Authorship and Greek Song Studies in Archaic and Classical Greek Song PDF
Preview Authorship and Greek Song Studies in Archaic and Classical Greek Song
AuthorshipandGreekSong:Authority,Authenticity,andPerformance Mnemosyne Supplements monographs on greek and latin language and literature ExecutiveEditor C.Pieper(LeidenUniversity) EditorialBoard A.Chaniotis(InstituteforAdvancedStudy,Princeton) K.M.Coleman(HarvardUniversity) I.J.F.deJong(UniversityofAmsterdam) T.Reinhardt(OxfordUniversity) volume402 Thetitlespublishedinthisseriesarelistedatbrill.com/mns Authorship and Greek Song: Authority, Authenticity, and Performance StudiesinArchaicandClassicalGreekSong,vol.3 Editedby EgbertJ.Bakker leiden | boston LibraryofCongressCataloging-in-PublicationData Names:Bakker,EgbertJ.,editor. Title:AuthorshipandGreeksong:authority,authenticity,andperformance/ editedbyEgbertJ.Bakker. Description:Leiden;Boston:Brill,2017.|Series:Mnemosyne.Supplements,issn 0169-8958;volume402|Series:StudiesinArchaicandClassicalGreekSong; vol.3|Selectedpaperspresentedataconferenceentitled“Authorship, Authority,andAuthenticityinArchaicandClassicalGreekSong,”whichwas heldJune6-9,2011atYaleUniversity,organizedbytheNetworkfortheStudyof ArchaicandClassicalGreekSong.|Includesbibliographicalreferencesand index. Identifiers:lccn2016056224(print)|lccn2016058066(ebook)|isbn 9789004339699(hardback:alk.paper)|isbn9789004339705(e-book) Subjects:lcsh:Greekpoetry–Historyandcriticism–Congresses.|Greekpoetry– Authorship–Congresses.|Oralinterpretationofpoetry–History–To 1500–Congresses.|Oraltradition–Greece–Congresses. Classification:lcc pa3095 .a982017(print)|lcc pa3095(ebook)| ddc881/.0109–dc23 lcrecordavailableathttps://lccn.loc.gov/2016056224 TypefacefortheLatin,Greek,andCyrillicscripts:“Brill”.Seeanddownload:brill.com/brill-typeface. issn0169-8958 isbn978-90-04-33969-9(hardback) isbn978-90-04-33970-5(e-book) Copyright2017byKoninklijkeBrillnv,Leiden,TheNetherlands. KoninklijkeBrillnvincorporatestheimprintsBrill,BrillHes&DeGraaf,BrillNijhoff,BrillRodopiand HoteiPublishing. Allrightsreserved.Nopartofthispublicationmaybereproduced,translated,storedinaretrievalsystem, ortransmittedinanyformorbyanymeans,electronic,mechanical,photocopying,recordingorotherwise, withoutpriorwrittenpermissionfromthepublisher. AuthorizationtophotocopyitemsforinternalorpersonaluseisgrantedbyKoninklijkeBrillnvprovided thattheappropriatefeesarepaiddirectlytoTheCopyrightClearanceCenter,222RosewoodDrive, Suite910,Danvers,ma01923,usa.Feesaresubjecttochange. Thisbookisprintedonacid-freepaperandproducedinasustainablemanner. Contents Preface vii ListofContributors viii Introduction 1 EgbertJ.Bakker 1 TheConstructionofAuthorityinPindar’sIsthmian2in Performance 8 EvaStehle 2 VoiceandWorship 34 ChristopherCarey 3 CrookedCompetition:ThePerformanceandPoeticsofSkolia 61 RichardP.Martin 4 PlacingthePoet:TheTopographyofAuthorship 80 NicholasBoterf 5 TrustandFame:TheSealofTheognis 99 EgbertJ.Bakker 6 AuthenticityandAutochthonousTraditionsinArchaicand HellenisticLyricPoetry 122 JacquelineKlooster 7 EmbeddedSongandPoeticAuthorityinPindarandBacchylides 139 SarahJ.Harden 8 NarratorialAuthorityandItsSubversioninArchilochus 161 LauraSwift 9 TheInventionofStesichorus:Hesiod,Helen,andtheMuse 178 JesúsCarruesco vi contents 10 OntheAntagonismbetweenDivineandHumanPerformerinArchaic GreekPoetics 197 VayosLiapis 11 “NewlyWrittenBuds:”ArchaicandClassicalPseudepigraphain Meleager’sGarland 222 IrenePeiranoGarrison 12 SapphoorAlcaeus:AuthorsandGenresofArchaicHymns 239 LeannaBoychenko 13 WhichSappho?TheCaseStudyoftheColognePapyrus 265 ElisabettaPitottoandAmedeoA.Raschieri IndexLocorum 287 IndexRerum 291 Preface The chapters in this volume are a selection of papers presented at a confer- enceentitled“Authorship,Authority,andAuthenticityinArchaicandClassical Greek Song,” which was held June 6–9, 2011 atYale University as part of the annualeventseriesorganizedbytheNetworkfortheStudyofArchaicandClas- sicalGreekSong.TheNetwork(http://greeksong.ruhosting.nl)wascreatedin 2008byAndréLardinoisandEwenBowieasaforumforexchangeofresearch onthevariousgenresofarchaicGreekpoetryandsong. TheYale conference was the second conference that was open for papers of allmembersof theNetwork,after“TheLookof Lyric”heldin2009atthe EuropeanConferenceCentreatDelphi,Greece,nowpublishedasVol.1ofthe seriesStudiesinArchaicandClassicalGreekSong(TheLookofLyric:GreekSong andtheVisual,ed.V.CazzatoandA.Lardinois,Brill2016).Itsfocusonquestions of authorship was meant to keep the momentum of a yearlong seminar in theDepartmentofClassicsatYaleon“AuthorshipintheGreco-RomanWorld” organizedbyIrenePeiranoandMiletteGaifman.Of thetwenty-sevenpapers read at the conference eleven appear here in