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Arte, archeologia e pubblico. Per una storia della fruizione museale fra Settecento e Novecento PDF

263 Pages·2017·29.764 MB·Italian
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Preview Arte, archeologia e pubblico. Per una storia della fruizione museale fra Settecento e Novecento

SandrCao sta MariLau igPiaag liani ARTEA,R CHEOLOGEI PAU BBLICO Peurn sat odreilfalr au izmiuosneea le frSae tteecN eonvteoc ento [illrJ BonoUnniiavP erressist y Sir ingrazAinagneCole:or ipzelzrraa e visrieodnazeid oenalpllaeanM eu see ip ubblico: appupneturin sa t oMrairacP;oi zpzeoar v ecro rtesemmeesnast oed isposizione le immagdiiEn ric olPaonmop,e i, BGoarlglhdeeerMsliue as, ed oeB la rgeea lllcou ne fotogdreRalefi pea fnoot omcaitnoegrdaefilclo' Ecsoelnrpe cr iottoea zimi oonnuim enti italdiuarnalinPa tr ei gmuae mrornad iale. Tutitc io ntrpiubbubtlisi ocnsaoot tit oapd oosutbil e-brleivnide cwpo.en/eAtrlr li butions publiasrsheue bdjc eodc otu blep-eberlreiv nide w. BonoUnniiav ePrrseistsy ViUag oF osc7o,4l 01o32 B ologna te(l+.3 0951)2 3828 2 fax( +30951)2 210 19 © 2017B onoUnniiav ePrrseistsy ISB9N7 8-68982-3-249-7 www.buponline.com info@nlbiunpoeom. c Id irdiitt rtaid uzidiom neem,o rizzeazlieotntedr ior niiprcioaod,neu de zia dattamento totoap laerz icaolqneu ,a lmseiza(zscoi o mpimr iecsrio efill mce o pfioet os)ts,aot nioc he riseprveatrtu itiP t aie si. LEditsodiri ec hdiiasrpao anr iebgiollea res peevtetpnaetlnru'tz auileli idz ezloil mem agini contennevulot leu nmeceio nfrdoengatlviie dnitrii tto. Immagdiicn oep ert"iVendau:gt eana eldree ll'Esposliazgiu(ondrnàe.e'Vé ) nd,ea zlilaa el 'EsposNiazziioonnael e deAl1r8ti8s7nti,uc maes rpoe cdiealIlllleaus traziIotnael iana, MilaFnroa,tT erlelv1ie88 s7, Proggertatfieoc oig mipnaazGiioannelB:uo clal ionpap-iDoClickAn Priemdai zgioinueg2:n01 o 7 SOMMARIO Itnroduzione 5 SadnrCao seMt aar iLaugi iaP aigalni PARTE PRIMA Museip ueb bliacpopu:n tpie ru nas toria Capitlo lo , Lep arollpeei eedt eralenl tichità 11 MariLaugi iaP aigalni Capi2t olo Isle cdoelLiou mi 27 MariLaugi iaP aigalni Capi3t olo LaR iovluzfiaronnceee N saep olIe one 49 MariLaugi iaP aigalni Capi4t olo Glsic aev miiu sei 65 MariLaugi iaP aigalni Capi5t olo Iplr iNmoov ecento 84 MariLaugi iaP aigalni PARTE SECONDA Ilm useeoi plu bblisctoo:rd iiue n ar papresentazione Capi6t olo Los pettaalmt usoerioem: m aglientit eer raaffirgiuer saaztiiorniic hle O l SadnrCao sta Capi7t olo Il dimsopdlenalaylz:ii oevn aalluoinr iiv ersali 172 SadnrCao sta Capi8t olo Laf ormazidoiun npe u bbcloincsoa pfeurviozlideoo:nc eu,m entazione em emoria 155 SadnrCao sta ANTOLOGIA 157 ac udriSa an drCao seMt aar iLaugi iaP aigalni LettGe.r.aPZ aan odtiLt F.i. Marsi li 177 Réflexciroint siuqlrupa eo sé estlipa ee intJu.rDBeu. d Bio s 197 Cabidn'esHtti oniarteu draelE l'nlcey clopédie 129 LetteCraer daiClno anllsvedai iA ntoCnainoo va 200 AV eldeiGi iao vaAnnntio lini 202 Discàol u'rAss sedmiVb ilcérHeou rg o 208 Discsouulrar'c sh eémvednutL ouvdriVe i cHtourg o 213 A unmau mmidiaA rriBgooi ro 215 