Curriculum Laboratory Best Read-Aloud Books And Browsing Collection, Grades EC-1 For further assistance in using any of the resources in the Lab, please ask at the Curriculum Lab Information Services Desk Introduction To The Collection and Booklists: In 2013, the browsing collection of these titles will be found at the beginning of our Fiction Collection. The lists and the collection make an excellent place to start, if you are looking for well reviewed titles to share with your students. Read-aloud books are also great for independent reading choices, as can be seen from the reviews. As these titles are ordered and received into the collection, will also be able to browse these titles in the catalogue by searching for “read aloud books” or “bestread.” You can also add your favourite subject to your search to find great read alouds for the classroom curriculum. The grade level recommendations are to be considered an approximation. You be the judge if your students would like a title in your particular grade. Note: “EC” level on any of the titles indicates it as a read aloud suitable for preschool children. The read-aloud level is usually lower than the independent reading level, so also pay attention to the reading level in the reviews, if the title is to be read independently and not read aloud. Many of these titles are also found in the main Curriculum Laboratory collection, so check the library catalogue. These Read Aloud Lists were consulted: • Read Aloud America, found at: http://www.readaloudamerica.org/ • Great Books To Read Aloud, found at: http://www.randomhousesites.co.uk/childrens/GreatBookstoReadAloud/Great%20Books.pdf • The Treasury of Read-Alouds by Jim Trelease, found at: http://www.trelease-on-reading.com/rah-treasury-intro.html • E.B. White Read Aloud Awards • The Alberta Read Aloud Registry • EPL Books To Read Aloud, Good Read Alouds For The Family, NYPL Great Books For PreK To Read Aloud, from Lethbridge Public Library’s Bibliocommons lists. The reviews are quoted from Books In Print Online, used under the Fair Dealing clause for research and reviewing purposes. Helpful brochures: (found at http://www.trelease-on-reading.com/brochures.html) • Why Read Aloud to Children? • Thirty DO's to Remember When Reading Aloud • A Dozen DON'Ts to Remember When Reading Aloud 1 Bibliographic Review: Information: Adams, Pam Booklist: Ages 4-7. Although there are many versions of this perennial favorite, this is one of the funniest and most innovative yet. The funky art and the There was an old lady terrific humor are a winning combination. The song remains the same, but the animals involved add their own rhyming commentary on the situation: Says the who swallowed a fly cat of the fly, "She gulped it out of the sky." The illustrations are cleverly handled. For example, a left-hand page shows the dog surrounded by other canine 1997 types, while the old lady is pictured on the opposite page, with a cutout in her dress that reveals a picture of everything she has swallowed so far; turn the page, and the cutout surrounds the next victim--in this case, the unfortunate dog. Newspaper headlines ("Senior Swallows Cat" and "Lady Wolfs Down Dog") keep up with the story, and there's a moral at the close: "Never swallow a horse." The many details in the artwork ensure a new surprise with each reading, making for a fun-filled romp for young and old alike. A brief note on the song concludes. --Helen Rosenberg Adler, David A. Booklist: Gr. 1-2. The third in the series, this story again features Jenny, the young detective, and the canine she has named My Dog. Jenny likes to think that Dick Gackenbach it's My Dog who solves the mysteries, but the animal can't figure this one out. On Jenny's birthday, her friend Ken comes by with a puzzling story his bike has (Illustrator) been stolen but the chain is there and the lock is still closed. It sounds unbelievable to Jenny, but she soon discovers that the bike story is only a ploy to get her My dog and the to a surprise birthday party that her friends are throwing for her. This is the best of the series so far; the mystery is bright and bolstered by bits of humor. There birthday mystery are also plenty of attractive line-and-three-color drawings to break up the text. Easy vocabulary makes this somewhat long story a good choice for eager 1987 readers. Allinson, Beverley Booklist: Ages 3-6. Once again, Reid boosts a simple, direct text with the innovative plasticine technique that earned her the Ezra Jack Keats Award. At first Beverly Reid Effie looks just like any other ant. The big problem is her booming voice, which scares away the caterpillar, the butterfly, the spider, and many others she tries (Illustrator) to befriend. When these same creatures are about to be crushed by an elephant, they beat a hasty retreat past Effie. Not only does the little ant with the big Effie lungs save them all, but she also finds a soulmate in the large, gentle elephant. With appealing variety in perspective and placement, the expressive artwork has 1994 humorous details, such as a hungry spider complete with bib, utensils, condiments, and parachute. Young children returning for second and third looks will also be pleased with the grandiose and satisfying finale. Julie Corsaro Andreae, Giles Horn Book Magazine: Don't let the title deceive you: the delightful array of pants celebrated in this bouncy, Dr. Seuss-style rhyme are all of the underwear Nick Sharratt variety. Small pants, big pants / Giant frilly pig pants, Fairy pants, hairy pants / Run away from scary