Art History: The Future is Now. Studies in Honor of Professor Vladimir P. Goss PDF
Preview Art History: The Future is Now. Studies in Honor of Professor Vladimir P. Goss
/ ~. ' /1 IU.( ....., • . .S tudies ill HalloI' of Professor Vladimir P Goss <htmlformat> ART HISTORY – THE FUTURE IS NOW Studies in Honor of Professor Vladimir P. Goss < pdf. format > Title Art History – the Future is Now. Studies in Honor of Professor Vladimir P. Goss Publisher Rijeka: Faculty of Humanities and Social Sciences For the publisher Predrag Šustar Editors Maja Cepetić Danko Dujmović Vjekoslav Jukić Aleksandra Nikoloska Proofreaders Višnja Bedenko Aleksandra Nikoloska Mario Zaccaria Recension Vesna Mikić Ivan Mirnik Design and text preparation Maja Cepetić, Danko Dujmović, Vjekoslav Jukić Cover Anton Cetin: Portret Vladimira P. Gossa, 2010. (pencil on paper) Cover design Igor Sloković Technical support Marin Rogić URL: www.romanika.net/art-history-the-future-is-now-studies-in-honor-of-professor-vladimir-p-goss/ Vesion 1.0 Publishing date: 12th November 2012 ISBN: 978-953-6104-90-1 Copyright © by the publisher and contributors. Art History – the Future is Now Studies in Honor of Professor Vladimir P. Goss Rijeka, 2012. Contents Foreword ........................................................................................................................ 10 Vjekoslav Jukić Vladimir P. Goss – A Sketch for Biography and Bibliography ..................................... 12 The Masters and Their Heirs Apparent Radoslav Katičić Whiffs of Northern Fog under the Clear Mediterranean Sun ......................................... 26 Vitomir Belaj Cum Adi in Campo ......................................................................................................... 38 Vladimir Crnković Pismo starom prijatelju ili pohvala jednoj pasiji /Letter to an Old Friend or In Praise of a Passion/ ................................................................................................ 52 Ante Rendić-Miočević Uz tragove carskog kulta u Sisciji. Fragmentarni mramorni portret Septimija Severa iz Siska i njegovo značenje u odnosu na stanje u Sisciji u doba Severa /The Traces of Imperial Cult in Siscia. A Fragmented Marble Portrait of Septimius Severus from Sisak and Its Importance with Reference to the Situation in the Severan Siscia/ ................................................................................................................ 62 Vlasta Begović, Ivana Schrunk La chiesa di Santa Maria e castellum sulle isole Brioni ................................................. 88 Nurith Kenaan-Kedar Sculpted Palmyrian Funerary Female Portraits with Extensive Jewelry Sets: A Revisionist Reading of Their Meanings and Impact ................................................ 108 Martin Vančo Research Methodology of Great Moravian Architecture ............................................. 122 Marina Vicelja-Matijašić Symbolism of Light in Early Byzantine Art ................................................................. 142 Arturo Calzona Alcune note sulla cronologia del battistero di Parma e la possibile presenza di Radovan tra i maestri della bottega antelamica ........................................................ 158 Gaetano Curzi Terra e potere. La porta bronzea di San Clemente a Casauria e il suo contesto .......... 176 Christine B. Verzar Reflections on Some Italian Gothic Heads: From Original Context to Museum Collection .................................................................................................. 190 Klára Benešovská Un capitolo nascosto della “rinascita romanica” nelle Terre boeme del XII secolo ............................................................................................................... 198 Béla Zsolt Szakács Santo Stefano Rotondo through the Glasses of the Renaissance – and without Them ................................................................................. 216 Young Lions Aleksandra Nikoloska The Art and Cult of Cybele from the Northern Vardar Valley .................................... 260 Laura Chinellato I marmi altomedievali del Museo Cristiano di Cividale del Friuli. Dai caratteri del rilievo alla committenza .................................................................... 276 Michele Luigi Vescovi The ‘Westernization’ of an Image: The Fast of St Nicolas and the Monastic Connection .............................................................................................. 300 Emanuela Elba Oltreadriatico. Modelli figurativi e temi iconografici della “Riforma Gregoriana” in Dalmazia .............................................................................. 314 Giorgio Milanesi Tra storia del collezionismo e storia dell'arte: la tavola di Sant'Agata di Cremona e l'area Adriatica ....................................................................................... 330 Maja Cepetić Chapel of St Peter in Novo Mesto Zelinsko: Proposal for the Reconstruction of the Romanesque Rose Window ............................................................................... 346 Ivana Peškan, Vesna Pascuttini-Juraga Mystical Stone Figures from the Middle Ages in Northern Croatia ............................ 356 Tea Gudek Šnajdar Did Counts of Cilli Own Veliki Tabor? ....................................................................... 370 Danko Dujmović An Introduction to Cultural Landscape ........................................................................ 392 Final thoughts Vladimir P. Goss A Brief Note on the Present and Future of Art and Its History .................................... 412 Vitae auctorum ............................................................................................................ 424
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