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Aristophanes and His Tragic Muse: Comedy, Tragedy and the Polis in 5th Century Athens PDF

395 Pages·2016·1.96 MB·English
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AristophanesandHisTragicMuse Mnemosyne Supplements monographs on greek and latin language and literature ExecutiveEditor G.J.Boter(vuUniversityAmsterdam) EditorialBoard A.Chaniotis(Oxford) K.M.Coleman(Harvard) I.J.F.deJong(UniversityofAmsterdam) T.Reinhardt(Oxford) volume390 Thetitlespublishedinthisseriesarelistedatbrill.com/mns Aristophanes and His Tragic Muse Comedy,TragedyandthePolisin5thCenturyAthens By StephanieNelson leiden | boston LibraryofCongressCataloging-in-PublicationData Names:Nelson,Stephanie,author. Title:Aristophanesandhistragicmuse:comedy,tragedyandthepolisin5thcenturyAthens/byStephanie Nelson. Description:Leiden;Boston:Brill,2016.|Series:Mnemosyne.Supplements;390|Descriptionbasedon printversionrecordandCIPdataprovidedbypublisher;resourcenotviewed. Identifiers:LCCN2015045089(print)|LCCN2015042654(ebook)|ISBN9789004310919((e-book))|ISBN 9789004310902((hardback):alk.paper) Subjects:LCSH:Aristophanes–Criticismandinterpretation.|Greekdrama–Historyandcriticism. Classification:LCCPA3879(print)|LCCPA3879.N362016(ebook)|DDC882/.01–dc23 LCrecordavailableathttp://lccn.loc.gov/2015045089 WantorneedOpenAccess?BrillOpenoffersyouthechoicetomakeyourresearchfreelyaccessibleonline inexchangeforapublicationcharge.Reviewyourvariousoptionsonbrill.com/brill-open. TypefacefortheLatin,Greek,andCyrillicscripts:“Brill”.Seeanddownload:brill.com/brill-typeface. issn0169-8958 isbn978-90-04-31090-2(hardback) isbn978-90-04-31091-9(e-book) Copyright2016byKoninklijkeBrillnv,Leiden,TheNetherlands. KoninklijkeBrillnvincorporatestheimprintsBrill,BrillHes&DeGraaf,BrillNijhoff,BrillRodopiand HoteiPublishing. Allrightsreserved.Nopartofthispublicationmaybereproduced,translated,storedinaretrievalsystem, ortransmittedinanyformorbyanymeans,electronic,mechanical,photocopying,recordingorotherwise, withoutpriorwrittenpermissionfromthepublisher. AuthorizationtophotocopyitemsforinternalorpersonaluseisgrantedbyKoninklijkeBrillnvprovided thattheappropriatefeesarepaiddirectlytoTheCopyrightClearanceCenter,222RosewoodDrive, Suite910,Danvers,ma01923,usa.Feesaresubjecttochange. Thisbookisprintedonacid-freepaperandproducedinasustainablemanner. Tomybrother,James:alwaysthededicator,neverthededicatee ∵ Contents Acknowledgements ix Introduction 1 1 TheFestivalsandGenre 1 2 TheComicandtheSerious 7 3 Overview:ADevelopmentalStudy 14 1 ComedyandTragedyinAthens 22 1 TheDevelopmentofComedyandTragedy 22 2 Masks,Costumes,Choruses,Language,andProps 39 2.1 Masks 39 2.2 Costume 46 2.3 Chorus 51 2.4 LanguageandProps 54 3 Comedy,Tragedy,andEuripides 64 2 SatyrDramaandtheCyclops:WhereTragedyandComedyMeet 74 1 ComicSatyrs/TragicTales 74 2 SatyrPlay:Net-Draggers,Festival-Goers,Trackers 84 2.1 BacktotheBeginning:TheTragicTetralogy 84 2.2 FreedomandSlavery,SatyrsandCities 90 3 TheCyclops 96 3.1 