pants! and other humorous groupings are playfully (Illustrator) depicted in Sharratt's black outlined, neon-colored pictures. From HORN BOOK Spring 2004, 2003 Armitage, David School Library Journal: Mr. Grinling, first introduced in The Lighthou s e Keeper's Lunch (1979; o.p.) and The Lighthouse Keeper's Catastrophe (1986, both Ronda Armitage Andre Deutsch), still delights in his work but, due to his advancing age, begins dozing on the job. He fails on two occasions to turn on the lighthouse beam, Lighthouse keeper’s and so is fired. As he and his wife sadly pack their belongings, they and some local villagers rescue a beached whale. Everyone is pleased when the lighthouse rescue authorities reward Mr. Grinling by rehiring him as a part-time lighthouse keeper. The text reads well aloud and is appropriately placed on sprightly, full-page 1991 watercolors, accented with pen-and-ink details to lend definition. The pages are sometimes cluttered and on occasion the faces in a single picture are penned in disconcertingly different styles--a flatter look mixed with a more three-dimensional one. The strength of this picture book lies in its brief but effective character portrayal of two elderly and likable protagonists. --Cynthia Bishop, Onondaga County Public Library, Syracuse, NY Baker, Alan Booklist: Ages 3-6. Benjamin, the clumsy but appealing little hamster who made such a mess in Benjamin's Book (Booklist 79:962 Mr 15 83), is back, this Benjamin’s portrait time intrigued by the paintings at the Animal Portrait Gallery. He decides a self-portrait is in order, but before long he has more paint on his fur than he has on 1987 the canvas. His attempts to wash himself end in a tumble into the water. Finally, Benjamin decides there must be a better way to capture his likeness for instance through photography. That's the ticket! Or is it? Benjamin's paw over the lens (as seen in the last picture) does not bode well for his new endeavor. Once again, Baker's trompe l'oeil style of illustration brings Benjamin and his escapades amusingly to life. Benjamin, every hair on his fur seemingly visible, dominates each page. The brief text makes this a good choice for preschool story hours where attention spans are limited. 2 Bibliographic Review: Information: Beaumont, Karen Publishers Weekly: Ages 3-7. Written to the tune of "It Ain't Gonna Rain No More," this lighthearted frolic by the creators of I Like Myself! centers on an David Catrow aspiring young artist who makes elaborate paintings on the ceilings and walls, until mama shouts, "Ya ain't a-gonna paint no more!" and stashes the boy's art (Illustrator) supplies on the top shelf of a closet. Determinedly declaring "but there ain't no way that I ain't gonna paint no more," the youngster climbs onto a makeshift I ain’t gonna paint no pyramid to reach his paints-the only splash of color in an otherwise black-and-white spread. The rollicking rhymed narrative and stylized ink-and-paint more! illustrations then reveal the narrator painting his body parts in a variety of wild patterns, while-with comic irony-he chants the refrain that comprises the 2005 book's title. In a child-tickling finale, the boy bellows, "But I'm such a nut,/ gonna paint my-/ what?!" drolly avoiding mentioning the body part that completes the rhyme. Given the plot's premise, Catrow's humorously hyperbolic art fittingly takes center stage here, growing increasingly flamboyant and electric as the boy embellishes more and more of his anatomy-and his playful pooch becomes equally well decorated. Beaumont, Karen School Library Journal: K-Gr 1-Reminiscent of Mirra Ginsburg's Mushroom in the Rain (S & S, 1987) and Audrey Wood's The Napping House (Harcourt, Jane Dyer 1984), this is the cumulative story of many animals all attempting to shelter from the rain in a doghouse. Children will love the hilarious ending when all of (Illustrator) the inhabitants hastily vacate after an odiferous intruder tries to squeeze in, too. The marvelously textured watercolor-and-acrylic illustrations convey the Move Over, Rover! feeling of a driving rain, the fur and feathers of the various creatures, and the joy of Rover when his house is once again his sole domain. The repetition of 2006 key phrases, the rhythmic text, and the cumulative structure of the narrative make this book an ideal read-aloud. The pictures and text evoke the cozy, warm feeling of curling up for a nap on a rainy day and the unbridled thrill of leaping out into the sun.-Tamara E. Richman, Somerset County Library System, Bridgewater, NJ (c) Copyright 2010. Becker, Bonny School Library Journal: PreS-Gr 2-When a friendly mouse knocks at his door, Bear sternly points to the "No Visitors Allowed" sign. Returning to his Kady MacDonald breakfast preparations, he opens the cupboard only to find the mouse tucked inside a bowl. "Perhaps we could have just a spot of tea," the ever-hopeful guest Denton (Illustrator) suggests, but he is again shown the door. Despite boarding the windows shut, stopping up the chimney, and plugging the bathtub drain, the persistent rodent 2008 keeps reappearing. Finally Bear admits defeat, "I am undone," and agrees to set out a snack. Much to his surprise, Bear enjoys the company and shares jokes and demonstrates a talent at headstands. The visit prompts him to reconsider his sign: "That's for salesmen. Not for friends." Denton's softly hued watercolor illustrations capture the humorous interplay between the unlikely companions. The fastidious, pot-bellied bear wears a tiny apron while the wee mouse with a big personality peeks out of such unlikely places as an egg carton. The lively repetition and superb pacing make this an ideal choice for storytime.