Between Baudelaire and Mallarmé: voice, conversation and music PDF
Preview Between Baudelaire and Mallarmé: voice, conversation and music
Between Baudelaire and Mallarmé Voice, Conversation and Music Helen Abbott Between Baudelaire and MallarMé This page has been left blank intentionally Between Baudelaire and Mallarmé Voice, Conversation and Music Helen aBBott Bangor University, UK © Helen abbott 2009 all rights reserved. no part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. Helen abbott has asserted her right under the Copyright, designs and Patents act, 1988, to be identified as the author of this work. Published by ashgate Publishing limited ashgate Publishing Company wey Court east Suite 420 union road 101 Cherry Street Farnham Burlington Surrey, Gu9 7Pt Vt 05401-4405 england uSa www.ashgate.com British Library Cataloguing in Publication Data abbott, Helen Between Baudelaire and Mallarmé: voice, conversation and music. 1. Baudelaire, Charles, 1821–1867 – Criticism and interpretation. 2. Mallarmé, Stéphane, 1842–1898 – Criticism and interpretation. 3. French poetry – 19th century – History and criticism. 4. oral interpretation of poetry. 5. Music – France – 19th century – Philosophy and aesthetics. 6. Music and literature – France – History – 19th century. i. title 841.8’09–dc22 Library of Congress Cataloging-in-Publication Data abbott, Helen. Between Baudelaire and Mallarmé: voice, conversation and music / Helen abbott. p. cm. includes bibliographical references. ISBN 978-0-7546-6745-2 (alk. paper) – ISBN 978-0-7546-9573-8 (ebook) 1. Baudelaire, Charles, 1821–1867 – Criticism and interpretation. 2. Mallarmé, Stéphane, 1842–1898 – Criticism and interpretation. 3. French poetry – 19th century – History and criticism. i. title. PQ2191.Z5a526 2009 841’.8–dc22 2009007672 ISBN 9780754667452 (hbk) ISBN 9780754695738 (ebk.III) Contents List of Tables and Music Example vii Abbreviations ix Acknowledgements xi Prologue 1 introduction 3 PArt I: rHetorIC 1 Poetic Principles: rhetoric, Prosody and Music 19 PArt II: BoDy 2 ‘ la Voix humaine’: the dynamics of Voice 53 3 Vocal resonance 83 PArt III: exCHAnge 4 exchanging Voices 113 5 ‘ Voix étranges’ 159 PArt IIVV:: MM����IIC 6 Songs without Music 183 Conclusion 223 Bibliography 231 Index 241 This page has been left blank intentionally list of tables and Music example tables 1.1 Phases of rhetoric in nineteenth-century France 28 1.2 rhetorical treatises and prosodies published in nineteenth-century France 30 2.1 textual designations of vocal enactments 64 3.1 description of sensation 96 3.2 Sensation keywords 96 6.1 Baudelaire’s use of ‘chant’ / ‘chanter’ 191 6.2 Ghil’s ‘instrumentation-Verbale’ 195 Music example 6.1 duparc, ‘l’invitation au voyage’, bars 31–40 216 This page has been left blank intentionally abbreviations The editions of Baudelaire’s and Mallarmé’s work referred to throughout are the Pléiade editions (see bibliography for full details), and will be signalled by the following abbreviations: B.OC Baudelaire, Œuvres complètes B.Corr Baudelaire, Correspondance M.OC Mallarmé, Œuvres complètes Certain publishers have also been abbreviated as follows: CuP Cambridge university Press ouP oxford university Press PuF Presses universitaires de France note on the text every effort has been made to trace or contact all copyright holders. the author would be pleased to rectify any omissions brought to her notice at the earliest opportunity.
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