Art and Archaeology: Collaborations, Conversations, Criticisms PDF
Preview Art and Archaeology: Collaborations, Conversations, Criticisms
One World Archaeology SeriesEditors HeatherBurke FlindersUniversityofSouthAustralia,Australia GabrielCooney UniversityCollege,Dublin,Ireland GustavoPolitis UniversidadNacionaldelCentro,BuenosAires,Argentina Forfurthervolumes: http://www.springer.com/series/8606 Ian Alden Russell • Andrew Cochrane Editors Art and Archaeology Collaborations, Conversations, Criticisms 2123 Editors IanAldenRussell AndrewCochrane DepartmentofArchaeologyandHistoryofArt TheBritishMuseum KoçUniversity London Istanbul UnitedKingdom Turkey ISBN978-1-4614-8989-4 ISBN978-1-4614-8990-0(eBook) DOI10.1007/978-1-4614-8990-0 SpringerNewYorkHeidelbergDordrechtLondon LibraryofCongressControlNumber:2013952722 © SpringerScience+BusinessMediaNewYork2014 Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpartofthe materialisconcerned,specificallytherightsoftranslation,reprinting,reuseofillustrations,recitation, broadcasting,reproductiononmicrofilmsorinanyotherphysicalway,andtransmissionorinformation storageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilarmethodology nowknownorhereafterdeveloped.Exemptedfromthislegalreservationarebriefexcerptsinconnection withreviewsorscholarlyanalysisormaterialsuppliedspecificallyforthepurposeofbeingenteredand executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publicationorpartsthereofispermittedonlyundertheprovisionsoftheCopyrightLawofthePublisher’s location,initscurrentversion,andpermissionforusemustalwaysbeobtainedfromSpringer.Permissions forusemaybeobtainedthroughRightsLinkattheCopyrightClearanceCenter.Violationsareliableto prosecutionundertherespectiveCopyrightLaw. Theuseofgeneraldescriptivenames,registerednames,trademarks,servicemarks,etc.inthispublication doesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexemptfromtherelevant protectivelawsandregulationsandthereforefreeforgeneraluse. Whiletheadviceandinformationinthisbookarebelievedtobetrueandaccurateatthedateofpublication, neithertheauthorsnortheeditorsnorthepublishercanacceptanylegalresponsibilityforanyerrorsor omissionsthatmaybemade.Thepublishermakesnowarranty,expressorimplied,withrespecttothe materialcontainedherein. Printedonacid-freepaper SpringerispartofSpringerScience+BusinessMedia(www.springer.com) Contents 1 Introduction................................................... 1 IanAldenRussellandAndrewCochrane PartI ExplorationandExperimentation 2 ColinRenfrew:AConversation.................................. 9 ColinRenfrew 3 The Cave and the Mind: Towards a Sculptural and Experimental ApproachtoUpperPalaeolithicArt .............................. 21 AndrewMeirionJones 4 Joining Forces: Neuroaesthetics, ContemporaryVisual art and ArchaeologicalInterpretationofthePast ......................... 35 LilianaJanik 5 InterfaceI:DayoftheFigurines ................................. 51 AndrewCochraneandIanAldenRussell PartII CuratorialPractice 6 ArtandArchaeology:TheÁbharagusMeonExhibitionSeries....... 61 IanAldenRussell 7 ArtandKilmainhamGaol:NegotiatingArt’sCriticalIntervention intheHeritageSite............................................. 83 PatCooke 8 AnotherProofofthePrecedingTheory:Film,Materialities andStonehenge ................................................ 99 HelenWickstead vii viii Contents 9 Home:AnInstallationforLivingIn .............................. 115 ChristineFinn PartIII ApplicationandExchange 10 DustandDebitage:AnArchaeologyofFrancisBacon’sStudio ...... 131 BlazeO’Connor 11 CreatingContexts:BetweentheArchaeologicalSiteandArtGallery 141 AntoniaThomas 12 ArtistsConnectingArchaeologists:EncounteringtheThirdKind.... 157 MichaëlJasmin 13 DigitalDwellingatSkaraBrae .................................. 179 AliceWatterson,KieranBaxterandAaronWatson PartIV ArchaeologyafterArt 14 Pearson|Shanks—Theatre/Archaeology—ReturnandProspect...... 199 MikePearsonandMichaelShanks 15 Art//Archaeology//Art:Letting-GoBeyond........................ 231 DougBailey Index ............................................................ 251 Contributors Doug Bailey Department of Anthropology, San Francisco State University, San Francisco,USA Kieran Baxter Duncan of Jordanstone College ofArt and Design, University of Dundee,Dundee,UK AndrewCochrane BritishMuseum,London,UK PatCooke SchoolofArtHistoryandCulturalPolicy, UniversityCollegeDublin, Dublin,Ireland ChristineFinn Kent,UK Liliana Janik Division ofArchaeology, Department ofArchaeology andAnthro- pology,UniversityofCambridge,Cambridge,UK MichaëlJasmin Paris,France AndrewMeirionJones DepartmentofArchaeology, UniversityofSouthampton, Highfield,UK BlazeO’Connor SchoolofArchaeology,UniversityCollegeDublin,Ireland Mike Pearson Department ofTheatre, Film andTelevision Studies,Aberystwyth University,Aberystwyth,Wales,UK Colin Renfrew McDonald Institute for Archaeological Research, University of Cambridge,Cambridge,UK IanAldenRussell DepartmentofArchaeologyandHistoryofArt,KoçUniversity, Istanbul,Turkey MichaelShanks StanfordUniversity,Stanford,USA Antonia Thomas Archaeology Department, Orkney College, University of the HighlandsandIslands,Kirkwall,UK AliceWatterson DigitalDesignStudio,GlasgowSchoolofArt,TheHub,Glasgow, UK Helen Wickstead Faculty ofArt, Design andArchitecture, Kingston University, Surrey,UK ix About the Editor IanAldenRussell isacurator, designer, andacademicbasedinIstanbul,Turkey. He is an assistant professor of contemporary art and cultural heritage in the Department of Archaeology and Art History at Koç University. Previous to this, he was Curator of the David Winton Bell Gallery at Brown University, and he continues to curate exhibitions of contemporary art by international as well as emergingartists.Withanacademicbackgroundinhistory,archaeology,andheritage studies, hisresearchengageswithartistsingalleries, museums, heritagesites, and public spaces to address issues around the constitution of cultural heritage. He is currently co-editing a volume with Michael Shanks (Stanford) and Mike Pearson (Aberystwyth)forRoutledgeexploringthesethemes. Hispreviouseditedvolumes includeImages,Representations,andHeritage(Springer:2006)andUnquietPasts (Ashgate:2010). Department of Archaeology and History of Art, Koç University, Istanbul, RumelifeneriYolu,34450Sariyer,Istanbul Andrew Cochrane is Project Curator at the British Museum. He has excavated withtheMuseumofLondonArchaeology,wasaWorldArtFellowattheUniversity of EastAnglia, and has been a Research Fellow at the Sainsbury Institute for the Study of Japanese Arts and Cultures. In 2008, he developed the WAC ‘art and archaeology’ exhibitions and conference with Ian Russell. He has been Project Curatorfor:ThePowerofDoguexhibition(BritishMuseum:2009),theunearthed exhibition(SainsburyCentreforVisualArts:2010),andtheIceAgeArt exhibition (BritishMuseum:2013).Inrecentyears,Andrewhasgreatlyenjoyedcollaborating withDougBailey,JillCook,AndyJonesandSimonKaner. BritishMuseum,GreatRussellStreet,WC1B3DGLondon,UK xi
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