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COMPILED FROM A NATIONAL SAMPLE OF TOP 40 RADIO Billboard AIRPLAY MONITORED BY BROADCAST DATA SYSTEMS. TOP 40 RADIO PLAYLISTS. AND RETAIL AND RACK SINGLES SALES COLLECTED. COMPILED. AND PROVIDED BY S"o1undiSlclain FOR WEEK ENDING Dtc. 7, 1991 rM 1OO. z z N O i x N 01- 3 á 3 r c07 3, Cr TPRITODLUEC ER 'SONGWRITER, LABEL & NUMBER/DISTRIBUTING LABEL 4 3 g 3 N á 3 O TITLE A (SONGWRITER) LABEL & NUMBERDISTRIBUTARTIST U * * No. 1 * * 51 56 60 5 JUST A TOUCH OF LOVE C &C MUSIC FACTORY(C ) P(CRDE) SIME) N(TT) SC OZLUEMLBMIAA 3 D87A4V03IS3 0 3 19 3 BM.L JAACCKKS OONR.B .BWOHIIRIETLEL IM.JACKSON,B.BOITRELLI 1 week at No. 1 (MC) IICCDH) AIVE) LEP JICA 3C4K-7S4O10N0 51 57 62 3 IS IT GOOD TO YOU (C) (MH) EITA) V(VY) UDP.T O&W NT H5E,1 20B0 OMYCZA ®3 21 31 98 WWSP. ME.AH.TFDEA AANNWADN SAR IE( AIFMF.FCT.AOM NR.OBD ONELLS TO.MOGVN.EKE E(MGSM OL PEAIR W WYIS ,OAB.WMLRIASIGNSH TI IC) ICD) )M) (T) GEE STRIECEI TM(. 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L I V I N G P P, O O F DREAMS REALITY was at the Sunset Marquis in " 1 Los Angeles, preparing to play the Forum, when 1 heard tbat'Again :t The Wind ' was No. in BILLBOARD. We had been 1 battling with Billy Joel's :urrent record, and my manager kept calving each week to say, 'We're ¡till Avis! No. 2 and trying harder!' Brit on that night before the show, the phone rang and he sail, 'You're Hertz!!' And the band exploded in celebration.' Bob Seger :99! www.americanradiohistory.com log COMPILED FROM A NATIONAL SAMPLE OF TOP 40 RADIO Biliboad. 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(PRINCE,NEW POWER GENERATION) (C) (CD) (M) (T) (V) PAISLEPY RIANRCK E4. 19175/WARNER BROS. 55 72 92 3 LD.OSEVMEB EMLLEO A(DL.SLE MUBEPL LO,S.EARLD.RUDOLPH) (C) (TS) T(VA)C RYCA E62A1R1L6 0 6 10 7 VB.JL.SOMWITHI,NP.GLO RKDIS (SP.ELOSR DIN) THE WIND (C) (V) CAPTIPVEA 4U- L98A6 8A3NBIDRGUINL 56 60 66 4 JRU.CSLITV ILAL ETSO,DU.DCLEH (RO.CFL IVLILOLVESE) IC) LCD)C M&ICT )M CUOSLUICMB IFAA 3C8T- 7O40R3Y3 14 23 4 AH.LTLEE 4(C OLLOORV EM E BADD,H.THOMPSON) C(OC)L (OV) RG IAMNTE 4B -1A9D23D6 51 62 63 2 ITS.R ILITEY G(HOEAOVDY DT.,OT.R YILOEYU) (C) (MH) E(TA) V(VY) UDP.T O&W NT H5E42 0B0/OMYCZA 8 10 9 13 PT Y BY NATURE (V.BROWN,K.GIST,A.CRISS.THE CORPORATION) N ) MHTOTMYMYY 9BO8Y N 58 47 35 20 EL .VROENRSYTABDOT,DG.YM APSSLEANYBSUR TGH,RE.K UFNOKEOL L(R .CLARK.J.R. BAILEY,K.WILLIAMS) A(ACR) (OT)N(V )NAMEMV IL1L56E3 9 5 4 17 DE.EOR IACKNSYOTN,HF.TINHOGM AS (F.THOMAS,E.ERICKSON.I CHAVEZ) NA(CT) U(TR) EAALS TSWEELSTE C4-T98IO72N4 59 64 69 3 TS. OHUOR LBEYL,FIN. RDOD TROIG OS (ES. EHU I RTL EY) (C) (T) I. D. 4K- 9Y6M25 5S/AITMCSO 10 8 8 12 CR.JA.LNA'NTG ES,BT.OADPA MTSH (IBS.A DTAHMISN.RG.J. LWANEG ES) TARTED (CB) R(CYD)A (NV) AABDMA 1M57S6 60 77 79 4 HT.WOEMRMEA NS W(NE.SEIXTX, VH.NOEMILTE.L EE) (CM) EOLETKLTERYA 4 C.6R48U1E8 11 13 16 10 TMH.OAMTAR'STI AWN (HMA.OTM RLTOIAVNE,M I.MS UFELOLRER ,A.GRANT) AM(CY) AGBRM A1N56T6 61 67 77 3 KUNISDESR GYROOUUN BD APCROKD . SQUAD (G. JACOBS ,R.BROOKS,G.CLINTON,JR.,P.WYNN) DIG(ICTDA) L(M )U (TN) DTOEMRMGY RBOOYU 9N9D3 12 11 15 11 DM.OCLNIN'TK, GCURNYS N' ROSES ISTRAOUN,ROSE) G(C)U (NV) SG ENFF' ENR O19S0E2S7 62 75 85 6 IB'.VHEILL G(GO.RTO LAIE ,LBO.MTR LETTOTE L,KE.CAHRALNF AANBT)O UT LOVE (C) INTERSCOPE 4- 98T7H26E/E ASSTTWOERSMT 13 15 17 15 LHUERTBSY LTUAV LBKUG A6 BTHOEU INTV ISNECIXB LES (FINGERPRINTS) (C) (M) (T) NESXATL PTL-A NTE -APUE 3P3A3 63 58 44 4 TD.HLAEN OFISL (YU 2) (C) (T) ISLAND 868 885 -4/PUL2G 14 7 7 16 RJ.JOAMM,TA.LNEWTIISC ( K.WHITE,J.JAM,T.LEWISI (C) (CD) (M) (T) (V) WARNKEAR RBYRONS . W4 -H19I3T1E9 64 74 84 ST.WHEORTM AONF ( LP. FOOIRSDO,J.NVA LLANCE,M.GROMBACHER) L(CI)T RAC AF 6O20R7D4 EMOTIONS MARIAH CAREY RUSH BIG AUDIO DYNAMITE II 15 9 5 14 D.COLE,R.CLIVILLES,M.CAREY (M.CREY,R.CLIVILLES,D.DLE) (C) (CD) (M) (T) (V) COLUMBIA 38 -73977 65 59 56 11 M.JONES,OLIMAX,D.J.SHAPPS (M.JONES) (C) (CD) COLUMBIA 38 -73987 16 17 18 11 SA.EMTAR TDHINE (D N.WIGRHRETN )T O MUSIC ROBERTA FLACK W(C)I T(VH) A TMLAANXTII C P4R -8IE76S0T7 66 . 49 53 10 LP I.GEASB RIEL,RJEZZARD,J.G.THIRLWELL (I.DENCH) IC) (CD) (T) EMI 5E03M6F3 11 29 41 3 CW. AAFNANTA LSIEEFTF ,GM.OCA REY (M. CAREY,W.AFANASIEFF) (C) (V) MCOALURMIABIHA 3C8 -A7R40E8Y8 (6) 83 96 5 TI . WFLEAMNINNGA IT .B FLEE MYINOGU) R GIRL (C) GIANITC Y4 - 1B91L7U0 18 22 27 5 - KR.EMAERPX C(RO.MMARIXN) G BACK (C) (CDR) I(CV)H CAARPIDTO LM 4A47R5X3 68 78 83 4 SK.EOLNSDEN .SMCEO RAPINON AS N(RG.SECLH ENKER,K.MEINE) (C) (V) MERCSUCRYO 8R6P8 IO95N6S -4 19 33 86 4 2HA LMEMGERI,TF .C2. PQILAUTIET I I (HAMMER,F.C.PILATE II ,I.EARLEY,M.KELLY,L.K.BURRELL) (C) (CD) (T) CAHPITAOML M44E78R5 s9 80 76 3 AQUINICK'TSI LGVEOR N(RN.HAA RHGIUS,RE.TJO HNNOSOBNO,CD.REYID ) (C) (M) (T) SELECT 4- K64ID84 7'N/E LEPKLTARYA 20 20 20 8 STREET DFROGR SE(CA.MSTSU RKEN,E.ROGERS) (C) (CD) (M) (T) CHARISMA 4 -98690 70 71 72 5 PD.OHOPB BTSH (LA. CTA MCPOBEOLLC ,HD.HIEO BBS,M.ROSS,C.W.WON) (C) (M) (T) LTUHKEE 42.9 8L71IV2/EA TCLARNETWIC * * * POWER PICK /SALES * * * 71 82 78 12 AE.IBNR'ETE DN,HO.L AFNUG,TS.UHARRERI SI N(E .BYROE'E DF,RH.OLANNGT)I NG M(C). C(T.l BS.DR. EE.EG.D 0 7&7A DCH.FIB.ACN. 21 27 51 1 WD.WILADHLSBIEDRGE, SPICE (L. REED ,SPICE,D.WAHLBERG,M.WAHLBERG) MARKY MA(CR) KIN T&E RTSCHOEP E F4U-9N86K7Y3/ EBAUSTNWCEHST 12 69 67 10 WC.RHODISGEPRESR (PS.Z IZZO) (C) (M) (T) CUTTING 4- 98C77O5R/AITNCAO 22 23 29 5 NGEON ESSIOS,NN. DOAVFIS M (TI.NBAEN KS,P.COLLINS,M.RUTHERFORD) (C) 0V1 ATLANTGICE 4N -8E7S57IS1 96 3 JI.NRA YMMYO NDDR (DE.DAOMKKSE N,G.LYNCH,J.PILSON,M.BROWN) ICI HOLLYWOOD 4-6T4H83E2/ EPLAEKRTTRYA 23 16 11 18 HOLE HEART(EN.D E TTENCOURT,G.CHERONE) (V) 1564 (14) 2 MD.LYASNOTIES,RB.IEONUO S)U 2W) AYS (C) (CD) (M) (T) ISLAND 866 189 -4/PUL2G 24 26 31 10 FDIELLGGADOY (C.PENISTON,F. DELGADO.E.L.LINNEAR) C(E ) C)M ( P(TE) MIM1 55866 ***HOT SHOT DEBUT*** WITH TERRY 0_5) NEW KEEP IT COMIN' KEITH SWEAT 25 24 24 23 ROIUREEDER) ()TONY K.SWEAT,L.JOB (L.JOB,J. CARTERJ .SAYLES,D.WYATT,K.SCOTT.K.SWEAT) (CI (T) ELEKTRA 4 -64812 CI 31 33 13 IG .WBAOLLNARDDE (CR.S WTIGHERYS ,G. BALLARD) CUR(CT) IASR ISSTTAI G1 -E23R3S1 o16 87 3 AD.LPLR ATSEHRE IL EWVERROTYT,SEN ARE) (C) IV) FEIPRICE 3H4O -7U39S8E4 27 21 12 20 GD.WOAOHDLB EVRIBG R(DA.WTAIHOLNBESR G,M.WAHLMBAERRGK,SYP ICME)A RK & THE FUNKY BU(CN) (CT) HIN /TLEORSLCEOAPET T4A- 9 8H76O4/LEALSOTWWEASYT 85 89 9 AG.LDLAL YI ,BNLEUEE DTR AISIN YITO.OUSB ORNE,S.HUSBANDS,A.FEARN,P. BETTS) (CB) L(TU) EZO OT R14A0I1N8 CH WORD TO THE BADD!! JERMAINE JACKSON 28 25 25 18 ASHEACKKLOONCE N.KEERSHAW ((N.KERSHAW) CHRYSALIS 23730 1 THE LAFACE FAMILY ( L. A. REID, BABYFACE ,D.SIMMONS.J.JACKSON,L.LOPES) (C) LAFACE 2 -4011 /ARISTA CI * * * POWER PICK /AIRPLAY * * * - 2 ID .CWAASN,B'T.R AMITTM (ME.R EYIDO,AU.S HLAOMVBELI NM) E (C) (BCDO) NCANPIIETO LR 4A4I7T2T9 39 40 8 LEI.EVSET EFFAONR,J RL.,JO.CVAISNAGS,C .YOOSTUW ALD I G. ESTEFAN,E.ESTEFAN,JR.,D.WARRENI (CG) L(TO) RMIA E PEICS 3T4E -7F3A9N62 80 90 6 CK.LO0N00V)NICS,TT.INOENLS OONF ( KT.LHOEG GHINES.AG.RTHTO MAS) IC) (V1K CEONLNUMYB IAL O38G.7G4I0N2S9 30 34 36 6 FOREVER MkYK1D URE!) (C) (T) UPTOWN 54197/MCA 81 89 95 ND.OBA RMOON,RJ.PEU RTDEEALLR (SO .OSBOURNE,Z.WYLDE,R.CASTILLO ,M.INEZ,J.PURDELUIC) (V) EPIC ASSOOCZIAZTYED O35S- B73O97U3R/ENPIEC 31 28 26 15 EB.NROTCEKR,H ESTFAIENLDD,MULARINCH (HETFIELD.ULRICH,HAMMETT) (C) ELEMKETRTAA 4L -6L4IC85A7 82 2 LD.OLEVWEIS ,CWR.LAEWZYIS (D.LEWIS.W LEWIS) ATICL)A RNEPTRICISE S4 T-1A9R15R0 SOMETHING TO TALK ABOUT BONNIE RAITT WALK THROUGH FIRE BAD COMPANY 32 30 22 20 D.WAS,B.RAITT (S.EIKHRD) (C) (CD) CAPITOL 44724 83 81 70 15 T. THOMAS (HOWE.THOMAS) (C) ATCO 4 -98748 33 36 37 9 MJ. SIMNITDH ,PJ.BLIADOY,ISNIMGO NT,SRCIACRKFASC EO,WNIL LMIEE D (R.SHAW,B.JORDAN,W.DENNIS) (C) (T) RAP -A- LOT G7E24T1O/P RBIOORYITSY 84 1 TC.HTREO YW,ZA.HYAR IM OFNE E(KL. W AHIBTEO ,BU.STT EYROLIUNG .Z.HARMON,C.TROY) (C) (V) WARNKERA RBYRONS .W 41H9I0T8E8 34 41 45 7 BROKEN ARRORWTS ONI lC) WARNREORD STEWART 85 98 1 OJ.CNA RAT ESR,UC.NRIDCHAEYY, JARF. (TREAMRIRNEOZ, COANRT ER, GUTIERREZ, CHULO,WHITFIELD.STRAO NLGI.GBLHOTUEINR) S(CH) APUDMEP O15F1 8B6/QRUOAWLITNY 35 40 42 7 AM.NECGKEARLT ,BJ.EARBICYK SEN (R.HAMLIN) (C) UA NGELICA 86 84 71 12 MP.RYA MHOENAE R(RT.I RBWEINLI ONGS TO YOU RU(CS) SS BKIR 0W73I6N3 36 32 21 19 RI .ABADYOYARNE,H .LMEEI A(CMOLOORR ME BADD,H.LEE) (C) (CD)C ITO) L(OV)R G IAMNTE 4B.1A92D0D4 87 100 93 6 WTHEH KALFT ( TJ.I CMAUET YI ,SW .DLROUVMEM?O ND,I.BELLO,L.MCFRLAND) (C) (CD) (M) (T) (V) ARISTTHA E1 2K3L6F5 37 35 28 17 RK.HUANIRNSTIONNG,T .GBAALEC K(K .HTAOIR YSTOOUN ,T.GALE) (CI (CD) (M) (T) (V) VWAINNGE 8S67S A51 8W.4/IMLELRIACUMRSY 88 86 94 2 JEU.FS.WTH ITAEN (EO.FT.WHHEITRE) GIRLFRIEND (C) (T) JIVE 42H0I0 -9F/RIVCEA 38 37 32 8 RMRIN.LEGE M(F.YKN IBGHETL) L D.J. JAllY JEFF( C&) (CTDH) E(M )F (RT)E JSIVHE 4P20R2I4N /CRCEA 92 1 WC.BIETRHRIIONS ,AM.LYEB RHOENA,JRR. TIA . LEBRON ,JR.,M.CORDERO,C.COLON,C.BERRIOS) (C) (M) (T) ATCO V4O-9Y87C5E9 39 38 30 18 DL.VOANND'TR OWSSA,MN.MTI LLTEOR B(LE.V AAND FROOSOSL.M MILLER) LU(CT) H(TE) R(V I VEPAICN 3D4R -7O38S7S9 90 68 47 13 HC.ESTYU RDKOENN,EN.RAOG ERS (C.STURKEN,E.ROGERS) (CI (D) (MR)Y (TTIH IMMP ASCYT N54D2I0C8/AMTCEA 40 42 39 9 GJ.MEETL LAEN CLAEMGP U(1.PM ELLENCAMPI J(COI H(VN) M EMRCEULRLYE 8N67C 8A9M0-P4 91 93 99 1 TAH.MEARNA NCO A(AM. FER IEYDOMUAN ) (M) (T) MICMACT .2P5.6E4. 41 46 48 8 TA.OJOPH NOSF,T ETMHPLEE MWANO,VRALND H ALEN (HAGAR,E.VAN HALEN,ANTHONY,A.VAN HALEN) IC1 (V) WARNER VBARONS .H 4 A-1L9E15N1 92 IA .WCYAMONNTE Y)J.OWUAT LEY,A.CYMONE) JOD(CY) MWCAA T5L41E3Y7 42 45 49 6 HM.OBEUNSNEETCT,AC.L DLIL LON (R. GORDON, M. BENNETT ,M.PRIEST,BS.THHOAMBPSBOAN ,CR.DAILNLOKNS) (FEATURING(C I M(T)A EXPIIC P34R-I7E3S92T8) (93) 5 MA.TOARNNSETY E(TR.BSRY AN,NMD.JO NAENS,GB.NEALCSK ) VOIC(CEI LOONFD OTNH E86 9B 4E2E8-H4/IPVLEG ®43 43 38 10 SS.LOEMVINEET (HHUINCKGN AGLLO,MTC INMTEYR ES) TARTED (CI (CD) (T) EASSTIWMEPSTL Y4 - 9R87E1D1 94 95 7 SL.KTRAANVIDTZ B( LY. K RMAYVI TWZ ,HO.HMIRASCNH .S.PASCH,A.KRIZAN) LE(CN) NVIYRG KINR 4A9V8I7T3Z6 56 58 5 CI.DHEVAANNGEYE,A .MORRIS ( L .STANSFIELD,I.DEVANEY,A.MORRIS) (C) (CD) (ML) IIST)A ( VS) ATRAISNTSA F1IE23L6D2 C95-) 3 I1N.LTYNON ET,TH.PEE TGTYR,ME.CAATM PWBEILDLE (T .OPEPTETYN,J .LYNNE) TOM PETTY & THE HEART(BCR) MECAAK 5E4R13S1 CI 52 59 6 SC.POFEWNEDRMINANG (PM.GYE STSLIEM,PEE RSSON) (CR) EOMXI E5T03T6E6 96 2 GU8R40O (OB.VLEIEN) ' (C) VIRGIN 4U-9B8645D4 46 53 62 4 TN.EML.WLA LMDEEN W (NH.MA.WTA LYDOENU.T .WCAAMNPBTE LML.ES. DTAOKO DTAO) (C) (V) OWEST 4T-1E9V13I1N/W CARANMEPRB B4ERLOSL. 