ou ufDnd tt)eyh nJ iotsnsa poIwppn ep1ah1o1lr ir· · Aamcr"icstOsos irnodlanyinne gdri .n tAtoh seSs ehbmaowobknlis et'so.\ rtue Crpwohmiyll-. nwtaeik·la·lre rr e srae ladlt haefts eot'urs wtdaSehd2oni u0td m0< . d'.c?eoscsncein'rln.e gst eor ttoo
noon "The Riffs" Jlook holders will get a 5<I a nee." Hur continued. student tickets be 1..'n sale", OCC, he should buy one stu-
dance band. and song cent discount U1 all scats. The t'all Concert Is an ec- Murphy said. Tickets will be dent rickct and one $1.50 sen-
leaders "ill perrcrm · This is the single most ti\1ly sponsored by the Or- available in the booksrore on era I admission ticket, and both
in front of the Audi- Important aetiv lry of the ange Coast Student Council. Wcdnesrtay. xov. 17. may sit In the student section.
The Barnacle, October 29, 1965 The Barnacle, November 12, 1965

Dylan debate end.:aneedng the purr,c,R" or
polr tvu.onuiltdy tlotk ep oloi ntta koeu t anto ompe- 1t1h.'eil le e"e°c' ecrht.a °nngl{e' . ttTcknecyt phriacvees
de.Dll:yhvdy1,Fa. lTialintJurnhl1sw. ae1tcUt ,lic to1 amn,nonl1olnd l t.l wclmaO)okCeoc<tnc t.,..etd_t m r eeItSmf n1i. .nult.,dlli uhdll Il!hln.t l molTtlhiholsee-b- ebbCltel.lT.e 'e.t hnnrae cons lr1ed, Bt lahbatn!)mhs'd e t aeM1de1..e,a Uas\c d terummredtimin utonlss~rrult r ,Ca·i..CJ)1 UWtban>t··ol Concert Ca lled Off
\!.Titcroft~I article! de!finite- bear in mu,d that Orange
ly JeopardJMs our c~nctK w CoO!l is f.l.LpJ)Oltct:1 by com- COST A MESA-Folk sin-
obl4!n tum when a conlracl :~i17atr~/"!·1J"th;·~bll:~
Is still beln& ~collated Sec- ger Bob Dylan ha9 called orr
ond, I ~UiiHl C\al lhe Bar- 1he public "'ilicllp :iy, for our
n•laocnleN Sr 1w•vi!tehw ,.t.1h.e1 1roane tst o mMt'nr-. ct1dUl.tLol' Jt.thic:1n1. tWlde-i ::cmlilu wsitl l ablseo sorel·d his concert ~eduled for Or-
tTOihuhyilisrltdat d.na r;I tnt si co"aln'~ue} ' snn•uooTbrOls t inaWnnooflltoll n relm eI eemdrc. eaoocnnft-· . oa•lnil llcl t2'taumti.,sp·.c u 1t,S hhte1i n:t!•dl· •rl a?tItC: . c1rM1alucuWlrr;!;pn ha1•yl , adnagye, DCeoca.s t8 ,C tohlele gceo lWleegcel naens--
ncr by :,ny rc1:iorl't'r ,.11 tht Co1nmlAloiter• I arls . nouncecl.N o reason was giv-
8:trnacle. and as,e.1nblif'!i
With the pn>(l(..Y publicity. 3 en.
fnsbcieaordhtne nusetl,ey lrbyentu t nwtM biwteedhne: tenMtIn nt ra ua. nmp Onrcbyeoeelsunra encnno cetfmee tddl phW e o:1rt\lo--C·1 ,retaMTr lh1.lrt1 ."3uk';1" ••~111r,t1: U.,l xI'.Cr.o!,f S t Cl111Py.h\ /C1c. hUI .,.a!·! .r\ulU" lttdrtr·t. ' Los Angeles Times, November 25, 1965
mthea llScHtud:,efn'.rta cBt omdya alna ersu, cith ba I1hanlTl lh e~C ·kH:p:koet!itIn rtl p orwlrc ee1r1he e fPolOtr tU lthInre 'lD*l'n"ye'·
'*'Ith rc.pectabl(' ot1l1fide com·
mertlal prk.-e1. LMVue .r(ed
rtto1111kkr:1tio, of the pricu
lor.1101>s~r.11ts.
r:\"Oitr u11tmc:11t th.ii 13>.·
,YUI 1nlfht t .. be t•Ofllid'!'red
m11kln1 the! ptke M.'IINh11t
bean no ~debt. as JIOfle or
Ille c.upayt'ra' moot-y b ,,tine--
big JN>ptrdl.ted In Chis
lllrt. The fflOMY Is o:dulni-
ly the 1tude11ts' ud lltty. lor
tfh1e1 ndrlibuk: 1•t1h1 tcyo anrtet n.l aokul•,&:h t b•)•'
profit fro1r1 It.
You mention snl'nl mls-
ltikes, he1o1·"·,r. only GM lm-
~~~:itl~ ~:!!~11~! ~
~rnbtr 8, 11et IHcembrr I a1
italdintflrll'«er.
Jack C.lulppell. l,;tlltor
The Barnacle, October 15, 1965 The Barnacle, October 22, 1965
Municipal Auditorium, Springfield, Massachusetts
January 29, 1965

BOB DYLAN --.: -B-O--B-- -D--Y--L-A--N---'•;, - I BOB DYLAN
I
I •' !. .'
at flf ..
I
MUNICIPAL MUNICIPAL·
at ',
AUDIT. : AUDIT. I
FRIDAY . FRIDAY Municipal Audit .
JAH. 29 .JAN. 29 ·
8 :30 p.m. 1:30 p.;n. I Friday, Jan. 29
8:30 P.M.
I
Tickets $4.30, $3.20, $2.10
u.10· I GET SEATS NOW!
Tlckeh S4.JO, SJ.20, S2.IO Tickets. 54,30, $3,20,
GET SEATS N(JW! GET SEATS NOW!.. MUSIC IN THE ROUND
MUSIC IN THE ROUND MUSIC IN THI· ROUND
ll HAMrotH ST.; SPRINGFIELD 23 HAMl'DlN ST,',' SPRINGFIILD I U HAMPDEN ST., SPRINGFIELD
I_ -

i
'f : .-···-·-·--·--······-····· ·······- ··--·--·- ,Dylan Entertains 1400.
,: up Rt,h ()ylan ;mcl lhl' "nl'\\':
:'·hrrro.''
\\'hl'n hr'~ i::ot an nxo lo:
· .i:-rinrl hr 1l01'S ii in soni:. Iii.~; In Shy, Friendly Way
lyril-s an' (11•q11t'nl ly sh,1r11 ..