-Linda Ludke, London Public Library, Ontario, Canada Bergman, Mara Booklist: PreS-Gr. 2. In this offbeat fantasy, an alligator makes his way down the street, through the front door, up the stairs, and into an apartment where three Nick Maland children flee from his gaping jaws. Finally, when they have endured the threat--or perhaps enjoyed the thrill--long enough, they turn the tables by yelling at the (Illustrator) beast, who runs away. Using elements of rhythm and rhyme as well as an enjoyably predictable question-and-answer refrain, the text maintains a playful tone Snip snap!: What’s beneath the scary details such as alligator eyes flashing and teeth gnashing. Expressive line drawings, brightened with watercolor washes, illustrate the story that? with wit and style. Not for every preschooler, perhaps, but good fun for some, especially those who fantasize that they really could whip an alligator and those 2005 who realize that their home will never be invaded by a giant reptile. The final scene, in which the beast escapes into a manhole, might keep the alligators-in- the-sewer urban legend alive for another generation. --Carolyn Phelan Blake, Quentin Booklist: Ages 4-7. British illustrator Quentin Blake's latest picture book presents six short poems, as bouncy and boisterous as school bus songs and All join in illustrated with equally high spirits. Parents and teachers will easily spot the book's central theme--the joys of cooperation--but what will endear the book to 1992 children is the ongoing idea that lots of kids making lots of noise can have lots of fun. Cheerful kids, depicted in humorous pen drawings with watercolor washes, romp through the pages with a fine, Blakean sense of merriment. Each poem has a refrain; the book's title echoes the refrains of the first and last selections. The verses beg to be read aloud or, better still, sung to story hour or classroom kids. Chances are, they'll all join in. ~--Carolyn Phelan 3 Bibliographic Review: Information: Blundell, Tony Booklist: Ages 4-7. A light, bright, and snappy picture book by British illustrator Blundell, this develops a simple absurdity into a series of comic episodes. Joe on Sunday Every morning when Joe awakens, he becomes whatever he feels like. On Monday, he's a pig: he gobbles his breakfast, rolls in the mud, eats his dinner (``and 1987 everyone else's''), takes an early bath, squeals, and goes to bed. On the next five days a lion, a mouse, a monkey, a monster, and a king each awakens in Joe's bed and goes through the same basic routine with its own individual appropriate characteristics. On Sunday Joe's parents are surprised and pleased to find Joe himself there, a good-natured kid, neither wild nor imperious, with no need for monkey business or mayhem. The colorful cartoonlike style and broad humor of the illustrations are sure to elicit giggles. Briggs, Raymond Ages 5-7. Out of print for some time, this rollicking story of the cumulative antics of a huge gray elephant and a small, pajama-clad baby is being reissued in Elephant and the bad hardcover and for the first time being made available in paperback. BE. Behavior Fiction baby 1986 Broach, Elise New York Times Full Text Review: A loony idea is expressed perfectly in Small's larger-than-life illustrations. "Buy a dozen get a dinosaur," it says at the local David Small bakery, instantly transforming a boring day of errands for a little boy. The triceratops that emerges from the back is huge (and so is the bakery lady, in socks, (Illustrator) sandals and a striped apron). The boy takes home the doughnuts and the dino, plus a stegosaurus, a pterosaur and a baby hadrosaur - and even more When dinosaurs came improbable, there's a happy ending for Mom, too. with everything 2007 Brown, Marc Booklist: Ages 3-8. When the surprise Arthur's parents mention isn't the hoped-for bicycle but a new baby, Arthur knows he is in for trouble in this latest of the Arthur’s baby popular Arthur Adventure series. Not only does sister D. W. seem to know everything about babies, but Arthur's friends warn him about all sorts of perils 1990 associated with younger siblings including smelly diapers and embarrassing baby talk. Though Mother helps by showing Arthur pictures of himself as a baby, he only feels comfortable with his new sister when he alone is able to stop her crying. The bespectacled Arthur's changing emotions as he anticipates the infant's arrival and then gets to know little Kate reflect those of many big brothers and sisters, who will be amused and reassured by this delightful tale. Browne, Eileen Handa puts seven delicious fruits in a basket to take to her friend, Akeyo. But on Handa's walk she passes a variety of animals who find her fruit very inviting. Handa’s surprise: When she arrives at her friend's village, Handa gets a surprise! Read and share Published: August 2005 2004 Read and Share is a unique first library for parents and children that helps build early readers' confidence. Grouped in four progressive levels, Read and Share books--available individually for the first time--are specially for qualities that encourage literacy skills and a love of reading. Sixteen top-quality books with notes for extending reading fun inspire the confidence parents and children need to experience the joys of reading...together. Plus an informative Parents' Handbook! What is Read and Share? Butler, Christina M. School Library Journal: PreS-Gr 2-Normally, Little Hedgehog would be asleep at Christmas, but the cold wind wakes him up. From out of the blue (literally) Tina Macnaughton comes a gift from Father Christmas-a red woolly hat, just the perfect size, except for his pesky quills. When the hat is all stretched out, Little Hedgehog (Illustrator) rewraps it and leaves it on Rabbit's doorstep. He in turn gives it to Badger, who then passes it on to Fox. Heading out one evening, he comes across poor One snowy night Little Hedgehog, unconscious in the snow. Fox wraps him in the hat and takes him to Rabbit's house, where Rabbit and Badger are having dinner. Little 2004 Hedgehog wakes up long enough to admire his nice warm blanket, and the other animals decide that the hat is perfect for him. Macnaughton's illustrations are simple and charming and the red hat has a touchable velvety texture, making this a good story for both intimate and large settings.-M. A. 4 Bibliographic Review: Information: Byars, Besty School Library Journal: Gr 1-3-This charming early chapter book tells the story of a girl who "finds" a dinosaur when she goes outside to play. Boo insists Erik Brooks that she needs a particular book from the library to read to it, and then that she and her older brother, Sammy, must jump on her bed so that the dinosaur can (Illustrator) see them through the window. In true older-sibling fashion, the boy at first tries to deter her but is eventually forced to give in or come to some sort of Boo’s dinosaur compromise. Brooks's illustrations show the action as well as Boo's flights of fancy. Byars takes full advantage of short words and sentences, helping readers 2006 to see themselves both in Boo's plays for attention and Sammy's desire for some peace and quiet. In the end, when Boo has to give up her dinosaur, she and Sammy share a lovely moment of mutual understanding. A natural recommendation for graduates of Syd Hoff's Danny and the Dinosaur (HarperCollins, 1958), this book is a welcome addition.-Adrienne Furness, Webster Public Library, NY Calma, Jocelyn Little Malia has a big idea. Poi for breakfast, poi for lunch, and poi for dinner too. She can't think of anything better she'd like to eat, so why not her very Don Robinson favorite treat? Will she be tempted by cakes and custard, or steaks and shrimp, or hot dogs with mustard? Peek inside this colorful story and you will see, how (Illustrator) Malia loves poi, so that's all she will eat! How long will it last? Only time can tell. Will Malia come out of this poi-eating spell? Little Malia’s Big Poi Idea 2009 Campbell, Ron Publishers Weekly: A giraffe bursts from a crate, a lion from a cage and a snake from a basket in Dear Zoo: A Pop-up Book by Rod Campbell, a companion Dear zoo to Dear Santa. Readers flip open various containers to find the exotic animals within. 2004 Carle, Eric Publishers Weekly: All ages. Carle, whose The Very Hungry Caterpillar has been extraordinarily successful, scores again with this stunning picture book, Papa, please get the drawn in thick, brilliant brushstrokes of blues and greens and reds that dazzle the eye. Monica wants to play with the moon, but can't reach it, so she asks her moon for me father to get it for her. Ingeniously designed with several fold-out pages, the books opens out horizontally to show a very long ladder Papa fetches, opens 1999 vertically to show him climbing the ladder above a very high mountain, and unfolds into a huge spread of the full moon, where the ladder has led Papa. But the moon is too big for him to carry, so he waits while it grows smaller, until finally it is the right size to bring home to Monica. She jumps and dances and frolics with it, but it keeps shrinking, until one day it's gone. But not for long: a thin sliver soon appears in the sky, growing larger and becoming full once again. A splendid introduction to the monthly lunar cycle, this is also a wondrous work of art that will stand up to countless readings. Child, Lauren Booklist: K-Gr. 3. The dollhouse crafts and the play are as much fun as the wry storytelling in this exuberant fractured version of the familiar fairy tale. Child Borland Polly adds a little zip to the narrative (You know what parents are like ), as the king and queen hunt for an appealing princess for their son. Unfortunately, they can't (Illustrator) find one--until an adventurous, beautiful young woman takes a walk through the woods on a stormy night and takes shelter in the palace. She is a real beauty The princess and the (you know how it is with these fairy tale types ), and the queen tests her by having the servants make up the bed with one tiny green pea beneath 12 feather pea mattresses. Kids will appreciate both the independent princess and Polly Borland's photos of the child's skillfully crafted, three-dimensional backdrops (with 2005 cut-paper characters), which Child briefly talks about at the end of the book. --Hazel Rochman 5 Bibliographic Review: Information: Chodos-Irvine School Library Journal: PreS-Gr 1-Mary and Clare spend their days at preschool together. They hug when they meet, hold hands while going out to the Best best friends playground, and sit next to one another at storytime. All goes smoothly until the day of Mary's birthday, when she gets special privileges and much attention 2006 from the teacher and other students. Clare grows resentful and starts an argument, which ends with both girls angrily yelling, "YOU ARE NOT MY FRIEND!" They each play with other children and have time to cool off. When naptime is over, Clare presents her friend with a hand-drawn picture and wishes her a "Happy birthday." Mary graciously accepts the gift, an unspoken apology, and the two are friends once again. No adult guides them toward reconciliation; these children simply figure out for themselves what is important. Various printmaking techniques are used in the artwork to create bold, flat shapes, with enough white space to allow the colors to pop off the pages. The illustrations, in a warm palette, give a retro feel to the story but the multicultural classroom takes the tale to the present. This is a story of true friendship that is stronger than envy or jealousy.