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Big Book of Ready-to-Go Writing Lessons: 50 Engaging Activities with Graphic Organizers That Teach Kids How to Tell a Story, Convey Information, Describe, Persuade & More! PDF

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B IG Boo e k h T o f Ready-to-Go Writing Lessons s e c ur o s e R g n hi c a e T c sti ola 50 ENGAGING ACTIVITIES WITH GRAPHIC ORGANIZERS THAT TEACH h c S e, KIDS HOW TO TELL A STORY, CONVEY INFORMATION, DESCRIBE, PERSUADE, & MORE! e L n Marti by Marcia Miller and Martin Lee & er Mill ci ar M © s n o s s e L g n Writi o G o- y-t d a e R of k o o B G BI e h T S C H O L A S T I C PROFESSIONAL B OOKS N Y • T • L • A • S EW ORK ORONTO ONDON UCKLAND YDNEY M C • N D • H K EXICO ITY EW ELHI ONG ONG Thanks, Matt s e c ur o s e R g n hi c a e T c sti a ol h c S e, e L n arti M & er Mill ci ar M © s n o s s e L g n Writi o G o- y-t d a e R of k o o B G BI Teachers may photocopy the designated reproducible pages for classroom use. No other part of this publication e may be reproduced in whole or in part, or stored in a retrieval system, or transmitted in any form or by any h T means, electronic, mechanical, photocopying or otherwise, without written permission of the publisher. For infor- mation regarding permission write to Scholastic Inc., 555 Broadway, New York, NY 10012. Cover design by Norma Ortiz Cover and interior illustrations by Stephen Cox Interior design by Grafica, Inc. ISBN: 0-439-07747-8 Copyright © 2000 by Marcia Miller and Martin Lee. All rights reserved. Printed in the U.S.A. 2 Contents Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 How to Use This Book . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Teacher Tips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 P 1: WRITE TO DESCRIBE ART Ideal Hideaway. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Students describe places they wish they could escape to. s Catchy Captions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 e c ur Students write brief and punchy descriptions of events or images. o s e R Name That Character! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 g hin Students create and name characters and write brief character sketches. c a Te Flavorful Foods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 c sti Students write descriptions of favorite food items. a ol ch Blockbuster Blurbs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 S e, Students create capsule summaries of books or movies. e L artin Compare & Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 M Students describe how two items are similar and different. & Miller Sweet Dreams . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Students describe dreams they have had—or wish they had! ci Mar In Animal Territory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 © s Students write descriptions of animals’ behavior, as observed over time. n o ess New Point of View . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 L g Students write descriptions from the points of view of inanimate objects. n Writi Target on Sports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 o G Students describe sporting events or other kinds of contests. o- dy-t More Ideas for Descriptive Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 a e R k of PART 2: WRITE TO NARRATE o o B G Amusing Anecdote . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 BI Students write stories that tell about something that once happened to them. e h T Dear Diary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 Students write diary entries that narrate real or fictional experiences. A Dark and Stormy Night . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Students write scary stories. Did You Hear The One About…? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Students create original riddles or jokes. What If. . .? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Students write responses to hypothetical what if situations. Tongue Twisters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Students create original tongue twisters. 3 Pourquoi Story . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Students write stories that attempt to explain natural phenomena. My Sci Fi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Students create original science fiction stories. Dastardly Deeds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Students write original mystery stories. Comic Strip . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 Students develop brief comic strips. More Ideas for Narrative Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 es PART 3: WRITE TO INFORM c ur so But Why? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54 e R g Students write clear, simple definitions or explanations. n hi ac How-To Instructions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56 e c T Students write clear sets of instructions for how to make or do something. sti ola Funny Foods . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 h Sc Students create mock recipes with silly ingredients. e, e n L Closer Look Log . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60 arti Students focus on specific environments, recording what they observe. M & Sky Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 er Mill Students present information in brief, concise form for skywriting. arci Solve a Problem . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64 M Students present problems and reasonable solutions. © ons Science Q & A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66 s es Students select science questions and provide information to answer them. L g Writin ExtrSatu! dEexnttrsa w! r.i t.e . n. e.w . s. .a .r t.i c.l e. s. .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 o G o- Rules of the Game . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 dy-t Students provide sets of rules for playing games. a e R of We’ll Call You . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 ok Students write rejection letters. o B G More Ideas for Expository Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 BI e h T P 4: WRITE TO PERSUADE ART In So Many Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Students write persuasive statements in 25 words or less. Giving Advice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Students give advice. Couch Critic . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Students review movies, videos, or television shows. Take Out an Ad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Students create advertisements. 4 To a “T” . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Students create messages that might appear on T-shirts. Inviting Invitations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 Students write letters of invitation to birds! Dear Editor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Students write letters to magazine or newspaper editors. Billboards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Students create catchy slogans. Write to Make it Right . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92 Students write formal letters of complaint. es My Fellow Americans . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 c ur Students write political speeches. o s e g R More Ideas for Persuasive Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96 n hi c a e c T PART 5: WRITE IN THE REAL WORLD sti ola May I Take a Message? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 h c Students write detailed telephone messages. S e, Le Greetings! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 n arti Students create original greeting cards. M & Fan Mail . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 Miller Students write fan letters. ci Hello, You’ve Reached… . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 ar M Students create messages for telephone answering machines. © ns Find the Way . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 o s es Students write sets of directions. L g Writin In aSnt uEdmenetrsg wenrictye b.r .i e.f .s .c .r i.p t. s. f.o .r .9 .1 .1 . c. a. ll.s .. . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 o G o- Want Ad . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110 dy-t Students write classified ads. a e R of Ask an Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 ok Students write to authors. o B G Work Order . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114 BI e Students write up work orders. h T Parody . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 Students write new lyrics for existing songs. More Ideas for Practical Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 REPRODUCIBLES Self-Evaluation Checklist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 Editor’s Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 Certificates of Merit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 122 5 Introduction I n Writing: Teachers & Children at Work, Donald H. Graves writes: “Children want to write . . . . Before they went to school they marked up walls, pavements, newspapers with crayons, chalk, pens or pencils . . . anything that makes a mark. The child’s marks say, ‘I am.’” As teachers, we want to guide students to write, and to help them take s ce control of the writing process as a means to com- ur o s municate in writing as freely, naturally, and effec- e R g tively as they do when speaking. But good writing n chi doesn’t happen by magic. a e T c sti a ol h c e, S What makes a good writer? e L Answers to this question are as varied as writers themselves. n arti For children to become good writers, they have to write. And write more. They should M & experiment with fact and with fiction. They should experience different genres, styles, Miller and purposes for writing. They should get their minds around varying degrees of com- ci plexity. They should wrestle with introductions, opinions, details, and conclusions. Mar They need a purpose, an audience, and a platform. They need constructive feedback © s to help them improve their skills and see the power of their words. In so doing, young n so writers can gain the confidence to try again, and the courage to try new approaches s e g L and methods. n Writi o G How can we help? o- y-t The craft of writing takes dreaming, thinking, and planning. A writer needs a goal and d a Re a sense of purpose. Yet most children are naturally inventive and creative, and they k of want to communicate. So, if we can provide them with the right kinds of stimulation, o Bo their writing will flow. Though all of our emerging authors may not become National G BI Book Award candidates, we will have done our job if we can help them develop a e h sense of pleasure, confidence, and accomplishment as writers. T What does this book offer? All writers and potential writers need a boost now and then. How many times have we heard student writers say, “I don’t know what to write about!” “Where do I start?” “Is this enough?” or “How do I end this?” The Big Book of Ready-To-Go Writing Lessons attempts to address some of these concerns in meaningful, authentic, and enjoyable ways. 6 How to Use This Book This book presents 50 different writing task. These may point out likely ideas, presented in 5 parts: responses, highlight common stumbling blocks, or present tips to help students Write to Describe achieve better results. This part always Write to Narrate ends with an item to be read directly to Write to Inform (Exposition) students. This is a tip that focuses on a Write to Persuade pertinent aspect of the writing process, s Write in the Real World (Practical ce the genre, or the writing mode. You ur Writing) so might post these on chart paper. e R ng Naturally, you’ll find overlap within gives a few