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Beauty, Ugliness and the Free Play of Imagination: An Approach to Kant's Aesthetics PDF

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Studies in German Idealism 17 Mojca Küplen Beauty, Ugliness and the Free Play of Imagination An Approach to Kant's Aesthetics Studies in German Idealism Volume 17 SeriesEditor ReinierW.Munk,VUUniversity,Amsterdam,TheNetherlands AdvisoryEditorialBoard FrederickBeiser,SyracuseUniversity,U.S.A. DanielDahlstrom,BostonUniversity,U.S.A. GeorgediGiovanni,McGillUniversity,Montreal,Canada PaulGuyer,UniversityofPennsylvania,U.S.A. DetlevPätzold,UniversityofGroningen,TheNetherlands AndreaPoma,UniversityofTorino,Italy Moreinformationaboutthisseriesathttp://www.springer.com/series/6545 Mojca Küplen Beauty, Ugliness and the Free Play of Imagination An Approach to Kant’s Aesthetics 123 MojcaKüplen ResearchInstituteofPhilosophy oftheHungarianAcademyofSciences Budapest,Hungary ISSN1571-4764 StudiesinGermanIdealism ISBN978-3-319-19898-9 ISBN978-3-319-19899-6 (eBook) DOI10.1007/978-3-319-19899-6 LibraryofCongressControlNumber:2015941513 SpringerChamHeidelbergNewYorkDordrechtLondon ©SpringerInternationalPublishingSwitzerland2015 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpartof thematerialisconcerned,specificallytherightsoftranslation,reprinting,reuseofillustrations,recitation, broadcasting,reproductiononmicrofilmsorinanyotherphysicalway,andtransmissionorinformation storageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilarmethodology nowknownorhereafterdeveloped. Theuseofgeneraldescriptivenames,registerednames,trademarks,servicemarks,etc.inthispublication doesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfromtherelevant protectivelawsandregulationsandthereforefreeforgeneraluse. Thepublisher,theauthorsandtheeditorsaresafetoassumethattheadviceandinformationinthisbook arebelievedtobetrueandaccurateatthedateofpublication.Neitherthepublishernortheauthorsor theeditorsgiveawarranty,expressorimplied,withrespecttothematerialcontainedhereinorforany errorsoromissionsthatmayhavebeenmade. Printedonacid-freepaper SpringerInternational PublishingAGSwitzerlandispartofSpringerScience+Business Media(www. springer.com) ForMyParents Contents 1 Introduction .................................................................. 1 2 JudgmentsofTasteandAnalysisoftheProblemofUgliness inKant’sAesthetics.......................................................... 9 2.1 AnIntroductiontoKant’sTheoryofJudgmentsofTaste............. 10 2.2 DoesKant’sTheoryofTasteAccountforJudgmentsofUgliness?.. 13 2.3 Setting the Problem: David Shier’s Challenge andtheArgumentoftheImpossibilityofJudgmentsofUgliness.... 17 2.3.1 UglinessastheNegativeSubjectivePurposiveness........... 18 2.3.2 UglinessastheSubjectiveContrapurposiveness.............. 20 2.3.3 UglinessastheMinimalSubjectivePurposiveness........... 23 2.4 TheFinalAttack:PaulGuyerontheEpistemological ImpossibilityofUgliness............................................... 25 3 The Concept of Freedomin the Play of Imagination andUnderstanding .......................................................... 31 3.1 Kant’s View on the Role of the Imagination andUnderstandinginCognitiveJudgments........................... 33 3.2 ProductiveImaginationandtheRoleofSchemainCognition ....... 37 3.3 TheRoleofImaginationandUnderstanding inJudgmentsofTaste................................................... 39 3.3.1 PrecognitiveInterpretationoftheConceptofFree Play:GinsborgandAllison..................................... 42 3.3.2 AnAbstractiveInterpretation .................................. 49 3.3.3 MulticognitiveInterpretation................................... 51 3.3.4 MetacognitiveInterpretation(PaulGuyer).................... 53 3.3.5 SymbolicInterpretation ........................................ 56 3.4 TowardsaPositiveInterpretationoftheNotionofFreePlay......... 