, !)~·tan n•,·1•ntly Jninr<I Col11111hin:
H1•"1"ls 1111<1 his now nlh11111 is1
,•nlitlr•,I ".'\11oth1•1· Si1l1• o( l!oh:
I >~·Ian." 'l'o ~i\'r ~·1111 a look 111 j With Bob Dylan, it's his style strumming, the repetitive song
his "olh,•r siih•" lh!' tllh•s nrrl lhnt Impresses, lines and rhymed passages.·
•· ,\II l l(loall\' \\';1111 In Do," And t.hC? 23·~'eHl'-<>lrl Duluth, In nn uge where mosl people
"Hl:1o·k Crow· Bhu•s," ":-pall·
i~h l l:11•!,•111 lrwid1•nt," "Chinws1 Minn .. cnlcl'ln!ner who pl11~1cd lo nrc shouting, DylRn has ·made
.. r Fn•,.1111111.'' "l Shall ll1·1· a house o( Rhoul. 1400 persons nl· his murmur dlsl:lnctly heard. He
· :; ·'·· ·l~~b·tro,,•·hk,•,. i -pl.'~.a;y~.d.,. •h,l. "I ll," ~"Ii "h'1'll'll,1lu :lnl"'HIt ':,1"1 1t1lo,•nl"ia,~,,"l·y1 • 1 :nMigunhllc lplmnl nressAcus ditcorr.niusmld NabFl~r'i·d ay dfoorclsu nnnotet Jyl.i ave much lo soy, un·
I Yon." "(:.111:ul in !'lain I>," a0mt' I Not Vor.,· Lm11l .ProJecting R sincere, little boy
:. ,II ; "IlIl n,,\•i n't1 hi1:11\h: • aHbaohu1•t. " l~>l> llylan- He Is II comro1'.tuble, Mlcldlc mn111icr, 1'11c blue~ye<l, curly
,l'•>lt'll lisll'n 111 1•,·1•ry wonl, or:I West folkslngei·. brown-haired Dylun a.dds lo· his
· . nt h•asl n>II .,h,iuld! One !hilt doesn't open his chllcl Image by wearing a little
, · B, .. , 1.;°alman ur )!11,il' In lhr motllh very wide' when ·he sings, b!'own jacket and· blue peg
· : Rnun,I nn llamp,h•n ~I. r,•pm·ts!
:'I:( : ,,arlv tick111 ;-;:ih-~ ha\'r ber-n he pcl'rorms neither the Inst, pants.
non u,·1,As l verv rn1.·t,uraJ,:in>,:. .lerky nor loud. country music He nc<..'Ompenies himself on
Our ol lhr h•mlin~ rxpunrnls I : Springrirlll • C...u ll,•)•. :r will hr.-, I songs. the? gullur and occasionally,· sl·
"' wluu ntil!hl hn le1·11H•d "111°11· i ,·,,mr ral'hrr folksy ~ann~t.,~·, lnsleud, standing vepy close to mullRneously, on the.· harmo'nica
hr,,1•11'' rotk sing1•1·s. Buh Dyl11n,i r\'1•nini: wh1•11 111,, hllll'!!l'<l~s !'X·, his microphones, Dyl1111 dcllv· which is held 111 front of his
is "'min;: lo lown Fritlay llw' · 1->111•nts lakr 01·,•r )lrm,dal, I
:.~llh r,,,. a t·o111·!'t'I al th1• :\!uni-: 1"i1•1d lln11sr. crs songs or trouble In I~dcn and mouth by a rack oo his shoul·
cipal 1\tulilot•i11nt. ' · I.rd bv B1"wnir :\l!'Cih•'<' nncl horrlblc Wl\l' dreRms In a quiet, dcrs.
()~·Ian has h1•1•0111r lhr l':t!!r · :-1111ny 'l'!'l'l'y. thr "1·a~1·• in-: unassuming, almost shy style. Typical of his selections were:
of lh1) 1·0([(,r h,,11s1•s lh1.-111:h11ut, vludes Rev, 1:nry Davls. Rar-
lhr m11111t·y. r.sprdally in hc11·a Dane, :\li1<'11 Grrrnhil'. nncl Whal comes ncross l.i; n gentle "SLny All Night," "It's· All
lirrrnwil-h \lilla::r. l.asl sum-· John tkunmoud. Jr. tSrnior unrlerslalemenl: that bridges lhc Right, Ma, I'm Only Bleeding;!'
mnr I~ :tt>JlC'arrol ru lhr Nrw,: · ll:111111tnncl. hy th,• wa~·. is gRps between him and his aurll· and "Ain't No Us-e to Sit and
,plnorrlvl 1C-'oollkl insf 1'samti1l· al Buarlrty'll J: Sitwi1i1t1hr!:l '0"1,1"lts'a. \ lllb'"iis: " 1h1a, \ 1><C'r,,,.l01111m whihao "RrlNis'-· cnce to create a warm and Wonder Why.'1 He sang U1em all
Malir in whnl wa~ hilled 11!1 al1 : c. . 1wrr<I" f:1•nr. Stti!l!'l warhlini: I fl'lcudly atmosphere. . In an cmjoyable. way.
''hroaclsidrs workshop." nl th,• \\'a~·sid!' an<I sii:m•d him The llsle1ic?1· trust!ully 1·elnxcs, Dylan reminds one? strnngly of
Basicallv "broadsides" sums . 10 a Columbia 1,>1111·.11·1.1 . knowing his car dr·ums won't: be the type or youth who Is usually
Springfield Union, January 3, 1965 assaulted wllh a lot. of glillai· sitting around the camp fire oC
slapping and foot stomping nols· the wagon u•aln singing and
Youth for Dylan es, . . .playing his gill far· du1·ing a· lull
Tins lulJ Into frlcndllness. ls before. the man and woman start
Sir: Saturday morning, JRn. further accomplished by U,e talking of romance under the
olln, WB.o bP . DMy.l 11wn'1ro te petrhfeo rmar1t1lncclec mo1'oton)' o! the alow iuitar trees, · · w. P. M,
nncl I nm Vt\l"Y ~urpt'hlcd!
Diel W. P. M. listt't\ to Bob Springfield Union, January 30, 1965
Orlan and his ll'Ol'<b? l~llat did
he men." by saylni:: that Bobby
Dylan didn'I say much?!!