97 6 TD.HMAINRTKININ (GGR AONDFM YAOSTUER SLICE,D.MARTIN) GRANDMICAI SJIVTEE 4R2 0S34L /IRCCEA 47 48 52 7 TENDER KISSES (M.SHERROD,P.SHERROD,SIR SPENCE,T.SPENCER) TR (C)ICAPITOLN 98 5 TMR.CUOHEN ,CB.OWIMSCPHA INM.ICOONH N) ICI ATMLAANRTICC 4C -8O7H58N3 48 54 60 10 GG.RMCOPOHEVRYS OTNR (HAOINOT ON,GRIMES) (C) (CD) ITI (V) SIRE 4 -19T2H0E9 / RFEAPRRISME 99 6 DR. ONO YWOELUS (FR.ENOEWLE LLSI,KE.ESH IIP LFEEYE) L? BELINDA(C CI MACRAL 5IS41L8E3 49 63 74 7 SB.AROVCEK ,RU.ZPIT OA L(DL. W YAORRUERN, DT.CEHAILRDS) (C) IV) GEFFENC 1H9E10R5 100 97 90 14 TK.HM.EC. DKREUV ( ICL. DCANAIEMLES, F.U EDPW TAROD SM, CI.C HAHYIWGAARDN, T. DIGREGORIA ,T.CRAIN,T.EDMOND,WHITE) (C) (M) (KT). MCU.RCB. 7K6R88U4 Q Records with the greatest airp ay and sales gains this week. Videoclip availability. Recording Industry Assn. Of America (RIAA) certification for sales of 500,000 units. RIM certification kw sales of 1 million units, with additional million indicated by a numeral following the symbol. Catalog number is for cassette single. 'Asterisk indicates catalog number is for cassette maxi -single; regular cassette single unavailable. (C) Cassette single availability. (CD) Compact disk single availability. (M) Cassette maxi -single availability. (T) 12-inch vinyl single availability. (V) 7 -inch vinyl single availability. C 1991, Billboard/BPI Communications, Inc. 84 BILLBOARD NOVEMBER 30, 1991 - www.americanradiohistory.com Billboard. HOT 100 A -Z FOR WEEK ENDING NOVEMBER 30, 1991 TITLE (Publisher - Licensing Org.) Sheet Music Dist. 19 2 LEGIT 2 QUIT (Bust -It, BMI) Toji POS Singles Sales. 69 AIN'T GONNA HURT NOBODY (Hittage. ASCAP /Cabber, ASCAP /Good High, ASCAP /Kid 'N Play, ASCAP) Complkd a national sample of POS (point of sale) equipped retail stores and rack outlets which report 71 AIN'T NO FUTURE IN YO' FRONTING (Jerry Williams, number of units sold to SoundScan. Inc. This data is used in the Hot 100 Singles chart. rot HOTJOO BMI /Power Artists, BMI) 7 ALL 4 LOVE (Me Good, ASCAP /Howie Tee, BMI/Irving, ASCAP) CPP 77 AWUes. t,I NBEMEID) HISL YOU (Careers -BAG, BMI /Metalour WA oz ó sIc[1s spoludol 76 AALSLC ASPH)E HWL ROTE (Sony Tunes. ASCAP/Wocka- Wocka, Y TARITTILSTE (LABEL) r 3 TARITTILSTE (LABEL) 353 ABNLAGCEKL BOAR BYW H(ILToEn g(iMtundaec., BBMMI)I/ WWaBrnMe r- Tamerlane, ** NO. 1 * * 38 31 16 HEXOTLREE MHEE (AMRIATE) D THHot E1 00L.O FNoGr -t hAeW fAirIsTt EtiDm ebD,y At hYMe hmiacushs iaca reirnlivd Eeudslt:lr iytsh he afsi ras st inwgeleeks cohf atrhte b anseewd 364 BBABASLMRSOCOCI AWKA/IPPEgIN /N)nL Go HeA roLaRK SnRIuStO,nS ,WA ESAS C( SMCIANeAP d)PT i)cHW inEWBe WMB M HINa Dt, A(SECMAI PA /EpMril,I April, 31 1S5 SPONMEA.PUT. .GP DAH.A DTWYRN IB F(YGT E NEOA NSTUT RMREEE E(MTTO/OIMSRLMYAYN BBDLO/PIYSI)G S) 39 3486 95 PTTAHMOHEYAP 2G TT RL'SHIAV ANEW TTCH (RCAAEOIWTMO L)(CL OUHVKIEEE /IAST LFAONRT IC) on actual radio airplay (instead of reports from stations) and actual num- 17 CANT LET GO (M Carey. BMI /Sony Songs, BMI/WB, 2 13 ITS SO HARD TO SAY GOODBYE .. . 41 40 18 AIN'T NO FUTURE IN YO' FRONTING ASCAP/Wallyworld, ASCAP) HL/WBM BOYZ II MEN ( MOTOWN) M.C. BREED L D.F.C. (S.D.E.G. /ICHIRAN) bdeers corifb siningg tlhees nsoewld c(hinasrtte aapdp oefa rrsa onnk epda greep 5o; rat sl isftrionmg osfto rreepso).r tAinng asrttoirceles 10 CASACNA'TP /SATlmOPo , TAHSISC ATPH /IZNoGm bWaE, SATSACRATPE) DC P(BPa dams, 9 2 H2A LMEMGEIRT (C2A OPUITORL ) 42 41 26 WTOINTYH TYERORUY (EPIC) and monitored radio stations appears on page 79. The Power Playlists, S4O4 CCHAANN'TG ET R(UCSaSre eITrs (-DBAelG ,A mBeMriIc)a nH,L BMI) 5 10 DGUONNS TN CRROYS ES (GEFFEN) 430 52 3 TTEEVLINL CMAEM PWBEHLAL T( QYWOEUS TW/WAANRNTE MR Bi R. O. S.) owni thp aag ero 8ta0 ti(nstgo rpya,n pela goef s7t9a)t,i oanres unsoewd bfaosre bdo tohn HBoDtS 1-0 m0 oannidto creodu natirryp.l ay, 80 CASOCNAVPIC /SToIOuNth sOhFo reT,H EB MHEI)A RWTB M(G nossos, 49 2 BMLICAHCAKEL O JRAC WKSHOINT E(E PIC) 44 37 23 ITLHLE EBSEC ATPHEE CRLEU B (ATLANTIC) THE HOT 100 NOW consists of three components. The BDS monitored 552 CAA SRDCEAAAYPM / IFN(uC noMnnYyt r oLBvIeeFarEsr ,y (,WA SAITCSHACOPA /UP BT/We rYrBeO,o UsA,) S AC(KSACiPnAg) P WR/EeByMMesI , Apri), 4 22 (EVER SING IDO) I DO IT FOR ... Q CMAARNIA'TM LCEATR EGYO (C OLUMBIA) aebairrocphkl aewyne coeokum ti nps oetpnheaenr Tat tofepol yr4 08i 5nR mathdaeiro kT eMotpso n(P1iOt2o2Sr scSthaitnaigrotln.e sTs) h Siesa lbPerOso Skc ehunan riott.u stFa soleer sps atmaralaltylel eliyrs 1009 ATBDHOSME CI A)A DNPWEY) BVTMHILI NCGA M(TEu aUrPe gT, OA SMCICAHP I/GPeAaNs a(Cnta, bin Fever, 160 1123 MGLSAEEILTNTTODS- NB -OPTPLYAESAPL AKY(R (INAANPEBG-XAO TT- ULRPOTLICTA /STKPEERSAXI OU OR)N IT YM) E 4467 3497 263 3TNOH ZOAEZ Y.KMM LOF.O S ER(B ATOEREU TIRSRENTNAAEA) R L(SE P IC ASSOCIATED /EPIC) mbliysa t rrkcehpetoasrr ttni nobgte m csaotuanstiietoo noresf,d s bbpuyat c BewD erS ed,s otwrniec't t siptoirlnli nsu.t sa(eT tshreiaspd aictrioaomtnep aslo mnpealanllyt - lmicsoatmsr kspeurtpi sppellsiae yda - 3192 ADDRSoOOCnNNnATTiPe ' /sCWS, RkAAYyNS FT(CisG AhuTP,nO / sM A BSCNECA' AAR. PoFA)s OSeOsC,L A AP(SE/TCMhAIr Pil)lAe prC riLl,MM iA llSerC, AAPS /CUAnPcl)e 1116 39 WMCPRARIIRLNERCDAYESM IMID ATERH KE (NIN.PT.EGR. S(PCAOISPLEE /YF APSATRWK)E ST) 4489 4423 1221 TCRVSHAUCNIN NEMSNGSUISASN ICWTG HFI LBAALCAIATTCM OKMSR YAT(W OK(IC ENOY GYLO OUMUUME BRGICAOU) R.Y.). sHmoatl l1 0p0e rtcheantt aigs e foaifr tlhye retoptraels cehnatartti vpoe inotfs , thbeu t with ios len eceoduendt rtoy .)c oImn pnileex at 99 HDFOuL r nYitOuUre ,F EAESLC ALIPK/EV irI giFnE ESLo?n g(Vs,i rgBiMn,I /ASShCipAwPr /eFcukt,u rBe MI) 7 16 EMNETTAELRLI CSAA (NEDLEMKATRNA ) 50 48 3 KDIIGSISTA YLO UUN DBERAGCRKO UND (TOMMY BOY) wreepeokr'ts toc otlhuem Hn,o It 'l1l 0r0u nvi at hpel alyislits otsf. these 101 small- market stations that 3115 HEBENMLM TIO E/TCRI oOSleNA-SC N lDe(MvMdaleArStNa, h A(CSSroCenAegpPsi,/n VgBi rMgDiIne /,aS tohAn,S AyC SASCPoA)n PgH)s L, C LM 13 189 164 DNWMAIOCHT HEUAARNNEA LYLA TB SMOHELALITNENOCG NTL IO(OCNVO E(LE USAM SABT WIWAE)O SMT) AN 5512 4454 1271 CSYGEUROANAU,.S Z (CYSNOI R URE OLWSDEA SRB(NGEE ERMF FBINERNOE) S ) wOeNekE" CaOnNd F"U2 SwINeeGk sF aEgAoT" UcRolEu mOnFs tohnis twhee eckh'sa rHt oart e1 0b0a isse dth aont ththee " tlaesstt 58 EHVLE RYBODY PLAYS THE FOOL (Trio. BMI /Alley, BMI) 15 12 8 FJOODREECVI (EURP TMOYW NL A/MDCYA ) 54 5 TCHHEES NOENY EH AAWNKDE SO N(CLHYR YSALIS) charts we've been compiling with the new methodology, but not print- 2643 TFHINEA FLLLYY ((WChaaxp pMeulls e8u mCo, ., BAMSIC /MAPa)m lHoLl, BMI) 16 13 8 RD.IJN. GJA ZMZYY JBEFEFL 'LF RESH PRINCE (JIVE) 54 53 6 RBIUG SAHUD IO DYNAMITE II (COLUMBIA) dinegr. tWo ea ldloewci dreeda dteor su steo tchoem tpeasrte- c "haaprpt lreasn tkoi nagpsp lfeosr," p rreavthioeurs t hwaene kcso minp oarr-- 30 FSOtrReeEtV, EARS CMAYP L/DAeDSY w(wEgM I MAopbr, il,A SACSCAPA /PA/ AI cBr.o sSsu re1!1. 0th 18 11 CBLRAYNANOT ASDTAMOTSP (TAH8IMIS) THING WE... 55 50 17 TPAHUEL AP ARBOOMLIEI S(ECA OPTFI VAE N/VEIRWGI ND) AY ASCAP) HL/WBM ing incompatible methodologies. (Anyone who wants to see last week's 40 GET A LEG UP (Full Keel, ASCAP) WBM 18 17 19 FIREVHEO OUSFE A (( ELRI FCEI ME 56 57 2 NGEON ESSOISN (AOTFL AMNITNICE) rcahnakrti"n gcso liun mthne, hmoawgeavzeinr,e ics abna sloeodk oant tlhaes t nwumeebke'sr iosfs uwee.)e Tksh eth "ew teitelke sh oans 27 GABSOlaCOcAkDPw Vo/MoIBdaR. rAkByTM IOIM /NSaSrilkv ,e (NBr MBS,It e/AAeSdy,eC sABhPMa /,DI /oAMnSunCilAetiP - D/LEe. MveIl, BMI) 19 14 26 BOYO (II MN (MOTOWN) 57 56 3 AKIIDN 'N'T PGLAOYN (SNEALE HCTU /RETLE NKTORBAO) DY adpopne'ta rgeod boanc kt hfea rc heanrotus gphr itnot ecdo uinn tt hthee m taogtaalz iwnee,e kbse cfaour soel dtheer ttietslet sc. hAasr tsa % WGRBOMO VIN' (Gemrod, BMI) 24 6 AANNGGEELILC AB (AQBUYAL ITY) 58 59 10 JJUASSMTI NWE GAUNYT ( WTOAR HNOERL DBR YOOSU.) result of these decisions, records by U2, Bonnie Raitt, Voice Of The 48 GHR( OOVY TRAIN (Virgin, ASCAP/Virgin Songs, BMI) 26 3 BPALLOAWR IANBGDU KL I(SCSAEPST IVIEN / VTIRHGEI NW) IND 59 58 4 HTOONUYS TEO PNA! TROTNYE !I I( MCA) Beehive, and others list no rank in the last week (test chart) column, but 90 HEY DONNA (Bay)un Beat, BMI) 22 22 8 CANT TRUSS IT BROKEN ARROW show from two to five weeks on the chart. Other records -by Voyce, 23 HOLE HEARTED (Funky Metal, ASCAP /Almo, ASCAP) PUBLIC ENEMY (DEN JAM /COLUMBIA) ROO STEWART (WARNER BROS.) e.g. -show one week on the chart but list a rank in last week's column 60 CHPOPM E SWEET HOME (Warner -Tamerlane, BMI /Motley 23 20 22 NHEOAWVY TDH. 8A TTH WE EB OFYOZU (NUPDT OLWONV /EM CA) 61 51 13 LMOARVTEN (.A. .( CTOHLYU MWBIIAL)L BE DONE bdeisccaruespea ntchyey. Tahpep eHaroetd S ohno tt hDee bteust t gcoheasr tt.o T "hKereee pis Int oC woamyi nto'" abvyo idK ethitihs 42 CHrOueU, SEBCMAI)L LW (BAMun t Hilda, BMI/ Maxi, BMI /Shadows, 24 21 13 EMMAROIATHI OCANRSE Y (COLUMBIA) ® IC WUROTINSD SETIRG EWRSH (YA RISTA) BMI /Gunsmoke, ASCAP /Pow Wow, ASCAP /Anchor, Sweat because it is a "pure" debut, never on the Hot 100 before. ASCAP /Level Vibes, ASCAP) a25 15 16 GMAORORDY VMAIBRRI( A(INTTIEORNSSC OPE /EASTWEST) KRIECEHAPR CDO MMARINXG (C BAAPICTOKL ) 36 I ADORE MI AMOR (Me Good, ASCAP /Azmah Eel, AS TO THE NEW Hot 100 Recurrent Singles chart, we've already re- 79 AI SCCAANP'T) MAKE YOU LOVE ME (Almo, ASCAP /Bno 29 S ROBERTNA FLACK/kW! PRIEUSTCATLANTIC) SCAHEVRE (GUEPF FAELNL) YOUR TEARS ccehiavretd alfettetre rosn plyr o2t0e swtienegk tsh, ea npdr aoctthiceer olfe tmteorvs incgri trieccizoirndgs 2to0 twheee rkesc uarsr etonot 51 BI lLuOesV,E AYSOCUARP / SHMayILeEs S(Streheatm, eA S4C UA,P )A SCCPPA P /Gratdude -33 4 FCIE N CAE LPLEYN ISTON (A8M) 71 2 SNITAR PEEEETPL EOSf (CDHRAERAISMMSA ) long to leave records on the Hot 100. The "20 /20" rule seems fair to us, 73 SINk y.M AYS CDARPE)A MS (WB, ASCAP) WBM 1 ACOLLLO 4R LMOE VBEA DO (GIANT) 66 60 12 PMROITMLEAYL C SRCUER E(EALMEK TRA) but two exceptions were made this week. First, no old record that has 95 INTO THE GREAT WIDE OPEN (Gone Gator. 