59 4 APositiveAccountoftheConceptofFreePlay.......................... 63 4.1 TheConceptionofFreeImaginationinJudgmentsofTaste.......... 65 4.2 DistinctionBetweenaSchemaandaParticularImage ............... 70 vii viii Contents 4.3 TheNotionofFree HarmonyandtheIndeterminate PrincipleofPurposiveness.............................................. 73 4.3.1 Reflective Judgments and the Principle ofthePurposivenessofNature................................. 76 4.4 ThePrincipleofPurposivenessandJudgmentsofTaste.............. 79 4.5 Aesthetic Representation of Purposiveness andtheConceptofBeauty.............................................. 83 4.6 TheSolutionofthe‘EverythingIsBeautiful’Problem............... 90 5 TheExplanationofUglinessinKant’sAesthetics........................ 93 5.1 TheSolutiontoProblemswithJudgmentsofUgliness inKant’sAesthetics..................................................... 94 5.2 TheSublimeandtheUgly.............................................. 97 5.3 TheApplicationoftheConceptofFreeHarmonytoFineArt ....... 107 5.4 TheParadoxofUglinessinArtandNature............................ 112 5.5 AestheticIdeasandCognitiveImportanceofBeautyandUgliness.. 119 6 The Notion of Disgust in Comparison to Ugliness: AKantianPerspective....................................................... 131 6.1 The Concept of Disgust: An Overview of Kant’s TreatmentofDisgustinComparisonwithContemporaryStudies ... 131 6.2 TheNatureofVisualDisgustandItsAnti-aestheticEffectinArt.... 135 6.2.1 DisgustforDisgust’sSake ..................................... 140 6.2.2 ThePossibilityofaPositiveAestheticofDisgust ............ 142 6.3 The Phenomenologicaland TheoreticalDistinction BetweenDisgustandUgliness......................................... 144 Bibliography...................................................................... 147 Abbreviations of Kant’s Works ReferencestoImmanuelKantaregiveninthetexttothevolumeandpagenumber ofthestandardGermaneditionofhiscollectedworks:KantsgesammelteSchriften (KGS). References to the Critique of Pure Reason are to the standard A and B paginationofthefirstandsecondeditions.Referencesarealsogiven,afteracomma, to the English translation of Critique of the Power of Judgment, ed. Paul Guyer, trans. Paul Guyer and Eric Matthews (Cambridge University Press, 2000), which includesthe“FirstIntroduction”(KGS20).Listedasfollowsaretheoriginalworks andtranslationsthatIhaveused: A/B Kritik der reinen Vernunft (KGS 3–4). Critique of Pure Reason, trans. WernerS.Pluhar.Indianapolis:HackettPublishingCompany,Inc.,1996. Anthro AnthropologieinpragmatischerHinsicht(KGS7).Anthropologyfrom a PragmaticPointofView,trans.RobertB.Louden.Cambridge:Cambridge UniversityPress,2006. Beob Beobachtungenüber das Gefühl des Schönen und Erhabenen (KGS 2). Observations on the Feeling of the Beautiful and the Sublime, trans. Paul Guyer. In Observations on the Feeling of the Beautiful and Other Writings, ed. Patrick Frierson & Paul Guyer. Cambridge: Cambridge UniversityPress,2011. BL LogikBlomberg(KGS24).TheBlombergLogic.LecturesonLogic,trans. MichaelYoung.(TheCambridgeEditionoftheWorksofImmanuelKant. Cambridge:CambridgeUniversityPress,1992),pp.5–246. FI Erste Einleitungin die Kritik der Urteilskraft (KGS 20).First Introduc- tiontotheCritiqueofthePowerofJudgment,trans.PaulGuyerandEric Matthews.Cambridge:CambridgeUniversityPress,2000,pp.3–51. JL Jäsche Logik (KGS 9). The Jäsche Logic, Lectures on Logic, trans. MichaelYoung.Cambridge:CambridgeUniversityPress,1992,pp.521– 640. KU KritikderUrteilskraft(KGS5).CritiqueofthePowerofJudgment,trans. PaulGuyerandEricMatthews.Cambridge:CambridgeUniversityPress, 2000. ix

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This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain our attention and be greatly appreciated. It does this by exploring and refining the most sophisticated and thoroughly worked out theoretica
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