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Biblical Hebrew Poetry and the Task of Interpretation PDF

330 Pages·2017·5.276 MB·English
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Biblical Poetry and the Art of Close Reading Thisvolumeexplorestheaestheticdimensionsofbiblicalpoetry,offer- ing close readings of poems across the Hebrew Bible/Old Testament. Composed of essays by fifteen leading scholars of biblical poetry, it offers creative and insightful close readings of poems from across the canon of the Hebrew Bible/Old Testament (Psalms, wisdom poetry, Song of Songs, prophecy, and poetry in biblical narrative). The essays build on recent advances in our understanding of biblical poetry and engage a variety of theoretical perspectives and current trends in the studyofliterature.Theydemonstratetherewardsofcarefulattentionto textualdetail,andtheyprovidemodelsofthepracticeofclosereading forstudents,scholars,andgeneralreaders.Theyalsohighlighttherich aesthetic value of the biblical poetic corpus and offer reflection on the natureofpoetryitselfasameaningfulandenduringformofart. J.BlakeCoueyisAssociateProfessorofReligionatGustavusAdolphus College. He is the author of Reading the Poetry of First Isaiah: The MostPerfectModelofthePropheticPoetry,andheiscurrentlywork- ingonacommentaryonIsaiah1–39. Elaine T. James is Assistant Professor of Theology at St. Catherine University.SheistheauthorofLandscapesoftheSongofSongs:Poetry andPlace,andiscurrentlyworkingonahandbookonbiblicalpoetry. Biblical Poetry and the Art of Close Reading Edited by J. BLAKE COUEY GustavusAdolphusCollege ELAINE T. JAMES St.CatherineUniversity UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom OneLibertyPlaza,20thFloor,NewYork,ny10006,USA 477WilliamstownRoad,PortMelbourne,vic3207,Australia 314–321,3rdFloor,Plot3,SplendorForum,JasolaDistrictCentre, NewDelhi–110025,India 79AnsonRoad,#06–04/06,Singapore079906 CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781107156203 doi:10.1017/9781316659670 ©CambridgeUniversityPress2018 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2018 PrintedintheUnitedStatesofAmericabySheridanBooks,Inc. AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. isbn978-1-107-15620-3Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracy ofURLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. Contents List of Contributors pagevii List of Abbreviations x Introduction 1 J.BlakeCoueyandElaineT.James part i the psalms 13 1 WordsThat Devour:Discursive Praxes and Structural Strategies in Psalm 50 15 CarolynJ.Sharp 2 “Silence IsPraise”: Art and Knowledge in Psalm 65 32 ElaineT.James 3 The Glory of Creation inPsalm 104 49 RobertAlter part ii poetry in wisdom literature 61 4 Bildad Lectures Job: AClose Reading ofJob 8 63 EdwardL.Greenstein 5 Poetryas Pedagogy in Proverbs 5 80 AnneW.Stewart 6 The Utility and Futility of Poetry inQohelet 93 SimeonChavel v vi Table of Contents part iii the song of songs 111 7 Structure, Sound,and Sense: ACloseReading of ChapterOne of the Song of Songs 113 TodLinafelt 8 How Is aLove Poem (Song 4:1–7) Like theBeloved? The Importance of Emotion in Reading BiblicalPoetry 131 SarahZhang part iv poetry in the prophetic books 147 9 Isaiah’s Love Song:AReading ofIsaiah 5:1–7 149 F.W.Dobbs-Allsopp 10 Poetry, Language, and Statecraft in Isaiah 18 167 J.BlakeCouey 11 The Servant in Poetic Juxtaposition in Isaiah 49:1–13 184 KatieM.Heffelfinger 12 “ItIs a Lamentation –It Has Becomea Lamentation!”: Subverting Genre in Ezekiel 19 199 SeanBurt 13 The Enduring Day of Wrath: Zephaniah1,the Sibylline Oracles, and theDies Irae 216 JuliaM.O’Brien part v poetry in biblical narrative 235 14 YHWH’sPoesie: The Gnadenformel (Exodus34:6b–7), the Bookof Exodus, and Beyond 237 BrentA.Strawn 15 The Decipherment ofSorrow: David’s Lament in2 Samuel 1:17–27 