29 23 4 THE(I SLANO 67 55 25 WIND OF CHANGE dropped off the Hot 100 was allowed to re- enter, even if the record spent ASCAP /EMI April, ASCAP) CPP /HL PEG) SCORPIONS (MERCURY) fcehwaretr itnhsatena d2.0) wAenedk s" Woni thth eY ocuh"a rbt.y (TTohneyse Treecroryrd ws aasr ea lolonw tehde troe cruermreanint 57/ IAISTS 'SCIT A SPGO)O HOWADBR MTDO TYOO USA Y(C oGlOgeOmDBs Y-EEM IT, OA SYCESATPE /ERxDtAreYm e, 30 28 15 SBOONMNEIET RHAIINTTG ( CTAOP ITTAOLL)K ABOUT OLIGNH ATE SRU SNHDAADEY OAF FBTREORWNNO (OPUNM P) on the Hot 100 even though it is below the top 20 and has been on for 23 ( Jobete, ASCAP) CPP 31 25 17 IC AOLDOORR MEE MBAI DAOM (GOIRAN T) 69 62 11 EAAVREORNY BNOEVDILYL EP L(AAIYMS) THE FOOL 62 I'VE GOT A LOT TO LEARN ABOUT LOVE (Good Dog, weeks, because it continues to gain points (it went 19-16 on the Monitor). AWSBCMA P /Full Keel, ASCAP /Dial M For Music. ASCAP) 32 27 17 GPREINICTE O(PFAFI SLEY PARK/WARNER BROS.) 70 68 6 RJEESAULS RJOENAELS R(SEBAK)L 67 AI SWCAANPN) AH LB E YOUR GIRL One Word, ASCAP /BMG, 33 30 14 RKAORMTSA NWTHIITCE (WARNER BROS.) 71 69 16 TMIICMHEA,E LL OBVOEL TAONND (C TOELUNMDBEIAR) NESS 92 I WANT YOU (Rlghtsoeg, BMI /EMI April, 34 32 22 UNFORGETTABLE 72 61 3 HIP HOP JUNKIES 110T 100 RECURRENT SINGLES 26 AI SWCOANP D/UERltr aWwHaYv e(,S AonSyC ATPu)n es, ASCAP /C. Montrose S., 0 NHAOTUALSIEE CCAOLLEL ( ELEKTRA) NCIHCEA NE GSEM OOTH (RAL /COLUMBIA) ASCAP /Aerostatwn, ASCAP /MCA. ASCAP) HL 35 SHABBA RANKS MAX) PRIEST (EPIC) LISA STANSFIELD ( ARISTA) Wv,1., -W1.3 ZOW31Z TA(BEVRRIETTyRAEILSVNETER S (LIANBEGL) ID) I DO IT FOR YOU 1Wer6 --ÿ ó2L3vI.i i TATRIIMTTIESL,TE LL( LLO AVBEE LA) ND TENDERNESS 855864 JAJAJBUUUSSMSSSCCITTT)AA PCPAAW)P NAPTHON OLTTU H CTEHOR OGHFOI RLLLDOF VRYEIEO NU(VD i r(Eg(i4nnMs,i gWAn,S, CABASMPCI / /ACCPoa l/eZlt-oo Cmnh,bv adl,e s, 3376 Si33n46g les 77 with TIHiSnEE cAINTrVe DYaG EsDOiR.n OI g DTIs HSaTElSeO RsB .O S(Y CY? OAZ UP 1 (IUT9OP9TL1O), WBNil l/bMoCaArd) /BPI Com7745m un66i7c5 a tio1n70 s InTKc H aECn .d D KERSCVHUoEEI CuLC(KnCT HdCEU SARRcBMHQa)nU IEM.E SEUInT cP (. JTIVOE ) MICHIGAN 18 KEEP COMING BACK (Chi -Boy, ASCAP) CLM - LFIORVEHEO OUSFE A ( EUPFICE) TIME 17 - 1 3TH AE .KML.F E(TAERRtSNTAA)L 75 KBEMEIP/K eITi thC OSMwINea' t,( HAaSrCrinAdPu/ Er,/ AB,M AI /SJCoAe PP/WubBli,c , ASCAP) Warnings, ASCAP Zomba, ASCAP 91 THEN CAME YOU (MicMac. ASCAP /Goyks, Ascap) 3 - 1 MBOOYTZ On WMENNP H(MILOLTOYW N) 18 - 1 TPAHUEL AP RAOBDMUILS E(C AOPTf IVAE N/VEIRWG IDNA) Y 61 KBIMSSI/ WYiOlleUs dBeAnC, KB (MGIL /GB riTdwgeo.p oBrMt, I /BPMubI)h owyalike, 6459 RSAUVSEH U(TPh eA LVLo iYceO UORf LToEnAdRoSn , ( RBeMalIs) ongs. ASCAP /EMI 97 TASHCINAPK)IN G OF YOU (SOH, ASCAP /Creative Funk, 456 --- 11I NHITWS'HLCEOIELAONW V REDBY PS E TCIDOO HATN.FPAIHS E TC T E(C MHHRWLEEAUE ERBBN CO FGUY(OAERZTU Y L()NUA PNDTT OILCWO) NV /EM CA) 122190 --- II1 FRLTTRKAOOOHAOSDUE E ( ISDTTNMTOTEGEEMORW MT (ALETYORIMH KTWIB AE) ON( NWAY AS) FLROLONNOVEGRWE BERRO S.) 62816923 LOLLBLIIOEMfEV VTSEKIE S /o (FRsWCOTesRaRA,a Alr LsAnZLoKeSYOn rC AgV s(ABICW,NP OhGB)AUa .Sp TYCpA OeSASUlEPlC, X )A P( FCP(RoNP/ JSrPeeo/ ixWdgtna B wP, IlaamAyteSp, aoCAurASt,e PCd)AA , SPWC)B AWMP /B SMo ns 61861 ASASASEEESpSTNTrCCi lDA,AAT PHDAPM /ESR KER CIl FaNeAATufIPGoN s /r HODmAMTNea N setTGimMionOEneEo L,,bM MAiAOl;.e USSRR,CS CuYIAAdAC SPoPB lC)p L/( PAhRIHS rPeL(SS)a, clsAhH(oMeSnLnCCg/ksWAAe,P r,B ,A ) MSHC LA P) WBM 54%6193 TCTCTWOORoLAaMUOPUsE tBO(, CFUAT OHNSTMRCDHOAEP P AUT)WGNO HIOOS RENFLE IDR (I MET(Y u(e(sWLsesaauusrmptn , e SSro AtCneSgphC.as A,pA pPASeS/WCllC, ABAPAP. /S)AT CShCAiCrPPdAP/ PT J) T. 7 - 1 IH CI-FAIVNE 'T(J IVWEA /RITC AA) NOTHER MINUTE 22 - 1 EAMVYE RGYR AHNETA (RAMTBAE) AT 5353 LSMOOINVuEeDe cMPhE,L AAAYSLINCLAG PU P/TDR icINCkoKie SbP eaOridnN , NBMoM EG I()aN in -,T hAeS WCAaPte/rW, eenie 64 SAAHSSOCCTAA PPO )/ AFC lmPPPOo ,/I HSAOLS NC A(EPM/TI eAstpartiyl,m AeS, CAASPC /LAiPsa/Tbyerlelaa,c h, 84 ATBHSMECI /AKWPiA n/PYgh saI nKFtodEmE, L,B AMABSIO/WCUArTiPt i/nYWgO BU ,S A(taWSffCa, rAnAPeS)rC -TAWaPBm /MGe rilmanmee, 8 _ I CSERAAL Z(YSI RE/WARNER BROS.) 23 - 1 UNANTFAOLIER GCEOTLET (AELBELKET RA) 93 AMSOCNASPTE RS AND ANGELS (Virgin, ASCAP) HL 43 SWOhMatE, TAHSICNGAP G) OHTL ME STARTED (EMI, ASCAP /So 1A/S2C, AAPS /ACTAVP, /WBeMlbI)e c, ASCAP /Leftover Sapped, g - 1 TCOERMINPAT A( CTUITOTNIN G /ATCO) 24 - 1 nLE' NANIYN K'TR AOVVITEZR ( V'TIRILG INIT) 'S OVER 86 MBYM I. H3E6A9R7T YBudE.L OBNMGIS) HTLO YOU (EMI Blackwood, 32 SJaOcMobEsT, HBINMGI /STOo wTnA,L KB MAIB) OWUBT M( Camille. BMI /Lynn 87 WChHaApTp eTlIlM/WEB ,I SA SLCOAVPE ?/M (CE.AG,. , ABSMCIA/WP/aWrnaenrd ee, ASCAP) I0 - 1 RJEISGUHST J OHNEERSE (,S BRKIG) HT NOW 25 - 1 RPAUUSLHA ARBUDSUHL (CAPTIVE /VIRGIN) 7814 MNOY SMTOERREIO UTESA WRSA Y(SV ir(gCinha, pApSeCll A8P /CPou.,r dAeSl),C AAPS)C AHPL) 45 SBPlaEcNkwDoINoGd, MBYM IT) IMCELM ( Jimmy Fun, BMI /EMI 2 HWLH/EWNB MA MAN LOVES A WOMAN (Pronto, 11 - 1 GPREINTCTE OAFNFD THE N.P.G. (PAISLEY PARK) 26 - 1 BAMAYB YGR BAANTB Y(A IM) 2825 ONNO SAO SNU NODF AMY INAEF T(EHRidNdOeOn NP u(Rn,M IB, MBI)M )W /BDMe licious 94 SHTirAscNhD, ABSYC AMPY / PW -OZaMnA, NA S(CMAePss) BCeLMss ie, ASCAP /Henry 72 BWMHII S/QPuEmRvSy PBezM, I/BWMaI r/nMeisr-t eTar mReorldagneer,s , BBMMI)I /IWt'sB MT ime. 12 - 1 IC WOLAONR NMAE SBAEDXO Y (GOIUAN UT)P 27 - I UEMNFB (EEUME) VABLE AApSpCleA.P B/SMtoI n/Leo nAggitautdee. ,B MBIM /IF /uPnu rCpliety , RBeMcoIr)d s. 20 SBeT RMEEuTs icO, FA SDCRAEPA M/BSa y()Wuna rnBeera -t,T aBmMeIr)la nWeB, MB MI /Could 21 BWMIL)D( SIDE (Oakfeeld Avenue, BMI /Screen Gems -EMI, 28 THE ONE AND ONLY (Chrysalis, BMI) CLM 46 TELL ME WHAT YOU WANT ME TO DO (Gratitude BMI WBM 1143 -- 11 TCTCAOHICTOIH N YMGM UDSASE INCNT NYHFIA SAWC T(TPA OMOLRLALYYSK D (OECR OY L/POUEUMG B)GI AO) ... 2289 -- 11 GCTCAOIOCTUNH MCYNU HADS E ICMMN NEAFIA KS(C AE(TP LOOYLRL OYYNU D(IC OGSORHWL /TUPE EMALGBOT)I A N) G) 7538038 oPRR.POEIN.APPGL . TRMHE(YANA TaLB uECgRLOhLEOt AyCL, T HAw(IESoEMC (AKIP PnaB icg/l JahoJctab.k mewBto,e Mo,B dIMA), SI C/B2AM PLI))i veCH,LP PB MI) 47 STAToEkSnyNC.e DA, AEPASR/SEC CdKAAiItPSiPo/S nT/EsMe Sv8m ET( GZ C,o SadApmrSeoppnCb,c AeePArll,,/S SACAiSrAS CPSCAp /A JPePon))d c Web oByAM. S CAP /Love 827895 WLWWeOIIbTTRrHHoD nI NY, TO JOMrU Y T AiHRHSEeEC -AdABRePAeT D/r . BO (eAF"rS ureCnoRnAsyeP, a BrA/,Se SauBCrnM,A PIAF / a/SSAcCoeB,nA LyPA, S/EAACpnSAicgCP /eAS)l PoC)l aPrP, 15 1 LR.OE.SMI.N (WGA MRNYE RR EBRUOQSO.) N 30 1 PRY.ATH.SM.S S.IY.oN.DNIC. ATE (IMPACT /MCA) 14 RBMOMI /FANlyTteIC Ty(Wmea,r nAerS CTAaPm)e rWlaBneM, BMI /Kings Kid, 11 MMaAtsTonS, WASHCAATP L/MOCVEA ,I SA SFCOARP (/AAIgL eN aTtoio nAsg,e , ASCAP /Moo BASMCIA: PG r-ePeenbsbkit(ortn, eB, MAIS /CBAlaPc k Stallion, ASCAP /Aped, Recurrent% are titles which have aooeared on the Hot 100 for 20 weeks and have drooped below the top 20. 37 RUNNING BACK TO YOU (Hiss N' Tel, ASCAP /Gale ASCAP /Reunion, ASCAP) HL 83 BILLBOARD NOVEMBER 30, 1991 www.americanradiohistory.com 1001 r HOT i COMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE AND FOR WEEK ENDING JUNE 15, 1991 TM ONE -STOP SALES REPORTS AND TOP 40 RADIO PLAYLISTS z r- r3 53 tv¢ 3o PRODSER(SONG WRITE R) LABEL &NUMBER. - BUTIARLABEL n Yw Ñ Ww 3 o NY á TPRITODLUEC ER (SONGWRITER) LABEL A. NUMBER/DISTRIBU AR, TABISELT O 3 5 6 VR.JU SSMHIT HR.PU.LOSRHD IP.LORD) * * N1 weoek. at 1N o. 1* * (C) IV) CAPPTIAVEU 4.L98A82 8A/VBIRDGUINL 51 6316 2746 144 KKYS.. OIBWSAUSAR SRIDNHI,TIOGN.PGN ETYL'OTUON SU,OTH. A(SETV.LOEONWE T EO(NK. ,WDG.A ONSA HVHINAOGRRTMOOE.N D, .MVT.I OLJLENENGINGAISNH.SST,.RV .I SLLHEEGLATOS.NV).V ILLEGAS, ICI OWEKS(TCE I 4ITI.V H)1 9M 4E1WTR4HC/AWUESAR RTYH NRI8ENI7PR8G L B8TE6ROT4O.SSN4. 2 3 11 ID RW. FARENEZNE A(D RS. EFRXE EYZOE)U UP (FROM "NEW JACK CITY') (C) (MIC ITO) LIVOI RG IAMNTE 4 B1A93D8D2 52 59 66 5 Et AX CRELIDU.BSAIBVYIFTAYCE IL A.REI).BABYFACE.DAMIAN` (Cl LADFAACME IA40N00 , DARAISMTAE 3 1 2 13 MORE NTHA N WORDS .CHERONEI (C1XTTRE15M52E ***HOT SHOT DEBUT*** ED 5 4 9 LWO AVFAEN AISSIE AF F,WM. OBONLTDOENR IMF. UBOLL TTOHN,IAN.GGO LDMARK) IC) M(V)I CCOHLAUEMBLI AB 3O8L73T7O1N9 53 NEW I BE. BVAENRNYIS THERE A(A.R GTRABNETA. WT.K IRKPATRICK,C. PI A. ICA) MITYI A BGMR A:5N57T 10 6 7 11 LS.OLITSTI,NR.G E. MM. Y(B ERRREYL.BIGUCIKO.MNIL LS,STIPEI (C) IVI WARNER BROS. R4 -.1E93.M92. 54 63 67 5 TM.HSHISER TROIMD.EP SMHEARKROED IIMT. SFHUERNRKOYD. P.SHERROD.SIR SPENCE.0 CARLISLE) TCRDI AITC) ICEA PSITPOEL N4C46E9R9 6 4 I 11 IN .MD. OWNAL'TDE WN (AM.NCANRAEY C,NR.MY.W ALDEN) IC) (V) CMOALURMIBAIAH 3C87A3R7E43Y 55 60 57 6 PD AWRA`T. OF M'.Ei ,R P.GA. FRRTEY ,OJ FT EYMOPOUH IN) GL(CE) NMNCA F5R40E6Y0 10 8 12 10 UR.JNEBZZEARLDIE I JV. AATBKILNE ,I. DENCH,Z.FOLEY,M.DECLOEDT.D. BROWNSON) ICI (CD) ITI EMI 50E3M50F 56 48 38 14 SHE TALKS TORO ABINNSGOEN.LCS. R OBINSON, IC IVI DEF ATMHEREI CBANL A4 C1K94 0C3,R ROEPWRIESES 10 10 17 8 PL. VOAWNDERROS SO,MF. MLILOLVERE /ILL.OVAVNEDR POSOSW,M.EMRIL LER.T VANN) LUTH(CE) R(V) VEPAICN 3D4R.7O37S78S 51 41 35 11 (CI. FN ETILH (PE RHI E WAS) ANY OTHER WAY ICCI EELPIICN 3E4 7D3I6O6N5 11 16 11 SGRTOROIVKE EG RIOTO VUE PM ELODY IM. LIMONI,D. DAVOLI,V.SEMPLICII (C) ITBI L(VA) CRCKA B27O9X4 58 46 41 18 CG.RSTYE VFEONSRO '.H ELP I. EY R FISHER) RICICI IKVI ARCSAT 2L7E7Y4 C) 10 7 6 17 I LIKE THE WAY (THE YKISSING GAME) a m 11 HzFRCE NEW 1 FC.AOFDWINERGM ALr, IKE A FLOWER (EVERY TIME YOU LEAVE) (CR) EOMXI E5T03T5E5 11 15 20 8 CP OSCUHPNELEE.H UDEAYY LSEW OISF AF THE NEWS IC. HAYES.H.LEWIS.G.PALMERI HUEY LEWIS & T(CH) EEM NI 5E0W34S6 60 NEW 1 LG.O RVOCEH EA,DN.WDA RURNE'D. ERSTAN. DING (C) GEFFENC 1H90E2R3 U. 12 11 23 8 Pi. LAAUSYTGINR (DO.AUUNSTDIN ,M. BIVINS,K.WALES) ANOTHER ',CBI AITDI MCOTROEWANT 2IO08N8 14 78 3 HS. HIGUSHSEEYR . 1 THAN HO+APAEIT HWAITFI IC DAASSROYCLIA TBEDR A35I.T 7H37W88A EITPICE MIRACLE WHITNEY HOUSTON GOING THROUGH THE MOTIONS AFTERSHOCK 13 9 11 10 LA.REID.BABYFACE IL A REID.BABYFACE) ICI IV) ARISTA 2222 62 52 54 12 V.J. SMITH.) ICI VIRGIN 4 98868 14 23 29 10 RM IPGHHILTLIP SH EIMR.EEDW, ARRIDGSH) T NOW (CI (CJDE) SITUI SSB KJ O0N73E4S5 63 NEW 1 MD.AOUTSTOINW IDN.APUHSTIILNL.MY.B IVINS.N.MORRIS,S.STOCKMAN) ICI (TB) OMOYTZO WII N M20E9N0 15 25 27 13 HUBE4R0 E(A .GI RAEMEN ,(HCOODGMESE) AND TAKE ME) ICI VIRGIN 4-U99B14410 64 65 68 6 K1 RISOSSEELSAD AI N(J .RTOHSEEL ANDAIG) HT CI (T) ALPHA INTERNATBIORNAALN 7D0O71N8 ED 26 31 7 WM. ESE MWBEALNLOT ( GT.MHEEJI AF.GU CNLKIN TON.JR W COLLINS.J. BRAILEY (CI (CD) ITI INTERSCOPE 4- 98815G /EEARSTA WREDSOT 65 47 36 15 MM. OTARNENE RT.HD.ATHNO EENVERE RIM NELSON.G.N ELSON,M. TANNER, C) (VI DNGEC L1S90O0N2 11 22 25 10 M..I AMAMRAL IMS.WAIILDLI AKMNSO,J.CT.KSM YITOH)U OUT ICI (CD) 1M1 ITI DEF JAM 38- 737L0.6L/.C OCLOUMOBLIA J ESTLEEREVOA TMCE'S MIR.Y B IMRCIHN.ND CI IMI 1T, 4TH ö B WAY 4S4T7 E5R19E -O4 / ISMLACN'DS CI 0 27 30 12 WM CAOLHKNI.BN.WGIS CINH IMM.CEOMHNP)H IS (C) ATMLAANRTICC 4 C-8O7H74N7 NJ.JIOGHHNSTOSN L(1.I JKOEH NTSHOINS.K .L(FEWRIOS M "THE FIVE HEARTBEATS ") (C) VIRGIANF 4T9E8R79 87 GYPSY WOMAN (SHE'S HOMELESS) CRYSTAL WATERS WIND OF CHANGE SCORPIONS 32 37 7 THE BASEMENT BOYS (C.WATERS,N CONWAY) ICI (CD) IMI ITI IVI MERCURY 868 284 4 K. OLSEN.SCORPIONS IK. MEINE) ICI MERCURY 868 1804 10 31 34 10 HN.MO WWA LCDAENN INI . EM.A WSAEL DTEHN,EL.F IPSCAHINER ) (CI LEILSEAKT RFAIS 4C64H8E9R7 CR. ONEMVIESO AN G(TAOMINM Y.JACK.TED) C) (VI WARDNAERM NBR YOSA. N4.K19E4E0S8 21 14 10 14 RTHHOYRTN HIMM.J OORFD AMN.YJ. CHAPEEAKR) T ICI (V) WARNRERO DB RSOTS E4W-19A3R66T InT C'SO XA.D .SSTEHEALEM IEM. (LMOVYE. DS. SITSETELEE R.W)O NDER.GARRETT.GARRETT.MWROIGNHITE) LOICVI (EC DF) E(MA) TITUI RWIANRGNE RT RBRUOES I4M-1A95G1E5 DO YOU WANT ME SALT -N -PEPA MY HEART IS FAILING ME RIFF 22 24 26 13 HURBY LUV BUG,THE INVINCIBLES (FINGERPRINTS) IC) IM) (T) NEXT PLATEAU 331 D.LAMBERT (H. KNIGHT. A. HAMMOND) ICI SBK 07342 LUCIDITY OUEENSRYSCCHE PEOPLE ARE STILL HAVING SEX LATOUR 23 12 9 