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301 Pages·2023·6.851 MB·English
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Artisans Abroad Artisans Abroad British Migrant Workers in Industrialising Europe, 1815–1870 FABRICE BENSIMON GreatClarendonStreet,Oxford,OX26DP, UnitedKingdom OxfordUniversityPressisadepartmentoftheUniversityofOxford. ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship, andeducationbypublishingworldwide.Oxfordisaregisteredtrademarkof OxfordUniversityPressintheUKandincertainothercountries ©FabriceBensimon2023 Themoralrightsoftheauthorhavebeenasserted FirstEditionpublishedin2023 Impression:1 Somerightsreserved.Nopartofthispublicationmaybereproduced,storedin aretrievalsystem,ortransmitted,inanyformorbyanymeans,forcommercialpurposes, withoutthepriorpermissioninwritingofOxfordUniversityPress,orasexpressly permittedbylaw,bylicenceorundertermsagreedwiththeappropriate reprographicsrightsorganization. Thisisanopenaccesspublication,availableonlineanddistributedunderthetermsof theCreativeCommonsAttribution–NonCommercial–NoDerivatives4.0 Internationallicence(CCBY-NC-ND4.0),acopyofwhichisavailableat http://creativecommons.org/licenses/by-nc-nd/4.0/. Enquiriesconcerninguseoutsidethescopeofthelicence termsshouldbesenttotheRightsDepartment,OxfordUniversityPress,attheaboveaddress. PublishedintheUnitedStatesofAmericabyOxfordUniversityPress 198MadisonAvenue,NewYork,NY10016,UnitedStatesofAmerica BritishLibraryCataloguinginPublicationData Dataavailable LibraryofCongressControlNumber:2022947320 ISBN 978–0–19–883584–4 DOI:10.1093/oso/9780198835844.001.0001 Printedandboundby CPIGroup(UK)Ltd,Croydon,CR04YY LinkstothirdpartywebsitesareprovidedbyOxfordingoodfaithand forinformationonly.Oxforddisclaimsanyresponsibilityforthematerials containedinanythirdpartywebsitereferencedinthiswork. Acknowledgements This book has been a long time in the making and I have incurred many debts duringtheresearchandthewriting. ImustfirstthankMargotFinnwhogaveadviceatallstagesoftheprojectand was most helpful and inspirational. I am also most grateful to Constance Bantman, Julian Hoppit, Sandrine Parageau, Rachel Rogers, Callie Wilkinson, and an anonymous reader for reading the text, and for their valuable comments andcorrections. Other friends and colleagues have provided useful advice on specific chapters andissues,especiallyJaneHumphriesontheeconomy,ColinPooleyandMarjory Harper on migration patterns, Robert Poole and Katrina Navickas on politics, Chris Whatley on linen and jute workers, Arnaud Page on food and drink, François Bourmaud on sports, Nicola McLelland on language issues, Anaïs Albert and Manuela Martini on female labour, and Maurizio Gribaudi on 1848. This book has most benefited from exchanges with all of them. Of course, all remainingerrorsaremine. ThisresearchprofitedgreatlyfromexchangeswithMalcolmChase(1957–2020), who is sorely missed. Over the years, many other friends and colleagues have given valuable advice: Joan Allen, Richard Allen, Sylvie Aprile, Jean-Claude Caron, Laurent Colantonio, Alain Corbin, Michel Cordillot, Mark Crail, Martin Crawford, Pierre-Jacques Derainne, Delphine Diaz, Caroline Douki, Claudine Ducol, Chris Evans, Rainer Fremdling, Alexandre Frondizi, Nancy Green, Emma Griffin, Louis Hincker, Joanna Innes, Alvin Jackson, François Jarrige, Philippe Minard,JeanneMoisand,PaulPickering,IorwerthProthero,PhilippeRygiel,Jean- ClaudeSergeant(1943–2014),AnnThomson,DavidTodd,andJulienVincent. AMarieSklodowska-CuriefellowshipatUniversityCollegeLondon(2016–2018) enabled me to carry out this research. At UCL, the feedback of Catherine Hall, Keith McClelland, Florence Sutcliffe-Braithwaite, and especially Margot Finn, wasalsoappreciated.JaneHumphries,MarkGreengrass,MilesTaylor,andFrank Trentmannhavebeenhelpfulinturningtheresearchintoabook. I have benefited from the advice of many archivists and historians in various places: Ian J. Kerr (1941–2020) and David Brooke (1935–2013) on the railways; StanleyD.ChapmanandSheilaMasononlaceinNottinghamandIlkeston;Serge Chassagneoncottonmasters;Marie-PierreCariouinLanderneau;JohnBarzman in Le Havre; Jean-Pierre Emo in Malaunay; Nicole Duboc in Pissy-Pôville; Eric Geerkens in Liège; Noël Gavignet, Anthony Cadet and Mary Wood in Calais; Gillian Kelly and the Australian Society of the Calais Lacemakers in Australia; vi  Philip Emerson, Richard Gaunt, Dawn Whatman, Christopher Richardson (1947–2020) and Rosie Wileman in Nottingham; Audrey and John Carpenter in Loughborough; Michel Croguennec in Grand-Quevilly; Thérèse Boulanger in Grand-Couronne; Maureen Morris in Brighton; Natalia Da Silva Pereira in Brussels; Alexandra Cransac in Aveyron; Yannick Marec in Rouen; Carol Morgan and Mike Chrimes at the Institution of Civil Engineers in London; AnnieLauranton Fourchambault; Annick Michaud on theCarmichael business in Ailly-sur-Somme; Bénédicte Meurice on John Leavers; Jarmo Peltola on Finland; Rosalind Frogley on George Good; Maureen Morris in Brighton; Gérald Mennesson in Dunkirk; Christine Proust and Céline Van Lierde-Carbon inCoudekerque-Branche. SomeofthisworkwaspresentedatseminarsandconferencesandIamgrateful to the convenors of these events and to all those who offered comments and questions, like Owen Ashton, Joan Allen and Richard Allen in Newport, Rachel HammersleyinNewcastle-upon-Tyne,CatrionaMacdonaldinGlasgow,Matthew Roberts and Antony Taylor in Sheffield, Chitra Joshi in Delhi, Christina de Bellaigue and David Hopkin in Oxford, Marianne Amar, Nancy Green and Paul-AndréRosentalinParis.Thisworkhasalsobenefitedfromexchangeswith colleaguesintheRevued’histoireduXIXesiècle,intheCentred’histoireduXIXe siècle, in the British history seminar in Paris, as well as with some students, especiallyAnh-DaoBuiTran,LéaLeboissetier,LeilaRaffieeandBéatriceRobic. SomepartsofbookareexcerptedfromarticlesIhavepublishedovertheyears: “British workers in France, 1815–1848”, in Past and Present (n° 213, November 2011, pp. 147–189); with Christopher A. Whatley, “The thread of migration: a Scottish-FrenchlinenandjuteworksanditsworkersinFrance,c.1840–c.1870”,in the Journal of Migration History (n° 2, 2016, pp. 120–147); “The emigration of British lace makers to continental Europe (1816–1860s)”, in Continuity and Change. A Journal of Social Structure, Law and Demography in Past Societies (n° 34.1, April 2019, pp. 15–41); «“À bas les Anglais!” Mobilisations collectives contre des Britanniques, de la monarchie de Juillet à la révolution de 1848», in Diasporas.Circulation,Migration,Histoire(n°33,2019,pp.75–90);“Womenand childreninthemachine-madelaceindustryinBritainandFrance(1810–1860)”, in Textile. Cloth and Culture (vol. 18, 2020, pp. 69–91); and “John Leavers (1786–1848)”, The Nottinghamshire Historian, No.109, Autumn/Winter 2022, pp. 34–47. To the editors of these journalsgo mythanks for theirpermission to usethematerialpresentedhere. ThanksalsotoMilesIrvingatUCLforthemaps,tothevariouscolleaguesand institutions that have provided pictures, and to Cathryn Steele and Kalpana SagayanathanatOUP. MypersonalthanksgotomyauntFloriseL’Homme.Thisbookisdedicatedto myparents,ArianeL’Homme(1939–2018)andPaulBensimon. Contents ListofFigures ix ListofTables xi ListofMaps xiii Introduction 1 1. ‘Takingtheirlabourandarttothebestmarket’:ThePolitical EconomyofBritishEmigrationtotheContinent 16 2. ‘ThethreeprincipalmanufactoriesatParisareconductedby Englishmen’:TheSectorsofWorkers’Emigration 56 3. TheGenderofMigration:Women,Children,andTextiles acrosstheChannel 104 4. ‘Notoneofus...isabletospeakmorethanafewwordsofthe language’:Language,CulturalPractices,andReligion 138 5. ‘Drivenfromhisnativelandtoseekemploymentunderaforeign despotism’:Unionists,ChartistsandInsurgents 171 6. ‘ÀbaslesAnglais!’:IntegrationandRejection 207 Conclusion 238 Bibliography 255 Index 279 List of Figures 1.1 GeorgesDufaud(1777–1852) 17 1.2 ‘VoyagedeLeursMajestés.—VuedesforgesdeFourchambault’, LeMondeillustré,12July1862 19 1.3 ‘Hereandthere:orEmigrationARemedy’,Punch,15July1848 26 1.4 Modelofanearlysingle-tiertwist-netmachineclaimedtohavebeen madebyJohnLevers 29 1.5 ThomasHollis,‘Makinglace’,no.4(undated,probably1850s) 31 1.6 Bythe1820s,thehiringofNottinghamworkersbytheCalaisindustry wasalreadywellorganised 39 1.7 ObituarypublishedintheNottinghamReview(2October1840,p.4) 39 2.1 TheLanderneauflaxmill,1849 67 2.2 Thelinenfactory‘LaFoudre’inPetit-Quevilly 67 2.3 TheCarmichaelworksinAilly-sur-Somme,1846 69 2.4 A‘permisdeséjour’forAnneArther,aScottishspinneratthe Landerneauflaxmill,21November1851 72 2.5 Thewool-combingdepartmentinHolden’smillinReims 73 2.6 Thewool-cardingworkshopinHolden’smill 74 2.7 ABritishpuddlerinFourchambault(late1830s) 77 2.8 FrançoisBonhommé,VuedesForgesdeFourchambault(c.1840) 77 2.9 FrançoisBonhommé,VuedesForgesdeFourchambault(c.1840)(detail) 78 2.10 ManbyandWilsonmadethishallmarkinthe1820s,celebratingtheir business,atatimewhengaslightingwasjuststartinginFrance 79 2.11 AnEnglishblacksmith’sapplicationforajob(Journalducommerce, 18April1827) 81 2.12 ‘TheBuildingoftheBarentinViaduct’,adaguerreotype(1845or1846) 86 2.13 Malaunayrailwaystation,designedbyWilliamTitein1843 87 2.14 Malaunayrailwaystation,herein1917 87 2.15 TheopeningoftheRouen–DieppeRailway 89 2.16 ‘Casket,presentedtoW.B.Buddicom,1852’ 89 2.17 ‘Spadesaretrumps’,Punch,13January1855,vol.28,p.15 91 2.18 TannersatworkbytheriverBièvre 95 2.19 TimothyClaxton,posingasagentleman 97 2.20 WilliamDuthie(1819–70) 101 2.21 Agoldsmith’sworkshopinParis,1822 102 3.1 ThepreparingdepartmentoftheLanderneauflaxmillin1849 110 3.2 ThewindingworkshopintheLanderneauflaxmill 110 3.3 ‘Lace-runnersorEmbroiderersatwork’;PennyMagazine,March1843 120 3.4 ‘LaceMaking.EngravedbyT.Hollisfromadaguerreotype’ 121

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