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bernard of clairvaux and the two swords PDF

146 Pages·2011·4.6 MB·English
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BERNARD OF CLAIRVAUX AND THE TWO SWORDS TEMPLARS, CRUSADES, AND CONSIDERATION: A STUDY ON BERNARD OF CLAIRVAUX'S ALLEGORY OF THE TWO SWORDS By TIMOTHY BASILE, B.A. A Thesis Submitted to the Department of Religious Studies, McMaster University In Partial Fulfilment For the Degree Master of Arts McMaster University © Copyright Timothy Basile, September 2009 MASTER OF ARTS (2009) McMaster University (Religious Studies) Hamilton, Ontario -, " TITLE: Templars, Crusades, and Consideration: A Study on Bernard of Clairvaux's AlIegory of the Two Swords AUTHOR: Timothy Basile, B.A. (Tyndale University) SUPERVISOR: Dr. Peter Widdicombe ~LJMBER OF PAGES: iv, 135 ii Abstract While most analyses of Bem ard 's allegory ofthe two swords frame the discussion from the perspective of Bem ard 's overall political theology, this approach often ignores the allegory's connection to the Knights Templar. This thesis examines Bemard ofClairvaux's allegory of the Two Swords from a literary and historical perspective. By examining each of Bernard's uses of the allegory separately and in their own contexts, this thesis aims to identify the various ways in which Bemard used the allegory. As well, this work seeks to understand what the allegory can and cannot tell us about Bernard's overall political theology. This thesis argues that Bernard employed the allegory in order to describe the authority by which the pope may protect the Church when it is threatened, but that the allegory's effectiveness for determining Bernard's political theology outside the context of the Church's defence remains limited. 111 Table of Contents Abstract iii Table of Contents IV Introduction: Questions of Bem ard 's Intention Chapter 1: The Two Swords within the Context ofIn Praise of the 23 New Knighthood Chapter 2: The Two Swords in the Context ofthe Second Crusade 51 Chapter 3: The Two Swords within the Context of On Consideration. 81 Conclusion: In Case of Emergency 113 Bibliography 131 iv

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approach often ignores the allegory's connection to the Knights Templar. This thesis examines By examining each of Bernard's uses of the allegory
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