13 SILENs M.PICCHIOTTI,LATOUR (LATOUR C) (M) IT) SMASH 879 666 4 PIG TOUCH ME (ALL NIGHT LONG) CATHY DENNIS CAN'T FORGET YOU GLORIA ESTEFAN 24 13 8 16 C. DENNIS.P. BODGER.S. PETTIBONE IC.CARMICHAEL.P.ADAMS,C. DENNIS) (C) (M) IT) (V) POLYDOR 879 466.4 PLO E ESTEFAN.JR 1 CASAS.0 OSTWALD IJ CASAS.1 SECADA.0 OSTWALD) IC; EPIC 34.73864 LOVE AT FIRST SIGHT STYX 00H LA LA DAVID HALLYDAY 25 30 32 11 I- ; . BURTNIK.D. DEYOUNG.1 YOUNG) IC) ABM 1548 R. WISE (D.HALLYDAY.L.COHEN) ICI SCOTTI BROS 5282 26 18 14 16 HH ERE WE GO CLIVICLL &.ECS . FM BU.WSILICLIA MFSA)C TORY FEAT. FREEDOMIC) (WCDI) L(MLI) AITM) S(V) &C OZLEUMLBMIAA 3 8D A73V6I9S0 CG ATONB INI CITA.JALMLE SY,MO.U B RMINKYL EGY.I RS MLC CLINTOCK.J. DUARTE ICPI CR CQA U62E0S18T BABY BABY AMY GRANT MY BODY SAYS YES TITIYO 21 19 15 17 - ICI(V)A&M 1549 M. FRYKBER(, - - AG. PAPA DEEI ICI ARISTA 2224 * * * POWER PIC K/SALES * * * 11 62 44 14 SM.AJAVY.EG .GSEOV:M_. E LOVE IC) IVI ARISKTAE E2:D5Y3 Zó 33 42 7 MP LWA.SCMEIT HIN.H TI IH'.I S WN KOIWRLI D ItANt.h1 W. S'. ' VIM RIECUHNIAONE L1 9W01.9 .'SGEMFIFT IHN 18 76 83 4 WPETH SEHROPE BTOHYSE.J STR. EETS HAV..E NO NAM. "E; LLEN,CLAYTON.CREWE) IPC)E ,CTD IS IHT OEPM I B5O03Y5S1 29 21 13 15 ID ITVOINYUI`C H MYSELFI INBERG,KI,. .. MCENTEE; ICI IVI VIRGDINI V4I9N8Y8L73S 19 84 95 3 DA. ITRAYTLYO R LIMOOVRELE y ICI IV, GTEFHFUENN :D90E2R6 30 35 40 8 NSUERVFAECRI GONNA LET YOU DOWN ICI (V) COLUMBISA U3R8 F7A36C43E 80 82 89 3 LOVE DESIRE .,R 3873155/CSOALUNMDBEIAE 31 16 18 15 WL. MRARITC TI EN ALL OVER YOUR FACE ICI ATLRANUTDICE 4 B87O8Y0S5 81 70 64 28 ROUND AND ROUND ,CD, (MI IT, IV. PAISLE T:9E7V48IN/W ACRANMERP BBREOLSL 32 38 48 6 P1 SIEMCITEH. TO.RFO YM ITY. K EH)E:' ART ICI 1MI ITI TGAIARNAT 4K.1E93M6P: 82 68 55 10 WHATEVER YOI, UW IGW,,.A'. 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RUABPI N.0 SQUIRE) IC) (V) ARISTA 2Y2E1S8 38 28 22 12 WD.DHIAANTTE ,CNO.MMUNEDSY NIA AATRMUARTOA.NL LMYU NDYI SHEICE) NITA MECAAS 5T3O74N2 88 88 93 4 SOMIt[E MOBNRAEN DTS ISOLEM.WILDE, THE R(CE) MATBCRO A4 N98D7T8S6 ®39 49 73 3 PC .SAT.USR.IS I '.. I.-OOG.NE.R S '. RKEN,E ROGERS) IC) (MRIY ITTI HIMMPA CSTY 5N4D04IC6,MACTAE 94 2 SB UWRRARY EISN. BDREOWRN .B WRAY.J WRAY ICI MECHANIC T54R1I0X5T MECRA 50 71 3 THE DREAM IS STILL', . AG.LBIAVLLEAR E': WILISCIO (CND ) PSHBKIL 0L7I3P5S6 90 67 51 19 IM'V.PEHI LBLIPESE N(H ETNHSHIANLKL .HINELGM SA.CBHOANUDTLE RY.COHUA MBERS) C) (CDI (M) ITI RADIOALCOTIVNED 5O40N0B5 EMACAT 04412 4434 4479 89 1DD: RPOAEEYSASO MNA INILDYO.LBVI O RD MYu RRREArA.AL.LHYAU F) ALL IN LOVE - ANYMORE? THE RKEABNEEL(C )R PDOEGCBB BE1LR9E0T0SS9 92 N72E W 53 119 YKY. OOSWUUER'AR TE L1 KOI.SNWVWEI LELS AOOT).VB. EW OI OI T(PESN. G BALLARD) ICI (M) IT) IVI VINTERTAINMWENITL SIKC4O IE 9(NC8ITD 8H'0 PS1 HB SEKILL WE0LK7EIT3PRA4SA3T 51 61 5 TC EBEMRRPAT ATION "ZING 2C4O8,ARTINCOA 93 66 63 6 OVER AND OVER ICI IT; QUATLIITMY M1Y51 1T1. O * * * POWER PICK /AIRPLAY * * * 94 69 60 22 HOLD YOU TI'G I"HOTN D -ROY. SMITH) C! (M` IT IVI TGAIARNTA 4 K1E9M45P8 IT AIN'T OVER 'TIL IT'S OVER LENNY KRAVITZ JUST THE WAY IT IS, BABY THE REMBRANDTS ® 64 2 IC', (T; VIRGIN 498795 95 83 72 19 THE FI - I M WILDE) ICI ATCO 4 98874 56 65 4 PI 'LWLO LBF Ei IHTLH LESCRAEPE CLUB) TH(EC, EATSLCANATPICE 4 C-8L76U8B3 96 RE-ENTRY 10 SR UROMSSM .ER R VACAT- ION 1D.PAMPOL INA .D.1 DINO M C GIZMO CI IMJ IT) HOLLYWOOD 464T9H4E5 EPLAEKRTTRAY C046 I 3595 3730 144 VYOOUIC ECSA NT'HTA PTL CAYAY RC0W.EE.1T IEBTRRHAO. LWM TN Y.0 I YS.HO.E -6Y1O(1 YO -Y(CO) ICFDE)I CAV(IM OTIIT UII(C TR)EE AIISNVS)T G TGW IHAEINASCTTTE 44 CC.91AU8938RB53EE0: 9978 N80 EW 62 213 LGIDE OLASAUVHDSEATA NING Y IE IDI1T ASrU.) SR'T,TIONA.UTM,G. BHIVM INAS, I' Or ANOTHIECIIRC 1)M TBE,R AAITSODIT Y MW COENTRSOETE WW4A N-9T M82I8OA007NN10 53 59 5 SEE THE LIGHTSH ILL) SIMPLICEI AMBMIN 1D55S3 99 86 79 8 ND.JE.AWLA DJDAINC,IKC EH -T U(DS.TJ.ALLEARDD I(NN. ICINE OTI 'S THEME) (FROM "NEW JACK CITYIC")) (CD) (M) ITI GIANT 4-1IC99E4 -2T 49 54 58 7 LB IIFAE V )GAIORNE S'.8 ODANI L. C.C. DEVRLE,B MICHAELS.R ROCKETTI IC) CAPITOPLO 4IS47O0N5 100 78 75 10 FS. ERAEMLA ETKHERES GIS-R RAOMOAEVKEER S) ICI (CD) (T) SCOCTTAI RBTROOSU 5C2H81E U Records with the greatest a'rp ay and sales gains this week. Videochp availability. Recording Industry Assn. Of America IRIAAI certification for sales of 500.000 units RIM certification for sales of 1 million units. with additional million Indicated by a numeral following the symbol. Catalog number Is for cassette single Asterisk Indicates catalog number Is for cassette maxi-single: regular cassette single unavailable. ICI Cassette single availability. (CD) Compact disk single availability. (MI Cassette maxi - single avadabdity. IT) 12-Inch vinyl single availability. (V) 7 -Inch vinyl single availability ^c_ 1991, Billboard BPI Communications. Inc 68 BILLBOARD JUNE 15. 1991 www.americanradiohistory.com HARDWARE MAKERS SEEK HOME- TAPING ROYALTY DEAL WITH COPYRIGHT OWNERS (Continued from page 1) versy. Berman adds, however, that the nomic dangers posed by home taping The legal action represented the However, the coalition itself re- Still unclear at this point is wheth- two sides met "several times" over a (especially home audio taping) and culmination of publisher and song- opened initial royalty- inclusive dis- er there is any room for discussion of period of months "at different digital broadcast technologies." writer dissatisfaction with the 1989 cussions last July by inviting all par- the long -held opposition to a royalty places." The NMPA spokesman referred to Athens agreement between hard- ties to participate. The hush -hush on analog tape machines. From Paris, a spokesman for the the first -ever resolution as "another ware and software trade groups. The meetings have continued since that All parties connected with the on- National Music Publishers Assn. piece of the large mosaic surround- publisher /writer groups were unhap- time. DAT momentum has not yet going discussions are extremely said, "We are encouraged and ex- ing the home-copying issue." py with the pact, because it did not in- surfaced, with the focus now on new guarded and cautious in public com- tremely pleased with the way things However, at deadline, one source clude a home- taping levy. recordable digital formats. ments. are going. We hope this new spirit of close to NMPA said that group had In that compromise, the RIAA and In October, U.S. software groups "Frankly, there's a long record of cooperation is an indication of good been made aware of the EIA deci- DAT manufacturers agreed on a par- presented hardware manufacturers distrust between them," said one things to come for all of us." sion, but was not yet ready to com- tial technical solution to DAT copy- with a proposal for a 7.5% royalty on longtime observer. "It's walking-on- NMPA president and CEO Edward ment. ing- inclusion of the Serial Copying the wholesale price of DAT recorders eggshells time until they get into dis- Murphy, along with other members Last July, the publisher /song- Management System designed to lim- and a 1.2 cent per minute royalty on cussions further." of the copyright coalition, including writer coalition made good on a warn- it copying of DAT tapes- that did not blank DAT tape. Reportedly, when Jay Berman, president of the Re- the Songwriters Guild, ASCAP, and ing to sue any manufacturer that satisfy the copyright coalition in its news of the meeting was leaked to cording Industry Assn. of America, BMI, was attending a landmark tried to sell consumer DAT machines anti-copying scope and function. the press, DAT manufacturers were and a fierce advocate for royalties for meeting June 4 of international music in the U.S. even if equipped with the Further, a congressional commit- angered and grew skittish, which ex- label home -taping losses, says that copyright protection groups, song- Serial Copy Management System. On tee, finding the music industry in con- plains the reticence of officials com- "the RIAA is pleased, hopeful, and writers, and music publishers that July 21, veteran lyricist Sammy flict with itself, refused to act on an menting on the developments. encouraged by the announcement, voted to adopt a resolution to support Cahn, representing songwriters and Athens -based DAT bill that did not Record labels are less restrained in but I think it's premature to comment "territorial legislation to secure or publishers in a class action suit, sued address publisher- songwriter coali- their reactions. any further at this time." preserve protections against the eco- Sony Inc. That suit is still pending. tion copying and royalty concerns. "This is a very significant mile- stone," says Trish Heimers, VP of communications for BMG Music. PHILIPS, SONY SIGN NINTENDO VID -GAME DEALS Low Profile For DCC Units "We're very excited by these new (Continued from page) [digital] technologies and any new Philips Prefers Play -I ways to deliver our music to the pub- with CD -I. In a May 31 press re- could effectively compete with the To Up CD lic." Heimers, who held a similar post lease, the company stated that, Nintendo titles. at RIAA before joining BMG Music while the initial application for the Under its Philips agreement, Nin- CHICAGO -Philips' digital compact ods for tape manufacturing and was this year, notes that the marketing of Play Station will be exclusively for tendo will control the licensing of cassette format maintained a low uncertain how licensing would be ar- digital software by record labels has high- quality video games, eventual- third -party software. profile at the Summer Consumer ranged should BASF receive special been hampered by the lack of protec- ly the application will be expanded American Interactive Media, a Electronics Show, June 1-4 here. patents for the tape. tion for copyright holders. If a royal- to encompass various forms of in- Philips /PolyGram subsidiary and Although it displayed DCC proto- Matsushita's involvement in DCC ty agreement protecting copyrights teractive entertainment. the primary software developer for types at the January CES, Philips was also officially announced for the is reached, she says, "our only obsta- According to a Sony spokesman, CD -I, is setting up a Nintendo Soft- concentrated its first time in the U.S. The company cle will have been removed." the company had been working with ware division within the next few booth space on held a press conference in Nice, "Certainly, it's a positive develop- Nintendo for several years. The weeks, according to AIM president CES CD -I this time France, last month at which it re- ment," says Ralph Cousino, VP of companies signed a licensing agree- Bernard Luskin. around. Marantz, vealed that it had been co- developing technology development at Capitol - ment in January 1990, which has en- Philips went head -to -head with which was recent- DCC with Philips for the past two EMI Industries. The lack of a royalty abled Sony to proceed with plans to Commodore this CES by launching REPORT ly acquired by years. Although no DCC prototypes agreement "has been a sticking point manufacture, market, and distrib- the long- awaited CD -I format, Philips, displayed were displayed by the Matsushita - in the industry," he says. "Obviously, ute Play Station. In a prepared which will begin shipping under a DCC prototype owned Panasonic /Technics, Mike there has been some progress." Cou- statement issued at CES, Nintendo Philips' Magnavox brand in the fall in its demo room at the Hilton, and Aguilar, VP /GM of home audio for sino notes that any agreement would said that it has had discussions with for a suggested list price of $1,400. mockups were also exhibited by the the company, said that a prototype have to apply to all emerging digital Sony about a CD -ROM system and Commodore demonstrated its Tandy-owned Memtek. was introduced in Nice. technologies, including Sony's recent- discussions are continuing. CDTV format, which was intro- BASF announced its plans to open Matsushita is finalizing its market- ly announced Mini Disc system. duced at last January's CES and a pilot DCC tape plant near its tape ing plans for DCC and expects to However, with the growing owner- - SONY SOFTWARE. TOO began shipping in California in the manufacturing facilities in Germany have product available by the end of ship of software companies by hard- Although Nintendo executives spring for a $1,000 list price. by the spring of 1992. BASF's first 1992, said Aguilar. ware firms -most recently MCA's would not elaborate, sources specu- David Rosen, director of interna- digital tapes will debut at the Berlin He said Matsushita has no plans at acquisition by Matsushita- the rela- late that Nintendo made the Philips tional marketing with Commodore, Audio Fair in August, according to present for Sony's Mini Disc format. tionship between the two sides of the deal because of dissatisfaction with had no comment on the Nintendo Volker Vomend, who is heading up "I don't think MD and DCC are going industry has evolved. "It's not as ad- its Sony arrangement. In addition to announcements. "We think we can the company's DCC development in to impact each other," he said. "But versarial," says Cousino. the Nintendo titles for the Play Sta- demonstrate a superior game, but Germany. it's going to be important to the in- "We've maintained all along that tion, Sony plans to develop its own the value comes in education, en- "We believe DCC will be the most dustry to know how much software when hardware and software get to- software for the format, based in tertainment, and music," he said. interesting magnetic tape -based for- support there will be for the two for- gether, it works out well for all par- part upon personalities in its record Commodore expects to have its mat for the coming years," said Vo- mats." ties," says Jordan Rost, VP of mar- company affiliates and characters CDTV system rolled out nationally mend. He noted that the company is He noted that the company's R &D keting at the Warner Music Group. from Sony Columbia Pictures, that by year's end. developing some proprietary meth- labs have been working on every for- mat imaginable, although he was un- certain whether a rewritable CD was in the works. "I haven't seen any pro- i CONVENTION CAPSULES totype other than in the extremely DISC MAKERS high-end experimental area," he said, "and even then I've not seen a work- A roundup of news and events from the Summer Con- about $20,000, with discs priced at $35 each. ing sample." SUSAN NUNZIATA CD Replication sumer Electronics Show, June 1 -4 in Chicago. SHOWING THEIR WARES off -site was a trend among Fast Delivery THIS YEAR'S SHOW experienced a slight decline in ex- several key manufacturers, including Sony Corp., which U.K. CHAIN EXPANDING hibitors from last year's Chicago meet, according to Elec- displayed its new Mini Disc format, as well as a Data (Continued from page d) Small Quantities tronics Industries Assn. manager of communications Discman and new SIRCS II artificial- intelligence system, Alan Haber. While attendance figures were unavailable at the Four Seasons Hotel. In addition to the Mini Disc growth of video retailing in Germa- Full Color at press time, Haber estimates that attendance was on personal stereo prototype shown last month in New York, ny, Norris says the heavy accent on par with last year's. Approximately Sony showed new product mockups, including a dual- Mini porn is still precluding a large per- 500 CDs & t/ 1,000 manufacturers exhibited at the Disc portable unit, and a Mini Disc /CD boombox. centage of the potential market. 500 HX Pro CES show, according to EIA figures. "We won't carry porn but we ex- `, Cd Cassettes PIONEER DEBUTED THE first five- CD /laserdisc corn - pect to replace that 20%-30% of busi- -4 $2990 QUAD DISC TECHNOLOGY, de- biplayer, the CLD -M90, at a suggested list price of $700. ness very rapidly by attracting a REPORT signed to fit 70 minutes of digital audio The unit is expected to hit the market in September. Two whole new sector of the market," he 6"Ö IncCluodmesp ldeetes igPno c8k otgyep ePsreiceei!n g, on a 3 -inch disc without data compres- high-end, single -well cassette decks were also introduced says. "Ours will be very much family sion, was displayed by Denon. Using by the company in its Elite line that feature Dolby S -type video stores." Call Today For half the track pitch of a standard CD and rotating at half noise reduction. Slated to ship in August, the decks will The Austrian sell -through business Complete Details the speed, the disc allows four times the data to be stored. list for $1,200 and $800. accounts for 20% of the $26 million- While the company has no immediate plans to market the $34 million total worth of the market, and Our FREE Full technology, Denon's Ken Furst notes that Quad can be DAT WAS IN EVIDENCE at several booths, albeit with according to Norris, which is primari- Color Catalog: applied to video compression to develop a 5 -inch disc con- a low profile. JVC displayed two decks, one of which has ly handled through mail order. Al- taining an hour of full -motion video. Denon also displayed been shipping for approximately four months at a list though not its chief priority, he be- 1-800-468-9353 a portable DAT unit due out in late September at a list of price of $1,700. The other unit began shipping this month lieves Ritz can begin to carve an at- $900, a WORM CD cart system, and a dual -transport CD for a suggested retail price of $1,000. Casio displayed its tractive niche of this sector. player with an additional controller for DJs. With about palm -sized portable DAT unit at a suggested list price of There is no time scale as yet for 1650 Broadway, Suite 1010, 6e0r msyisntuetmes - aoif mdigeidta la at ubdriooa rdeccoasrdteinrsg - htimase, tah eli sCt Dp rreicceo rdo-f $1,050. It is slated to ship in August. SUSAN NUNZIATA fsupertahkeinr gm teorvreitso riinetso, soatyhse Nr oGrerirsm. an - In NYC caN:N 2e1w2 -Y2o6r5k,- 6N6e6w2 YorkF A1X0: 021192 -262 -0798 67 BILLBOARD JUNE 15, 1991 www.americanradiohistory.com Billboard 0 T 0 0 SI N H 1 GLE SCOMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE AND FOR WEEK ENDING AUGUST 31, 1991 TM ONE -STOP SALES REPORTS AND TOP 40 RADIO PLAYLISTS o z z 01- 3Y 33Y N C) NY Q TPRITOLDEUC ER (SONGWRITER LABEL & NUMBER/DISTRIBUTINAGR LTAIBSELT N~ W"».. o5- 3 Ná NY Q TPRITOLDEUC ER (SONGWRITER) LABEL & NUMBER DISTRIBUTINAGR LTABISELT * * No. 1 * * 50 42 32 17 VR.JU.SSMHIT HR,PU.LSORHD (PI'- IC) (V) CAPTIVPEA 4U.9L8A82 8A/VBIRDGUINL 1 1 1 10 (RFE1A.VLDAENINRGGYE T (BLH.IAKIDNEAGM A SI . RFD. LJO. OL)AW NI GEDER.OM . K(IEATMV EFENOR) RY YTOIMUE ( FYROOUM L E"RAOVBEI)N HOOD ") BRYANR AAOBDXMAE M1T5TS67E 51 38 24 21 UR.JNEBZZEARLDIE UV.AATBKILNE.I ( -', . FOLEY.M. 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WETE,ALIHO. LHFNBUOESFRFU G,HN.MED.AWV ALYH OMDL.BV)A EERR GK,SYP ICMEA) RK & THE FUNKY B(UC) N(TC) HIN /(TCLEH)OR (ESMLCAE)O V(PATEY)T UT4DP A.9T 8O&7HW6 ONT4 /HLE5ALE4S0O T9B W0WO /MAEYSCYZTA 68 6496 3185 147 MP1 S.I CEMOCITHHEN. ). HO F:. M: Y.) K (MHE M-ECPOA,JHR.SNTM) ITH,T. ROY) ((CC)) ((VM)) A(TT)L TGAANIATRNITCA 44 K.-18E973M667P48 20 20 22 9 TR.HPEER RMY O(L.TJ.OMCWNNAL LSY)O NG (C) (V) WARNREOR DBR OSST. E4W-19A3R22T 71 -77 4 IHF. B EI NSSAONY ( FRANKIE .J.GRIFFINI KINGO(CF) TSBHK E0H73IL5L8 21 23 21 10 LD.OPRVAETE OR F(B .LAE VLEIRFTEY,TC.ISMNAER E) (C) (V) FEPIRICE 3H4 O-73U7S71E 89 TDJO QNUIIKT E(D BLAKE) )C) (T) PRODFJIL EQ 5U3I3K8 22 15 8 15 IP' LWLO LFB E(T HTEH EESCRAEPE CLUB) TH(EC) EATSLCANATPICE 4 .C87L6U8B3 78 66 3 GPREINTCTE ,NO. FP.FG. (PRINCE.NEW POWER GENERATION) (C) (V) PAISLEPY RPAINRKC E4- 1A92N25DT NTAHRNEE RN B.PRO.GS . 23 24 29 6 MI. AY.R ENIDA,BMABEY FIASC EN (OE.TF. WSHUITSEAI N WHI(CT)N (TE) Y(V ) HAORIUSTSA T2O25N9 12 85 93 3 AG. FTOTBEINR I MT. 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W4.1H93IT19E 80 52 40 11 DL.OCHVILED .AO.PNA YAS ORN O(DO.CFHTILODP,D .WARREN) (CD) E(VS) EMLEOKNTRDA 4C6H48IL8D3 02) 31 45 5 HN.OBELTETE HNCEOAURRTT (END.B ETTEN000RT,G.CHFRONE) (CE) XATBMR E15M64E (11) 88 89 3 TJ.EH. IMSA RB IEJ AE TM AISR ,BH.GO. TTH E PRINCE OF RAP) B.G. (CT) H(MEl (PT)R (VIN) ECPEIC O34F.7 3R9A5P0 (11) N3450E W 4417 47 ELDEE.. REVOMROE OINCARSKTNTYSIAOOBYDNONTT.F,HGSD. T.I YMHNA OGPSMSL AEASN YR(FUS.*TR H GTO.