Berryman's Henry : living at the intersection of need and art PDF
Preview Berryman's Henry : living at the intersection of need and art
¢Ȃ ȱ ¢ ȱ ȱȱȱȱ ȱȱȱȱȱ ȱ ȱ ȱȱ #/34%253. %73 %2)%3 ȱDZ ǯǯȱǰȱȱȂ ȱȱ This page intentionally left blank ¢Ȃ ȱ ¢ ȱ ȱȱȱȱȱ ȱȱȱȱȱ ȱ ȱ ȱȱ ȱ ȱȱ Ȭ ȱǰȱȱŘŖŖŜ ȱ¢ȱȱȱǰȱȱȱ ¡ǰȱDZȱȱ ¡ȱȱȱȱȱ¢ȱȱ¢ǯȱȱ ¢ȱŗşŜşȱ¢ȱȱ¢ǯ ȱDZȱȱ¢Dzȱȱ¢ȱǰȱ¢ȱȱ ȱǰȱ¢ȱȱȱǰȱ ǰȱDzȱDZȱȱǯȱ ȱDZȱȱȱě ȱȱȱ ȱȱȱȱȱȱȱȱȱ ȃȱşŝŖŜDZŗşşŚǰȱȱȱȱȬȱȱȱ ȱȬȱȱȱȄǯ DZȱşŖȬŚŘŖȬŗŜŞşȬŘ ȚȱȱǯǯǰȱȱȬȱ ȱǰȱȱŘŖŖŜ ȱȱȱ For Patty Taggart Dodson, Who introduced me to Henry’s Song so long agone For my father, James Henderson Dodson, Who never knew Henry This page intentionally left blank Acknowledgements This book could not have been written without the support and help of many people. The Tarleton State University Research Committee provided me with two summers of generous funding that made the project even feasible. I’m grateful to Professor Pam Littleton and the committee as a whole. At the University of Minnesota Libraries, Professor Alan Lathrop and his assistant Ms. Barbara Bezat were most kind to me over the years. Richard J. Kelly provided me with encouragement and support back when I was a lowly graduate student; his late reading of the manuscript was the final push I needed. Professors Michael Skau, Linda Ray Pratt, Stephen Behrendt, and John Janovy steered me as the manuscript took on its early form. Professor Skau has been my academic mentor and dear friend for over twenty-five years: I can’t help it if I’m lucky. Charles Thornbury provided early consultation. Kate Donahue’s support, encouragement, and permission for manuscript use has been a blessing from start to finish. Chas Kestermeier, S.J., the better scholar, has been a friend and advisor through it all. Professor Nick Lilly offered many hours of both technical support and friendship, for which I am most grateful. Ms. Mary Etzel has saved me from doing physical harm to my computer on countless occasions. Saul Bellow, who answered an important question after his agent opened the gate, wrote a sweet letter; my gratitude is as big as Herzog’s. Both Paul Mariani and James Atlas were kind in responding to my questions. Tom Pilkington, Mike Pierce, Mallory Young, Chris Guthrie, and Mark Shipman have always offered me support in both my poetic and academic endeavors; they are the type of people one needs for colleagues. Ron Hansen, W.D. Snodgrass, and Tom Schatz, through their encouragement and own exemplary work, pressed me forward in ways they will never know. At Rodopi, Marieke Schilling offered consistent support and encouragement and C.C. Barfoot was an editor with a firm and true hand. Parts of this book appeared in articles in English Language Notes and Notes on Contemporary Literature. I also want to thank my large, extended, Irish-Catholic family for sticking with me through all of my schemes, dreams, and antics. This page intentionally left blank CONTENTS Preface xi Prologue Elegy as Theology: Henry’s Search for Death’s Answers 1 Chapter 1 Henry’s Other Method: The Epic’s Freedom of Language in an Experimental Age 31 Chapter 2 The Paternal Elegies: The Dream Songs’ Shroud 63 Chapter 3 Henry “pale & ill”: Berryman’s Elegies of Praise and the Last Word 89 Chapter 4 Posthumous Musings from an Active Cofin 127 Chapter 5 Henry’s Uneasy Rest 145 Bibliography 167 Index 173
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