Preview Art & Lies
One of the most audacious and provocative writers on either side of the Atlantic now gives readers a dazzling, arousing, and wise improvisation on art, Eros, language, and identity. "A series of intense, artful musings that are exhilarating and visionary. . . . Unsettling yet strangely satisfying."--Newsday.
From Publishers WeeklySet on a train traveling through a dystopian future England, Winterson's latest novel is a patchwork meditation on identity and artistry.
Copyright 1996 Reed Business Information, Inc.
Handel is a failed priest but abiding Catholic with elitist tendencies whose work as a doctor forces him to consider social questions that he would probably rather avoid. Picasso, as she calls herself, is a young artist who has been sexually abused by her brother but whose family thinks she is at fault for her dark moods. Sappho is, indeed, Sappho, the lesbian poet of ancient Greece, who here proclaims herself a sensualist and then proceeds to dissect "the union of language and lust." The three converge in a place that may be England in a not-too-distant future made ugly by pollution and even uglier by greed. This is not a novel but an extended rift on art, sex, religion, social repression, the dangers of patriarchy, and everything that is wrong with the contemporary drift to the right. As such, it will be hard going for most readers, but those with some patience will discover exceptionally evocative writing and a vivifying review of some much-discussed contemporary issues. Here, Winterson is even more unmoored than in her spectacular if discursive Written on the Body (LJ 2/15/93); what will she do next? For literary collections.?Barbara Hoffert, "Library Journal"
Copyright 1995 Reed Business Information, Inc.
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