257 StevenWeitzman Bibliography 275 Index ofAuthors 293 Index ofScripture and Other Ancient Texts 297 Index ofSubjects 310 Contributors Robert Alter is emeritus Class of 1937 Professor of Hebrew and Com- parative Literature at the University of California, Berkeley. His recent books include Psalms: A Translation with Commentary (2007), Pen of Iron: American Prose and the King James Bible (2010), and Ancient Israel:TheFormerProphets:Joshua,Judges,Samuel,andKings:ATrans- lation with Commentary (2013). Sean Burt is Assistant Professor with a joint appointment in English and Religious Studies at North Dakota State University in Fargo, North Dakota. He is the author of The Courtier and the Governor: Transfor- mationsof Genre in theNehemiah Memoir(2014). SimeonChavelisAssociateProfessorofHebrewBibleattheUniversityof ChicagoDivinitySchoolinChicago,Illinois.HeistheauthorofOracular Law and PriestlyHistoriographyin the Torah (2014). J. Blake Couey (editor) is Associate Professor of Religion at Gustavus Adolphus College in St. Peter, Minnesota. He is the author of Reading the Poetry of First Isaiah: The Most Perfect Model of the Prophetic Poetry (2015). F. W.Dobbs-Allsopp isthe James Lenox Librarian and Professor of Old Testament at Princeton Theological Seminary in Princeton, New Jersey. Heistheauthorofseveralbooks,includingLamentations,Interpretation Commentary Series(2002) and On Biblical Poetry (2015). Edward L. Greenstein is Professor of Bible at Bar-Ilan University in Ramat Gan, Israel, where he also directs the Institute for Jewish Biblical vii viii List of Contributors Interpretation. He is the author of numerous articles and book chapters andiscurrentlycompletinganannotatedtranslationofJob(forthcoming) anda commentary on Lamentations. Katie M. Heffelfinger is Lecturer in Biblical Studies and Hermeneutics at The Church of Ireland Theological Institute. She is the author of I Am Large, I Contain Multitudes: Lyric Cohesion and Conflict in Second Isaiah (2011). Elaine T. James (editor) is Assistant Professor of Old Testament at St. Catherine University in St. Paul, Minnesota. She is the author of Landscapes of theSong ofSongs: Poetryand Place (2017). Tod Linafelt isProfessor of BiblicalLiterature at Georgetown University inWashington,DC.Heistheauthororeditorofseveralbooks,including Surviving Lamentations: Catastrophe, Lament, and Protest in the After- life of a Biblical Book (2000), An Introduction to the Old Testament (coauthored with Walter Brueggemann; 2012), and A Very Short Intro- duction to the Hebrew Bibleas Literature (2016). Julia M. O’Brien is the Paul H. and Grace L. Stern Professor of Hebrew Bible/Old Testament at Lancaster Theological Seminary in Lancaster, Pennsylvania. Her publications include Challenging Prophetic Metaphor (2008),TheOxfordEncyclopediaoftheBibleandGenderStudies(editor; 2014),andMicah,WisdomCommentarySeries(2015). Carolyn J. Sharp is Professor of Hebrew Scriptures at Yale Divinity School in New Haven, Connecticut. She is the author of several books, including Prophecy and Ideology in Jeremiah: Struggles for Authority in the Deutero-Jeremianic Prose (2003) and Irony and Meaning in the HebrewBible(2009),andeditorofseveralvolumes,includingTheOxford HandbookoftheProphets(2016). Anne W. Stewart is Associate Vice President for Communication and Deputy to the President at Princeton Theological Seminary in Princeton, New Jersey. She is the author of Poetic Ethics in Proverbs: Wisdom Literature and the Shaping of theMoral Self (2016). Brent A. Strawn is Professor of Old Testament at the Candler School of Theology,EmoryUniversity,Atlanta,Georgia.Heistheauthororeditor of several books including What Is Stronger Than a Lion? Leonine Imagery and Metaphor in the Hebrew Bible and the Ancient Near East

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