Dylan ~ said more than
11n~\\lle else hns dared to 111\Y
11nd his style is 111ml puts his
messai::t> aeress fh,nly. I 1-enlly
don't tllink Bob Dyl1111 la the
type to sit around a cnmf)(h·c
nncl •lni: to II bunc,h of plooC('l'S,
' He I• ,unf:in,: to U<···IO Youth--
'i""C who 111-c being ,11·c1>t 1111 Into
-lthe mcs•y 11-ortcl thnl man be'"·J
lfor(' u• hn• c1"t'11t,..t. o,·lnn
·'.•is;ia~yin g whut we Rl"t' 1111 h}'lni: to
nnd 11im1 Wt,; are lislenini:,1
I LF.SLlt~ W~~RNICI,
·. ,· Longmcnclow-- --

Springfield Union, February 6, 1965
Rutgers Gymnasium, New Brunswick, New Jersey
February 10, 1965

Bob Dylan

Folk Singer At Rutgers For Benefit
NEW llllUNSWIC:K - Buh or his songs arc nvuilnble on expenses will be given lo CAP
Dylun. the y1111n11 lolk sin::,·r rcc11rd., whidr hnve become tn enable lhc N,·w llnmswick
and l'11111p11.s,•r u] songs, will ll!'sl sellers, Prominent urtists community orgunizulion to
gil'l' u l'11nt·,·rl in the !11111:ns sud, us Joun ll11P1. have mndc continue itR severul projects,
liy111 on Wcdra·sday, Februury his songs pnrt ol their roper- ull of which involve tho J!C!oplo
10. al 811.111. tuire, irll'luding "flluwin' in who I i v o in tho downtown
ur
Only 2~ y,•ars ag~. llylan lhc Wiud," "MuslNs nl Wur," rcsidcntiol neighborhoods.
is om• or the most creative "l>1111't Think Twice, ll'H All Tickcls to the concert are
ar11~1s assul'ialC'd with the Hight" nnd "Only u Puwn in n1•nilublo by muil !rom the
11p,11rg1• or interest in folk· Their Game." C.:AP ol!icc, 108 Neilson Slrtel,
,ouJ!,. llis n. .• mhliou..; o( sumc '11rc concert is being New Brunswick, tho Rivoll
RUTGERS GYM FEB. 10 8 P.M. sponsored by Sh,dl•nlH in Music Shop und Yursily Music
TICKETS U. 13. It Support o( ('Al' ICommunity Shop in Now Brunswick and
BOB DYLAN l\tall orden lo CAP. Aclwn Prujecls), 1111 urgunizn- Iha Princeton Music Center on
169 ~·euson Street, llon o( llulgcrs nnd Douglass Palmer Squnre. Tlll'y go for
CAP Projects NCehwe ckBs ratne.i "•"·kSkI,J CATPtl . CG,4o:';n·'2c71u ll" st II cl e n t ~ . Proceeds niter J-4, $3 or $2.
Tlcteu alse at Rl•oll a.nd Vanilty Sunday Times Advertiser, January 31, 1965
~•••le Shops, Rut.at,.. Concerts
Will Benefit aftd l.1tctures officf'\ The t.eeee.
DourlaH to4tnl C,ntfl'r, Prln~t:·
••n lt111fc Ctnllr, Bro•lt• Record
Sbeo. Plal.nfttld
From Concert Concert 1ponsoud by Rutrer1 anti.
Dour1au 1t•dtntt In 1g.pport of
COlnft:SITY ACTIOS PROlECTS
The concert by Bob D) Ian in
the Rutgers Gym on wcdne-day
at 8 p.m. will berefit Commun- Concert at Rutgers
ity Action Projects in i\clf
Brunswick.
Dylan's record are best-sell- ·Bob Dylan: Authentic Voice of ;,otest
ers. llis songs, including
"Blowin' ln the Wind," "Master
of War," "Don't Think Twice,
It's All Right," and "Only a Regarded !U the "king" of To say that Bob Dylau Is im-
Pawn in Their Game," have be- protut muaic in uotflrkl pressive· would be an lltlder-
cmoamney pafrot lkosfi ntgheer sr,e peInrtcoliurdei nogf circlu, Bob Dylan appeared sbteattteemr ewn.t.;. d.o Cvelorwseb-eulpm, ihnes miask eas
Joan Baez who appeared at Rut- ltut 10etlk l>fl/ure a SRO au­ quite an appearance. His skin
1ers last summer. dimce of folk t111tAMliaata at iiss ttoooo lownhgi.t eI, t tvoaop pealyle .n sHeims bhlaeisr ·
Sponsorznl( the concert are Rutgm­a Uni1/flraity, Nn, the mane of a bQ,se tlrat's been
Students m Support of C\P, Gil ·Brutu1Dick, in a O!le­ffiGn out ill a dust storm. But for all
JLuuddyw iBge, raz ojunn. ioa r jiunn iRour titne rD, oaunzd- COftCflTt aponaore4 by Com· othnee esxtiltlr emgeetns esths e Ifne ehJims i p.bise eI.s
lass. arc leader-; mumty .Action Proj«u. 0u1' sincere, real, honest. (After con-
Other CAP proJccb for which girl, Sheryl, a Dyla• frzn sorting with that audience. of I
support is being sou.i:iht arc a wishful - individualists all night,
is-week nurserys chool pro;:ram all4 avtl&ority ­ tMl'fl to this _, refresblns).
in the New Brun wick Homes COVflT the event.
"C·
Cmoomrimalu Pnaitryk wBauyild. hinoqu sinn~ea sru rvey By ~EVANS shOorlltJ at ndC dOiNdnV'Et RamSAoTuJnOt IND . vwearsy ·
saoaunlndmdde mritm hecepr hrmorilevdaceriremnentae entnitao annncd acp mertno pe~rca rniacm ·nac«n~o. c fmo,a• r- TIWnhTi jcelhlk We m aolaourjbodmbirti:yot y :rit 3ouefmo af , 1dblsbew, edN ueces wre-m r-t Bsobb robuwoeotasds,s. - aahmlbirsueo acupdhtoy . he Itidr syi ds fceiadoennlvld'ent n clsdlise tatfehrrnOnainDt gta I rnebIyaDatd bdinbinngisg' t I
munity nci,:hhorhood otuce and Jons hair, sweaten,O D the boys; songs.
