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Blackout: Reinventing Women for Wartime British Cinema PDF

279 Pages·1991·52.64 MB·English
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BLACKOUT Reinvent iWngom efnor Wartim Beriti shCinema ANTON IALANT PRINCET ON UNIVER SITY PRESS PRINCET ON. NEW JERSEY Copyright © 1991 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, Oxford All Rights Reserved Library of Congress Cataloging-in-Publication Data Lant, Antonia Blackout: reinventing women for wartime British cinema I Antonia Lant. p. cm. Includes bibliographical references and index. ISBN 0-691-05540-8 — ISBN 0-691-00828-0 (pbk.) 1. Women in motion pictures. 2. World War, 1939-1945—Motion pictures and the war. 3. Motion pictures—Great Britain—History. 4. Sex role in motion pictures. 5. Feminism and motion pictures. 6. National characteristics, British, in motion pictures. 7. Motion pictures—Social aspects—Great Britain. I. Title. PN1995.9.W6L36 1991 791.43'652042—dc20 90-25290 This book has been composed in Linotron Times Roman Princeton University Press books are printed on acid-free paper, and meet the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources Printed in the United States of America by Princeton University Press, Princeton, New Jersey 2 4 68 10 9 7 5 31 (Pbk.) 2 4 68 10 9 7 5 31 For B. S.,T.P.R., and R.P.D. CONTENTS LIST OF ILLUSTRATIONS ix ACKNOWLEDGMENTS xiii LIST OF ABBREVIATIONS XV INTRODUCTION Cinema in Extremis 3 CHAPTER 1 Projecting National Identity 19 CHAPTER 2 The Mobile Woman: Femininity in Wartime Cinema 59 CHAPTER 3 The Blackout 114 CHAPTER 4 Processing History: The Timing of a Brief Encounter 153 CONCLUSION From Mufti to Civvies: A Canterbury Tale 197 APPENDIX I Bogart or Bacon: The British Film Industry during World War II 221 APPENDIX II British Box Office Information, 1940-1950 231 SELECT FILMOGRAPHY 235 SELECT BIBLIOGRAPHY 243 INDEX 253 LIST OF I L L U S T R A T I O NS 1.1 Blitzed BFI Doorway, Sight and Sound 9, no. 35 (Autumn 1940), front cover. 27 1.2 Cartoon on the impermanence of wartime's shifted class boundaries, Everybody's Weekly, 3 February 1945, p. 13. 42 1.3 Macleans toothpaste advertisement, Picture Post, 20 June 1942. 54 1.4 Ministry of Food information bulletin, Time and Tide, 20 November 1943, p. 957. 55 1.5 Advertisement for Weetabix, Picture Post, 6 June 1942. 56 1.6 Hollywood femininity, cartoon, Colliers, 5 March 1949, p. 18. 58 2.1 Advertisement for Clarks shoes, Picture Post, 17 February 1940, p. 3. 64 2.2 "Will She Have a Chance to Wear It?" Picture Post, 6 January 1945, front cover. 67 2.3 Fougasse cartoon, "Joan and John," Punch, 2 September 1942, p. 183. 70 2.4 "Keep Mum, She's Not So Dumb!" Wartime poster, courtesy of the Trustees of the Imperial War Museum, London. 71 2.5 G. Lacoste poster, "Don't Tell Aunty and Uncle," courtesy of the Trustees of the Imperial War Museum, London. 77 2.6 Reginald Mount anti-VD poster, 1943-44, courtesy of the Trustees of the Imperial War Museum, London. 78 2.7 Poster artwork for Next of Kin (1942), courtesy of the Museum of Modern Art, New York. 79 2.8 Advertisement for Evan Williams shampoo, Picture Post, 16 December 1939. 80 2.9 Advertisement for Palmolive soap, Picture Post, 18 April 1942. 81 2.10 Advertisement for Potter and Moore's Powder-Cream, Picture Post, 19 October 1940. 82 2.11 Advertisement for Kemt hair spray, Picture Post, 2 March 1940. 82 2.12 "La Donna e Mobile," cartoon in Time and Tide, 16 October 1943, p. 841. 87 2.13 Howard looks down from the parapet. Frame enlargement from The Gentle Sex, courtesy of the National Film Archive, London. 91 2.14 First title image from The Gentle Sex. Frame enlargement, courtesy of the National Film Archive, London. 95 2.15 Title image from The Gentle Sex. Frame enlargement, courtesy of the National Film Archive, London. 95 2.16 Title image from The Gentle Sex. Frame enlargement, courtesy of the National Film Archive, London. 95 2.17 Cartoon, Everybody's Weekly, 20 March 1943, p. 13. 98 2.18 Cartoon by John, Everybody's Weekly, 24 July 1943, p. 13. 99 ix

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The most universal civilian privation in World War II Britain, the blackout possessed many symbolic meanings. Among its complicated implications for filmmakers was a stigmatization of film spectacle--including the display of "Hollywood women," whose extravagant appearance connoted at best unpatrioti
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