-Maryann H. Owen, Racine Public Library, WI Chodos-Irvine Publishers Weekly: A junior Diana Vreeland in blue sheep jammies, Ella Sarah coolly surveys her open armoire and announces that she will wear "my pink Ella Sarah gets polka-dot pants, my dress with orange-and-green flowers, my purple-and-blue striped socks, my yellow shoes, and my red hat." Family members try to dressed dissuade her from an outfit that they deem too "dressy" or "fancy" or "silly" (the last comes from an older sister trying to pawn off some hand-me-downs). 2003 But Ella Sarah resists their admonitions and proves her sartorial instincts are "just right" when the occasion is a dress-up tea party with her friends. A gifted printmaker, Chodos-Irvine (Apple Pie Fourth of July) uses bright but well-modulated colors, sharply defined shapes and plenty of white space to give the pictures a strong graphic punch and convey a range of emotions. When Ella Sarah's ambitions collide with her mother's disapproval (however mild), Chodos- Irvine shows the confident girl's posture curving into a dejected "S"; when Ella Sarah reaches the breaking point, the illustrator depicts her fury by showing only Ella Sarah's hand on the left, with the toy cat she has thrown, flying across the spread. By conveying her heroine's perspective so convincingly, Chodos- Irvine makes the book's ending a triumph-and one that should strike a chord with dress-up fans everywhere. Ages 2-5. Cleary, Beverly Publishers Weekly: Two Times the Fun gathers four previously published stories by popular Ramona author Beverly Cleary: The Real Hole (1960); Two Dog Thomas Taylor Biscuits (1961); The Growing-Up Feet (1987) and Janet's Thingamajigs (1987). Charming half-tone pen-and-ink-and-watercolor-wash illustrations by Carol (Illustrator) Thompson, er, double the pleasure. (c) Copyright PWxyz, LLC. All rights reserved Two times the fun 2005 Coffelt, Nancy School Library Journal: K-Gr 3-Coffelt and Tusa have teamed up to create a charming book that meshes text and illustrations seamlessly. A young girl moves Tricia Tusa back and forth between her divorced parents' homes, along with her canine companion, Fred, who has several bad habits that neither parent appreciates. (Illustrator) When the dog wears out his welcome at both homes, the child must forcefully remind the adults that, "Fred stays with me!" and help work out solutions for Fred stays with me! his naughty behavior. The story unfolds through the voice of the child: "Sometimes I live with my mom. Sometimes I live with my dad. My dog, Fred, stays 2007 with me." Her descriptions of what she does at each residence and Fred's constant affection and consistent bad behavior can be read independently by the intended audience. The text, for the most part, appears against a simple white backdrop. Tusa uses gold and brown hues with occasional splashes of red to create a warm tone. The narrator is drawn with a doll-like charm, but it is Fred, with his perky ears and perpetually wagging tail, that holds the most appeal.- Maura Bresnahan, High Plain Elementary School, Andover, MA Cohen, Miriam The first grade is getting ready to put on a play for the whole school. Everyone wants a part in "The Three Billy Goats Gruff." The teacher picks Paul to be the Lillian Hoban troll, Danny to be the biggest goat, and Jim to be one of the trees. But Jim wants to be a troll, not a tree. So Jim interrupts the rehearsals and acts bossy to his (Illustrator) classmates. Finally it is the day of the big play. But Paul has stage fright. Can Jim find a way to help his friend and save the play? Starring first grade 6 Bibliographic Review: Information: Cohen, Miriam Publishers Weekly: Mimmy and Sophie: All Around the Town by Miriam Cohen, illus. by Thomas F. Yezerski, brings back the playful sisters and their Thomas F. Yezerski everyday doings in their Brooklyn, N.Y., neighborhood during the Depression. Yezerski's b&w drawings depict the siblings and their friends digging for (Illustrator) treasure, riding a carousel and heading to the movie house. About Mimmy and Sophie, PW said, Cohen "injects a hearty dose of charm into the low-key, Mimmy and Sophie slice-of-life-style plot lines through her sympathetic and well-trained recall for children's voices and perceptions." all around the town 2004 Cooper, Helen Booklist: Ages 3^-7. Cat, Squirrel, and Duck share both an old white cabin in the woods and clearly defined duties with regard to making pumpkin soup. Cat Pumpkin soup slices the pumpkin, Squirrel stirs in the water, and Duck adds just enough salt. One day Duck decides he wants to stir, creating such household consternation 2002 and so many hard feelings that he finally packs his wheelbarrow and waddles away. Cat and Squirrel try to carry on, but the soup isn't as good without their friend's touch. Finally Duck returns, and the three experiment with changing roles. The process is very messy, but all agree that the result