olmlooaoaarrnrrssA c eg sttcp al ht tt5ecshnhzeprtoenio usrz npiiudoniaftrg e~onrupthn.iiist lb<ou taus'"mncrcR thte.feisua oon . t npr. aiil:ym:ril noc o tradrerogs,,d r :. raa e tathranahmenei erGz d e",csn e. d.,uo.ru , iJ rcdtcf)kC reloee1uet nu\uhm-dt~Pssese :- :dlsltab,niot,oktarod1 ogae8uibbrivs nee g,ipc a dhoh o.uPt nm mpap.t hlrrela.otas a nhn.gcA ie etrrdeatl ,a cnr mgr8lslsalai.: alr di1elnoo 5sadcwu .id to tnTha a eht sattoh sc e ,bely utlayos sonhcs c opelkorokrbeasue omwetllekadiseneskgeiddy.nree · plssto AtiaonN atmtDgheei nrngP.t s RB BOOosTBabcE lDcSD.l TeYyrIlL,Na AnhG Nid s o leplsnr· o l.atJ·e &ltse!tnsi '· . i'rt!aWc~w ;j ;ab m;ohWu;dorat;sdei&huthde s aat., n t .whth _ i'teterB_ ." i I botb.I is.eb O_en ald l&wi3ir_ieeD,-d vo vs_ y ,aeeat lo.asll hb.cn aieoi ltnp:'n;us"n uI' thst.t . s ew ~aa'I1ysa&ut i stt-n hbtiegneoev un ~gtmbehihceir.tys ,- I
lK'\leewin mBraunn sowf ic5k , Sistr ad!Ciroercdto rP lo f• leitg whta lbkleude stoh irtht.e asntada ber.o Hwne sjtaacrkt-- and well. Durin& the •mi:rJte Loew!s EMBASSY
spathcnrOeohd go fn rouaslg umrrsppe eprarohotyg ar stsrv c aahfmlbooueore e l C.n rtl ooht meh te h tnehau edr Cs, ae l\ldr'PCy- ·Werclbecdaeim tc hihiJnste1b id1nms epltdchlfe&or'or~no m·d mu stslh nc eroo ttahp apbe~ pO I IlDO·a auelul sllddedi e emsnspcutehilidt.le el ~B1obeb bLeys e C~Sroanye: sS:h oBwe o~ a ~W ABC //J,jQ1I(1" ..- .:PJ,H. •~·,° .-..' *~ . ..1. :=IS <·. 'I•,i1:i ~.' ':.
d' olsno. ryc hciocmr mcliitnteicea. l Dprs.) cShool lGoodr,t- bbeea t bweiacred preoxccleapitm inD&y ltahaa'ts "Tohffe. Dwyasla nth'se fsiarmst en leatwsto nrikg htet loefv Bisoiobn J,i ,'1'/~'11111.a;.•.1: .. . /l'',·' ,1 1'1'
of the Mjddlesex Countv \Jcntal Tunes Tiiey Are A'Olaqin' ". appearance. ~~~~and~~~~
Health Clinic, has been chair- Dylan Is an "ID~per- 'Ride the Wild Surf'
man. Other members are Dr. former"; bis voice and mood Wearing·a maroon wool scarf I=====:~;;;;;;;;;;;;;~:
sHoarr ryo r Deudbuinc,a taitsJsno ciina te! \p"cr-o..afcrk¥ adneda rmere aInn inp&er scoonm lell aaDc roons sre JcIoIUrdC.b hwirsa pwpiet dw sans usghlayr apb aonudt hpirso jneecct1ecd. PIX m.,.:a~YL
SU.le College; llrs. Robert Her- Rl5 wit seems sharper, hisdisap- to a divml aodience. Discussing
mnoamni. csd niurercsetoryr socrh ohool m,ne Deocuog­- wthrei tems aannyd psrinogtess t abtohuetm, eDs ylahne ~1Ho1-Arta- .H.E.- .l..t l.ll. ......
lass College; Thomas J. Gates. summed up his messaae ia one •I .,.. 8ittaf ,.,.,,. ...
assistant to the dean of students wont: "Be." &erfeloclfNS- i
taenadt. indcir eact tothre o Nr ecwouanrkse Clinogn eagncds ,~·,~: . ..-.,,,_:=-~~:.:..\ :, ::.' ~, ._3 I ..... ...,.,., 1
of Rutgers; Carol Millsom. concert he protest« apilnt !'0- j "IT'S A MAD, j
lecturer in the department of cial injustice. senselessf a.r, nu- I MAD, MAD,
psychology in Douglass Coll<'~c; clear war, discrimination, and i
and Mn. Patricia Paulu-, ,,,.._ phony ~lity. He defended
ctal leacbel' In the Franklin !t-iom, individualism, c:bange, MAD WORLD"
T~p public &ebools. reform. and truth. IN CO~OI

The Sunday Home News, The Jersey Journal, February 18, 1965
February 7, 1965
Troy Armory, Troy, New York
February 12, 1965

BOB DYLLI
"'
THE
TROY ARMORY
jl,;da erseen
Bob Dylan, Folksinger,
FRIDAY At Troy Armory Feb.12
FEBRUARY 12 BOB DYLAN Bob Drn. !OU<sutatt • n d ponJ• l>la ..,.u..n, • Ila"°""'
8:30 P.M. -· will _., at l:lt Nl'lnoln• lhebamlooka ond
p..m. FridQ'. Feb. U. at lhe ,euitar. * • •
AT THE Tror Ar~.• * 11£ IL\8 A.PPEAR!D 1t
A~d,_- , TRIY lRIIIY. iiiT SICcblttEnTeScl 8d1y11 "a1 t buel t .,v.a..n.. .C_\ lr· Can.dr ds~ ltFcorl l: ECnUdy , CGlafael elhnt C~ocrwe
Si>t<ill S.iee S2.00 FRIDAY, FEB. 12 k1' Mud<:: Store. or lit lhe door Yort CttJ'i the (:atre l.eM,' °S'a",-,"1. '
Got, Pri<e, Sl50 t:JO P. M. tbo'! b•e•-.....w.,.f llCchl( 0Ilyle1 apner0faosrSmaonn cc • ..,. aSO-<, - «o>nfdf, . thbe uuH on
$2.00 ADVANCE SALE writlffl art ,.,,. by au folk· Front weec. Schtnectady. ne
VVTAA~JNI CC'IUVPl1i.l1l,A.,E1,f:~IIIIMN. 'U(U SsaKc: • $W01 SSTTAATTEt Sf fT . AICUKADNfTt C'TADT IIT-DOWTnM$T1NIIvtL2 1OCL:•..YTI5I:Ul 0l '. ANlOIGICJUMIMATT1O \UIT.mII:TIEC\:C' TOI :N CUT sc-~a donA dau.t malnJ , oo ~clahl&o na o. r_Bceb Meo irsHbt e et..em -yHeito,t h ehse t"P hmDMcawt soti brtnupUy ' tt·~. krPTBnf<tooautrwt.nme.t-n.tt '- wuacaolposIiwprdonde, t :ar1l' wrya1aa.lUnn de° Dla ll'mli lytlecCl&t MoNntdh ,le Yerw1ol'lrl'u, Mi YsgOrpOho.S oar "kurDC°tt l TeyO"l ht wOah·n ni« ·te h'rIs·Its 1 r~-cI.OmI, o.Dr YLAN _ BOB U\'LAN
1JIA ILTUA,TNI T IT. iTllW' Itnc ..C''h "e IWt'sin Adl,l" n";l,ft.,iri,d" RBaloinw"· .ua.ne_ lUnp~tr edalbnJ iyn spinsdil ted son, Bob Dylan
J ICH•YINtA NIICT TCAAUTOIILY I,I I T,N .Y. ao1db e"W 2i3l by Gtaord- oOJdn DOyWta' nS iadl'eC.O'' GI· wnter. -~- ---· •
Will .Sing
The Daily Gazette, February 2, 1965

At Armory
Bob Dylan folk singer. will
m-ike a one night appearance a1 ·
1
lhe Trny Armor)' In > sit-down
blanket concert at 8:30 p.m. '
I Frida,·. 1
1
Dylan is holh a humanitarian
' and a folk sin:C?r whose .songs I
i 1
ha,·e • poetic qualiti·. Playin~
, both lbe ~uilar and tl;e har· 1
• mnnic:i, hr. ~ings nbo11t 1odaj"s ,
!Ocja) system, lndm:jng iucb ·
I controvcrsJal topics a.s the ·
I hon1b, ci\'il dghls :.n,I war. \losl
i ol his sun~s arc urigina1 works
· .nd his music ha5 been rccort.1-
r cd by other biit name foll( !1ng·
: r:rs guc-h a.s Peter, Paul ant!
