Bibliography for Voices in Medieval French Narrative Group Ahern, John

19 Pages·2009·0.17 MB·French

by  Sophie Marnette

Bibliography for Voices in Medieval French Narrative Group

Ahern, John, ‘Singing the Book: Orality in the Reception of Dante’s Comedy,’ Annals
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––––––––, The Dialogic Imagination: Four Essays, trans. by Caryl Emerson and
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––––––––, ‘The Narrating and the Focalizing. A Theory of Agents in Narrative’,
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Speculum 55 (1980), 237-265.
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Narrative’, Romance Philology, 42:2 (1988), 129-143.
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Miami Press, 1971).
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Person Narrator in the Middle Dutch Lanceloet’, in Conjunctures: Medieval
Studies in Honor of Douglas Kelly, ed. by Keith Busby & Norris J. Lacy
(Amsterdam/Atlanta: Rodopi, 1994), pp. 15-29.
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Neophilologus, 56 (1972), 38-49.
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Linguisticum 16. 2 (1964), 96-124.
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Press, 1983).
Brandsma, Frank, ‘Emergent direct discourse: a performer's nightmare?’, in ‘Por le
soie amisté’: Essays in honor of Norris J. Lacy, ed. by K. Busby and C. M. Jones
(Amsterdam/Atlanta: Rodopi: 1999), pp. 15-32.
––––––––, ‘“Et la roine... s’en sourist”: Dramatic Irony and the Narrative Technique
of Interlace’, Neophilologus, 73 (1989), 339-349.
––––––––, ‘La vérité vivifiée? Le discours direct aux débuts de la prose française’,
Faits de Langues, 19 (2002), pp. 37-49.
––––––––, ‘Medieval Equivalents of “quote-unquote”: the Presentation of Spoken
Words in Courtly Romance,’ The Court and Cultural Diversity: International
Courtly Literature Soicety, 1995, ed. by Evelyn Mullally and John Thompson
(Cambridge: D.S. Brewer, 1997, pp. 287-96.
Bright, William, ‘Literature: Written and Oral’, in Analyzing Discourse: Text and
Talk, ed. by D. Tannen (Washington D.C.: Georgetown University Press, 1982),
pp. 271-283.
––––––––, ‘Poetic Structure in Oral Narrative’, in Spoken and Written Language:
Exploring Orality and Literacy, ed. by D. Tannen (Norwood: Ablex, 1982),
pp.171-184.
Bruckner, Matilda Tomaryn, Shaping Romance: Interpretation, Truth, and Closure in
Twelfth Century French Fiction (Philadelphia: University of Pennsylvania Press,
1993).
Bruña-Cuevas, Manuel, ‘Le Style indirect libre chez Marie de France’, Revue de
Linguistique Romane, 52 (1988), 421-446.
Bullock-Davies, Constance, Ménestrellorum multitudoL Minstrels at a Royal Feast
(Cardiff, University of Wales Press, 1978).
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(Philadelphia: University of Pennsylvania Press, 1993).
––––––––, ‘The Teller in the Tale, the Anonymous Estoire del Saint Graal’, in
Assays, Critical Approaches to Medieval and Renaissance Texts, ed. by Peggy
Ann Knapp (Pittsburgh: University of Pittsburgh Press: 1985), pp. 73-84.
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Manuscript (Amsterdam/New York, NY: Rodopi, 2002).
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chansons de geste,’ Olifant, 8 (1980), 227-37.
––––––––, ‘Littérature médiévale et hypothgèse oral: Une divergence de méthode et
de philosophie,’ Olifant 8, 265-85.
––––––––, ‘Narrative Technique in Fourteenth-Century France: Froissart and his
Chroniques’, in Studies in Honor of Hans-Erich Keller, ed. by R. T. Pickens
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ed. by Thomas Postlewait and Bruce A. McConachie (Iowa City: University of
Iowa Press, 1989).
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––––––––, The Book of Memory: A Study of Memory in Medieval Culture
(Cambridge: Cambridge University Press, 1990).
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16.
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sa description linguistique’, in Méthodes en grammaire française, ed. by Jean-
Claude Chevalier & Maurice Gross (Paris: Klincksieck. 1976), pp. 185-200.
Chase, Carol, ‘“Or dist li contes”: Narrative Interventions and the Implied Audience
in the Estoire del Saint Graal’, in The Lancelot-Grail Cycle, Text and
Transformation, ed. by William W. Kibler (Austin: University of Texas Press,
1994) pp. 117-138.
