APULEIUS’ PLATONISM Apuleius of Madauros, writing in the latter half of the second century ce inRomanNorthAfrica,isbestknowntoustodayforhisLatinfiction,the MetamorphosesakaTheGoldenAss,aboutamanwhoturnedintoadon- keyandbackagain.However,hewasalsoaPlatonicphilosopher,who,even thoughmanyofhiswritingsarelost,wrotearangeofrhetoricalandphilo- sophicalworks,whichsurvivetothisday.Thisbookexaminestheseworksto revealhowApuleius’Platonismisaresultofhis‘impersonationofphiloso- phy’,thatis,arhetoricallypowerfulmethodologicaltoolthatallowshimto ‘speak’onbehalfofPlatoandhisphilosophy.Thisbookisthefirstexplo- ration of the full scope of his idiosyncratic brand of Platonism across his multifariousliterarycorpusandisamajorcontributiontothestudyofthe dynamicbetweenliteratureandphilosophyinantiquityandbeyond. richard fletcher isAssociateProfessorintheDepartmentofClassics atTheOhioStateUniversity. cambridge classical studies Generaleditors r. l. hunter, r. g. osborne,m. millett,d. n. sedley, g. c. horrocks,s. p. oakley, w. m. beard APULEIUS’ PLATONISM TheImpersonationofPhilosophy RICHARD FLETCHER TheOhioStateUniversity UniversityPrintingHouse,Cambridgecb28bs,UnitedKingdom CambridgeUniversityPressispartoftheUniversityofCambridge. ItfurtherstheUniversity’smissionbydisseminatingknowledgeinthepursuitof education,learningandresearchatthehighestinternationallevelsofexcellence. www.cambridge.org Informationonthistitle:www.cambridge.org/9781107025479 (cid:2)C FacultyofClassics,UniversityofCambridge2014 Thispublicationisincopyright.Subjecttostatutoryexception andtotheprovisionsofrelevantcollectivelicensingagreements, noreproductionofanypartmaytakeplacewithoutthewritten permissionofCambridgeUniversityPress. Firstpublished2014 PrintedintheUnitedKingdombyClays,StIvesplc AcataloguerecordforthispublicationisavailablefromtheBritishLibrary LibraryofCongressCataloguinginPublicationdata Fletcher,Richard,1979– Apuleius’platonism:theimpersonationofphilosophy/RichardFletcher. pages cm–(Cambridgeclassicalstudies) Includesbibliographicalreferencesandindex. isbn978-1-107-02547-9(hardback) 1.Apuleius. 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CONTENTS Preface pagevii Listofabbreviations xi 1 Introduction 1 TheApuleiancorpus 1 Theimpersonationofphilosophy 16 2 BecomingPlato,voicingPlatonism (DePlatoneeteiusdogmate) 31 Apuleius’PlatoandhisPlatonism 31 ThePlatonicLife 45 Plato’svoices 75 3 Universalreadinganddaemonicinterpretation (DemundoandDedeoSocratis) 100 Apuleius’PlatonicUniverse 100 TheflightofPhilosophy:readingDemundo 125 Thetaskofthetranslator:interpretingDedeoSocratis 145 4 Platonismontrialandphilosophyonstage (ApologiaandFlorida) 173 Apuleius’TheatrumPhilosophicum 173 ThePlatodefence:Apologia 198 Thephilosopher’saudience:Florida 226 5 Conclusion (Metamorphoses) 262 Anarratologyforphilosophy 262 References 294 Index 311 v PREFACE But let me tell you what this book is about. It explores the idiosyncratic brand of Platonism expounded in the multifari- ous literary corpus of Apuleius of Madauros. Apuleius, writ- inginthelatterhalfofthesecondcenturyceinRomanNorth Africa, is best known to us today for his Latin fiction (Meta- morphoses aka The Golden Ass) about a man who turned into a donkey and back again. However, he was also a Platonic philosopher, who, even though many of his writings are lost (e.g. a translation of Plato’s Phaedo), wrote a range of rhetor- ical and philosophical works which we can read today. We have the speeches he delivered as a performing philosopher in the theatre of Carthage in a collection of excerpted orations (Florida)andalsohisdefencespeechasaPlatonicphilosopher on trial (Apologia). We also have a popular philosophical lec- ture on Platonic demonology (De deo Socratis), a translation ofacosmologicaltreatiseonthePlatonicUniverse(Demundo) andahandbookofPlatonicnaturalandethicalphilosophy(De Platone et eius dogmate). This book examines each of these workstorevealApuleius’Platonismasaconstantpresence,in