Sopurnaca o nchfisogsldiiiGla ie a coZmaon ella 218 IMlu sedoiS ot rPiaat driRi eag gnieol l'dEiGm aieltiCaahn ioe rici2 21 Istruazgailgoirn iic doiCl atroBlrooin i 227 IMlu seaor tiisntdiucsodt iNr aipaodlliGei a etFainloa ngieri 235 CatadniFi ead eDreiR coob erto 238 Musecoa pitdoiHl einynJr oa mes 240 Al Lep roblèmmues éddeeiPss a uVal l éry 241 LaM ostra AugRuosmtaenadi iGtd iàeu lQlluiaio r Giingol ioli 244 Bbiilogrgaefinae rale 249 ac udriSaa n drCao seMt aar iLaugi iaP aigalni Inotdurizone ' Esempprideùi ffunsealc lrai lt'iiccdahel ea' asrietase s enziuansl imsetnet-e mac hsesi v ileus psipt ar uitnta umrbaic toolt lievetoc 1hl eos pettatore abbuinar uoaltot nievlocl oas trusztieosnsseai gdneidlfie clalt'oo pera. Neclo rdseosi e cioll i" pusbèibp lriocgor"e ssdiivsatmdieannlfittlgoeeu dreel mecenpartieemd ae clo llezpioocino insqtuai slteagnidteota iumrtieotvào lezza dig iudmiazl iaso u,ca o ncemzoidoenrhean r aa dniecplie nsiilelruom iinn ista, collegaalmslevoni tlou pupnmoaa gdgii soernes ipbeilrlad iemtoàc ratizzazione delclual tedu erlal 'aaclaclreeet ss isu,ol l'doengidr aatnradi ivm oelngstitio rico­ artisticailsl oecp oplrleeeas glsaclitoeoin n fiisd cehlreli av olfuarznicopenrseie m a ea lrleeq uisdiiNz aipoonlie one poi. L'allardgea"imP eunbtbdole ilaclriet iu"s ruhufain teoXl,I Xs ecodleol,l a moltipldieclatlzeeic onndieicr hiep roduedz iiu onan cec2e als vsios sievnoz a precendeelnltai P siltùio brmeiaraso .p, e ssosloo alli'rlaa ppppatorrreiatn oza , pubbdleiXlcI iXeXX secoll'oo pdee' rasarci to en figsuercaom noddoe ilncl uii resstpae fsrostoier l i codredlcolo en cedziAi noicneRiné m gei. Lar icedzeisloi nnegs opleot teaq uteodlrelepla u bbrliiucnoii n"t aou dience", chsedi e clisneacnotoni dpoo plroigvoiia est tei tuesz oipornaamtlutisu etotloo gi­ chpeo,s seosnsoce orssetì u dsieactoedn idvoec rosoer dsipnaaztieo -tienm porali culifa ne omenosltoogdrieialcf ulari az isoin eip nutòe rseiasalsp larare es deenlz a pubbilniu cnsoo t ecsosnot seisaatl solt ou ddeilo"ol frat ucnrai tdiiuc na'"o pera od i un autore. Produzriiocneeezm, ie odniea zsciioo nnfieg ucroammneoo m endtii u unni ­ co prodicc eossstor uzione dienql ule'lsa'trootr semt aosirec igocumoem enndtoo diM arcDeulc ha"mcpse:o nlter se garqduefiuon rtls et sa bl.eMa3au g xls"ip et- 1B eck[e91r8 22]0 0H4e,i n2i0c1hec4 f arn.c lhsae i ndtieR asvi2e 01t .5 2C frH.e in2c0h1 4. 3D ucham1p9 1t4i. nR ca iv 2e01r 5p. 8 2c,f arn.c Ahream bas1i99n6 . l 6 Introduzione tatnooranim anloes tecsosspeee rcnhoéhn a nlneso t ecsastee g"ovriisneié v e" glsit esstsriu mceunltltiiu .ra4 DaXIlX secolloso v,i luupnpaaola bfedtii zzdaibz aiseole nca eo ntempora­ nemao ltipldieclatlzeeic ondniierc ihper odeud ziuiffsoindoee nleil memg aini hannion crteamtelocn' caeasslaolr 'tbea nalizaznacnghdleosi nt er umdein ti letted uivrs iai oLn'ea.,r mtiue sleeeis ,p ossioznicooo ensniìat triinu ndai na­ micsat oriincc ulaide i verse dtipi upbobllnoiegcllioloe,arf u roi zieosntee tica ec ult,uv reanlgeocnhoi amaap taer tecais pfiaderece o nompioclhiete,i che nazionali. Traam miarziooi nned eirffentzraa, copnodpaonolnd aair nei egoi le rudito rappaolmr utso eepo i,iù ng eneirclao lrneof nctooun n p atrismtoonriiiosc toi ­ tuzioène anltern,ae tlvoli aqt uao tiddei"lag nraap nudbeb leil c'ioiz"ndi iuo n a riflesdseidoiancelaf ltneaao menosltoogdrieialcf ulari az ièoo rnmefa noid amen­ tapleelr os tuedl icaoo mprendseilcolonene n estsraiaro etns eio cietà. Per tirlailrclueo s mplreaspspoto rrmatu os eep ou bblnieclpolr,ai p maar et e ino rdcirnoen olsopigr iocpool,ne et taaonlrc neho,esn p ecilasali insdtteeals,li ' e­ voluzdieominu seet irXV aI IeIXX secolo, croeinrf ismpeaenlctlio'fi Ictoa lia. Sonsot saetil ezciaoesnsiae tmipc loapnra ir,t imcaon loaenrs ec lautstievnaz ione all'arcchaepodalicio ilg liuam,li acn oamrpel reesdtsiera e laszoitotanelris aep ­ porftrloas ' tiituez fiuiroi nteo ri. Pecra piiplrr eo cdeics osmou niccahzseiii on nsetf aaru vriia s iet asltaeol rei demlu sèei on dispeinnasftatbciio,lm epl,ra e ndseciloo nnteie ncsu tliio' s ttuizio­ neès tactoan ceelp meio ttai vaczoilolnaeilgs lauatfa eno daziQouenseat.si p etti inaftnteic onnoitnam noodi on dellie'dbeinletec i otsàt itiumlie sascgsognioo fnodamencthsaetil r ea smaettttreal,v' earlsloe satpl iumbeblnitcoo,. Las ecopnadrdate velo lucmoein,rl i coatr espsoit oùim ennoo eta ida lcuni dig rande crriiltiiecvoo,d icc oosntsrueunni'traeend aerliai pspito rriatpl iu b­ blieci oml u seaon cahtet ralvu'esdroisf onot eit eroFdaocsesned.o particolare reirfimeanlvtlieoc eintdaeld ieRialsn oer giemd eendite oc einmnmie diatamen­ tes uccels'sUinnviaitz ài oènm aelseis,nor illime'evegore rdeiu neas igdein za conpseavoliedzeznat diict uaiirs itai teum zaineoisnftia azritoinsist finia ncoh e strumento. Unaa ntoldoitg eiscatr ii lteitctige,ir uarrsiiud,tli e cmciao mplleost tau dio edo ffraell ettore ldaia cpcoesasfs snoiotbs iii lgintiàfim caas tpievpseos,co o conosciute. Oggcio miee "rimilu secoom unaip caar tdiarlel 'ead saslelt'toor dinamento delcloel leAnzcioorpnari i.dm eal plaag iwneabd ,ec io munitcraatmisii ot cei al medidae,l la programmead ziidoantietml iu ccsuaedl,oit c uhriiaplalr reoa p rio messalgapg rioop,nr airair oanze,o rgnaenlilz'iznatzeinroenngaaels, ip emtut-i 4C frH.e in1i99c8hp, .1 85. l SOMMARIO7 seoleom guisceio gcrhadefie ccir eitglar nadodii o m medgiraiatmdoe ndtapo a rte devli si"t.a5to re All'iogridnemeiu s e,ci omèen otvosi,o nroa gidoinna it sutroar ico-politica, metoepd ois izdieoldnlieiv edrissiecn i,iep aslntzdeic arastotcleierIa.enq uesto sceniad riivoea rtst-iop roil isttdiuicoics,ui r,a atrocrhii,-t seaitv atvlig ono deltleec nodliosgpioepn ei"rbm ietletir meo isant"er d ioffndelrceeo noscenze. Ilpr odocthtieopl u bblviiceconh ei amaav taol uèti aflrur et tdoe lsltao ria polietc iuclalt eudr,ea lslvoi ldueplpdloie v edrissec iepd leilcnloeen vinzioni delslien gpoelres ocnha,el viaat rtàii ot, po rleondpoanraotl eal vv"e'n teusrpao ­ stiiav". SanrdaC osteMa a riLaug iiPaa igalni 5C urz2i01 ,6p p3.9 -40. PARTPER MIA Museep iu bblaipcpoup:ne tri sutnoar ia

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