ideas for pre- hi eac these categories. After all, it’s pretty senting, publishing, or extending the T stic hard to persuade without describing or activities. ola providing information. How good can a h Sc narrative be that leaves out rich The right-hand page is a reproducible e, e description? Consult the table of con- for students, and begins with the direc- L n arti tents. Each activity title is followed by a tive These pages vary M brief learning objective that summarizes from task to task. They provide different & er the lesson’s focus. kinds of structure and guidance. Some Mill are graphic organizers. Others are arci Each part opens with a brief statement checklists of points to consider. Others M © of goals and techniques, and a list of are templates students may fill in. You’ll ons evaluation tips for that kind of writing. find formats that help students formu- s Les Each part ends with more ideas for late and organize their ideas and find ng writing, which is a list of more than 20 their own voices. All student pages have Writi additional “quickies” you might pursue. the same elements: o G Develop them as you see fit. 7 o- This symbol highlights a defini- y-t d tion, key idea, or fundamental con- ea Each lesson appears over two pages. R of The left-hand page is written to you. It cept for the task. k = oo provides clear and simple guidelines to This pencil means, “Write!” B G help you facilitate the task. You need Sometimes students will write BI e not do everything suggested. Pick and directly onto the page. Other times, h T choose what works for you. All teacher they will use their own paper. pages have the same elements: This section is a way to wrap And NOW— provides pre-writing up the task. It might have students ideas to engage students. It offers intro- use their notes to create first drafts. ductory matter, discussion questions, It might offer ideas for revising or and one or more ideas you can consider presenting; it might give one last to adapt the activity. writer’s tip they can apply. gives suggestions for ways to help students move through the 7 Teacher Tips Move through the book as you see fit. Use the reproducibles at the end of Do activities in any order that makes the book. There you will find a Self- sense for your class or schedule. Evaluation Checklist, a helpful list of editor’s marks, and four different cer- You may find that some activities are tificates of encouragement you can too advanced for your class, while oth- present to young writers as circum- ers may be too basic. Some may take stances dictate. es more time than you have. Others may c our take less time than you planned. Feel Take advantage of any writing oppor- s e R free to revise or extend tasks to suit tunities that present themselves on g hin your students’ needs. any given day. Talk about them, work c ea out a pre-writing plan, or model a final T stic Use the writing tasks in this book as product—whichever suits the task. ola full lessons, warm-ups, homework h Sc assignments, writing corner activities, Set up a writing center in your class- e, e group projects, or performance room. There, you can place some of L artin assessments. these activities for students to do on M their own, or you can present exam- & er Determine the best grouping to suit ples of completed works and works-in- Mill your teaching style, and the learning progress. Provide a variety of writing ci styles and levels of independence of supplies, story starters, dictionaries, ar M your students. Invite them to work thesauruses, inspiring quotations, © s individually, in pairs, in small groups, author biographies, and so on. n o ss or as an entire class. e L g Be a role model. Show that you, too, n Writi Encourage sharing, discussing, ana- are a working writer who must think o lyzing, and summarizing of students’ about, plan, try out, fix, and polish G o- writing. Establish an atmosphere that your own work until you are satisfied dy-t promotes intellectual exploration and with it. a e R an appreciation and respect for each k of other as writers, thinkers, and prob- Involve parents. Present some of these o Bo lem-solvers. Help make children feel writing ideas at parent meetings or G BI comfortable as writers so they’ll begin conferences to highlight the value of he to choose to write on their own, with- this component in your language arts T out external prompts or assignments. program. For whole class activities copy the graphic organizers on to the chart paper in enlarged versions. You might also suggest that students copy the graphic organizers on separate sheets of paper. 8 Part Write to Describe 1 T he goal of descriptive writing is to describe in written terms a person, a place, a thing, or an idea. Descriptive writing expresses and develops images through the use of precise sensory words and phrases. Descriptive writing should enable readers to smell, taste, hear, touch, and see what the subject is like. s Techniques of descriptive writing include figurative language such as simile and e c ur metaphor; sound devices such as alliteration, rhyme, and assonance; and sensory o s e R imagery. g n hi c Tea EVALUATION TIPS c sti There are many ways to evaluate students’ descriptive writing. Here are some broad points a ol h to consider as you judge some or all of the writing activities in this section of the book: c S e, e L Does the descriptive piece have— n Marti q A stated purpose or clear focus? & Miller q A plan of organization? ci Mar q A variety of sensory details? © ons q Vivid images? s s e L ng q A unique slant? Writi o G y-to- q Is the piece complete? d a Re q Does it allow readers to visualize a person, place, or event? of k Boo q Does it show planning and follow-through? G BI q e Is the word choice thoughtful, precise, and descriptive? h T q How are the mechanics (grammar, usage, spelling, punctuation)? 9

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