**HRM EAK**S I,IPF EN.O*K EO I OR HI,L W ,O ET:.RR KS ) RPH RIOACILTEKY , /KAD.WIEILRLIBAPMUSL) TA *Y ** **N *A(CT ) U(TR)A EMAAARLAS(T OCR S)W NIEA(ET LS)N NTEA CE&4C-MVTA9 I8IR1OL75EL2N64YE3 88882345 91663335 555180 2122552 LHMNJIDI .' RUJEWLIOO.GRFTLHPBRAH' INYSETNN SZTE L EOZNSTU(ENMV.A A EL( (L -D JIRK.SRKJO. E FEHALRX tiNEE B TTSEYTHOHOZ OEENUI Y)SU, IKOTN .VL U(UEISFN WPECRGI ISXBOO()L FME RS O("FTMINH GE"EN RFEPIRWVINE TJ SHA) CEKA RCTIBTYE A"T)S ") ((CC)) ((MM)) C ((TOTI) LN(C(ESOV)S X)A RVTGT I(L RCIEAPT)GM NLE I-MAATNENLTC F H 44EA T - .AB-PE915EUA893EA R7383DPR9083 D.18A2T73 1 YD.O COUL EC,RO.CULIVLIDLL EBSE (M M.CAINREEY ,R.C( )VLLLES,D.COLL) V) GCOULNUMSB INA ' 38R-O73S9E77S 86 86 83 4 CM.HPHOILRLIUPSS ICLARKE,BELLI (C) (CD) (M) (T) SIRE 4- 401E23R. ARESPURRISE( 36 33 30 8 M.CLINK,GUNS N' ROSES (GUNS N' ROSES) (C) (V) GEFFEN 19039 THE DREAM IS STILL ALIVE WILSON PHILLIPS 37 26 18 21 RM.IPGHIHLLTIP SH E(MR. EED,W RARIDGSH) T* *NO*WP OWER PICK /SALES * * * (C) (CJDE) S(TU) SSB KJ O07N3E.1S 8818 6702 4552 2144 GMM. BOWARALLGEAE RNTDEH R(W A(NINL.SB OEWNT TOPEHNRI0LD0L0ISPRS T,.GG. .BCAHLELRAORND)E ) IC) (CD()CE )S XABBTKM R0 E713M555E62 38 47 2 BE.RNOTCEKR,H ESTFAIENLDD.UMLRAINCH (HETFIELD.ULRICH,HAMMETT) (C) ELEMKTERTA A4-L6L4I8C57A (C89 I N16 EW79 5 GCSUTETRT 'N AS' IMGEORHVEITO (MUT.OSC. ZYIPOP,UJORR NH EK.A,P.R HTO LM,H. KELLY) (C) 1MI CBTUA) TEDP I'CNE 3N' 4GM -7LO3I8SV7HE8 39 44 48 8 TR.HMIELL SS O(MU. CNARDL ,DO.CFH AYUONUCERY ,JV.POEITCEERI K,J.CARLIS() (C) CHAR3I8SM SA P4E.9C87IA73L 1 (C) EPIC 34 73982 40 41 44 9 GJEONKTI NAS ,RLICOHVAER DFSOONR,W YAOREU I WILLIAMS ,WASHINGTON,JENKINS,RICHARDSONW ARE( (C) IM) (T) BIG BJEOATM 4A98N7D31A SHE'S GONE (LADY) (C) MCA 54167 41 31 26 26 HG ADRRADKO UTLOIA SH (ARENDDDILNEG. ISBELL,JONES) (CI (V) DEF ATMHEREI CBANL A4C.1K92 C45R/ ROEWPREISSE 92 81 61 16 LILY WAS HERE DAVID A STEWART INTRODUC(CIN) (GV) ACNAXINOUDSY 2 1D8U7 LAFREiSRTA 42 45 57 4 LPAOISVLEEY .P.A.TRKH,MYA RWTIKIAL L(M BARET (KDAO,PNRIEN CE) (C) COLUMBIAM 3A8R -7T3I8K53A 93 82 70 13 CE.EASNTE'TFA FNO.JRR.,GJ.CEATS AYS,OC.OUS TWALD CI.CASAS.1 SECADA.0 OSTWALD) (C) EPIC 34.73864 43 50 59 5 TM.HCHEA PTMRAUN T( MHA SSEY ,MASSEY,T.GAWENDA,M.JIARAS,M CHAPMAN) TAM)C)I RCSAH 2O6W94 94 95 88 JUST ASK ME TO (FROM "BOYZ N THE HOOD") TEVIN CAMPBELL 44 32 17 12 LG.O ROVCEH EA (ND. DW AURRNEDN)E RSTANDING (C) GEFFEN C1H90E2R3 95 91 86 WG.GIESRHARIND,GC GOAUND ETTHTEE ( DS WAAMRREE NS) TAR 45 56 63 5 TA.HSHEA COKNLOEC KA,NN.KDE ROSHNALWY ( N.KERSHAW) CHE(CS) NCHERYY SHALAISW 2K3E73S0 NEW GSEOVENN NINAC HC (AMT LCIMHO NYI,OV US EMPLICI.D.DAVOLI) ONLY TIME WILL TELL NELSON THE DEVIL CAME UP TO MICHIGAN K.M.C. KRU 46 39 28 11 M. TANNER,D.THOENER (M.NELSON,G.NELSON.M. TANNER,G. SUTTON) (C) (V) DGC 19014 (41l 49 53 10 WT.CIUTRHRI EYRO (RU.R EEDER) (C) (VT) OEPNICY 3T4E.7R37R1Y3 EVERYOTHERDAY OR-N-MORE (FEATURING FATHER M.C.) DON'T WANT TO BE A FOOL LUTHER VANDROSS WALKING IN MEMPHIS 55 62 5 L. VANDROSS,M.MILLER (LVANDROSS,M. MILLER) (C) (T) (V) EPIC 34 73879 (C) ATLANTIC 4 87747 49 53 56 THERE SHE GOES WHEN THE LIGHTS GO OUT GERARDO o 'AsterisRke cinocrdhsc awtei sh ctahtea lgorge antuemst baeirr pis afyo ra ncda sssaeltetes gmaaingsi tshiunsg lwe;e erke gu*laVrt dcaesosoeltitpe asvIangilaleb iulintya vailabRleec or(Cdi)n gC aIsnsdeutstetr ys inAgslsen av01a ilAambielintyc.a (C(RDIA/CAo) mcepraticfitc adtiioskn sflonrg lsea laevs aotlfa 5bl0li0ty, 00(M0 ) uCnaitsss ette RmIAaAx tcseinrgtifleic ation for sale(sT o) f 121 -imncilhlio vni nuynl itssi,n wglieth a vaadidlaitbioilintya.l m(Vil)l io7n.i ncinhd ivciantyel ds binyg al en auvmaeilraabl iliftoyl low©in g1 9t9h1e, syBmillbboola rCcVaBtaPloI gC noummmbuenri caist Ifoorn sc.a sIsnect te s(ngle 72 BILLBOARD AUGUST 31. 1991 www.americanradiohistory.com t) NOTZOO PENTh . SR(;F[S SPOI[IVT by Michael Ellis BRYAN ADAMS HOLDS FOR the sixth week at the top with "(Every- thing I Do) I Do It For You" (A &M). It's still No. 1 by a large margin, although it is beginning to slip in both sales and airplay points. A &M Records reports that 2.8 million units have been sold, but it is holding off Recording Industry Assn. of America certification in hopes of a triple - platinum certification on the first audit. (Only one single, "We Are The World," has sold more-4 million.) "Everything" is likely to hold for a seventh week as Roxette's "Fading Like A Flower" (EMI) drifts up to No. 2 while losing points, and other competitors are still far behind. MOTIONS" BY MARIAH CAREY (Columbia) enters at No. 35, the highest out -of- the -box debut for a single in years. Higher debuts have taken place, but they were for records such as M.C. Hammer's "U Can't Touch This" and Madonna's "Rescue Me," which had been played for weeks as album cuts before the singles were released. Right ahead of "Emotions" at No. 34 is the Power Pick /Airplay, "Do Anything," by Natural Selection (EastWest), which gains slightly more than last week's airplay winner, Karyn White's "Romantic" (Warner Bros.). "Anything" now has an 89% chance of going top five. It's already top 10 at five reporting stations, including Power 99 Atlanta (7-6) and KDWB in the group's hometown of Minneapolis (No. 2). T96H, 9R7E, aEn dN E98W. FAirRstT IisS TLSo nEnNieT EGRo rtdhoen H, ao tf e1m00a lfeo rs itnhge efri rsotr itgiminea,l layt fNrooms. WINTOHA ELB LE NI AEWSAEKTFRH O MFF Y YL OOWUVI EN GS tshineg lBer oisn x"G, Non.Yn.a, wCahtoc hh aYso uh"a d( SsBucKc)e. sAs lsino tfhroe mU N.Ke. wH Yero rfki rsist Udu.So. Ocrh- aNr-t GRAEANTOYE EMSSTAT ELNORYVD EMA YOO RF EA LL More, composed of female singer Orfeh and producer Mike More. Their first single is "Everyotherday" (EMI), which they co-wrote, assisted on the rap by Father M.C. And the K.M.C. Kru, a rapper /DJ team from Lansing, Mich., enters with "The Devil Came Up To Michigan" (Curb), which is already a hit at WOKI Knoxville, Tenn. (18 -8), and KKXX Ba- kersfield, Calif. (15 -11). The New Album QUICK CUTS: "Enter Sandman" by Metallica (Elektra) wins the Pow- ZYX 20186 -1 / -2 / -4 er Pick /Sales, and is beginning to garner top 40 radio airplay. The single drops from 5 to 12 on the Top POS Singles Sales chart, but the store Available on ZY; Cass.. CD and Vinyl -LP reports used to compile the Hot 100 sometimes lag behind the immediate <. over- the -counter piece -counts used for the POS Sales chart. Progress is continuing, incidentally, on efforts to include POS sales information and BDS airplay monitoring in the Hot 100. BDS deployment will be fully Live on Tour '91 completed in September ... Two records that dropped last week make turnarounds and move up with a bullet. "I'm Not Your Puppet" by Hi -C (Hollywood) jumps from 83 -74 and "Gett Off" by Prince (Paisley Park) Septembel 4th: Homedale, NEN Jersey. Garden State Arts Center from 78-71 ... "There She Goes" by the La's (London) loses its bullet at September 7th: Vienna, VA. (Washington D.C.) Wolftrap No. 49 but upward progress continues, with strong moves at KKBQ Houston (12 -6), KZBS Oklahoma City (7 -6), and KWOD Sacramento, September 12 - 14th: Ne At York City, N.Y. Carnegie Hall Calif. (5-4). Similarly, "Just Like You" by Robbie Nevil (EMI) is unbul- September 20th: San Carlos (San Francisco), Ca., Circle Star Theatre CitS leted at No. 25 but is No. 2 at Q102 Cincinnati and jumps into the top five September 22nc: Universal City (Los Angeles) CA., Universal Amphitheatre at WSSX Charleston, S.C. (9 -3), and Q106.5 St. Louis (6-4). j , -- ,j,l NOT 100 SINGLES ACTION ._ NT) J RADIO MOST ADDED PLATINUM, BRONZE, DANCE I M J GOLD SILVER SECONDARY TOTAL TOTAL ADDS ADDS ADDS ADDS ON 12 REPORTERS 39 REPORTERS I68 REPORTERS 229 REPORTERS EMOTIONS Latest releases: MARIAH CAREY COLUMBIA 20 35 143 198 198 SBATDR AEINGGHLTIS THO EYPOIC UR HEART 3 3 43 49 49 2 BROTHERS ON THE 4TH FLOOR WALK THROUGH FIRE D -ROCK BAD COMPANY Arco 1 2 38 41 98 REAL REAL REAL ELEVATION 4TH JESUS JONES Sep, 4 4 29 37 90 EVERYOTHERDAY VAMOZ OR -N -MORE EMI 3 2 28 33 33 THE REAL LOVE SELECTOR BOB SEGER CAPITOL 1 1 30 32 94 SBOOMNENTIEH RINAGIT TT OCA TPIATOLLK ABOUT 2 5 11 18 131 Available on 12, sass.- single, CD- single LOVE...THY WILL BE DONE M A R T I KA COLUMBIA 0 3 13 16 147 WBEOLRL DB ITVO DTEHVEO EM MUCTAH A 1 6 9 16 19 7)h2 oonteis 5s1tr6e-e2t5 3w-0e8s0t 0b abfayxlo n5 1-n6e -2w5 3y o-0rk1 2181 704 FOR YOU MICHAEL W SMITH REUNION 0 2 14 16 16 distribut on ltd. Radio Most Added Is a weekly national compilation of the ten records most added to the playlists bernhard rnikulskiS of the radio stations reporting to Billboard. The full panel of radio reporters Is published periodi- cally as changes are made, or is available by sending a self- addressed stamped envelope to: Billboard Chart Dept.. 1515 Broadway. New York. N.Y. 10036. BILLBOARD AUGUST 31, 1991 www.americanradiohistory.com Billboard 0 T 10 0 H COMPILED FROM A NATIONAL SAMPLE OF RETAIL STORE AND FOR WEEK ENDING AUGUST 24, 1991 NGLEST" ONE -STOP SALES REPORTS AND TOP 40 RADIO PLAYLISTS N= ww 53Yw Y3 áO O0Y+ IáL-i TPRITODLUEC ER (SONGWRITER) LABEL d NUMBER/DISTRIBUTINAGR LTAIBSETL = w N w N3(Q,.3 =3c> TPRITODLUEC ER (SONGWRITER) LABEL d NUMBER/DISTRIBUTINAGR LTAIBSELT * * No. 1 * * 50 59 66 4 TMH.CEHA PTMRAUN TIMHA SSEY. MASSEY ,T.GAWENDA,M.JIARAS,M.CHAPMAN) TA(MC) IR CSAH 2O6W94 1 1 9 (RE.JV.LEANRGYET (BH.AINDAGM SI. RD.J OI )A NI GDI OM IKTA MFEON)R YOU (FROM "ROBIN HOOD ") (CB) R(CYDA) N(V ) AA&DMA M15S67 51 46 41 10 LD.ECTOL TE,HR.EC LIBVIELLAETS (DH.CITO LE'E,RM.C LIVILLES.A. FRIEDMAN,D.RAMOS) (C) (CD) (ML) I(STA) ( VL) ICSOAL U&M BCIAU 3L8T - 7J3A84M7 2 3 5 12 ILT.K RAAIVNIT'ZT ( LO.KVRAEVRIT Z')T IL IT'S OVER LE(CN) VNIRYG KINR 4A -9V8I7T9Z5 52 40 42 10 LD.OCHV)ELD ,OA.PNA YAS ORNO (OD.CFHTIOLDP,D .WARREN) (CDI (EV)S EMLEOKNTRDA C4 -H64I8L8D3 3 2 3 11 EB.VBAENRNYIS THERE (AA.R GTRBANETA,WT.K IRKPATRICK,C PEACOCK) (C)(AT)M(VY) AG&MR A1N55T7 53 56 61 6 TBH.ANEDRREEW SS H(LE.A .MGAOVEERSS ) (C) LONDON 869T H37E0 -4L/PAL'SG 45 54 74 1111 FCSH.UAOULFDAMW,IKNEM.FRGIEMN AGRLNETI RK(IPSME. G( AEEA.STA SAF LYELL)OO RW,RE.MRIC K(EENVS,ERR. BYE LTL,IGM.BER OYWON.UR wLEE SADTEV.JRE.F )IEJ LAD,lDl.Y TH OJEMFASF) (C&) T(CHDE) ( MF) R(TE) SJ(IHCV)ER EPOMI4RXI6 IE55N/0TRC3TC5EEA5 5554 6602 6780 44 TMDL..VHOYAOANNUTD'NTR'GSO W (S TMSA.H,YMNOE.MUT NIWL GLTAE)O RY B( LLE.VO AAVND EFR OOGSOOSL.EM S.M ILLER) (LCU)( CT()C HD(T)E ) (R(TV)Y ) CVEOAPAPUICINTN O3DGL4 R 47MO348S7.C74S90. 6 6 6 15 TC.EBEMRRPIOTSA (TCOIORINNA ,F. REYES,C.BERRIOS.L.DUPREY) (C) (M) (T) CUTTING 4.987C7O5/ARTICNOA 56 63 73 4 TA.HSHEA COKNLOEC KA,NN.KDE ROSHNALWY I N.KERSHAW) CHE(CS) NCHERYY SHALAISW 2K37E3S0 C1l90 911113120 1111115024 1161I3010 WKTV3TTIEMD .H. HH..JOCFAEIO.AS.NLE IUWANSMK.TS DMHELNITGOPTFNIIT .H'N,TSRE WO(S, 1EP (C O.DFW(C.TNOTEL. AMAO.RHEFPCAUUPR.IRAWTHSHIISDOTYTHTN IAEN,I L(WIN PTSAAN L M.E .O, DLMNG(LY)K ROA F.OB. ERUM KIDVM AETE I,IMN SHNN S.OESYE,)ENNT ORD..WMVU. IROCM .RT DLGROIYANOIRTSYEU,, VS) H.T.JS.EMTSOM MCITKHMM,PAM.NA)B. .D. UL) C&C MUSIC( CF) A(V(CC) ) TC((CVAO)() PC R(TM)T IVIYEP( TE(R/ V)(A F CCB)4( SU)V.U- OM J)9RCL WIOVY8AYAOET7R ZTI O5L8IR SHAHI2W64LITNPI8E4IB NAI I5A-I R M D1FO/22KRMG8I20EUN0VCLI39SN -NLA4F0ES0 (5556610901 ) 5676445379 8567449255 23633 MZLRLJRKHU...OCBOATHEUYACA4ATWR N0RR,ITRIF ITEONON (SEAARN T RI.(LYGONAIZI, CDL.RNGACTG.EE,REA.TM,TE FRI.NCRGNRIBI QHV AO, (HAE,ACL(DESOYEOCT.NOT ,D JKNAG((GRM KAR .E .L EIHETTOSL( AFLE)O)H . IN AARE ,LSBYNF TRAAODBOO RNUWO LOT,NIT, U GAR.,GD.L HGKIACEULTEKTEVEE I)EAR MRRSR REOEDSN)Z .H) .GLA.OODLREDTS IZTO,EJF.ICN A B,RORTSEKORAW,RD..JCNOAL( RCSADF)H TA,E(CCNIAHDN,M(U)TC ILA(L)UM OL(LME()R LR)( IT.IN(SIAT C)GIN VOC() TCC UTWTV)TE )EI (ATN7 IAG)NNF ( RCGPEE8) U D64SA(IM7CT-R9 ST )PI 1 O5 UAVV511II9 PR8RR55W-1GG /4I&6CNII/I8NNMH L/G QSEA4L4UR-R CUHI99WAACI9O8SIBLURM71MIART4R54OASYR1OY01 1123 1154 1196 160 RCTH.RCOLARIVZNILY L(S EESA,DL.)C OLE )R.CLIVILLES,F.B.WILLIAMS) IC) (CD) (M(C)) ((TC)D ()V )( MS)I R(ET ) 4(V-1) 9C2O98L/UWMABRIAN E3R8. 