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Balanced Phono-Amps: An Extension to the 'The Sound of Silence' Editions PDF

871 Pages·2019·25.597 MB·English
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Burkhard Vogel Balanced Phono-Amps An Extension to the ‘The Sound of Silence’ Editions Second Edition Balanced Phono-Amps Burkhard Vogel Balanced Phono-Amps ‘ ’ An Extension to the The Sound of Silence Editions Second Edition Primary Focus: Lowest Noise Solutions with Triodes and Solid-State Devices • Calculated • Simulated • Measured 123 Burkhard Vogel Lab6-11 Information andAudioTechnology Stuttgart, Germany Additional material tothis bookcanbedownloaded from http://extras.springer.com. ISBN978-3-030-11228-8 ISBN978-3-030-11229-5 (eBook) https://doi.org/10.1007/978-3-030-11229-5 LibraryofCongressControlNumber:2018966841 1stedition:©SpringerInternationalPublishingSwitzerland2016 2ndedition:©SpringerNatureSwitzerlandAG2019 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpart of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission orinformationstorageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilar methodologynowknownorhereafterdeveloped. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publicationdoesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfrom therelevantprotectivelawsandregulationsandthereforefreeforgeneraluse. The publisher, the authors, and the editorsare safeto assume that the adviceand informationin this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authorsortheeditorsgiveawarranty,expressorimplied,withrespecttothematerialcontainedhereinor for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictionalclaimsinpublishedmapsandinstitutionalaffiliations. ThisSpringerimprintispublishedbytheregisteredcompanySpringerNatureSwitzerlandAG Theregisteredcompanyaddressis:Gewerbestrasse11,6330Cham,Switzerland To Beate Preface to the 2nd Edition This 2nd edition marks a turning point in my life as analogue audio amplifier enthusiast. In the past as General Manager and/or CEO of several software- producing companies I had to learn to live with the sometimes rather strange looking attitudes towards customers. What I mean is the way of developing and selling software by use of astonishing approaches with eg taking customers by surprise with huge announcement actions, offering of beta versions, steadily ship- ping of releases to improve incomplete or defective versions, collecting of improvements via ‘let the customers do the job demands’, continuous and never-ending bug fixing, etc. These software related experiences triggered my mistrust most when it comes to acceptance questions concerning simulation soft- wareforaudioequipmentandtheirdevices.Nevertheless,Ihadtolearnthatduring the past three decades things changed a lot on the field of software-based simula- tions of electronic circuits. Very expensive softwares had to go, replaced by free solutions à la LTSpice from Linear Technology. That’swhyI’mconvincednowthat—concerningthelow-noiseaudioequipment I present in the book on hand—this modern simulation software will be able to yield results very close to the calculated and measured ones. However,theapplicationofsuchsoftwarewillworkwellonlyifweunderstand howthesimulatedDUTtreatsallkindsofamplifiertransferquestionsinallpartsof its electronic circuit. In most chapters of this book the basic focus is on noise generation of audio pre-amps. It is a very wide field that is eg poorly managed by manySpicemodelsofbipolarjunctiontransistors(BJTs),valves,andtransformers. Despite the easy time and cost-saving work with LTSpice I’m also convinced that only a mathematical description of the DUT’s circuit will lead to a full under- standing of its noise generation. I think, after many tests, LTSpice offers the right power to produce reasonable results. Therefore, concerning the goals of this 2nd edition the enlarged emphasis lies on the simulation approaches of all presented amplifier and measurement solutions,ofcourseincludingtheirtraps.Gainedresultswillalwaysbepresentedin conjunction and comparison with the necessary calculation results. In most cases, measurement results judge the software’s usability additionally. vii viii Prefacetothe2ndEdition Thus,withregardtothe1stedition(TSOS-E-1)theherepresented2ndeditionof “Balanced Phono-Amps” (TSOS-E-2) shows the following improvements and add-ons: 1. A very new ‘Part I: Basics—Simulations and Calculations’ with nine chapters covers the fundamentals about the noise calculation and simulation alternatives of fully differential amplifiers, based on solid state (BJTs and op-amps) and triode designs. It also includes excess noise calculations and simulations of resistors. A new and extensive chapter allows calculating the Spice flicker noise coeffi- cientsAFandKFofBJTs.Exclusively,applicationofthesefactorswillleadto useful and sense-making noise simulations of electronic circuits with BJTs. In the professional as well as in the consumer world small-signal triodes still play a major role in audio pre-amplifier circuits (triodes in power amplification are not on the focus of this book). A new chapter about the triode’s noise production allows simulating any kind of triode in any kind of small-signal audio configuration. 2. In‘PartII:ExamplePhono-Amp—TheRIAAPhono-AmpEngineII’(formerly Part I and now with 12 chapters) various simulation approaches complete the measurement and calculation results of all shown amplifier stages of the headline’s Engine II. Its main focus is on MC cartridge amplification. 