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Author and audience in Vitruvius' De architectura PDF

266 Pages·2017·10.925 MB·English
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’ AUTHOR AND AUDIENCE IN VITRUVIUS DE ARCHITECTURA Vitruvius’Dearchitecturaistheonlyextantclassicaltextonarchitec- ture, and its impact on Renaissance masters including Leonardo da Vinciiswellknown.Butwhatwasthetext’spurposeinitsowntime (ca.s)?Inthisbook,MardenFitzpatrickNicholsrevealshow Vitruvius pitched the Greek discipline of architecture to his Roman readers,mostofwhomwereundoubtedlylaymen.Theinaccuracyof Vitruvius’architecturalrules,whencomparedwithsurvivingancient buildings,hasknockedVitruviusoffhispedestal.Nicholsarguesthat theauthorneverintendedtoprovideanaccurateviewofcontempor- ary buildings. Instead, Vitruvius crafted his authorial persona and remarksonarchitecturetoappealtoelites(andwould-beelites)eager to secure their positions within an expanding empire. In this major new analysis of De architectura from archaeological and literary perspectives, Vitruvius emerges as a knowing critic of a social land- scape in which thehouse madethe man.    is Assistant Professor of Classics atGeorgetownUniversity,Washington,DC.Sheworksprimarilyon theliterature, art and culture ofancient Rome.       Editors  . , University ofMichigan ś ,CorpusChristi College, Oxford  ,University ofCambridge  , King’sCollegeLondon TheGreekcultureoftheRomanEmpireoffersarichfieldofstudy.Extraordinary insights can be gained into processes of multicultural contact and exchange, politicalandideologicalconflict,andthecreativityofachanging,polyglotempire. Duringthisperiod,manyfundamentalelementsofWesternsocietywerebeingset in place: from the rise of Christianity, to an influential system of education, to long-livedartisticcanons.ThisseriesisthefirsttofocusontheresponseofGreek culture to its Roman imperial setting as a significant phenomenon in its own right. To this end, it will publish original and innovative research in the art, archaeology,epigraphy,history,philosophy,religionandliteratureoftheempire, with an emphasison Greek material. Recenttitlesin the series: The Maeander Valley: A Historical Geography from Antiquity toByzantium   Greece and theAugustan Cultural Revolution . . .  Rethinking theGods: Philosophical Readings of Religion in thePost-Hellenistic Period    Saints and Symposiasts: TheLiterature of Food and the SymposiuminGreco- Romanand EarlyChristian Culture  ö The SocialWorld of Intellectuals in theRomanEmpire: Sophists, Philosophers, and Christians   Religion and Identityin Porphyry ofTyre:The Limits ofHellenism in Late Antiquity   Syrian Identity inthe Greco-Roman World  .  TheSenseofSightinRabbinicCulture:JewishWaysofSeeinginLateAntiquity   Roman Phrygia:Culture and Society   Homer in Stone: The Tabulae Iliacae intheir Roman Context   Man and Animal inSeveran Rome:The Literary Imagination of Claudius Aelianus  .  Reading Fiction with Lucian:Fakes,Freaks and Hyperreality  í  Greek Narratives ofthe Roman Empire underthe Severans: Cassius Dio, Philostratus and Herodian  .  The End of Greek Athletics   Roman Festivals inthe Greek East:From theEarly Empire totheMiddle ByzantineEra   Greek Myths inRomanArt and Culture: Imagery, Values and Identity inItaly,  BC–AD    Visual Style and Constructing Identity intheHellenistic World: Nemrud Dağ and Commagene under Antiochos I    . BronzebustofVitruviusbyMiklosSimonattachedtoakeystoneonthe additiontoBondHallSchoolofArchitectureattheUniversityofNotre Dame,.(photograph:ThomasGordonSmith) AUTHOR AND AUDIENCE ’ IN VITRUVIUS DE ARCHITECTURA MARDEN FITZPATRICK NICHOLS GeorgetownUniversity UniversityPrintingHouse,Cambridge,UnitedKingdom OneLibertyPlaza,thFloor,NewYork,,USA WilliamstownRoad,PortMelbourne,,Australia /,ndFloor,AnsariRoad,Daryaganj,Delhi–,India AnsonRoad,#–/,Singapore CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learning,andresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/ :./ ©MardenFitzpatrickNichols Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished PrintedintheUnitedKingdombyClays,StIvesplc AcataloguerecordforthispublicationisavailablefromtheBritishLibrary. LibraryofCongressCataloging-in-PublicationData :Nichols,MardenFitzpatrick,-author. :AuthorandaudienceinVitruvius’Dearchitectura/MardenFitzpatrickNichols, GeorgetownUniversity,Washington,DC. :NewYork:CambridgeUniversityPress,.|Series:GreekcultureintheRoman world|Revisionoftheauthor’sthesis(UniversityofCambridge,)underthetitle:Vitruvius andtherhetoricofdisplay:wallpainting,domesticarchitectureandRomanself-fashioning.| Includesbibliographicalreferencesandindex. :|(Hardback:alk.paper) ::VitruviusPollio.Dearchitectura–Criticism,Textual.| Authorsandreaders–Rome.|Architectureandsociety–Rome. :.|– LCrecordavailableathttps://lccn.loc.gov/ ----Hardback CambridgeUniversityPresshasnoresponsibilityforthepersistenceoraccuracy ofURLsforexternalorthird-partyinternetwebsitesreferredtointhispublication anddoesnotguaranteethatanycontentonsuchwebsitesis,orwillremain, accurateorappropriate. For Carey Blackshear Seal

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