7SB3RE6OA8S7L. 62 42 24 13 TGN.HBIGAELH LDATRRSD E (LAWIKMILES O ISTN HPSHISTILI LLI(PFLS R,AGO.LBMIAVL LE'AT RHD)E FIVE HEARTBEATS ") WILS(CO) (NCD )P ASHBFIKTL 0EL7IR3P 5S67 14 16 18 7 UD.FNOFSTOERR G(I.EGOTRTDAONB)L E (C) (V)N EALETKATRLAI E4 C-6O48L7E5 3643 ) 51 43 14 JT.JIOLHLN SSOONM (1E.JBOHONDSOYN ,LK.OLEVWEISS) YOU HENRY ICL)E VEIR GSINU M49M87E9R8 I'LL BE THERE THE ESCAPE CLUB 71 93 3 R.WAKE (M.BOLTON,D.WARREN,H.SUMMER) (C) ASSOCIATED 34- 73893/EPIC 15 8 8 14 PT.IWMOELF, (LTHOEV EESC AAPNE DC LUTBE) NDERNESS M(ICC) HATALEANLT IBC O4 -L8T76O8N3 65 50 33 21 ID RW.FRAENEZNE A(D SR.EFRXE EYZEO) U UP (FROM 'NEW JACK CITY`))' (C) (M)C (OT) L(VO) RG IAMNTE 4-B1A93D8D2 16 20 21 1 W.AFANASIEFF,M.BOLTON (D.WARREN) (C) (V) COLUMBIA 38 -73889 TURN IT UP OAKTOWN'S 3.5.7 11 19 20 8 TC.ODEON NMISA,PN.BYOD WGEARL (CL. SDE NNIS.A.DUDLEY) (C) (V) POLYCDOART H86Y7 D13E4 -N4PNLIGS 66 76 80 4 1C. EAANRL EYYO,MU.K ESLTLYO P(J .ETAHRLEEY R,MA.KIENL LY,D.IOHNICAN) (C) (CD) (T) BUSPTE IAT B44O7 1B7 /RCYAPSITOONL 18 23 28 5 IRP .A.BAADY.SOYA.RSNE,.HI ..LMOEEI. N A(C. MOLOORR ME BADD,H.LEE) R(CY)C TITOH) LM(OV ) RGS IYAMNNTED 4IBC.1AA92DT0DE4 6681 6748 5842 140 WJRU..SAASFLATANS AW (SMIAE.AFNNFD T(RW ET.WAOFSA ,TNH.AAONSIDLERDFEF W,YJ.SBO,ECUT. T IHSA) RRIS.JR.) (C) (M) ((TC) ) W(VA) RCNOEJLRAU MBSRBMOIASI N.3 48E -- 71G3973U435Y0 19 7 2 13 CT.HSTEU RMKEONT,EO.RWOGNER SS O(CN.SGTU RKEN,E.ROGERS) (C) (M) (T) IRMOPADC TS 5T4E04W6/AMRCAT (61) 75 89 3 SM.ICLOVHENR,B .WTHISCUHN (MD.ECORHBNI)R D (C) (V) ATMLAANRTICC 4C -8O7H67N8 20 22 25 8 R.PERRY (L.J.MCNALLY) (C) (V) WARNER BROS. 4 -19322 MORE THAN WORDS EXTREME NOW THAT WE FOUND LOVE HEAVY D. & THE BOYZ 10 55 46 23 M.WAGENER (N.BETTEN000RT,G.CHERONE) IC) UM 1552 21 21 23 9 T.RILEY (K.GAMBLE,L.HUFF,H*E*AV*YP DO.) WER PICK/SALES * *IC ) *(M ) (T) UPTOWN 54090/MCA 11 77 86 3 IHF.B EI NSSOANY ( FRANKIE ,J.GRIFFIN) KINGOiCFlSTBHKE0H73IL5L8 22 25 35 6 GD.WOAOHDLB EVRIBG R(DA.WTAIHOLNBESR G,M.WAHMLBAERRKG,YSP IMCFA) RK & THE FUNKY B(UC) N(TC) HIN /TLEORSLCEOAPET T4.A98 7H64O/ELALSOT WWAESYT 12 84 2 PD.OKOWRTECRHM WARI,NJ.BDOON WJOVSI (B.FALCON) (C) JAMBCO 86B8I L6L7Y2- 4 /FMAERLCCUORNY 23 27 32 9 LD.OPRVAETE OR FIB .ALE VLEIRFTEY,TCI.SMNEAR EI (C) IV) FEIPRICE 3H4O73U7S71E 13 58 56 24 IM'L.OLP ITNZ E(MV.EMRAT IJLEEVITC ) YOU GO STICEI EMLCHA E53A8R01T 24 29 36 5 ML.AY.R ENIDA,BMABEY FISAC EN (OE.TF. WSHUITSEA) N WHIICT)N (TE) Y(V ) HAROISUTAS T22O5N9 14 78 2 KS.HISAGSU ET H(SEIOMUX SFIEO &R T HMEE B ANSHEES) SIOUXSIE(C )& ( CTD)H (ET) BGEAFNFESNH 1E9E03S1 25 31 34 8 JRU.NSEVTI L L(RIK.NEEV IYL)O U ROBICB) IEEM IN 5E0V35IL6 15 90 2 FC.ALOCRED -ATLHGEE (GMOUUDSRIECAU .MAES) IC) GIANT 419R2T7Z3 26 18 9 20 RM.IPGHHILLTIP HS E(MR.EED,W ARRIDGSH) T NOW (C) (CJDE)S (TU) SSB KJ O0N73E4S5 16 79 83 4 GCUETT 'N S' MEORVIEO (UM.SC .ZIPP,JORN K..P.HOLM.H.KELLY) (CI (M) C(TU) TE PI'CN 3' 4M-7O38V7E8 21 34 39 5 SS.HLITINT,RY.E H.MA. (PBPERYR YP,BEUOCKP,MLIELL S,STIPE) (C) WARNER BROS. 4R -1.E92.4M2. 11 NEW TDH.WEAS R(BE SAEGLE LRO) VE BOB SEGER & THE SILVERIC ) B(VU) LCLAPEITTO L B4A4N74D3 28 33 37 9 L1.ELYANRNEN,TI.NPEGT TTY,OM .CFALMYP BELL (T.PETTY,J.LYNNE) TOM PETTY & THE HEAR(CT) B(VR) EMCAAK E54R1S24 18 66 2 GPREINICTE ,ON.FP.FG . (PRINCE,NEW POWER GENERATION) ICI (V) PAISLEYP RPAINRKC E4- I9A2N25D/W TARHNEE RN .BPR.OGS.. 29 35 44 6 IBT.S CHHINTE EM,HEUE YL ILKEEW IAS & HTHAEM NMEWESR ( R.1.LANGE,H.LEWIS) HUEY LEWIS & T(CH) EE MNI 5E0W36S4 19 85 87 3 LJ.GOAURDDNEERR (JT.GHAARDNN ELRO,KVAYEE L.M.QUAYLE) IC) TOMMY BOY T79K9A8 30 36 40 7 PD.OROPS SG,JO.GEAMSB TLEH,GE.D WAJAENAI S( ME. BLE RRIN ,P.NASH,J.DAJANI,J.GAMBLE) IC) (CD) (M) (T) DEF JAM 3 &737283/RCODL UBMABSIAS $o 92 2 WK.DHIAEMNO NLDO (DV.SEU MCMREIRE,KS. DIAMOND. E.NELSON,A.SMITH,L.HENLEY) ICD) (TO) NANTLAA NTSICU M4.8M76E2R4 HARD TO HANDLE THE BLACK CROWES LILY WAS HERE DAVID A. STEWART INTRODUCING CANDY DULFER 31 26 27 25 G.DRAKOULIAS (REDDING,ISBELL,JONES) (C) (V) DEF AMERICAN 4- 19245/REPRISE 81 61 48 15 D.A.STEWART ( D.A.STEWART) IC) (VI ANXIOUS 2187/ ARISTA LOVE AND UNDERSTANDING CHER CAN'T FORGET YOU GLORIA ESTEFAN 32 17 17 11 G.ROCHE (D.WARREN) (C) GEFFEN 19023 82 70 53 12 E. ESTEFAN,IR.,J.CASAS.C.OSTWALD (J.CASAS.J.SECADA,C.OSTWALD) (C) EPIC 3473864 33 30 29 7 YM.OCLUIN KC,GOUUNLSD N ' BROES EMS I(NGUEN S N' ROSES) G(C)U (NV) SG ENFF' ENR O1S90E3S9 83 80 2 IT'OMNY N-A,OS.TYA YNOO U(WRIL KPERUSPOPN,EALTV AREZ,YANO) (CI (M) HOLLYWOOD 4- 64849/ELEKHTRI -AC 39 47 6 SD.OWAMSE,BT.RHAIITNT G(S .ETIOKH TARADL) K ABOUT (C) (CBDO) CNANPIITEO L R4A47IT24T NEW 1 RM.E EADWLA RRDESA (JLE SRUES AJOLN ES) (C) (CJDE) S(TU) SSB AJ O0N73E6S4 41 49 6 EL.RVOENRSYTABDOT.DG.YM APSSLEANYBUSR TGH,RE.K UFNKOEOL L(R .CLARK,J.R.BAILEY,K WILLIAMS) AAR(OC)N (T )N AE&MV IL15L6E3 85 93 2 AG.FTOTBEINR ( MT.PHICEC ISRIULLMO,TM.JEAMRE'SS) GONE (CP) CR CQA U62E0S5T1 ***POWER PICK/AIRPLAY * * * CHORUS ERASURE ROMANTIC KARYN WHITE 86 83 85 3 M.PHILLIPS (CLARKE,BELL( (C) (CD) (M) (T) SIRE 4-4 0123/REPRISE 31 5425 60 24 JHNU..J ONABMELBT,ETET. E LLHNEICEWEOVAIUSAR R(TKBT .W(ELNHED.BIT EET,TJ.EJANM00.T0.R LTE,GW.CISH) ERONE) (C) (CD) (M) (T) WARNER BR(OCES) X.A &4T M-R1 9EE13M5M169E4F 8818 N89E W 21 WTTJ.. ETH.AH IOMLSMAK RAB ST(EJ .(HEAH. ORTMW OAIESUR,T ,HGBHO.GOHM. TA TFS H)IE R PER INCE OF RAP) B.G. (CT) H(ME) (PTB)R IAV(ICN)D ) EC APCTEICOO OO3M 44F P- - 79A3R89N7A54Y0P8 38 24 13 20 R.JEZZARD ( 1. ATKIN ,I.OENCH,Z.FOLEY,M.DECLOEDT,D. BROWNSON) (C) (CD) (T) EMI 50350 .89 NEW 1 TONITE ONLY TIME WILL TELL NELSON 4309 2478 3580 130 MDF .O ETRA INACNKNESYRO,NTD,H.FT.HTINHOOEGMN EARS ((FM..T NHEOLMSAOSN,E ,G.E.NREICLKSSOONN,M) .TANNER,G.SUTTON) NIAC)T (UT)R EAA(SLCT) SWIVEE) SLDTGE C4C -9T189I7O0214N4 90 69 62 22 WWAISLHKIINNGG OINN MTHEEM PSHAMISE STAR IC) ATLANTIC 4-87747 GOT A LOVE FOR YOU JOMANDA 91 86 2 ICI (V) ARISTA 2255 41 44 50 8 1ENKINS,RICHARDSON,WARE (WILLIAMS, WASHINGTON ,JENKINE,RICHARDSON,WARE) (C) (M) (T) BIG BEAT 4 -98731 POWER OF LOVE/LOVE POWER RUSH RUSH PAULA ABDUL 92 72 57 18 (C) (VI EPIC 34-73778 42 32 22 16 V.J.SMITH,P.LORD (P.LORD) (C) )V) CAPTIVE 4.98828 VIRGIN LET'S TALK ABOUT SEX PLACE IN THIS WORLD MICHAEL W. SMITH HURRY LUV BUG d THE INVINCIBLES (FINGERPRINTS) (M) (T) NEXT PLATEAU 333 43 37 31 17 M.W.SMITH,B.LENOX ( W .KIRKPATRICK,A.GRANT,M.W.SMITH) (C) (V) REUNION 19019 /GEFFEN ELEVATE MY MIND CD 48 52 7 TRH.MEIL LSS O(MU.CNARDL ,DO.CFH YAUONUCREY ,JV.POEITCEERI K.J CARLISO (C) CHA3RI8S MSA P4E-9C87IA73L 94 64 51 13 SJTUESRETO AMSCK'S (RM.BEI RTCOH ,N(F.HRAOLLMAM 'B, HOAYLLZ) N THE HOOD") (CI (MI (T) 4TH BWAY 447 519-4/ISLAND (45) LOVE. ..THY WILL BE DONE MARTIKA 95 88 92 3 (C) QWEST 4-I9275/WARNER BROS. 57 77 3 PPAIIESLCEEY POAFRK M,MYAR HTIKEAA )RMTAR TIKA,PRINCE) (C) COLUTMABIRA A3 8K-7E3M85P3 96 82 64 20 HOW CAN I EASE THE PAIN IC) LEILSEAKT RFAI S4C-6H48E9R7 46 38 26 16 I.SMITH,T.ROY )T.KEMP,J.SMITH,T.ROY) (C) (M) (T) GIANT 4 -19364 DIRTY LOVE THUNDER ***HOT SHOT DEBUT*** 97 96 88 13 A.TAYLOR (MORLEY) 41 NEW EB.NROTCEKR,H ESTFAIENLDD.MULARINCH (HETFIELD,ULRICH,HAMMETT) (C) ELEMKETRTAA 4L -L64IC85A7 WHEN THE LIGHTS GO OUT GERARDO 48 43 38 23 DHUOR BYYO LUUV WBUAGN,TTHE M INEV INCIBLES (FINGERPRINTS) (C) (M) (T) NSEXATL PTL A-NTE -APUE 3P3A1 99 81 63 21 LOSING MY RELIGION (C) (V) WARNER BROS 4 19392 49 53 55 9 WT. CIUTRHRI EYRO (RU.R EEDER) (C) (VT) OEPNICY 3T4 E-7R37R1Y3 100 87 78 5 HEY STOOPID (CA) ILVI)C EEPI CC 3O4-O73P8E4R5 *AsterisRke cionrddisc awtei sh cthaeta lgorge antuemst baeirr p 8a yfo ar ncda sssaelettse gmaainxsi -sthinisg lew,e erke.g u*Vlaird ceaosscelitpte asvianiglaleb iulintya.v ailaRbelec.o r(Cdi)n gC aInsdeuttsetr ys inAgslsen .a vOaf ilaAbmilietyri.c a( C(RDI)A AC)o cmepratifcict adtiisokn sfionrg lsea leasv aoilfa 5bi0li0ty, 00(0M )u Cniatss.s ette RmIAaxAi- cseinrgtilfeic ation for sale(sT )o f 1I2 -minicllhio nv inuynl itssin, gwleit ha vaadidlaitbioilnitay.l m(Vi)l lio7n-i nicnhd icvaintyeld s binyg ale n auvmaeilraabl ilfiotyll.o wCiDn g1 9th9e1 , sBymillbboola. rCda/BtaPloI gC noummmbeurn iIcs atotiro ncass, Isnect.t e single. BILLBOARD AUGUST 24, 1991 www.americanradiohistory.com MCA MAKES 'COMMITMENT TO FILM SOUNDTRACK (Continued from page 1) of unfinished performance footage in these kids and develop them as art- According to Parker, he didn't set January. The segment was compiled ists," he says. "Then, not unlike what out to make a rock'n'roll movie. "To by Parker specifically for the purpose we do with the film company, we me, it's a comedy that had music and of landing a soundtrack deal. "That would develop them to a certain happened to be about this band," he way, they would not be buying a pig stage and then find distribution." says. Yet the film manages to cap- in a poke with the soundtrack, they Shortly after the soundtrack deal ture the thrill of live performance would really see what we had," says was signed, Abraham gave MCA the and the trials and tribulations of a Marc Abraham, president of produc- opportunity to become involved with young, struggling band. tion and development for Beacon. the artists signed to Beacon Records. Of the 14 labels shown the footage, Andrew Strong, a 17-y ear -old who SINGING USE seven were seriously interested. "Al plays the part of Commitments lead To make the live segments work, Teller was so enthusiastic he literally singer Deco Cuffe, was picked up by Parker had Strong sing live to tracks leaped out of his seat," Abraham MCA, as was Robert Arkins, 21, who rather than attempt to lip -sync. "I says. "He jumped up and said, 'I plays the band's manager, Jimmy think that is the secret, really," whsmsoiataiuvTstnmen hta d eesgtt n horWatirtssc e'.ti k colsv Ieoa ehnnlwrabs tvauPlieoynmi nc ti kstr.tf e'heoe t"ilaft se 'tss ua usrs"oceIehusnd n stTd,oh thure1ea l4 cC -cMkocl.ami uds-t -I- twRbBmoaia aetnBlhbnld, etb -a awice ctamtothtelenola.es, j dop(bi ArlnuaH lyrtato kshbuh ieensao less.nf b ielyrfm oero,kot f enit sontt h .sa)le a l sanAo Cd n Dosgamiu gedbmlnieleniiadntel - AwpMCetioo trhtmtfhoo emtwrhm neiLtam oCsnseoco nneAmtg,ns mw)gf,rr eiotiwtmlmienhse go lne p lwtfreste,ag mosaen rnieepsd irtc eaMkL geoaCedfmA a"u oTtMp nth thu ebesDy i Cco PM zoEaiCemlnaArtm;ce ;e Ari.Ptt nmaiSdcinekrhmneeowttewst; n, n"Sta btWnGraodricn loskQguos uptn(a i "n gDcPcheeyica ckiaJroeomf ttneCta erjnu ast fhm.fA eelm" Teoedfl l tehre; tlYciPnroeeoagtrm ur t oak ecstfeial tyranru o asccfntaouikeoynsv'nnsscey,.'err or"sartloT"ebl aohifltueli'sylt m aitrtuhse, de-tnc ihsereaeanvmatce'tseree wwaais sh oc yoebrk nxea-.