tastes as good as ever. Cooper's richly colored illustrations, rendered in warm, autumnal hues, suggest a sense of security that will assure even the youngest listener that all will end well. Complete with a recipe for pumpkin soup, this should find a niche in holiday story hours and with young families looking for seasonal projects. -- Kay Weisman Cotton, Jolie Jean Paniolo Pua is a hard-working Hawaiian cowgirl. In this adorable counting story, Pua spends each day of the week preparing something special for her Christine Joy Pratt upcoming paniolo parade through Makawao town. Christine Joy Pratt accurately recreates Maui's landscape, including Makawao's main street, for the (Illustrator) festivities that are delightfully illustrated in vibrant sketch board art. Pua’s Paniola Parade 2002 Cronin, Doreen Horn Book Magazine: (Preschool, Primary) Readers of Diary of a Worm (rev. 11/03) and Diary of a Spider (rev. 11/05) could guess that Diary of a Fly would Harry Bliss not be far behind, and, sure enough, here is the third in the series of books about a trio of diminutive friends. Like the others, this relays real-life information (Illustrator) through humor ("What if I'm the only one [at school] who eats regurgitated food?") in a way that makes the facts memorable. Cronin uses her impeccable Diary of a fly comedic timing throughout, as when Fly compares herself to a superhero ("I can walk on walls") and Spider then deflates her ("Your brain is the size of a 2007 sesame seed"). Bliss includes many witty details in his illustrations, with a set of additional pictures on the endpapers with captions that make them almost like supplementary cartoons. The short sentences and visual jokes make this a great selection for listeners and new readers alike. Crummel, Susan Booklist: PreS-Gr. 2. Only the Stevens sisters could create such an over-the-top tale about fuzz. A big, red dog drops a green tennis ball down a prairie dog Stevens burrow, and a fuzz reaction erupts there. Everyone--except Big Bark--wants to twirl and swirl the stuff all over themselves, from head to toe. When the ball is The great fuzz frenzy plucked fuzzless, a fighting frenzy breaks out. After the feuding stops, the dogs discover Big Bark has snatched the goods and proclaimed himself King of the 2005 Fuzz, a title short-lived when a hungry eagle plucks him up for lunch. Never fear, however: Big Bark lives on to bark another day. The mixed-media illustrations are classic Stevens, with the book's oversize format providing wide-angle close-ups and a good platform for both horizontal and vertical foldouts. Big Bark's bottle-cap hat and the dogs' farcical expressions play up the humor in the text, but it's the textured, chartreuse fuzz that steals the show. This fun- filled story demands to be read aloud. --Julie Cummins dePaola, Tomie The facts about cloth making are humorously presented in this story of Charlie, a shepherd. Charlie needs a cloak 1986 7 Bibliographic Review: Information: DiCamillo, Kate Publishers Weekly: Newbery Medalist DiCamillo (The Tale of Despereaux) joins forces with the formidably talented Bliss (Diary of a Worm) for a series of Harry Bliss ripping yarns about a chicken who just can't stay down on the farm. By the time the book reaches its fourth and final chapter (and that word is used more to (Illustrator) evoke the book's swashbuckling scale than to indicate a preponderance of text), the indomitable Louise has seen it all and done it all, from escaping pirates Louise, the on storm-tossed high seas to joining the circus--and she's been envisioned as a tasty dish by just about everyone. Not surprisingly, while Louise relishes her adventures of a wanderlust, she also experiences Weltschmerz --here's the hen contemplating the circus: "Safe in a clown's wig, hidden beneath his hat, Louise thought of the chicken henhouse and what a quiet, spectacularly lion-free place it was." DiCamillo's brisk, comic narrative crackles with read-aloud savoriness, and her respect for 2008 Louise makes the book all the funnier. And where lesser artists might have packed lots of visual nudge-nudges, Bliss creates a thrilling sense of place and puts his wide-eyed heroine front and center. An enlarged format does justice to the details in the art--and to the grand sweep of the storytelling. Ages 4-8. Dodd, Lynley Publishers Weekly: A duckling convinces the pooch hero to play. "The pictures are amiably animated and suitably silly, but watch those wonderful waggish Hairy Maclary and words," wrote PW of the earlier Hairy Maclary books. Ages 2-5. (Apr.) Zachary Quack 2000 Dodd, Lynley Publishers Weekly: Ages 2-5. The first title, published in New Zealand in 1983 and making its U.S. debut, introduces the diminutive black dog and a host of Hairy Maclary from canine pals in a cumulative text. They take the town until a giant tomcat sends them all homeward. In the second book (published in 1984), the same motley Donaldson’s Dairy crew follows the hero in hopes of taking his bone but, one by one, Hairy outmaneuvers them. 1988 Dodd, Lynley Horn Book Magazine: As Hairy Maclary goes home, other dogs who want his bone are defeated by obstacles along the way in this singsong rhyme. Slinky Hairy Maclary’s Malinki, a cat, and his parrot pal go through the house and make a huge mess in this repetitive and pointless tale. A variety of animals try to wake Bear. showbusiness Occasionally whimsical illustrations accompany the thin stories. There are four other books in this series. 