· ~Iary: Pete Seeger and Jol\n
r Baez.
I Among his more popula.r com
! positioos ue ··oon't 'fh1nk'
Tw!ce-lt's Alri;hl,'' "H :11· d
1 !!ain/' "The Timc-s-'J'hcl· AT~
i! ::.-Cha11~1n;• •· w :th God on our
Side" •nd "[llowin• in the
c Wind.'' Newsweek magaz.lnc
s has honored him ~is ··The C1uwu
• rrincc of Folk l\lusic.'"

The Times Record,
The YoUDI man wtth IOQI, brown; curly hair, tor Which he 11 IO i.mous, or lnfamoua, d .. February 6, 1965
dresNd ID a plain brown jacket and s11ctit1Y pendln, on your viewpoint, It ... med rather
rumpled blue puts .trode on to the atace trontc to bear ''Wlth God Qi OUr Slde," a
and beltJl &iDClDC "'flle Times They Are A cry aplnst the lunacy of war, bel.n, •unc ln a
'Cbansln'." Even the terrible aoou.tlcs of the 'military lnstall&Uoo1 Uch u the Armory,
Troy Armory couldn't completely prble the Dylan'• performance 11 not caretuny planned
volce of Bob Dylan. and 1mootbly executed to be a crowd pleal•r
Few men of hls ace are u controver1lal like that of, MY, the Smothers Brothers. Pe
u thl1 )'OWII tolk 11.nrer, and bl• actions has .a tendency to mumble hta lntroducUons,
dluppolnted neither bl1 admtrel'I nor bl• de- U he bothel'I to ,tve one, and hl1 1tyle of run-
t:ractol'I, Hl1 ltyle wu the 1ame u that on nt111 "WOrdl tocether ts ftne for recordln,1, bUt
hl1 recordl1 a combination of rultar and har· the quality ol the ampllfYl.nre quipment of the
monlca, of •lnllnl and talkl.n, ID a volce that Troy Armory Ju1t isn't sufflcteot to produce an
11 • • , well, typically Bob Dylan. 'fll• re1ult lnteWctble reproduction. Due to hl1 mumbllnl
of all the• cannot be described; 1t must be and the fact that he simply omitted two ver .. s
beard to be believed. The ftl'lt Um• one bears from "After Talkl.n, World War Tbree Blue•,''
hlm, the reacUoo wlll probably be one of dl•· tt 11 bel.n, charitable to call blm a careless
tute, but thl• u1ually puH1 quickly and the performer.
li1t.er beeln• to under1tand, at leut a Uttle The fact of the matter ts that Dylan's rreat,
blt, that thl1 man doe• have talent. and ID fact monumental, talent lies ID bl1 wrlt-
Dylan'• mo1t well received IOIIC• were bls 1.nr ablllty. He ls one of the few men alive to-
oomlc ones, tor ••mple, "TIMI John Birch day wrtttnr 1'&11188 from poetry, eJlalDl)les of
8oelety PannOld Blue•," "LOve Mlnu. Zero which adorn hls record jack.ta, to p,otut 90III•,
To The Ninth Power," and"AfterTalklnlWorld such u "It'• All R1cbt Mom, I'm ODl1 818"'•
war TbrN Blues,' where be lticks a barb Inc " to beautlful ballads llke ''Don't TbtDk
Into everYthlncf rom the pollUoal lunattc frl.nre Nee It'• All Rllht,"
to that 1t.mou1 American tll)Ort Rock 'n Roll. Dylan performed 1ut Friday Dllbt a1 tllouP
A pd part ol tu dol8D or IO IOIIII that be really dlcm't care what peap1e Uaoupt el
L__JfU. ............... .__..,-.,,._..,,,..z,n,:ltr...=_ln • the
The Rensselaer Polytechnic, February 17, 1965
State College, Bridgewater, Massachusetts
February 14, 1965

DYLAN THE PERFORMER DYLAN THE MAN
BRIDGEWATER
STATE COLLEGE by
SUE BAILEY
PRESENTS
BOB A moUey group collected at the
gym awaiting an early glimpse of the
undisputed king of ethnic folk sing-
ers. His devoted fans, skeptics,
curiosity seekers all became one
DYLA
eager audience - where was he,
was Baez with him, would he show
at all? Then shortly after seven
Bo~ Dylu by he appeared - the legend became
SUN., FEB. 14th PAUL O'BRIEN walking, talking, twanging, strum-
ming reality.
AT 7:00 P.M. The 1965 SCA weekend came to a successful close Sunday evening I had read that he was a tense
with a performance by America's most unique folk singer and com- performer, never really relaxing
ltT11lc ktei.. .\-1Mtr1u 3, .00lr l4F1.o-.r1 tMera lSl taOte rdce,1r1, . ., . panods ero,v eBr oobn eD ytlhaonu. saAntd 7 pPe.Mop.l et hep aduoreodrs itnot ot hteh eB SlaCr ggey mg ywme. re Ino pae fneewd iwnhge nto inb ef rao wntr oitfe ar m, nioctr oanp heonnteer, tcalianiemr, -
minutesthebleacherswerefilled and the floor was Uttered with coats
MNtr If rctt. h..t l!l't4 ehtc~ .. ,, n•• and blankets as the students choset heir seats. The area in front or which at first was faintly evident.
