Beyond the Roof of the World This page intentionally left blank Beyond the Roof of the World Music, Prayer, and Healing in the Pamir Mountains benjamin d. koen New York 2009 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi K uala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore S outh Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2009 by Benjamin D. Koen Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Koen, Benjamin D. Beyond the roof of the world : music, prayer, and healing in the Pamir mountains / Benjamin D. Koen. p. cm. Includes bibliographical references and index. ISBN 978-0-19-536774-4 1. Healing—Pamir Mountains Region. 2. Spiritual healing—Pamir Mountains Region. 3. Holistic medicine—Pamir Mountains Region. 4. Music therapy—Pamir Mountains Region. 5. Prayer— Pamir Mountains Region. I. Title. [DNLM: 1. Music Therapy—Tajikistan. 2. Holistic Health—Tajikistan. 3. Medicine, Tibetan Traditional—Tajikistan. 4. Spiritual Therapies— Tajikistan. WB 550 K78b 2008] R733,K582 2008 615.8′5209586—dc22 2007037165 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper For Saba, Naseem, and Solya This page intentionally left blank Acknowledgments To acknowledge befi ttingly all those who have contributed to this project, to its spirit and substance, and who have enthusiastically supported and encouraged its author, would indeed be impossible. I must, however, express my deep gratitude to the following people, each of whom has contributed in a special way to the completion of this work and enriched me personally: the countless musicians and newly found friends and associates in Tajikistan—particularly in Pamir, Samandar Pulodov for his brotherhood, mystical insight and calm communication, expertise and tireless assistance in the fi eld; Davlatnazar for his masterful driving through treacherous moun- tain passes and over raging rivers, his sense of humor and positive nature; nurse Lailo and Dr. Shirinbek, both of whom helped to fl esh out aspects of the medical dimension of the project in Badakhshan; Rafi que Keshavjee and all the friends at the Aga Khan Humanities Project for their hospitality and assistance in welcoming my wife and me to Tajikistan and facilitating our work; and Margaret Mills for introducing me to new friends and colleagues in Dushanbe. I also extend my gratitude to numerous colleagues across the fi elds of music, medicine, the humanities, and sciences, who have encouraged this work, especially Margarita Mazo, Ted Levin, Daniel Avorgbedor, William Malarkey, Marina Roseman, Kay Kaufman- Shelemay, Gregory Barz, Ken Brummel-Smith, Karen Brummel- Smith, and Michael Rohrbacher. I also offer my heartfelt thanks to the following people: to all my Persian-speaking family, friends, and viii acknowledgments colleagues who continually share their knowledge of Persian with me, and many of whom assisted in translating some of the Tajik-Persian language texts that underlie much of this study, especially my mother-in-law, Mahin Vojdani, Dick Davis, and Parvaneh Pourshariati; to Shiling Ruan for assistance with the statistics; and Suzanne Ryan for her intellectual courage and excellence in her work. I am also honored to acknowledge and thank my brother, Joseph Koen, for his loving encouragement, advice and consultation regarding the medical and neurological aspects and implications of my research; and to my parents Thelma and Leon Koen for their unfailing and unconditional love, strength, and encouragement, and their example of sincerity, integrity, and trustworthi- ness. Most of all I thank my beloved wife and best friend, Saba Koen, who shared in these and so many other experiences of music, prayer, meditation, and healing in and beyond the roof of the world, for all that we have shared, and all the journeys yet to come; and to our children Naseem and Solya, who are a constant example of the miracles of life and the joys of an open mind and free spirit. Contents Language, Pronunciation, and Transliteration, xi 1. Medical Ethnomusicology and the Ontology of Oneness , 3 2. The Five Factors of Music, Prayer, Health, and Healing, 25 3. Music–Prayer Dynamics and Cognitive Flexibility, 59 4. Soundscape and Musical–Spiritual Entrainment , 93 5. Healthscape, Mystical Poetry, and Multimodal Healing , 123 6. Transformative Meaning in Sound, Empowered Sound in Culture , 153 7. Human Certainty Principle, of Science, Spirituality, and Experience , 181 Notes , 205 References , 213 Index , 221
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