Chinca, Mark, and Christopher Young, eds., Orality and Literacy in the Middle Ages:
Essays on a Conjunction and its Consequences in Honour of D.H. Green
(Turnhout: Brepols, 2005).
Clanchy, M.T., From Memory to Written Record: England 1066-1307(London,
1979).
Cohn, Dorrit, Transparent Minds: Narrative Modes for Presenting Consciousness in
Fiction (Princeton: Princeton University Press, 1978).
Coleman, J., Public Reading and the Reading Public in Late Medieval England and
France, Cambridge Studies in Medieval Literature, 26 (Cambridge, 1996).
Crosby, Ruth, ‘Oral Delivery in the Middle Ages’, Speculum, 11 (1936), 88-110.
Culler, Jonathan, ‘Apostrophe’, in The Pursuit of Signs: Semiotics, Literature,
Deconstruction (Ithaca: Cornell University Press, 1981), pp. 149-171.
Dagenais, J., ‘That Bothersome Residue: Toward a Theory of the Physical Text’, in
Vox Intexta: Orality and Textuality in the Middle Ages, ed. by A.N. Doane and C.
Braun (Madison and London, 1991), pp. 246-259.
Delbey, Annie, ‘Les Connecteurs car, que, puisque et la justification en ancien
français’, Revue de linguistique romane, 52 (1988), 397-419.
Denoyelle, Corinne, ‘Aspect et pouvoir de la parole dans la Suite du roman de
Merlin’, Méthode !, 11(2006), 23-33.
––––––––, ‘Du reproche à la polémique : la mise en place de la violence verbale dans
quelques œuvres du XIIe et du XIIIe siècles’ in Études médiévales, n°8, ed. by D.
Buschinger (Amiens: Presses du centre d’études médiévales/ Université de
Picardie. Jules Verne, 2006), pp. 150-161.
––––––––, ‘Étude pragmatique des relations langagières entre les chevaliers des
lignages du roi Lot et du roi Ban : évolution entre la Mort le roi Artu et le Tristan
en prose’, Lignes et lignages dans la littérature arthurienne, actes du 3e colloque
arthurien de Rennes, ed. by C. Ferlampin-Acher et D. Hüe (Rennes: Presses
Universitaires, 2007), pp. 101-114.
––––––––, ‘Le Discours de la ruse dans les fabliaux’, Poétique, 115 (1998), 328-350.
––––––––, ‘L’emploi des particules adverbiales oui et non dans quelques textes
littéraires médiévaux’, L’Information Grammaticale, 112 (January, 2007), 3-8.
––––––––, ‘L’entrelacement des voix : les polylogues dans les romans en prose’, La
voix dans l’écrit, PRIS-MA, Recherches sur la littérature d’imagination au
Moyen Âge, vol. XXII: 1 et 2, 43-44 (January-December, 2006), p. 51-65.
––––––––, ‘Les Bergers : des ermites carnavalesques. Étude pragmatique du discours
des bergers dans quelques textes narratifs courtois des XIIe et XIIIe siècles’,
Cahiers de recherches médiévales, 10 (2003), 143-154.
––––––––, ‘Les jeux de casuistique amoureuse dans quelques dialogues du Lancelot
et du Tristan en prose’ Le Moyen Âge, 105 (February, 2009), 277-289.
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Doane, A.N., and Carol Braun Pasternack, eds., Vox Intexta: Orality and Literacy in
the Middle Ages (Madison: University of Wisconsin Press, 1991).
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2006).
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––––––––, Le dire et le dit (Paris: Minuit, 1984).
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interprétations,’ Oliphant, 8 (1980), 238-55.
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statistique, jugement esthétique, modèles de transmission,’ Oliphant, 8 (1980),
286-316.
––––––––, ‘Oral Performance of Romance in Medieval France’, in Continuations :
Essays on Medieval French Literature and Language in Honor of John Lambert
Grigsby, ed. by Norris J. Lacy & Gloria Torrini-Roblin (Birmingham, AL:
Summa, 1989), pp. 51-62.
––––––––, ‘Performance and Transmission, Aural and Ocular Reception in the
Twelfth and Thirteenth-Century Vernacular Literature of France’, Romance
Philology, 43:1 (1989), 49-58.
––––––––, ‘Social Functions of the Medieval Epic in the Romance Literatures,’ Oral
Tradition, 2:3 (1986), 728-66.
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Composition’, Romance Philology, 32:3 (1979), 292-298.
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University Press: 1992).