-- night Hour" and "Mustang Sally" While Strong's performing talents To make the film more authentic, and Al Green's "Take Me To The Riv- are showcased in the film, Arkins their debut releases won't likely hit Strong is well aware of the fact the Parker cast musicians rather than ac- er." A cover of the Otis Redding hit does not sing in the movie, although the stores until mid -1992. Still, Teller film will give a boost to his musical tors. Only two of the main cast mem- 'Try A Little Tenderness" will be re- his version of Roy Head's "Treat Her feels that their ties to the film will career. "It is a great vehicle and it's bers had ever acted before. Several leased as a single. Right" is featured in the film's open - give them a boost when their solo rec- going to get me through all the shit of the musicians who auditioned for The Redding song "Hard To Han- ing credits. ords are released. that most bands have to go through," the film and didn't get the main parts die," currently a hit single by the "If all goes well, they will have es- he says. "It's a film about soul music are seen in the film auditioning to be- Black Crowes, is performed by the 'PLATFORM FOR MUSIC SKILLS' tablished a very strong image for and I'm a soul singer. What more can come a member of the Commitments. Commitments in the film, but didn't "Being launched via a major mo- themselves with the audience," he I ask for? ... People can see me on "We're inundated with MTV, which make the soundtrack. According to tion picture is like the ultimate vid- says. "We don't have to move precipi- the screen. They know who I am. has become very cosmetic and artifi- Teller, there was so much music in eo," Teller says. "I can't recall a simi- tously in terms of an accelerated time They know what I look like, they cial," Parker says. "I just wanted to the film that MCA could have easily lar situation. Not only is this a plat - schedule to take advantage of it." know what I'm about, and what I'm be more honest" assembled a second album, and it re- form for acting skills, but more When Strong's and Arkins' albums capable of doing and not doing." The honesty of the Commitments mains "a real possibility" if the al- importantly, it's a platform for music come out, MCA will make reference Abraham gives Parker credit for isn't reflected only in the perfor- bum is a hit. skills, since a great deal of the film is to the film. "We believe strongly that discovering the stars of the film. mances, but also in the harsh realities While working on the soundtrack, performance." they have two viable careers indepen- "Alan Parker was like the ultimate of life in Dublin, where young people Beacon also formed a small record di- Strong and Arkins won't begin dent of the film, but since the film A &R guy," he says. "Not only did he have an extremely high unemploy- vision with Abraham as president. work on their debut albums until will be their launching pad, we will make a movie, he did what almost no ment rate. "The idea was that we would sign up they finish promoting the film, so make reference to it," says Teller. one would have the wherewithal or "Music starts to become very im- opportunity to do. In one fell swoop, portant from a sociological point of he auditioned like 1,200 artists. So he view," Parker says. "It's not just TIME WARNER RESTRUCTURING MB FOUNDATION DONATION gave you this extraordinary sweep of about success and being on the Bill- (Continued from page 3) a very fertile place like Dublin, and board charts, it's about your own out of that he sort of found these self -respect and dignity. If you can master recordings they own. fer wider recognition, cultural appre- of these [artists] have no representa- Irish flowers." play an instrument with some other "I'm concerned," says Joyce ciation and financial support to the tion. The only pressure on these [la- guys, you start to feel good about McRae, a foundation board member, R &B pioneers of the '40s, '50s, and bels] is that there are other people ALL IN THE FAMILY yourself, even if you have no job." who manages Sam Moore, formerly '60s. It has not been directly involved out there making noises." Parker ran across Strong acciden- By documenting the Irish rock olife vtehde sthoautl tdhueoy Saarem h &o nDoraivneg., "inI' mso mree- ilna tinoengso tfiaotri onasr tiosvtse,r rnooytaelsty Jerenckailncus.- theI na btihliet yv oiefw th eo ff oMunadrsahti oann dto octohnetirns,- - taa lmlye. mSbtreor nogf's thfea th'6e0rs, Rbaonbd, wthheo Pwlaats - srecmenien,d "TAhme eCriocmanm irtemcoerndts "c osmerpvaens ietos form or fashion, their commitment. However, board members point out ue to make noise on behalf of R&B terman, led the session band Parker that Ireland has a new generation of But this is a throwback to the same that the same talks with Warner ex- pioneers -and raise operating funds had assembled. The elder Strong rock bands. mentality that has always existed in ecutives that led to their original fi- from the record industry-is dam- brought in his then 16-year-old son to "Not only is this film a launching dealing with black artists" from that nancial commitment to the founda- aged by Time Warner restructuring lend a hand. "I just couldn't believe pad for new artists," says MCA exec- era. "They say, 'We're going to give tion also led to the commitment to its donation. him when I heard him," Parker says. utive VP /A &R Paul Atkinson, who it to you but when we want to, and royalty recalculation. The Time Warner move apparently "It was just extraordinary, such an will work with Strong and Arkins on how we want to.' And that's unpalat- At the same time it endowed the was intended to encourage the R&B amazing soul voice coming out of this their solo records. "But it also opens able." foundation in 1988, for example, At- Foundation to "go out and beat the 16-year-old Irish face." a window on Ireland for us." Author and critic Dave Marsh re- lantic Records agreed to review the bushes" for industry support more In the book, Deco's character was signed from the R &B Foundation sales records of a sample group of aggressively, says Jenkins. more of a George Michael type, but board last week in response to Time seven R &B artists, including Ruth the character was soon adapted to fit Warner's move. "If they feel free to Brown, Joe Turner, and the Drifters, EMI, BIM PITCHING IN Andrew's persona. "I always said get out of this, what are they doing for the period from Jan. 1, 1970, to However, the foundation has re- you find me a voice, and I'll make him on royalty recalculation ?" he asked. May 1988, according to attorney cently done just that, securing a into an actor," Parker says. DISC MAKERS Time Warner senior VP Tom Drap- Howell Begle, who represented the $150,000 pledge last month from EMI Arkins, Parker says, was a puzzle. er, who serves as vice chairman of artists and served as the first execu- Music president and CEO Jim Fifield, "He could have played three parts. the foundation, informed board mem- tive director of the foundation. (He to be distributed over three years. He could have been a very different CD Replication bers of the restructured donation remains a member of the foundation BMI also has "committed substantial Deco, Jimmy, or he could have been Aug. 8.. board but stressed he was acting as resources" to the foundation and indi- the bass player. He's also a very bril- Fast Delivery A Time Warner spokeswoman an individual, not for the organiza- vidual artists contributed another liant drum player." says the $150,000 donation was re- tion, when he spoke to Billboard for $50,000, according to Marsh. Arkins and Strong aren't the only Small Quantities structured to encourage donations this report) The R &B Foundation has set up a Commitments that have recording ca- from other record companies and new development committee to raise reers. One of the Commitments' Full Color should help, not hamper, fund -rais- ARTISTS SHORT -CHANCED funds within the record industry, backup singers, Maria Doyle, is a for- ing. She says suggestions that this Atlantic concluded that the artists says Jenkins. It is chaired by Sony mer member of the Hothouse Flow- 500 CDs & move will affect royalty recalcula- had been short-changed on their roy- Music VP /GM of corporate affairs ers and is now part of Elektra's the 500 HX Pro tions are "speculation, not based on àlties and provided payments, says LeBaron Taylor and is expected to Black Velvet Band. Glen Hansard, mCktD, Cassettes fact." Begle. Royalty recalculations for a meet again by the end of September. who plays guitarist Outspan Foster I $2990 The $150,000 payment expected by total of 35 artists followed. Those soliciting labels on behalf of in the film, has also landed a label thhaev eR b&eBen F tohuen dthaitrido no Jf utnhere e1 wanansu atol at "lWeaasrtn oenr ttrhuel ys udrifda ccele,"a ns auyps iBtse gaclet,. tehr,e Tfaoyulnodr aatniodn J ainyc Bluedrem Fainf,i epldre, sDidreapn-t dHeias l,b atnhdo,u tghhe Furnarmeleast,e dsi gtnoe dth we itfhil mIs-. IncCluodmeps ledtees iPgna ck8a gtyep ePsreicttei!n g, contributions pledged by then - "Are they somehow going to go back of the Recording Industry Assn. of land Records a few months ago. Call TodDay Feor tails Warner Communications Inc. to the to the old system of [providing artists America. foundation when it was established. with] no information? I personally "I think it is premature to write off Complete The first two payments were made in don't think they will, but it's OK for the record industry at this point and and Our FREE Full ° 1989 and 1990. In addition to the WCI Dave Marsh to speculate that they say these guys are not going to kick WE CAN SELL YOUR PROPERTY Color Catalog: pledge, the foundation received a $1.5 will if no one. cares. I also personally in," says Begle. "I'm prepared to say, 25% of our readers own homes val- million endowment from Atlantic believe that, now that both MCA and 'Give them a chance this fall to bring ued at $500,000 to $1 million and i 1-800-468-9353 Records, for which many of the R&B Warner have truly taken positive in the rest of the troops.'" When the more. "Real Estate to the Stars" pioneers recorded. steps on royalties, it's long overdue foundation holds its annual grant reaches this affluent market. BIRTH OF A FOUNDATION fwoerl l[. other labels] to do something as pmrye sWeneteakti,o nB engelxe t aydedasr, d"uI rihnogp eG rtahmey- Call: Linda HeBrisllcbho a1 rd(8 001 950 -1018 In NYC coil: 1N26e15w20 - Y2Bo6rr5ok a,- d6Nw6e6awy2, YSourkiFt Ae1 X10: 002111092, -' 262-0798 The foundation was created to of- "The point is," says Begle, "most have a good story to tell." BILLBOARD AUGUST 24, 1991 67 www.americanradiohistory.com

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SET ADRIFT ON MEMORY BLISS. P.M. DAWN. P. M.DAWN (A.CORDES. WRITERS: S. Hickman. S. Abernethy. PUBLISHERS: Esta Chica /Music
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