1992 Donaldson, Julia Horn Book Magazine: A small mouse outsmarts his animal predators with made-up tales of his supposedly good friend the gruffalo, a creature with knobbly Axel Scheffler knees, and turned-out toes, and a poisonous wart at the end of his nose. When a gruffalo does appear, the mouse is surprised but uses his wiles to outwit the (Illustrator) beast as well. Friendly watercolor pictures illustrate the story told in rhyme. The Gruffalo Donaldson, Julia School Library Journal: PreS-Gr 2-In this sequel to The Gruffalo (Dial, 1999), the wide-eyed daughter of that story's title character decides to find the "Big Axel Scheffler Bad Mouse" that her father has told her so much about. "His eyes are like pools of terrible fire,/and his terrible whiskers are tougher than wire." With her (Illustrator) stick doll tucked under her arm, the youngster enters the deep, dark woods and follows marks in the snow to snake, owl, and fox. When she finally finds a The Gruffalo’s child little mouse, she grabs him for a feast, but the clever creature tricks her into running away to the comfort of her sleeping father's arms. The full-color cartoons portray a suitably sympathetic child in the snow-filled woods. While children may appreciate the details (the stick doll, snake tracks in the snow, gruffalo child's cave drawings) in the art, lack of change from picture to picture and in perspective diminish its effectiveness. The plot, rhymes, and art are all slightly weaker than the original tale. Purchase this where the first book is popular.-Marge Loch-Wouters, Menasha's Public Library, WI Ehlert, Lois Booklist: Dazzling . . . A celebration of the garden, the power of shape and color. Planting A Rainbow: Lap-Sized Board Book 2008 8 Bibliographic Review: Information: Emberley, Ed Publishers Weekly: Die-cut holes in the cover reveal the "two big yellow eyes" of the title hobgoblin in Go Away, Big Green Monster! by Ed Emberley (first Go away, big green published in 1992). The sturdy laminated pages that follow also have die-cuts that show the monster's fleshy "long bluish-greenish nose," "a big red mouth monster: Make your with sharp white teeth" and more. But the text gives readers the confidence ("You don't scare me!") to take away its scary features with each succeeding page fears disappear turn until he's gone-"and don't come back! Until I say so." A fun way to conquer fears. 1993 Falconer, Ian Horn Book Magazine: Stylish charcoal sketches strategically accented with red paint show the aspirations and misadventures of a determined little pig-girl. Olivia Although the story (more of a catalog, really) often seems to be winking at parents over their little ones' heads, the interplay of deadpan text (Olivia gets 2000 dressed. She has to try on everything) and droll illustration (seventeen alternatives of what-shall-I-wear?) is pretty funny. From HORN BOOK Spring 2001, (c) Copyright 2010. Fox, Mem Publishers Weekly: Ages 3-6. Fox's two new books join Wilfrid Gordon McDonald Partridge as perfect examples of why the Australian writer has become one Lofts, Pamela of today's top authors of children's books. Koala Lou is loved by everyone, but it is her mother who loves her most of all. She often tells her daughter, ``Koala Koala Lou Lou, I DO love you.'' As the family grows and her mother gets busier, Koala Lou yearns to hear those words again. She sets out to win the Bush Olympics as a 1989 way to gain her mother's attention. Lofts's colored-pencil drawings portray the Australian flora and fauna beautifully, including a few of the more exotic species. Both of Fox's books send out positive messages to children about the wonders of being human: Koala Lou celebrates the eternal love of a mother for her child without the sentimentality of Robert Munsch's Love You Forever. Fromental Jean-Luc School Library Journal: K-Gr 4-This hilarious, oversize picture book integrates challenging math concepts and environmental concerns into a clever Joelle Jolivet narrative. On New Year's Day, a family receives an anonymous package containing a penguin. The young narrator chases the bird around the house as it runs (Illustrator) amok and knocks over lamps and furniture. His sister, Amy, finds a note, "I'm number 1. Feed me when I'm hungry." Just as the message implies, there are 2006 more to come; by the end of the year, 365 in all. "Penguins, penguins everywhere./Black and white and in my hair," sighs Amy. As they arrive, readers must recall the number of days in each month-by the end of February, they are calculating the number of penguins in all. Then Father decides to organize them, first into four groups of 15, later in boxes by the dozen, and, finally, into a cubic formation. By summer, the heat, noise, and smell are unbearable. On New Year's Eve, ecologist Uncle Victor arrives and the mystery is solved. The engaging story is illustrated in a flat retro design with a palette dominated by orange, blue, gray, and black and white. The comical birds watch TV, dance with their teenage "sister," and eat everything in sight. The text provides endless opportunities for word problems, and units on penguins and global warming will never be the same.