... .. StNNI ntlu ...... ,, ..... the stand was quickly filled by many of Ills ardent !ans. Many un- My attention, however, was focused
ttclflt vii, •11\IM, Jta•,14 t11tl1,1. familiar races could be seen in the crowd as students from all over on his lyrics and his style - to me
came to hear him. he was a poet, a minstrel telling a
story about places Ih ave bever been,
Al 7: 15 the doors "A-ere closed uo A "C" IS A "C" Ideas I have never thought.
the gym darkened. Without any The crowd was with him, hanging
BRIDGEWATER announcement or introduction, Bob IS A "C" on every word, as I was myself.
Dylan 1tepped Into the tllumtnatlon Then he was saying, "See you In
STATE COLLEGE ootainrfnd ua lhee enad tl fhonougrm slels n esswvpteutcor a tala- phlpimllglt1tihnuetsur.ee t edTs wh hedbi rycos hwail enclnooinuncgd-e bNyA NCY HARLOW atlirbgoohuutpst e 1fl5do iosmdaepidnp uetatehrsee," d gyamInn.td o thDaey lahsnmo uaeslenl
out the opening ltnes of his first room right off the stage. The fans
presenh song, did not leave their front row seats
BOB DYLAN eayrae~sl n otrah peth pelga yutmhseo ubstaeapcneadr mepdee o ospirllefe anbnte.d c oaTnmhceee cneuwJn utdoggnriasndg Ii nhfgra ovmeshy seataelrlmd c,t honefc eehwren altsnetgudld heedn lta• feaIr ibnegg atno ltoos el etahveei r tphela cgeysm. to find
glued on a slim young man with seem to know the facts about both breathing space, when a friend of
Sun., Feb. 14th bushy hair, dressed In abrowncoat, systems. A student opinion survey mine on S.C.A. executive board
white shirt, 'blue dungarees, and revealed strongcrtttclsms, but little approached me and asked me to
at 7:00 P.M. auede boots. Uslnr only a guitar understanding or the whole prob- come with him, for he had a sur-
8enTdo ic ..Mka nea ltls o:f OSrMdJleP.Gnra,O 1.0 a1cafenonlemdnAdl ct usnpel grhltet aa Danrsocym wfol aufohton1ienclr nyih c,1"c aeom,wn neoBo1tuiw1ornle bdhu . ie"cc0ed hrny ed1pMt oth I enI s bnipstenohlgago ayu,tne htd seaa twalHCoerdom aivtmreha.rxn ipnstatPgluagAtroideenfnsets e,n irdts geonimclavteo neealdn ldR eeocodrdftns iuintd,sr hgali1 endIeg' vdda Ia nUunfHaof ta kaerngme.mr edeaset n toDeic oteetniraaon yn, f g putwDhnrhyritoasillaetu n.g t'shhI e U prthesnruaeqil vruipazseteerseadit s i eoo rnfwoa wobepaml yeso , w pIge alowernei ned tg nowI tw t aaokald norbiednnewgsg.
Bridgewater :iate Colt'l!ge. gym. ~lttlng there In the dark, you both the 4- and 5·polnt systems H I became as nervous as one who
Bridgewater, Mau. forrot that there were a thousand I understand them and then present ts about to meet his maker, but there
other people In I.be same room: your some of the student's quesllonr was no time to collect thoughts or
ChecMa,•, ,._o ntvO. rE~nrsc lono r u~~1"1'-"eo"'d"'r 1P»Pd whole attention wu drawn to the mart put on cool airs before the door was
1tamCJlllll'('I et"\W'1!'04t taaIhnone myd tf b"a etw aorefstr pleloh ntitg- ln,i egw1aht0t .a nrotplrl nwTgdh eirefnef oetrw epbonoertwd,c sea rUrbuuMtlot gsyivsetUenmn 1d ne rna ulmlth bes etruosd lder net5 p-rpegosrlanedtn etsi nggraw pdeeinrr-gt . cdrlooonosemedd. inb ehthine d mmided laen odf Ia wvearsy aqbuaine-t
mcBeooTrbtn h iecDa Sy tualpanlelnadn yateyewrd i lla fanoatdl p kpss7eion angrg pe r.imwn, .r ichtoaernar-,t- oboasnefeffd vcsHt eoaeerfudt eatsailem neylg iu htnh hsagutevsrhmy aelt1 ot ehee rxadxospt pu eremsehrr iaiiaoes.on neuncydsvee yse d,rot .ssh uoaentna itglguhi stopcy eub ogw pahilsbttesh,y ocgtginherfe eant dt 6Hae8isga s'm {eto.so3a :rf.l y 3l , T8 t3hhni%nweeu r,hm eoiomcf.nbroha elr tyhreh1I e nr deamwi aclnsihsag1ttoiuhectnedtdh a ed fngo mtaer e togm aufan• in gttl1 nhhd.8&teae rctrnouonnAume nt pr db ooa sonscuafck ren le ac oIutu ugwtms haett,shte erbt h,tu hdrateio nl Iol derpad .leI s osotpoc Ml aweybn a enln IeatnIcdentkd ot t hhotaoeef
twBfhoriraDnimdt ygetleehran wena abataleientsrstd e nah tSihimoclinstoa met poosu ftCyc lsooaliemvln leyep glheeaa.t upse delyri- -a nteo"sEoiniYfgd m cheohHepnsutll a,al o,"e" nw, bm fgHeoasotarb,nt tnemuhddrtte r s frcstu.lt"em clhWaevhneeae od nvrI amradepladlo p r nueaeoac.cWs.ew. tTe g anh osro tneTar dhIttGJieehaoId eat,n ia"tlceyy a wasr uw tledtechroiiadel-ef l " irJsapaHonmucoleowdtl danur l,tg tal sad el v idvasegnayb iropudcasoiecetgmnvero.gee cmrb ede,nati oorvntNarsge g no b rwewfaoeatseg o le1rwgs ,e•lt rniu tanwghdedua. aeaev mnd.stesth Nrb teeaoeat gIrh rsa ens a g,e.tt t1utwor uoda pbade tehnb4eed-.e--ted efslmHnahye ecaeI tegsct h sgadw emyimid tenehfps ot'r tm,oro avfat Iieal llvrket sh ee.ae ri r mywao moshfsmeayeecm ,md owiialpnaiatdanaset dr lht y osew m tatihntccineld ridna nls gogahoog iiudkmayrt.,,
eqnucaeli. ty ot extreme urgency! I aneoetttue rnsedo.e odn.h ubme oIrflo,l sr agnosdtto esnnog csi bayl wtohirtohlsl lec tlhswemhir o caaa bnosv tued neoanvwt e rbbaeeg ea,a S .o23r-.8 ty-Btpy.e p eNB e; 8ihth;e e rth oeo c at1ns, tuIIe nHrseot,dp" hta ansnudd c haasttehedod.o km ymTshyeel nfh afaonsrd .h bee Ji bnsegtgu soto-n
lie is also a gifted song writ- recetved an enthusiastic reception above average, or B. It ts clear to talk and various official people
earn da ntdo pihcias I lymriecsss agceasr.r y honest Wffirnoainmsth ethTdeo cthaDepo t icvIoasnt ecBedre ta uFdrwiieeinnthcde,s .," " ADylallan ndI -Ittthhvraeet ea nnodB 'gsoe nt ea anncd a anvt weraoadg dCe 'was ,h cidcohilvu mimdenea nbosy f aknepdt topookp pain gc loisne ra nldo ooku.t , I relaxed
The Boston Globe, February 12, 1965 that he WH, Campus Comment, F~ebthrinu~a. ryY 1o9u. ,s 1lm9o6~!5.. .~an'L divide oltndegS meotyfa l,h l,J sh epm awlaeon, sy achlomanrosmtsato nntfliryca agsfiil.en ,g Aearto inbngeit
point a friend of his came in with a
painted poster of Baez and him,
... o,,_,,_, which he scoffed at, disbelieving that
..,..__'""'-.,..,....,.__ the particular artist had done tt •
"-'.*n' ...H.· 1-1--M~, -..,.... ,..M, M,,. vTehresna ttihoenr ea t wtahse ad omour rmanudr rIend bcuornst-
~,_ .,,.1141-.•-I'I•IW-_..W..._,..e...,.,.~.,, .. an exotic Negro girl. She rushed
across the room and kissed Dylan
,4....,..,_.,.,, saying It was for integration's sake
--,1.,,,_,,__ at which he also scof£ed with a wave
of the hand and a wrinkling of his
brow. When she finished talking to
him, she turned and told me she was
shaking all over with the thrill of
having finally met him. Dylan's
pilot then asked him lfhe were ready
and he said "Sure, I guess so,11 and
the Negro, my friend, and I left to
give him a moment alone.
Reconstructing the scene, which
I began to do the minute I left, I con
understand a lltlle better why Bob
Dylan ts the most sought-after artist
In his field. As I saw him, he
seemed to be the epitome of free
thinking and the defender of what
one believes to be right. But he
was more than that: he was some-
one who said, "HI," when everyone
else was nervously laughing. He
was one whoprovedwtthahandshake
that "I Just want to be friends with
you."

Campus Comment,
February 19, 1965

Alpha yearbook, 1965
WABC-TV Studios, 7 West 66th Street, New York, New York
February 17, 1965
The Les Crane Show, broadcast on ABC-TV and affiliates

I
11:15 {i) The Les Crane Show: Bob TV T on_ight .
Dylan. others
Bob Dylan Guest
The New York Times, February 17, 1965
On "Les Crane"
12:15--LES CRANE. Caterina Vall!{lte. Sal neo ind folk·
singer Bob Dylan are the schedul~ gdests.-91. t. 14'dnesdaJ

Lt:s CR1\~E: J0:30 pm, Ch:ur
The Minneapolis Star, February 17, 1965 nc!s JO ,incl 3t - Fo'.k 1inrcrl
nr.ct poet IJob Dyl.in !s II CUUI.
Lo, Cron,, ll:1$ ,.m. (7) The Salina Journal, February 17, 1965
Caterina Valente and
Dob Dylan guest to- j 11: 15-LES CRANE SHOW-
ntBd.reiioglmlnh ootv nStaaastlirroogannele gnp t wrt wehistehh oI d EE Iwll eeniccl l-·t ll WeGrui telwdsth,s"o aarwenr dBo tosebm "DpBor;llo~awnc,el nfro ' lkIn s Citnah&te··
tronovlslon • Tbeotrofi Im erina Valente. W1VK.
proteM that will be used Knoxville News Sentinel,
In the eompany'a pro-
duction o! 'Harlow.• February 17, 1965

The Los Angeles Times, February 17, 1965
Les Crane - Sal Mineo,!
Caterlna Valente, and folk[
10:le p.m. - "Les Crane'' Sincer Bob Dylan add a colorful
A(9m) e-r icaBno b foDlkyslianng, ert hew hyo o wur on teg n11o:3te0 tpo. mL. eCs'b aclulnedsst Ili,s 3t atnoda ig7.b l.
"Blowin' in thL Wind," make San Diego Union, February 17, 1965
a rare television appearance
and singer · dancer Katerina
Valente talks with Les. 11: 15 (7) Bob Dylan sings his folk song for Le rant.

Arizona Daily Star, February 17, 1965 San Bernardino Sun, February 17, 1965

Bol)6y Says: Be Mam"i° mla, Glna~llobrlAidaw- asn't on The Les Crane
Show Monday but she made It Tuesday night. The mix-up
'111118 In New York but to make up for It, advance tips for
The Les Ctane Show on WABC the rest of this week-folksinger Bob Dylan and Caterina
was tbe ~- last Jlight. of Bob \'alente tonight; Fralnlde Laine end Steve Allen on Thurs·
wevwoa day; end Friday, TV awards to such people as David .lans-
iDylads first aetwort
- end Elizabeth Mont,-,,.
appu.rance.
The Vancouver Sun, February 17, 1965
Wearing a marooo ... scarf

wmrsa pwpiet dw ams u.schtYl! rap baomut ph:iosj enfe;;ctekd. RADIO AND TV IS:Or'.6Ol I~f J}rEt) ~,
to a cirided audience. Discussing CRANE WILL BE MISSED
the mu, protest themes he. .;,:·:.:; l ) .
writ.el, ad ~ about,, Dyla.n by June Bundy . ..... .
sumtoed ·ap Ju memp .in one '.
wend: '"Be." The record industry lost framed by a wirey mass of
The Jersey Journal, February 18, 1965 srwoauhsne poeet wlhkyoo. fs Ctw idtrrhsaoo enpfnb pee e isdttwAs BafsrLClai ee-ttTesnh dVesC nroiaglananhblsetyt - rcbBheuiecssrlo elleksm bd-i ililnaalnu bloscogaterr ue a etG iatoo ondd .ia sawyc ao'sHVsn ocicweLtroeatmrivdnioeiagerrn es, JPSIrOMeTMdHMiE9EY e OBFWL73 U5IE1TM)SH Y E R·BSEPSOTO NFR IENDS AR.