revised form. The remaining two chapters (Martin and Bakker) were added in the course of the volume’s gestationprocess. TheeditorwishestothankhisfellowCoreGroupmembersintheNetwork forvaluablehelpinpeerreviewingthepapersherepresentedandespecially theDepartmentofClassicsandtheEdwardJ.andDorothyClarkeKempfFund atYaleUniversityfortheirgenerosityinfundingtheconference. NewHaven,Connecticut August2016 List of Contributors EgbertJ.Bakker is the AlvanTalcott Professor of Classics atYale University. He works on the intersection of Greek literature and language and has published books and articlesonquestionsoflanguage,performance,andnarrativerepresentationin Homerandotherauthors.HeiscurrentlyworkingonacommentaryonOdyssey 9fortheCambridgeGreenandYellowseries. NicholasBoterf receivedhisPhDfromStanfordUniversity(2012).Heisinterestedintheinter- sectionof space,locality,andauthorshipinarchaicGreekpoetryandiscur- rentlyworkingonabookLyricCities:Poet,Performance,andCommunity. LeannaBoychenko isanAssistantProfessoratLoyolaUniversityChicago.Herresearchinterests includeArchaicandHellenisticpoetry,Greekhymns,andPtolemaicEgypt.She iscurrentlywritingabookonCallimachus’Hymns. ChristopherCarey isEmeritusProfessorofGreekatUniversityCollege,London.Hehaspublished widely on early Greek poetry, Greek drama, oratory, law, politics, and histo- riographyandiscurrentlyworkingonacommentaryonHerodotus7forthe CambridgeGreenandYellowseries. JesúsCarruesco isSeniorLectureratRoviraiVirgiliUniversityinTarragona,Spain,andaSenior Researcher at the Institut Català d’Arqueologia Clàssica. He has published extensively on various subjects relating to Greek literature (epic and lyric, Presocratic philosophy, and the novel), iconography, religion, and Classical reception.HeiscurrentlyworkingonaneditionofEmpedocles. SarahJ.Harden teaches at Winchester College and is working mostly on Greek Epic, Lyric, andDrama.Shehaspublishedarticlesonvariousaspectsof GreekLiterature andnarratology,istheauthorof aCommentaryonAristophanes’Acharnians (BloomsburyAcademic2016),andistheauthorof aforthcomingmonograph TheMirrorandtheLyre:thePerformanceofPoetryinGreekLiterature(Oxford). list of contributors ix JacquelineKlooster isapostdoctoralresearchfellowatRijksuniversiteitGroningen(Netherlands). ShehasworkedonHellenisticpoetry(PoetryasWindowandMirror:Positioning thepoetinHellenisticPoetry,Brill2011),therepresentationofspaceinliterature (TheIdeologiesofLivedSpaceinLiteraryTexts,AncientandModern,Academia Press, 2013, with Jo Heirman), and is currently preparing a book on writing statesmeninantiquity(APortraitoftheStatesmanasanArtist:TheEvaluation ofWritingRulersinAntiquity). VayosLiapis is Professor of Theatre Studies at the Open University of Cyprus. His main areasofinterestareGreektragedyofthe5thand4thcenturies,Greekwisdom literature, Greek religion, and Greek textual criticism. His latest book is A CommentaryontheRhesusAttributedtoEuripides(Oxford2012). RichardP.Martin istheAntonyandIsabelleRaubitschekProfessorinClassicsatStanfordUniver- sity.HeworksmainlyonGreekpoetry(especiallyHomerandAristophanes), religion,andmythology. IrenePeiranoGarrison isanAssociateProfessorofClassicsatYaleUniversity.Herresearchfocuseson Romanpoetryanditsrelationtorhetoricandliterarycriticism,bothancient andmodern.Sheisespeciallyinterestedinancientstrategiesofliteraryrecep- tion, in notions of authorship in antiquity, and in the history of scholarship andediting.SheistheauthorofTheRhetoricoftheRomanFake:LatinPseude- pigraphaincontext(Cambridge2012). ElisabettaPitotto is a postdoctoral researcher at the University of Turin. Her main research interests are ancient Greek epic and lyric, Sappho and Pindar in particular, andmeter.Shepublishedastudyaboutcitharodesandrhapsodes(2010)anda monographonLagiunzioneintertriadica:metro,sintassieperformance(2013). AmedeoA.Raschieri is a postdoctoral researcher at the University of Milan. His principal areas of interest include ancient geography, classical philology, and Latin rhetoric. He published the work of Dionysius Periegetes with Italian translation and commentary(2004)andacriticaleditionofAvienusOrbisTerrae(2010). x list of contributors EvaStehle isProfessorEmeritaattheUniversityofMaryland,CollegePark.Shehaspub- lishedwidelyonperformanceinancientGreeceandiscurrentlyworkingona bookonwomen’sritualperformances. LauraSwift is Lecturer atThe Open University. She works mainly on Greek tragedy and archaicpoetryandistheauthorofTheHiddenChorus(Oxford2010),Euripides’ Ion (Bloomsbury Academic 2008), and Greek Tragedy: Themes and Contexts (Bloomsbury Academic 2016). She is currently completing a commentary on ArchilochusforOxfordUniversityPress.
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