3. ‘Part III: Knowledge Transfer’ (formerly Part II and now with 12 chapters) is still a collection of amplifier designs (also with new and extremely low-noise ones) and useful measurement devices. Additionally and under the light of the balanced or un-balanced question, I add a further discussion on MM amplifi- cation including or excluding very sophisticated load synthesis (also called electronicresistorcooling)approaches.Thispartisrounded-upbyanextensive chapter with—partly self-developed—Spice models of all devices used in this book. 4. Verydetailedindexesofthisbook(black)andofthe2ndeditionof‘TheSound of Silence’ (red) close the book’s ‘Part IV: Appendices and Indexes’. 5. Readers may be surprised that I do not tackle noise issues of Junction Field EffectTransistors(JFETs)indepth.Infact,comparedwithBJTstheydonotfall into the lowest-noise category of singletons in MC amplification circuits. Like triodes,theirsingletonplacecouldbefoundinotherthanMCinputstages;egin inputstagesofMMphono-ampsorinintermediateampstages.Iguess,thetwo editions of‘TheSoundofSilence’andtheherepresentedChaps.22and23do offerenoughinsightintothematter.Nevertheless,inChap.22Ipresentpre-amp solutionswithseveralparalleledinputJFETsand/orextensiveparalleledJFETs in long-tailed pair (LTP) configurations, however, not designed by myself. 6. Ofcourse,ItriedtofindandItookcareofalltypos,bugsandcalculationerrors. Additionally, I’ve changed the temperature and tolerance settings on all Mathcadworksheets:fromT:=315Kor300KtoT:=300.15K,fromdefault TOL := 10−3 to TOL := 10−12 or 10−14. Thus, direct comparisons with simu- lation results are based now on common treatments. Prefacetothe2ndEdition ix 7. On Springer’s website of ‘Extra Materials’ readers will find all Mathcad worksheets presented in this book. They can be downloaded free of charge. 8. Many thanks to: 8:1 The authors of ‘The Art of Electronics’, Mr. Hill and Mr. Horowitz, who provided me with important spectra about the noise voltage density of extremely low-noise BJTs. 8:2 Douglas Self, who convinced me to produce a clearer statement about the advantages and disadvantages of balanced and/or un-balanced input stages of MM phono-amps, of course in conjunction with his special approach of load synthesis. 8:3 Jan Didden, who did not hesitate to publish short versions of some of the book’s chapters in his Linear Audio bookzines, completed by a number of letters to the editor, still available on LA’s website free of charge. Stuttgart, Germany Burkhard Vogel October 2018 Preface to the 1st Edition In2011,the2ndeditionofmy“TheSoundofSilence”(TSOS-2)bookappearedon the markets. The integration of a broad range of valve solutions became the main difference to the 1st edition (TSOS-1). In the July/August 2014 volume of their JAES publication the Audio Engineering Society published an article about “The Vinyl Frontier” showing remarkable sales quantities of vinyl LPs in the UK: from 200,000 in 2009 to 780,000 in 2013. At the same time, I have read in US, French and German newspapers about an equally massive sales increase. Parallel to those increasing LP sales very interesting newly developed turntables and phono- amplifiers of all kinds of technology entered (and still do) the markets. The price rangeishugetooandapriceof (cid:1)15,000.00EUR/(cid:1)18,000.00$foraphono-amp or turntable is no longer impossible. Hence, despite the still rather small overall quantities, vinyl is back again-and it produces reasonable revenues and profit. Having studied theabove-mentioned editions of my books the observantreader mightstumbleoverthefactthatthedesignofafullybalancedRIAAphono-ampis missing.Finally,inthesebooks,allmathematicalanddesignorientedeffortsledto thesemi-balanced“RIAAPhono-AmpEngineI”thatincludesdifferentmodulesof solid-state and triode driven phono-amps. The latter module in the second edition first. Semi-balanced, because Engine I offers balanced and/or un-balanced inputs, followed by an un-balanced treatment of the RIAA transfer function creation via a feedbackpathinthesolid-stateenvironment,andviaonepassivenetworkbetween two triode gain stages. The outputs are balanced and un-balanced too. The content of the herewith-presented TSOS-Extension shall fill the obvious gap. No matter if actively or passively configured, in the book on hand fully balanced means that each phono-amp stage ends up in a balanced or, in other words, symmetrical solution, differentially amplified. Un-balanced/single-ended intermediate solutions are not in the scope. xi xii Prefacetothe1stEdition There are only two exceptions with un-balanced inputs: 1. In cases of input amplifiers for MM cartridges and the MM cartridge has a connection from one of its output leads to the case (eg many Shure cartridges), 2. In cases of turntables that offer un-balanced connectors and the user does not want to install balanced cables. In these cases, it makes sense to integrate un-balanced-in/balanced-out gain stages via an external input. Consequently, I call the presented rather complex phono-amp solution “RIAA Phono-Amp Engine II”. It is thus a kind of platform fulfilling a high number of designgoals,focusedmainlyonMCcartridgeusage.Amongthesegoals,EngineII offers (cid:129) Many testing possibilities of very different active and/or passive amplifier technologies and cartridge/turntable combinations. (cid:129) The selection of a simple-mode Engine II for private use or of a complete test-purpose lab instrument. (cid:129) A deep insight into all design matters concerning electronic noise and stage circuitry through extensive example calculations with Mathcad worksheets. Theseworksheetsincludesignal-to-noiseratio(SN)calculationapproaches,and allnecessarycalculationaspectsconcerninggain,inputandoutputresistances,and frequency and phase response-settings. The inclusion of the TSOS-1/-2 indexes should ease follow-ups across the dif- ferent books. Like in TSOS-1/-2, lowest noise results and an excellent sound production are still on top of my efforts. Stuttgart, Germany Burkhard Vogel March 2015

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