-Barbara Auerbach, New York City Public Schools Gilman, Phoebe Publishers Weekly: Ages 5-11. When Joseph was a baby, his grandfather made him a shimmering blue blanket adorned with the moon and stars. As the boy Something from grows and the blanket wears out, the old tailor recycles it, in succession fashioning a jacket, a vest, a tie and, finally, a cloth-covered button. But when Joseph nothing loses the button, even his grandfather cannot make something from nothing. With its judicious repetition and internal rhymes, this thoughtfully presented 1992 Jewish folktale will captivate readers right through the ending, in which the boy discovers one last incarnation for his beloved keepsake. Although her renderings of human faces border on cartoonishness, Gilman's ( The Wonderful Pigs of Jillian Jiggs ) oil-glazed tempera paintings suggest the vivid world of Joseph's shtetl, with full-page cutaway illustrations recording the multileveled activity in Joseph's house. In an imaginative visual stroke, the bottom of each spread features the beneath-the-floorboards doings of a family of mice whose domestic life--from new births to Sabbath dinners to the outfitting of their entire home in discarded swatches of the blue blanket--winsomely mirrors Joseph's own. Gilman, Phoebe Princess Leora is left behind at the castle with the nasty Archduke. The king has told her to signal with balloons if something goes wrong - but then the The balloon tree Archduke outlaws balloons. What will happen? 2006 9 Bibliographic Review: Information: Gliori, Debi Horn Book Magazine: Small feels grim and unloved--and the young fox fails to find comfort in Large's promise to love Small no matter what. Small tests the No matter what declaration: If I were a grumpy grizzly bear, would you still love me? What about a bug? A crocodile? And what about when Large is far away? The text offers 1999 nothing new in this overcrowded genre, but the watercolors, which have a cozy, candlelit glow, are full of witty details. From HORN BOOK Spring 2000, Graham, Bob Publishers Weekly: Ages 4-7. "What's a family of superheroes to do when their progeny is slow to develop his flying skills? Graham answers this question Max handily with scenarios that will have readers laughing out loud, as Max discovers his own special qualities," wrote PW in our Best Books citation. 2000 Green, John Booklist: Ages 4-6. Alice's premonition of "extraordinary" happenings on her birthday plays out in an unusual wish fulfillment when a colossal, one-eyed giant Maryann Kovalski appears. Nameless, friendly (though his appearance at her birthday party results in chaos), mystified at being summoned, and desirous of returning home, the (Illustrator) giant implores Alice's aid. They go to (where else?) the public library, where the resourceful Ms. McKracken consults a book of spells and magically sends the Alice and the giant off to a mountain valley. All ends well in this lightweight story bolstered by the library scene, which story-hour children will enjoy. Loose pen-and-wash birthday giant illustrations humorously reflect merriment gone awry and its spellbinding solution. --Phillis Wilson 2000 Hagrogian, Nonny A delightful telling makes this story of a greedy fox's adventure as catchy as a nursery rhyme. Crisp, happy pictures add to the fun. Inspired by an Armenian One fine day folktale, the rhythmic, cumulative text will have small listeners "reading along" and matching words to pictures well before the story is ended. 1971 Heide,Florence Perry Booklist: Children's fiction is filled with stories of young royalty realizing the drawbacks of power; typically it has to do with getting the short end of the fun- Lane Smith stick. But Princess Hyacinth has it even worse: she floats. So while other kids frolic in the pool, she's strapped into an indoor chair. Even when she's allowed (Illustrator) outside, her heavy crown and weighted robes turn her walks into drags. Mostly she longs to forge a friendship with a kite-flying boy, but it takes an out-of- Princess Hyacinth: control airborne incident to bring them together in an unexpected way his kite is able to reel Hyacinth back to safety. Smith's artwork uses cavernous spaces to The surprising tale of dwarf the perennially morose (and weighed and tethered) princess, and the elaborate ropes and pulleys used to dress her drive home the irritation of being a girl who floated unfairly encumbered. The layout of the text is just as playful, with certain sentences floating off the top of the page and other repeated phrases ( up, up, up ) 2009 sailing skyward. A goofy romp that maintains a gentle feel throughout from veteran author Heide, who recently celebrated her 90th birthday.--Kraus, Daniel Henkes, Kevin Booklist: PreS. Henkes creates another winner in this simple, charming story about a naive little kitten who mistakes a round, shining moon for a bowl of milk. Kitten’s first full Kitten laps at the sky's creamy circle, but she is surprised when she tastes bugs instead of milk. Then she chases the milk-bowl moon through the garden and moon field to the pond, where she climbs a tree, discovers another milk bowl shining in the water, and dives in after it. Finally, wet and sad and tired and hungry, she 2004 returns home to find, at last, a true bowl of milk, out of the sky and on the porch, waiting for her. Henkes' text, reminiscent of Margaret Wise Brown's work in the elemental words, rhythms, and appealing sounds, tells a warm, humorous story that's beautifully extended in his shimmering, gray-toned artwork. Working in bold black lines and the silvery palette of moonlight, he creates a lovable, expressive character in the determined kitten, and his dramatic contrasts of light and dark capture the excitement of a nighttime adventure. Wise preschoolers may chuckle at the kitten's folly, but they'll also recognize the mysterious power of moonlight to transform the familiar world of daytime into something altogether new. --Gillian Engberg 10
Description: