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Art at auction in America : 1991 edition / August 1989—August 1990 PDF

214 Pages·1990·43.87 MB·English
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Preview Art at auction in America : 1991 edition / August 1989—August 1990

arti majoi through August 19^0. I- Art At Auction IN America 1991 EDITION Thecomprehensive, up-to-dateannualart priceguidetoover 5000 artists and 20,000works ofartsoldatAmerica's majorauction houses fromAugust 1989 throughAugust 1990. KREXPRESS 10169NewHampshireAve./Suite 195 MD SilverSpring, 20903 Copyright 1990 by Ernest R. Beyard Publisher KREXPRESS All rights reserved. The reproduction ofany part ofthis book in any form or by any means is strictly prohibited without the written consent ofthe publisher. This includes photocopying, recording in information computer systems, or the like. Use ofexamples ofthe text for the purposes of a legitimate review are permissible. Library ofCongress ISSN 1046-4999 ISBN 0-9624926-1-2 PRINTED IN THE UNITED STATES OF AMERICA Ifadditional copies ofthis valuable art collecting tool are needed they can be ordered directly from the publisher at $27.95 per copy plus $2.50 handling and shipping. For quantity orders of5 or more copies please contact the publisher by mail or phone. KREXPRESS 10169 New Hampshire Ave./# 195 MD Silver Spring, 20903 (301)445-6009 Coverreproduction:JohnF.Francis(American 1808-1886) Strawberries OilonCanvas 8"xl2" TABLE OF CONTENTS Introduction/Disclaimer 5 Important Features of Art At Auction in America 7 Important Factors Affecting Art Values 9 The Artist 9 The Mediums Used 10 The Size ofthe Work 11 The Subject Matter 12 The Date Painted 14 The Auction House or Dealer 14 The Date of Sale 15 The Condition ofthe Piece 15 The Authenticity 16 The "Attractiveness" or Quality ofPiece 16 The Provenance 17 Historical Considerations 17 Other Suggested Resources Relating to the Auction Market 18 Explanation of Pricing 19 Keys To Using This Guide 21 Artists and Auction Prices 27 INTRODUCTION The 1991 Edition of Art At Auction in America follows the extraordinarily successful introduction last year of our 1990 Premiere Edition. Collectors, dealers, auctioneers, appraisers, and book reviewers were all very complimentary about the benefits of owning this guide. The 1991 Edition retains all of the innovative features which made the 1990 Premiere Edition a landmark — publication including the portable size and affordable price, both of which remain unchanged. Efforts to continually improve with age resulted in several exciting changes in the 1991 Edition of Art At Auction in America. These include the addition of auction ME houses representing Chicago, Los Angeles, Portland, and Toronto; and the retention of those important artists listed in the 1990 Premiere Edition, but whose works did not sell during this past auction season. This means that those artists' names will never be eliminated from Art At Auction in America. If you are unfamiliar with this important publication. Art At Auction in America is designed to give both the novice and the expert the power of portable knowledge so that they can be more informed and confident art collectors. The listings contain the key data pertinent to each work's value with the exception of subjective aspects such as condition and "attractiveness" or quality ofthe piece. The art sales information has been collected from major auction houses in the United States and Canada, and includes both foreign and American artists. Much art, of course, is also sold through dealers, galleries and brokers. These sales represent the art retail market and actual selling prices are rarely available to the public. The auction market, on the other hand, represents the art wholesale market to a large degree. This being said, it is important that beginning collectors and investors understand that prices paid at auction for a particular artist's work are only a guide and can be somewhat different than those quoted by a dealer. These reasons include: 1) The auction market is generally less susceptible to (but — not immune from) artificial manipulation of prices particularly for the works ofcontemporary artists. 2) Dealers and brokers obviously must make a profit on a sale, whereas an auction house automatically receives a commission on each painting sold ranging from 20% to 30% ofthe selling price. Also, many dealers guarantee the authenticity oftheir inventory, in effect providing you insurance. Most auction houses do too, but have many disclaimers in their terms of sale. 3) The auction market will often reflect up and down price swings in an artist's value before the retail market shows a similar trend. Many a dealer has run back to his gallery to reprice stock immediately after auction results have set new records. It is not practical or possible to provide the novice a complete background with regard to art values in the limited space available here. However, it is important to briefly review some general observations about how certain factors affect the value of a work of art. Although it may not be new information forexperienced dealers and collectors, it will be ofvalue to most others. Disclaimer Every effort has been made to assure the accuracy of the information included here. However, in a mass ofdata this large, all of it initially compiled by auction houses outside our control, a few errors are inevitable. Ifyou question any information, please contact us or the auction house involved for corroboration before relying on it. We do, in fact, encourage you to notify us of any errors you may find since this information will all be retained in an historical data bank. Additionally, as is explained in more detail in the text of this guide, many factors may contribute to the value of a particular artwork. Therefore, you should not rely upon these ranges to purchase a particular piece of artwork, but should instead obtain an appraisal from a reputable dealer or art professional. The Publisher and Writer accept no responsibility and/or liability for any purchase of a work of art which is later appraised at a value less than the values set forth in this guide. This guide is provided for informational purposes only. IMPORTANT FEATURES OF Art At Auction in America Art At Auction in America is the most comprehensive portable guide available. Any work by any artist which sells for twenty-five dollars or more is included. Art At Auction in America is easy to use. Prioritizes works of art within each artist's listing by descending price which allows you to see what effect variables such as medium, size, subject, auction house and date ofsale may have on a painting's value. Art At Auction in America includes only practical information. Artists are listed alphabetically without regard to nationality or painting style. However, nationalities and birth and death dates are indicated whenever available. Paintings identified by subjective attributions such as "attributed to," "circle of," "style of," "manner of," or "school of are not included. Art At Auction in America is user friendly. A key to the abbreviations in the listings is included in two places, near the end of the introductory material, and also on the handy flip-out data flap inside the back cover. Art At Auction in America retains all original titles of art work. Titles provided by the auction house in the language of the artist, usually French, Spanish, German or Italian, are retained as referenced in the original auction catalogue. Each succeeding edition ofArt At Auction in America will include an expanded list ofartists. If there are no current sales of works by an important artist who was listed in the 1990 Premiere edition, the artist's name will still be included in the 1991 Edition. An asterisk will follow the artist's name, nationality and dates indicating that auction information is available in the 1990 Premiere Edition. There are 1500 such artists listed this year. Art At Auction in America lists all sales prices in U.S. Dollars. Canadian auction prices have already been converted for you at 1.0 Canadian Dollars = 0.85 U.S. Dollars. Art At Auction in America includes private sales ofauction houses. Occasionally, auction house price lists indicate that some paintings, which did not sell at auction, were sold privately after the sale. These sales, while not strictly an auction price, are ofuseful reference value and have been included in this book.

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