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312 Pages·2013·1.68 MB·English
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Aratus and the Astronomical Tradition Classical Culture and Society Series Editors Joseph Farrell and Robin Osborne Emotion, Restraint, and Community in Ancient Rome Robert A. Kaster Making Mockery: The Poetics of Ancient Satire Ralph M. Rosen Readers and Reading Culture in the High Roman Empire: A Study in Elite Communities William A. Johnson Apollonius of Rhodes and the Spaces of Hellenism William G. Thalmann The Captor’s Image: Greek Culture in Roman Ecphrasis Basil Dufallo Aratus and the Astronomical Tradition Emma Gee Aratus and the Astronomical Tradition Emma Gee 3 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Gee, Emma, 1970– Aratus and the astronomical tradition / Emma Gee. p. cm. Includes bibliographical references and index. ISBN 978-0-19-978168-3 (hardcover : alk. paper) 1. Aratus, Solensis. Phaenomena. 2. Aratus, Solensis—Infl uence. 3. Astronomy, Ancient, in literature. 4. Didactic poetry, Greek—History and criticism. 5. Lucretius Carus, Titus. De rerum natura. I. Title. PA3873.A7G44 2013 881(cid:99) .01—dc23 2012036874 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper Endpiece is Copernicus De Rev . f.9v, courtesy of Special Collections, St Andrews University Library. Dedication Here is the skeleton of a leaf, a childish gift, Not without residual beauty, if you imagine It was made from gold wire, like ancient jewellery. Maybe you set it on your desk for a while, as a specimen, alongside your lighter and the mouse (the dead kind). Then, perhaps, you put it in a book, And there it lies, in its papery grave, Amidst the carnage of U-boats and torpedoes, The ashy fl ecks of those whose bones were never found. Perhaps you will discover it some day And wonder who gave it you, And how it was they knew you were the tree. The leaf grew, tough and green, Further away than you imagine: A place undiscovered not long ago, Where a child followed the creek up, Striding, stooping, on hands, knees, belly, To the source, where everything above is tree And rainbow slick glosses the dark, dark earth Where the cattle never tread— A loved, unbearable place. Why did you keep it so long, when after all I dreamed I said goodbye, to the land, to you, My Keeper of the Leaf? haec tibi Arateis multum vigilata lucernis carmina, quis ignes novimus aerios, levis in aridulo malvae descripta libello Prusiaca vexi munera navicula. ‘I have brought you this poem, which teaches us to recog- nize the fi res in the sky. Aratus kept vigil over it for a long time with his lamp. It is written in a tiny book made of smoothed mallow bark, and I brought it as a gift in a little boat from the land of King Prusias.’ Epigram by Cinna, 57–6 B C , my translation CONTENTS Preface and Acknowledgments ix Abbreviations xi Introduction 3 1. Poetic Justice 22 2. Roman Justice 36 3. Wandering Stars 57 4. Lucretius’ Aratea 81 5. P lanetary Motion 110 6. L ate Antique Aratus 148 Epilogue 180 Appendix A 185 Appendix B 189 Appendix C 232 Notes 241 Bibliography 2 75 Index 291 Index Locorum 293 Endpiece 299 This page intentionally left blank PREFACE AND ACKNOWLEDGMENTS Not many of us get not just a second but also a third chance. Although this book was written under the aegis of the University of St Andrews, I have three sets of colleagues to thank, those from Exeter and Sydney as well as St Andrews. I would like to single out two colleagues without whose help this book would never have been written: Frances Muecke and Chris Gill. Both placed invaluable opportunities in my way, and were assiduous in making sure I followed them up. To them I owe my career as well as my book. I would like to thank all my colleagues in St Andrews, especially Greg Woolf and Stephen Halliwell. The former caused me to have faith, the latter spurred me on by his judicious scepticism. Peter Wiseman, with his challenge to prove that Lucretius really was infl uenced by Cicero’s Aratea , is responsible for Chapters 3 and 4 . I hope they are an appropriate offering. Many colleagues willingly took on the unenviable task of reading chaotic and incomprehensible drafts. Peter Wiseman read material that was later to become Chapters 3 and 4 , and debunked most of the nonsense (any that remains is, needless to say, my own). Richard Hunter and Michael Reeve read parts of the book and were generous in their time and comments. Greg Woolf reined in Chapter 6 before any damage was done. Many colleagues helped with bibliography in areas where my own knowledge is sketchy: Greg Woolf, Richard Hunter, Alex Long, Félix Racine, Roger Rees, to name a few. I also warmly thank all those Aratus scholars who attended the conference at St Andrews in June 2010 and shared their ideas. Much praise and appreciation are due to the series editors Joe Farrell and Robin Osborne. Joe acted as ad hoc reader of tedious fi rst drafts and stayed in close touch throughout. I would like to thank Stefan Vranka, Sarah Pirovitz and Natalie Johnson for their effi ciency and patience in the face of my needless anxi- eties and ‘goldfi sh moments’. The comments of the anonymous reader for the press were invaluable. I could not have written this book at all without my friends. I would like to thank all of them but I only name two: Gillian Galbraith and Miranda Macdonald. Despite their own commitments they have responded tirelessly to trivia. My son Hal has kept me alive during the process by his endless humour and inventiveness, although I am afraid that he may have been more aware than I would have wanted that I was writing a book. Finally, the book’s dedicatee. You know who you are. ix

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Why were the stars so important in Rome? Their literary presence far outweighs their role as a time-reckoning device, which was, in any case, superseded by the synchronization of the civil and solar years under Julius Caesar. One answer is tied to their usefulness in symbolizing a universe built on
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