Arts and Technology: Third International Conference, ArtsIT 2013, Milan, Italy, March 21-23, 2013, Revised Selected Papers PDF
Preview Arts and Technology: Third International Conference, ArtsIT 2013, Milan, Italy, March 21-23, 2013, Revised Selected Papers
Giorgio De Michelis Francesco Tisato Andrea Bene Diego Bernini (Eds.) 116 Arts and Technology Third International Conference, ArtsIT 2013 Milan, Italy, March 2013 Revised Selected Papers 123 Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering 116 EditorialBoard OzgurAkan MiddleEastTechnicalUniversity,Ankara,Turkey PaoloBellavista UniversityofBologna,Italy JiannongCao HongKongPolytechnicUniversity,HongKong FalkoDressler UniversityofErlangen,Germany DomenicoFerrari UniversitàCattolicaPiacenza,Italy MarioGerla UCLA,USA HisashiKobayashi PrincetonUniversity,USA SergioPalazzo UniversityofCatania,Italy SartajSahni UniversityofFlorida,USA Xuemin(Sherman)Shen UniversityofWaterloo,Canada MirceaStan UniversityofVirginia,USA JiaXiaohua CityUniversityofHongKong,HongKong AlbertZomaya UniversityofSydney,Australia GeoffreyCoulson LancasterUniversity,UK Giorgio De Michelis Francesco Tisato Andrea Bene Diego Bernini (Eds.) Arts and Technology Third International Conference, ArtsIT 2013 Milan, Italy, March 21-23, 2013 Revised Selected Papers 1 3 VolumeEditors GiorgioDeMichelis FrancescoTisato AndreaBene DiegoBernini DISCo,UniversityofMilano-Bicocca vialeSarca336,20135Milano,Italy E-mail:{gdemich;tisato;bene;bernini}@disco.unimib.it ISSN1867-8211 e-ISSN1867-822X ISBN978-3-642-37981-9 e-ISBN978-3-642-37982-6 DOI10.1007/978-3-642-37982-6 SpringerHeidelbergDordrechtLondonNewYork LibraryofCongressControlNumber:2013935879 CRSubjectClassification(1998):J.5,H.5.1,H.5,I.4.9 ©ICSTInstituteforComputerScience,SocialInformaticsandTelecommunicationsEngineering2013 Thisworkissubjecttocopyright.Allrightsarereserved,whetherthewholeorpartofthematerialis concerned,specificallytherightsoftranslation,reprinting,re-useofillustrations,recitation,broadcasting, reproductiononmicrofilmsorinanyotherway,andstorageindatabanks.Duplicationofthispublication orpartsthereofispermittedonlyundertheprovisionsoftheGermanCopyrightLawofSeptember9,1965, inistcurrentversion,andpermissionforusemustalwaysbeobtainedfromSpringer.Violationsareliable toprosecutionundertheGermanCopyrightLaw. Theuseofgeneraldescriptivenames,registerednames,trademarks,etc.inthispublicationdoesnotimply, evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfromtherelevantprotectivelaws andregulationsandthereforefreeforgeneraluse. Typesetting:Camera-readybyauthor,dataconversionbyScientificPublishingServices,Chennai,India Printedonacid-freepaper SpringerispartofSpringerScience+BusinessMedia(www.springer.com) Preface TheThirdInternationalICSTConferenceonArtsandTechnology(ArtsIT2013) washeldattheUniversityofMilanoBicoccainItaly,duringMarch21–23,2013. It was organized with support from CREATE-NET, the European Alliance for Innovation, the University of Milano Bicocca and Hangar Bicocca (Italy). The presented papers cover a wide range of topics. The venue for the conference was the new University District of Bicocca in the northern end of Milan, where both the campus of the new University of Milano Bicocca and Hangar Bicocca are located. Hangar Bicocca is a recently established Museum of Contemporary Art, hosting the Seven Heavenly Palaces by Anselm Kiefer. The theme for ArtsIT 2013 theme was “Working for the artists,”intended tounderline the interactionbetweentechnologistsandartists:this interactionis necessarynotonlytoavoidanartconditionedbytechnology,butalsotopromote the use of ICT to augment the expressive potential of artists. The conference included three keynote speeches by Antonio Camurri (Uni- versity of Genova), Andrea Lissoni(Hangar Bicocca),and Klaus Obermaier,an independent media artist and choreographer.The conference scientific program includedfivethematicsessionsconsistingof19high-qualitypapers.Thesessions aretitled:(1)ArtandTechnologyinAction;(2)MusicandTechnologyinAction; (3) Reflecting on Art and Technology; (4) Understanding the Artistic Practice, and(5)AttheBoundaries.Thepaperswereselectedoutof31submissionsfrom 14 countries by a ProgramCommittee consisting of 42 members. A new Special Session called“Exhibition,”hosted by Hangar Bicocca, was organizedtoallowartiststopresent,devivoorinvideo,theiraugmentedinstal- lations / performances. We received 31 submissions from 11 countries for this session, of which only ten were presented at the conference, after being selected by a multi disciplinary committee consisting of eight members. Also,ongoingprojectsandstudies werepresentedatthe postersessionorga- nized at the end of the first day. TheGalaDinnerwasheldonMarch22atDopolavoroBicocca,therestaurant at Hangar Bicocca. We would like to thank the Organizing Committee members, the Program Committee members, and all the authors and reviewers who contributed im- mensely toward the success of this event. Also, on behalf of the Organizing Committee and the Steering Committee of ArtsIT 2013,we would like to thank our sponsoring institutions EAI, CREATE-NET, University of Milano-Bicocca, and Hangar Bicocca. March 2013 Francesco Tisato Giorgio De Michelis Organization Steering Committee Anthony Lewis Brooks Aalborg University Esbjerg, Denmark Imrich Chlamtac President of Create-NET, Italy General Chair Anthony Lewis Brooks Aalborg University Esbjerg, Denmark Francesco Tisato University of Milano-Bicocca,Italy Program Chair Giorgio De Michelis University of Milano-Bicocca,Italy Program Vice Co-chairs Andrea Bene University of Milano-Bicocca,Italy Diego Bernini University of Milano-Bicocca,Italy Publication Co-chairs Andrea Bene University of Milano-Bicocca,Italy Diego Bernini University of Milano-Bicocca,Italy Conference Manager Erica Polini European Alliance for Innovation Technical Program Committee Alexander Refsum JenseniusUniversity of Oslo, Norway Anders-Petter Andersson KristianstadUniversity, Sweden Andrea Bene University of Milano-Bicocca,Italy Anthony Brooks Aalborg University Esbjerg, Denmark Antonio Camurri University of Genoa, Italy Andrea Valente Aalborg University Esbjerg, Denmark Christos Bouras University of Patras / Computer Technology, Institute & Press“Diophantus”, Greece VIII Organization Cynthia M. Grund University of Southern Denmark, Denmark David Obdrzalek Charles University in Prague, Czech Republic Diego Bernini University of Milano-Bicocca,Italy Dirk Heylen University of Twente, The Netherlands Emanuela Marchetti Aalborg University Esbjerg, Denmark Eva PeterssonBrooks Aalborg University Esbjerg, Denmark Florian ’Floyd’ Mueller RMIT University, Melbourne, Australia Francesco Tisato University of Milano-Bicocca,Italy Fr´ed´eric Voisin University and Conservatoirede Musique, de Danse et d’Art dramatique du Pays, de Montb´eliard, France Giorgio De Michelis University of Milano-Bicocca,Italy Jack Ox University of New Mexico, USA Javier Jaen Universidad Polit´ecnica de Valencia, Spain Jean Detheux Independent painter/filmmaker,Canada Jean Penny Universiti Pendidikan Sultan Idris, Malaysia Kristoffer Jensen Aalborg University Esbjerg, Denmark Lucia Pannese InnovationNetworkPolitecnicodiMilano,Italy Luis Girao Artshare, Portugal/ University of Plymouth, UK/CESEM-FCSH, New University of Lisbon, Portugal Marc Cavazza Teesside University, UK Marco Mancuso Nuova Accademia di Belle Arti, Milan, Italy Marco Roccetti University of Bologna,Italy MargaretWeigel Arts Fuse magazine, Boston, USA Mark Palmer UWE, Frenchay, Bristol, UK Mitsuko Aramaki CNRS - Laboratoire de M´ecanique et d’Acoustique, Marseille, France Oscar Garcia Ramon Llull University, Barcelona,Catalonia, Spain Philippe Palanque ICS-IRIT, Universit´e Paul Sabatier-Toulouse III, France Pirkko Raudaskoski Aalborg University, Denmark Richard Kronland-Martinet CNRS - Laboratoire de M´ecanique et d’Acoustique, Marseille, France Rub´en San Segundo Herna´ndez Universidad Polit´ecnica de Madrid, Spain Ryohei Nakatsu National University of Singapore, Singapore Seungyon-Seny Lee SangMyung University, Seoul, Korea Sofia Tsekeridou Athens InformationTechnology- AIT, Athens, Greece Sølvi Ystad LMA-CNRS, Marseille, France Søren R. Frimodt-Møller Aalborg University Esbjerg, Denmark Wendy Keay-Bright Cardiff Metropolitan University, Wales Table of Contents Art and Technology in Action Subway: Activist Performance through Mediation .................... 1 Andrew Quitmeyer, Michael Nitsche, and Ava Ansari Exhibiting Poetry in Public Places Using a Network of Scattered QR Codes .......................................................... 9 Theodoros Papatheodorou and Ioannis Dimitriadis The Soundwalker in the Street: Location-Based Audio Walks and the Poetic Re-imagination of Space .................................... 17 Micky van Zeijl How to Outreach the External World from a Museum: The Case of the Marsili’s Spirit App .............................................. 25 Marco Roccetti, Gustavo Marfia, Angelo Varni, and Marco Zanichelli Music and Technology in Action Exploiting Latest Technologies for RF Sounding’s Evolution........... 33 Claudia Rinaldi, Marco Santic, Luigi Pomante, and Fabio Graziosi Giving Robots a“Voice”: A Kineto-Acoustic Project.................. 41 Ralf Hoyer, Andre Bartetzki, Dominik Kirchner, Andreas Witsch, M.J.G. van de Molengraft, and Kurt Geihs Assistive Synchronised Music Improvisation ......................... 49 Ben P. Challis Reflecting on Art and Technology Neuroaesthetic Resonance......................................... 57 Anthony Brooks Digital-Foley and Live Performance ................................ 65 Ben P. Challis and Rob Dean Towards Novel Relationships between the Virtual and the Real in Augmented Reality............................................... 73 Hanna Schraffenberger and Edwin van der Heide Interactive Multimedia Installations: Towards a Model for Preservation.................................................. 81 Federica Bressan, Sergio Canazza, and Antonio Roda` X Table of Contents Encoded Thoughts: Writing Code as an Art Practice ................. 89 Evangelina Sirgado de Sousa Aesthetics of ‘We’ Human-and-Technology .......................... 97 HyunKyoung Cho and Chang-Soo Park The Sense Making Process in The Legible City....................... 105 Filipe Pais Understanding the Artistic Practice Studying the Effect of Creative Joint Action on Musicians’ Behavior.... 113 Donald Glowinski, Maurizio Mancini, and Antonio Camurri Towards Automated Analysis of Joint Music Performance in the Orchestra ................................................. 120 Giorgio Gnecco, Leonardo Badino, Antonio Camurri, Alessandro D’Ausilio, Luciano Fadiga, Donald Glowinski, Marcello Sanguineti, Giovanna Varni, and Gualtiero Volpe Modeling Interaction in Rehearsals................................. 128 Kristoffer Jensen and Søren R. Frimodt-Møller The Choreographerin Action: Hints for Augmented Choreography ..... 136 Andrea Bene, Diego Bernini, Giorgio De Michelis, Angela Nuzzi, and Francesco Tisato At the Boundaries Social Explorationof 1D Games ................................... 144 Andrea Valente and Emanuela Marchetti Author Index.................................................. 153 Subway: Activist Performance through Mediation Andrew Quitmeyer1, Michael Nitsche1, and Ava Ansari2 1 Georgia Institute of Technology, Digital Media Department Atlanta, GA 30308 2 Tisch School of the Arts, New York, NY 10003 {andrew.quitmeyer,michael.nitsche}@gatech.edu, [email protected] Abstract. Subway is a participatory multi-located activist art project. It builds on the mediation of a dance performance by breaking a video apart into its image frames; creating a photo app in Android to re-use these frames as guides for a frame-by-frame reenactment; and finally reassembling the collected images into a new video. Through the affordances of digital and mobile media, it allowed participants in New York and Teheran to create a shared dance performance as digital activist art. Keywords: Digital Performance, Activism, Mobile Technology, Dance, Participation. 1 Introduction This paper describes the participatory art project Subway that used cell phone technology to combine different forms of mediated performances in Iran and the United States into a shared dance piece. Based on a collaboration between performance artist Ava Ansari and digital designer Andrew Quitmeyer at the Digital World and Image Group, Subway involved numerous performers in Iran, New York, and Atlanta who contributed in an asynchronous dance performance with the help of an Android cell phone application. The goal of this collaboration was not to add technology to an artistic practice but to build on an existing performance art and create a new responding piece that uses the technology as a transformational tool. 1.1 Building on Technological Affordances Communication technology has been credited to support powers for social change in various forms. Because communication is so important in shaping a political climate, repressive regimes often aim to control it in the form of state-run TV stations or censorship of press. However, digital communication channels such as cell phones and online media can be difficult to control. Their flexibility adaptability force some local powers that want to suppress any activist communication to switch off certain services completely. This shut-down behavior by authority against new media has G. De Michelis et al. (Eds.): ArtsIT 2013, LNICST 116, pp. 1–8, 2013. © Institute for Computer Sciences, Social Informatics and Telecommunications Engineering 2013
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