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Medieval Texts (Bloomington: Indiana University Press, 1997).
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English Town’, Folklore, 105 (1994), 3-11.
––––––––, ‘What is Oral Literature Anyway?’ in Oral Literature and the Formula,
ed. by Benjamin A. Stolz and Richard S. Shannon III (Ann Arbour: University of
Michigan).
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the Pragmatics of Narrative Discourse’, Romance Philology, 43:1 (1989), 70-89.
––––––––, ‘Discourse as Space/Discourse as Time: Reflections on the Metalanguage
of Spoken and Written Discourse’, Journal of Pragmatics, 16 (1991), 291-306.
––––––––, “Evaluation in Narrative: The Present Tense in Medieval “Performed
Stories””. Yale French Studies. 70 (1986), 199-251.
––––––––, ‘Philology, Linguistics and the Discourse of the Medieval Text’,
Speculum, 65:1 (1990), 19-37.
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(Austin: University of Texas Press, 1990).
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––––––––, Gender and Genre in Medieval French Literature (Cambridge: Cambridge
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(London: Duckworth, 2001).
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Press, 1979).
––––––––, Medieval Listening and Reading: The Primary Reception of German
Literature 800-1300 (Cambridge: Cambridge University Press, 1994).
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Forum for Modern Language Studies 20:4 (1984), 289-308.
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York: Palgrave-Macmillan, 2006).
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Dissection’, Romance Philology. 32:3 (1979), 261-273.
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Nature of Medieval Narrative, ed. by Minnette Grunmann-Gaudet & Robin F.
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Words and Music in Medieval Poetry, ed. by Rebecca A. Baltzer, Thomas Cable,
and James I. Wimsatt (Austin: University of Texas Press, 1991), pp. 72-100.
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Yearbook of English Studies, 2 (1981), 1-28.
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France’, Poétique, 48:12 (1981), 407-430.
Hult, David, ‘Author/Narrator/Speaker: The Voice of Authority in Chrétien's
Charrete’, in Discourses of Authority in Medieval and Renaissance Literature,
ed. by Kevin Brownlee and Walter Stephens (Hanover: Dartmouth University
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––––––––, ‘Closed Quotations: The Speaking Voice in the Roman de la Rose’, Yale
French Studies, 67 (1984), 248-269.
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“Roman de la Rose” Manuscripts’, SubStance, 17.2 (1988), 42-48.
––––––––, From Song to Book: The Poetics of Writing in Old French Lyric and
Narrative Poetry (Ithaca: Cornell University Press, 1987).
––––––––, ‘Voices and Instruments in Medieval French Secular Music: On the Use of
Literary Texts as Evidence for Performance Practice,’ Musica Disciplina 43
(1989), 63-113.
Hymes, Dell, Ethnography, Linguistics and Narrative Inequality: Toward An
Understanding of Voice (London: Taylor and Francis, 1996).
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David R. Olson and Nancy Torrance (Cambrridge: University of Cambridge
Press, 1981), pp. 28-46.
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sommes ensemble. Hommage à Jean Dufournet: Littérature, Histoire et Langue
du Moyen Age, 3 vols. (Paris: Champion. 1993), II, pp. 747-757.
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Michael Shaw, Theory and History of Literature, 3 (Minneapolis: University of
Minnesota Press, 1982).
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––––––––, Pour une esthétique de la réception (Paris: Gallimard, 1978).
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History of Literature, 2 (Minneapolis: University of Minnesota Press: 1982).
Johnson, Barbara, ‘Apostrophe, Animation, and Abortion’, Diacritics, 16.1 (1986),
28-47.
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technique chez les verbo-moteurs (Paris, 1925)).
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Press, 1990).
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Wisconsin Press, 1992).
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Angeles/London, 1989).
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(Paris: A. Colin: 1980).
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Orality of the Octosyllabic Couplet,” Evelyn Birge Vitz),’ Romanic Review, 77:3
(1987), 291-98.
Knapp, Peggy Ann, ed., Assays, Critical Approaches to Medieval and Renaissance
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Critical Approaches to Medieval an Renaissance Texts, ed. by Peggy Ann Knapp
(Pittsburgh: University of Pittsburgh Press, 1985), pp. 57-72.
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Interpretation’, in The Legacy of Chrétien de Troyes, 2 vols., ed. by Norris J.
Lacy, Douglas Kelly & Keith Busby (Amsterdam: Rodopi, 1987), I, pp. 115-140.
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Romance (Cambridge: Cambridge University Press, 1993).