,ldtsyaeepctrese t-swon ohiodgof h btmw ontuiheds tiecwll.yi ko erddk i vTaenVrds i feiuemnd- - isGcnyoo mudtlhopdeta thhheaattvnhiecda sn botehfe aCnsno o mdaCae yroda,n inseea .s lateensrds wpeeraeTkd o m"amNsoytot nitsrhuSmea.e"nn dts, , wwhihso-
During h.is few months on Crane, obviously a genu- seemed vaguely hostile to-
the web, he presented innu- ine admirer of Dylan's art. wards Crane, came on late,
HOLLYWOOD, Calif. - ABC-TV merable country and west- istry, determinedly with· which may explain the hos-
has fired Les Crane as host of its new ern, jazz, rhythm and blues, stood the young folk sing· tility. He discussed his latest
rock and roll, pop, and folk er's attempts to "put him picture and life with father·
late-night show because the network performers, and he was on." "What's your main in-Jaw Frank Sinatra. ("He
brass feels he has not cut deeply enough strongly appreciative of the message?" queried Crane. never tries to tell me what
into the ratings of his long-estabhshcd beYsto uinn g eacdhis kc atesgtaorrsy . may "wEhaetn," mCurmanbel ed peDrsyilsatne.d ,T hhene toT hdois." ) prompted Dylan to
competitor, NBC-TV's Johnny Carson. never again rate Crane's slyly philosophized "Be. announce he would make a
Crane will wind up his role as hos: particular type o! network Love. Swing. Double up." film with Alan Ginsberg
lhis Friday, but ABC-TV will continue sphroowjeccat se-thaenir ocpopmoprlteutne ity petro- maUdned atuhne temd,i stakCe ranofe asknienxgt htho.risr osru mcmowerb. oy" 'Imt owviilel ," bee xa-
1 he late-night entry he inaugurated JUS' sonality both as performers ''What do they call you? temporized Dylan. "lt all
three-and-a-half months ago. S1ar11n~ and as conversationalists. Bobby?" "My friends call takes place on the freeway.
~londay, i1s title will be changed from aroFuonrdtu nlaotnegly , enouCgrha net o hwoasst dmroe p-dReoabde rt.r"e joiwndase r. D"yTlahne'ns Im'mot hetrh."e hero. I play my
"The Les Crane Show" to "ABC's :-,~ht· a fascinating trio of con- I'll call you sir I guess." Yes indeed, we're going
life," and. as currently planned. 11 w.11 trasting musical talent a muttered Crane in his only to miss the Les Crane show.
couple or weeks ago. It was display of rancor.
feature altcrnat mg hosts who will pre· a joint interview session The only time Crane suc- AroYnd The Dial:
side uni ii. perhaps, one of them rs cho- with folk artist Bob Dylan, ceeded in throwing Dylan Hal Pickens, formerly pro-
Chicago Daily News, sen as a permanent replacement. ienrtinear naVtiaolneanlt e chaanndte usaell -ACmat-- ewvaesn whsleing hthlye asokfefd -baaplpaanrc- e gDriaemgo dirCecatliofr. , of hKasD EOjo, inSeand
February 17, 1965 The Miami Herald, February 25, 1965 eSraincdans. teen-type Tommy eynotul'yr e in weraitrinnegs t- th..eI s 'iBt atlrlaude K1-5F Wp.Bm,. HSoullnydwaoyo d,a fteinrn otohne
Dylan - ascetic features of Sal Mineo'?" Dylan, in time period. . Off-beat
Music Business, March 6, 1965
Convention Hall, Philadelphia, Pennsylvania
March 5, 1965

FRIDAY, MARC 5, 8:30 P. M. JOAN.
AT CONVENTION HAU, 34111 , SPRUCE STS. JODN BDEZ
Seats~$ 4.50, 3.50, 3.00, 2.50, 1.
,.~t:b BAE-Z_
and
&bOylan
& BOB
DYLAN
FRIDAY, MARCH 5, 8:30 P. M.
FRIDAY', MUCH S,
1:30 r. M.
At C1nvuti11 Half, AT CONVENTION HALL, 34th & SPRUCE STS.
34~ & SprlCt Sts,
Suts· $4.SO. 3 SO, 3 00, 2.50, 1.75. Seats $4.50, 3 50. 3 00. 2 50 1 75
WCOnuhnaet l snutSunttlu .t, t SaCtSt,slt:d . ,,e ld't5eM 6c11oC16r1ai d&c N t,.M C B,t2aryr6o,t1 a dS1 St7eS. 1rtn21. .h ,3lC 71h1h5es 2st7.tI,•. 3O211nt shst aS&lte , W1T1& hlneR u2et ncSodr hdF, r tMt!,lu u1is 9,c0S 2tC o,Styrau,n ,s 1o17m512 1S7 tC ChMhe1su1tInt nuOut rtd SSeI.rt s, GF! >lOSd L1eK6d L ONcR ,E,Be rP oR12Od&D 1S UtSC .•·
l(Tr(.h,I1eI1E1 2DOnYdrd 'SeF rrseT:°tI .C FK19OC0Tl2K -1.S•0af•ln(cs co,mP wl 'tOSD tU.• C. _Tu IOt • S,,t .• TIONS, 1902 Sansom St. Enclose st1mptd, ulf addresied en,elopt.
l 902 Sanson, St. Enr.lose s t1mpN
sell·addrtssed tn,tlope •

s• i,b..,l e ,..f,,o.. r t..h UeV Cin-1c rue.•ac:s eU Ut"l~. I>t V1 •U U IbCo' y &•iYn~ IUf' ra• n.k.-rCo'IrCd' ICl-laot"SlJll'I"I
111 for the Rkk RlttOS. Jle's lhe former P1lumbo's
rttdman now play1nc 1«1tl) 111ts T~ Jean Ban Boll
O)IH concert 11 Com-entaon 11111. Marth 5 •111 hf, lapt·d
for an LP CHlde Slinntll 111 baC'k: • 1th llolfda~ ma11·
,Jn,. sntl h.s,r .--11.,...,.,,I h,c IPSl'la .,..mnhl•I •·'-.,"'•"•"• nf
Philadelphia Daily News, February 24, 1965

PfffLADILPfffA
New shop for both records and
musical instruments has been set
up in the South Philadelphia sec-
tion or the city at 2602 S. Broad
Street by John A. Teruno •... It's
a boy for Mrs. W•lter Dmvlsoa in
Taylor Hospital at Suburban Rid-
ley Park. Pa. He's president or
Roman Records .... Maestro Suon
Kenton will preside al the clinic
section when Villanova University
here stages its firth annual Inter-
collegiate Jau Festival March 19-
20. . . . the Jou S.ez.Bob Dyi.n
concert al Convention Hall last
Friday night (March S) was taped
for an LP. . . . La Salle College
presenting a festival of music,
hiJhliahted by a full-length oper-
aue performance and a folksong
concert by Odetta. ... P•ul Mos·
ley and Harry Whlle Jr. set up
the P&H Record and Card Shop
in West Philadelphia .... Nashua
Recording Co. set up in suburban
Havertown, Pa .. by Suun Bym,1,
or Devon, Pa.

Billboard, March 13, 1965