ebook img

Archives and Societal Provenance. Australian Essays PDF

334 Pages·2012·10.986 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview Archives and Societal Provenance. Australian Essays

Archives and Societal Provenance CHANDOS INFORMATION PROFESSIONAL SERIES Series Editor: Ruth Rikowski (Email: [email protected]) Chandos’ new series of books is aimed at the busy information professional. They have been specially commissioned to provide the reader with an authoritative view of current thinking. They are designed to provide easy-to-read and (most importantly) practical coverage of topics that are of interest to librarians and other information professionals. If you would like a full listing of current and forthcoming titles, please visit our website, www.chandospublishing.com, email [email protected] or telephone +44 (0) 1223 399140. New authors: we are always pleased to receive ideas for new titles; if you would like to write a book for Chandos, please contact Dr Glyn Jones on [email protected] or telephone +44 (0) 1993 848726. Bulk orders: some organisations buy a number of copies of our books. If you are interested in doing this, we would be pleased to discuss a discount. Please email [email protected] or telephone +44 (0) 1223 499140. Archives and Societal Provenance Australian essays M P ICHAEL IGGOTT Oxford Cambridge New Delhi Chandos Publishing Hexagon House Avenue 4 Station Lane Witney Oxford OX28 4BN UK Tel: +44(0) 1993 848726 Email: [email protected] www.chandospublishing.com www.chandospublishingonline.com Chandos Publishing is an imprint of Woodhead Publishing Limited Woodhead Publishing Limited 80 High Street Sawston Cambridge CB22 3HJ UK Tel: +44(0) 1223 499140 Fax: +44(0) 1223 832819 www.woodheadpublishing.com First published in 2012 ISBN: 978-1-84334-712-5 (print) ISBN: 978-1-78063-378-7 (online) © M. Piggott, 2012 British Library Cataloguing-in-Publication Data. A catalogue record for this book is available from the British Library. All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher. This publication may not be lent, resold, hired out or otherwise disposed of by way of trade in any form of binding or cover other than that in which it is published without the prior consent of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The publisher makes no representation, express or implied, with regard to the accuracy of the information contained in this publication and cannot accept any legal responsibility or liability for any errors or omissions. The material contained in this publication constitutes general guidelines only and does not represent to be advice on any particular matter. No reader or purchaser should act on the basis of material contained in this publication without first taking professional advice appropriate to their particular circumstances. All screenshots in this publication are the copyright of the website owner(s), unless indicated otherwise. Typeset by Domex e-Data Pvt. Ltd., India. Printed in the UK and USA. A prologue to the afterlife Professor Michael Moss Ex America semper aliquid novi or, Canberra calling are you receiving me? We would substitute Australia in this Latin tag, which Sir Hilary Jenkinson used in his review of T.R. Schellenberg’s Modern Archives: Principles and Techniques,1 but we on the other side of the world would, I hope, employ it with respect and not heavy irony. In this combination of new writing and a selection from his oeuvre across his working life and into ‘retirement’, which Michael has put together himself rather than leave it to others to do so when he has shuffled off his mortal coil, he returns often to the debate between these two titans who dominated professional practice and literature during his long career as a scholar and archivist, or perhaps it should be the other way round. When he invited me to open the ‘batting’ apart from the memorable tweet ‘Canberra calling’, like a kookaburra caught in a snare, he gave me no instructions or advice. It seemed impolite to say no or words to that effect. Perhaps others had done so; he assures me they had not. I was his first choice to open against the Aussies. The very act of his contacting me by e-mail emphasises the tractability and potential for interaction that the Internet affords, not just to scholars but to everyone who engages with archives and much else besides. As Alexander Stille reminds us in The Future of the Past, genealogy ranks a close second to pornography as the most popular activity on the Internet.2 The affordance of the Internet, overlooked by many scholars, is the context in which these essays should be read. It is the task of the writer of prefaces not to ‘bury Caesar, but to praise him’, to parody Marc Antony. I want to go further by exploring how the xi Archives and Societal Provenance many balls Michael has hit towards the boundary throughout his career, often by poking fun at the self-image of his countrymen, will not be ‘interred with his bones’. One of Michael’s cris de cœur is for more research into archival practice in the context of Australia. I would want to go further. ‘Up here’ we have made a start by looking at the way recordkeeping practice seeped through what has come to be known as the British Empire. It is easy to imagine that from the European discovery of Australia and settlement in other parts of the world there was some kind of grand Kiplingesque imperial project. You only have to read Stephanie Williams’ new book Running the Show, a collection of vignettes of pro-consuls, to realise what a creaky outfit it was until Joseph Chamberlain arrived at the Colonial Office in 1895 and started to bring order out of chaos, which included a degree of autonomy to the so-called white colonies.3 Nevertheless there was a way of doing things, however imperfectly, borrowed largely from the equally chaotic home civil service. For recordkeeping that was the registry system which in a long gestation from about the time of the so-called Tudor revolution in government