TheCyclopsasSatyrPlay 96 3.2 EuripidestheIconoclast 99 3 TheAcharniansandtheParadoxoftheCity 106 1 Tragedy,Comedy,andPolitics 106 2 TheOresteiaandtheBacchae:TheCityinaGreaterWhole 112 2.1 TheOresteia:TheDivine,theHuman,andtheCity 112 2.2 TheBacchae:TheGod’sChallengetoThebes 117 3 TheDoubleVisionoftheAcharnians 121 3.1 DikaiopolisFairandFoulorAbsurdityandtheCity 125 3.2 Dikaiopolis,Telephus,andAristophanes:Dressingupas Yourself 132 4 TheWasps:ComicHeroes/TragicHeroes 141 1 ComicandTragicConsistency 141 viii contents 2 AjaxandMedea:AFocusonIdentity 146 2.1 Ajax:TheRefusaltoYield 148 2.2 MedeaandMedea:APersonalNecessity 154 3 Wasps:TheHeroasChameleon 160 3.1 FromJurortoFreeSpirit 161 3.2 Philocleon’sMetatheatricalFreedom 165 4 AristophanesandtheThreeStooges:PityingYourBetters,Envying InferiorMen 171 5 OedipusTyrannosandtheKnights:Oracles,DivineandHuman 177 1 OedipusTyrannos:HumanandDivineMeaning 181 2 TheHumanOraclesoftheKnights 184 3 HiddenMeaningsandtheRejuvenationofDemos 191 4 ComedyandCarnivalorTragedyUpsideDown 199 6 Persians,Peace,andBirds:GodandManinWartime 204 1 ThePersians:War,Empire,andtheDivine 208 2 ThePeace:FindingaGodforAthens 219 3 TheBirds:AnAthenianonOlympus 230 7 WomenattheThesmophoriaandFrogs:AristophanesonTragedyand Comedy 241 1 Parody,Metatheater,andDialogue 241 2 WomenattheThesmophoria:ComedyandTragedyTalk 248 2.1 TheMarriageofComedyandTragedy:GenderandGenre,Once More,withFeeling 251 2.2 TragedyTakesOver:AConfrontation 257 3 Frogs:Comedy—andTragedy—SavetheCity 261 3.1 TheDescentintoHadesorKickinginOpenDoors 261 3.2 InitiationandPolaritiesorDiscoveringTragedy 267 3.3 TheIndividualandthePolis:AnalysisandEmotion 271 Conclusion:TheDionysia’sManyVoices 285 Synopses 295 Glossary 309 Bibliography 315 Index 367 Acknowledgements Iowemanypeopleprofoundthanksfortheirhelpindevelopingthisbook.Iam verygratefultotheBostonUniversityCenterfortheHumanitiesforaleavethat helpedmecomeupwiththeidea,andtointensiveandchallengingconversa- tionsfollowinglecturesatSt.John’sCollegeinbothAnnapolisandSantaFe.I amalsodeeplygratefultomycolleaguesintheClassicsDepartmentandthe CoreCurriculumatBostonUniversityfortheirconstantencouragementand toMikeWheelerandKateHurleyfortheirhelpwiththemanuscript.Conver- sationswithmanyfriends,includingHannahHintze,HerbGolder,JaySamons andJonTuckhavehelpedimmensely,andtothosewhohavebeenkindenough toreadandcommentontheentirework,NickyGrene,BrianJorgensen,David RoochnikandChrisWalsh,Ioweanimmenseamount.FinallyIwouldliketo thanknotonlymybrother,James,asinmydedication,butalsomyentirefamily fortheircontinualandunwaveringloveandsupport.Iamluckytohaveyou.

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Despite the many studies of Greek comedy and tragedy separately, scholarship has generally neglected the relation of the two. And yet the genres developed together, were performed together, and influenced each other to the extent of becoming polar opposites. In Aristophanes and His Tragic Muse, Step
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