I.lldwij.! /'(1/1 !1('('lluJ/',.If. Fro/ll fill ('IIJ!l"orillj.! by lttosin« Illl) ;'J(fli(.,.11f('(IrnmillJ!!JJ" I,{)/u:,"1,('1ronnr (,H"I.) BEETHOVEN'S PIANOFORTE SONATAS A Guidefor Students & Amateurs by EDW IN FISCHER. Translated by STANLEY GODMAN unth the collaboration of PAUL IIAMDUI\GEII FADER AND FABER 24.Russell Square London Fir-st published in mcmlix by Faber and Faber Limited 24 Russell Square, London, W.e.1 Printed in Great Britain by Western Printing Services Limited, Bristol All rights reserved This edition © Faber and Faber Limited 1959 Originally published by INSEL-VERLAG, WIESBADEN, under the title: Ludwig van Beethouens Klauiersonaten TO THE MEMORY OF MY MOTHER CO TENTS INTRODUCTION page 15 FIRST LECTURE 15 Beethoven's Pianoforte Sonatas The 5 Sonatas, Op. 2 19 Sonata in F minor, Op. 2, No. 1 19 Sonata in A major, Op, 2, No. 2 22 Sonata in C major, Op. 2, No. 5 25 SECOND LECTURE 29 Beethoven's Piano Playing Sonata in Eflat major, Op. 7 55 Sonata in C minor, Op, 10, No. 1 55 Sonata in F major, Op, 10, No. 2 58 Sonata in D major, Op. 10, No. 5 59 THIRD LECTURE 42 On Practising Sonate pathetique in C minor, Op. 15 46 Sonata in E major, Op. 14, No. 1 48 Sonata in G major,-o». 14, No. 2 50 Sonata in Bflat major, Op. 22 51 FOURTH LECTURE 54 Beethoven's Personality Sonata in A flat major, Op, 26 58 Sonata in Eflat major, Op. 27, No. 1 60 Sonata in C sharp minor, Op. 27, No. 2 62 Sonata in D major, Op. 28 64 9 CONTENTS FIFTH LECTURE page 67 Interpreters The 5 Sonatas, Op. 5' 69 Sonata in G major, Op. 5', No. 1 7 0 Sonata in D minor, Op, 5', No. 2 7 2 Sonata in Ejlat major, Op. 5', No. 5 75 The Sonatas, Op. 49 77 Sonata in G minor, Op, 49, No. 1 78 Sonata in G major, Op, 49, No. 7 2 8 Sonata in C major, Op, 55 79 SIXTH LECTURE 85 Beethoven's Instruments Sonata in F major, Op, 54 84 Sonata in F minor, Op. 57 85 Sonata in F sharp major, Op. 78 89 Sonatina in G major, Op. 79 9 0 Sonata in Eflat major, Op. 8lA 9 0 SEVENTH LECTURE 95 Tempo and Metronome Sonata in E minor, Op. 9 95 0 Sonata in A major, Op, 101 9 6 EIGHTH LECTURE 100 Beethoven's Circle of Friends Sonata in Bflat major, Op. 106 5 10 Sonata in E major, Op. 109 9 10 NINTH LECTURE 112 Beethoven Biographies Sonata in A flat major, Op. 110 Sonata in C minor, Op. I II IQ ILLUSTR.ATIONS Ludwig van Beethoven. From an engraving by Blasius Hofel after the drawing by Louis Letronne (1814) frontispiece The beginning of the third movement of the Sonata, Op, 27, No. 2, in Beethoven's hand- writing f acing page 64 Beethoven's Broadwood Grand Piano The openihg of the Sonata, Op. 111, in Beet- hoven's handwriting 112 Acknowledgment ismadetothe Insel-Ferlag for supplying theseillustrationswhich appeared in their edition ofthis book. II INTR.ODUCTION In studying Beethoven's piano sonatas one encounters difficulties, questions and problems the solution of which constitutespartofthe entireartistic andhuman education of a musician. The range of the collection compels us to occupy our selves with matters of technique, form, harmony and textual criticism; but the main requirement is an under standing of the artistic content. A careful study of these works will transform us, for Beethoven will become our teacher,and lead us to develop our own personalities and characters. With thisin mind I studiedthesonatas with my pupils in 1945 and the present volume is based on the notes I used in that course. The analysis of each group of sonatas is preceded by an introduction on some general theme. These informal talks make no claim to scholarly com pleteness or significance. They are thoroughly personal, and if they serve as a reminder of the beautiful summer in which they originated I shall be content. I}