emerged pretty much fully fledged at the end of the nineteenth century.4 This was wonderfully lampooned by Anthony Trollope, who himself held a senior position in the Post Office, in his novel The Three Clerks. At the core of the registry system was the docket from which the file creakily developed and for which Trollope composed this little ditty: My heart’s at my office, my heart is always there – My heart’s at my office, docketing with care; Docketing the papers, and copying all day, My heart’s at my office, though I be far away.5 The office in question was the fictitious department of Inland Navigation. When it was abolished as part of the reform of the civil service in 1853 ‘and the dull, dingy rooms were vacant. Ruthless men shovelled off as waste paper all the lock entries of which Charley [Tudor – one of the three clerks] had once been so proud; and the ponderous ledgers, which Mr. Snape [another clerk] had delighted to haul about, were sent away into Cimmerian darkness, and probably to utter destruction.’6 Another of the three clerks, Alaric Tudor, having served a prison sentence for embezzlement, emigrates to Australia no doubt imposing on his adopted country the recordkeeping systems learned in his early career that were so full of promise. xii Prologue by Professor Michael Moss We can speculate from Michael’s essay ‘War, sacred archiving and C.E.W. Bean’, which forms Chapter 8 of this volume, that British registry practice must have impacted on Bean’s work. He would have seen it meticulously implemented in Lloyd George’s wartime Ministry of Munitions and the efforts that were made to preserve its registry so as to write its multi-volume history.7 When he became Prime Minister in 1916 Lloyd George took the practice with him to the Cabinet Office and in the immediate aftermath of the war set up the Treasury O&M department to police its introduction across Whitehall and the colonial possessions.8 Concern about the history of recordkeeping is one I share with Michael, not simply because it is of academic interest, but emphatically because it is the foundations on which democratic societies with their commitment to social justice and the rule of law are built.9 The Treasury O&M department warrants investigation from every corner of the Commonwealth. We must, however, beware of claiming too much. Michael is right when he cautions in Chapter 12 ‘what archival science lacks is a theory for a sociology of recordkeeping’. Do not ‘ruthless men’ armed with shovels make a greater impact than one or two timid archivists? Here is fertile ground for trans-disciplinary engagement that I have recently explored in ‘Is it a question of trust or why are we afraid to go to Nineveh?’10 I cite this only because by drawing attention to this lacuna, Michael opens the door onto the solipsistic nature of much archival research for which he chides us good humouredly from other perspectives. We will come to these. A ‘sociology of recordkeeping’ must embrace power relationships which we could describe less starkly as governance, something that is lacking in the continuum model for which Michael only gives two less than hearty cheers in Chapter 12. Let us explore for a moment what this might mean. For Anthony Giddens, on whose structuration theory the continuum model is built, this came about because of the asymmetry in the distribution of resources that inevitably leads to a dialectic of control where those without resources seek to win power or at least influence ‘the circumstances of action of others’.11 It is in these interactions that ‘meaning’ is dynamically created by the process of ‘double hermeneutics’ and by extension records generated. For dialogue to take place within such a dialectic, information systems must be both trusted and trustworthy – ‘With the development of abstract systems, trust in impersonal principles, as well as in anonymous others, becomes indispensable to social existence.’12 Although Michael eschews, I suspect deliberately, such language, he returns xiii Archives and Societal Provenance repeatedly to the relationship between those who only leave shallow footprints on the face of history and the powerful who bequeath abundant archives. He cites Australians’ innate dislike of self- aggrandisement and an overbearing government that has its roots firmly in the English Civil War. Like Carl Becker in his famous – and to some infamous – presidential address to the American Historical Association in 1931, Michael champions the notion of ‘everyone their own archivist’ in his penetrating essay on Percy Grainger in Chapter 13.13 He devotes much of his eschatological musings on the afterlife to personal recordkeeping, while ignoring the other balls he has happily hit over the boundary on his journey for us to find in the long grass (Epilogue). This is where, as Alexander Stille reminded us, the Internet and social networking is making such an enormous impact and much of it is happening despite us and despite the academy. To some this is anathema, to others it is more than welcome. The flip side of the dialectic is the way in which those in power construct the image of their lives and deliberately cloak themselves in a mythology that suits their purpose, explored in the wonderfully funny account, tinged with bathos, of Bob Hawke and the lily pond in Chapter 5. I recently had dinner with someone who had been private secretary to one of Margaret Thatcher’s ministers and I was surprised that they deliberately encouraged the ‘lady’s not for turning’ image so that when they introduced more moderate legislation than expected it was applauded and passed without comment. Such behaviour raises doubts in both my mind and the other Michael’s about claims archivists make about objectivity and the dark art of ‘appraisal’ with little thought for the ‘ruthless men’ and women for that matter (Chapter 11). As Mary Mitford warned us in her delightful Our Village published in 1828, these self-constructed grandees – ‘the stiff cravat, the pinched-in waist, the dandy walk – oh they will never do for cricket. Now our country lads, accustomed to the flail or the hammer ... have the free use of their arms; they know how to move their shoulders; and they can move their feet too – they can run.’ It is the stories of such country lads that intrigues Michael and can often surprise us in the way they bisect the lives of the famous. As children we were entertained every Christmas by the charming Misses Thrush, small delicate ladies who taught the piano; but they were astonishingly the nieces of the great and enormous Dr W.G. Grace and the house was discreetly full of his memorabilia and they in turn of xiv Prologue by Professor Michael Moss stories about the cricketing achievements of their famous uncle. We sat goggle-eyed as we were told how their uncle with his dog as fielder had beaten the Gloucestershire eleven. There can be little doubt that the affordances the Internet provides for individuals to tell the stories they research and assemble is transforming the way we think about archives. Without it I would never have known that the bulk of my radical family emigrated freely to Australia in the mid-nineteenth century.14 Michael is right to end with the personal. If it is puzzling that archivists will not go to Nineveh and prefer to remain with Jonah among the rhubarb, it is even more puzzling to both of us as to why so few historians trouble to come to see us in our rhubarb patches to use archives. Michael lays the blame partly at the door of the archivists and the collapse in the relationship with historians. It is fashionable to attribute this in large measure to Jenkinson, but in his valedictory lecture at University College London Jenkinson said nothing of the kind: [The Archivist] will almost certainly make from time to time interesting discoveries and must sometimes be allowed the pleasure of following them up, in off hours, himself. The appropriate motto seems to be, if I may vary the metaphor, ‘Thou shalt not muzzle the ox that treadeth out the corn.’15 A more likely explanation is, as Michael suggests, the reification of the ‘Archive’, if I can be permitted a Jenkinsonian capital, combined with a mindless managerialism that pervades the curatorial profession and on the historians’ side, at least in the United Kingdom, a collapse of what used to be called courses in sources and methods, despite the fact that nearly all history programmes now include a mandatory dissertation. The need for a reconnection is a powerful undercurrent running through these essays. Michael’s face is turned relentlessly towards history and the historian in a way that is both salutary and refreshing. What he has in mind is not historische, but what the Germans call Geschichte, a study of the past that transcends the human sciences. In the cause he supported to preserve records of Australian business, an endeavour that occupied much of my early career on the other side of the world, the historian hardly features (Chapter 10). I was luckier, but only the exceptional business historian grapples with the complexity of accounting records that dominate such holdings. They prefer the quiet waters of press- cutting books. xv Archives and Societal Provenance Similarly in the defence of collecting archives, mostly within universities, the historian is cast as an admiring beneficiary of archival ‘alchemy’ and not as a figure on the barricades, apart from R.H. Tawney in his ‘stout pair of boots’. He would have been more use than most, as he would have had his sniper’s rifle. It is a little known fact that he was among the most accurate snipers on the Western Front. From my perspective archivists and historians often talk past each other, because few historians have the confidence to paint as wide a canvas and engage with theory as Michael does in these essays. This is almost certainly because unlike archivists, who are expected to be experts on the whole range of their holdings, historians to advance their careers specialise narrowly and can be accused of being even more solipsistic than archivists. Now let me turn to orality – a theme which Michael does not add to his eschatological charge to those he leaves behind but to my mind is central to the encounter between cultures with a written and oral tradition such as Australia. It is one that dominates any discussion of colonial recordkeeping and administration and deserves much more attention. If as we now know from the discovery of written evidence from the Neolithic period there is only a tenuous sequence from orality to a written culture, why is it some cultures embrace memorialisation through writing and others remain wedded to an oral tradition even in some parts of the world to this day?16 When Dr Banda took power in the newly independent Malawi, he deliberately returned to traditional orality so that he could avoid any form of audit and set himself above the rule of Western-style law with its reliance on written evidence. We can even see the same tendencies in the West to avoid freedom of information requests. This is a complex question that demands a transnational and a transdisciplinary response. Michael addresses orality in Chapter 16 from a largely diachronic perspective, which in the light of European occupation with its long tradition of written culture, is understandable. We need comparative studies and we can now deliver these easily if we have the will by taking advantage of the affordances of the Internet. Michael asserts that the stick carriers bore the message in their heads and were both medium and message – long before McLuhan, but almost certainly those who carried Charlemagne’s sealed letters did not. In neither case do the messages survive, but we know they were carried. The preservation of the oral tradition in modern societies is also contested territory. Some look back to an imagined halcyon past while others argue that modernity is the only means of preservation: witness xvi

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.