spite of diversity in approach, across his corpus. The consis- tency and diversity of Apuleius’ Platonism is a result of what I call his ‘impersonation of philosophy’, that is, a rhetorically powerful methodological tool that allows Apuleius to ‘speak’ on behalf of Plato and his philosophy. This process of imper- sonation ranges throughout the corpus, from the display and forensicspeechesofthephilosopheronstageandontrialtothe Platonic lecture, treatise and handbook. Rather than empha- sise the complexity of either Apuleius’ role in debates within so-calledMiddlePlatonismoraspartoftheperiodofHellenic cultural prestige in the Roman Empire (known as the Second Sophistic),thisstudyseesApuleius’Platonismasanchoredbya vii Preface simplesynergybetweenphilosophical‘reason’(ratio)andartis- tic speech (oratio). While this is far from an exhaustive study of either the Apuleian corpus or Apuleian Platonism, it does aim to be the first attempt at redirecting the conversation of Apuleianstudiestoamoreresponsibleacknowledgmentofthe totalityofhisliteraryandphilosophicalachievement. After an introductory chapter that sets out the main issues and key passages for approaching both the Apuleian corpus and Apuleius’ Platonism in terms of the idea of the imper- sonation of philosophy, each of the three main chapters of thebookfocusesonhowApuleius’Platonismoperateswithin eachofhisextantworks.Followingageneralcontextualisation withintraditionsofPlatonicphilosophyandgenresofwriting in the Roman Empire, Chapter 2 focuses on a close reading of thePlatonic handbookDePlatone.Theclaim ofthis chap- teristhatthemethodologicalapproachesutilisedbyApuleius toexpoundPlatonicnaturalandethicalphilosophyareestab- lished by the prefatory biography of Plato, first as a form of what I call ‘biographical exegesis’, then into related modes of exposition, from other voices or conceptual personifications (e.g. Reason, the Beholder of Virtue, the Sage), culminating in the voice of the exegete himself, as a generalised protrep- ticorcalltophilosophy.TheinternaldynamicofDePlatoneis thenallowedtoresonatethroughoutthebook,firstinChapter 3 in a discussion of the Platonic Universe in the treatise (De mundo) and lecture (De deo Socratis), then in Chapter 4 with theforensicspeech(Apologia)andexcerptsofdisplayspeeches (Florida).The final chapter is not a fully fledged analysis of Apuleius’masterpiece(Metamorphoses),butasuggestivecoda ofering a few tentative steps towards how we would begin to readthisworkinthesamespiritastheotherworksthatformed thecoreofthisstudy.MyaimingivingApuleius’masterpiece suchshortshriftinthisbookistochallengemyreaderstotake my findings and bring them to bear on the novel. In this way, thisbookactsasadisplacedreadingoftheMetamorphosesthat understandsApuleius’Platoniccorpusasthe‘intertextualgrid’ (toborrowthephraseoftheiconicworkofWinkler(1985))for theMetamorphoses. viii Preface For Apuleius’ works, I have used the texts of Moreschini (1991),Vallette(1924)andZimmerman(2012).Alltranslations aremyown,althoughIhavegreatlybenefitedfrom,andthere- fore must acknowledge here, my predecessors in the always challenging task of rendering Apuleius’ Latin into another language. They are: Burges (1876), Beaujeu (1973), Hanson (1989), O’Donnell (1996), Kenney (1998), Harrison, Hilton and Hunink (2001) Lee (2001), Trzaskoma (2002), Relihan (2009)andVillalobos(2011). Thisbookoriginatedinmy2006Cambridgedoctoralthesis, buthasbeensubstantiallyaltered,expandedandrethoughtin theinterveningyears.IhaveDavidFotheringhamatHighgate tothankformakingmeaLatinistandPaulMillettatDowning formakingaClassicistofme.IthankPhilipHardie,whofirst turnedmeontoApuleius(viaWinkler)duringmyCambridge MPhil, and John Henderson, for supervising my PhD thesis andthusmakingmeafullyfledgedApuleian.Ithankmythesis examiners Stephen Harrison and Malcolm Schofield for their carefulandencouragingcommentsatthestartofthisprocess.I amgratefultoMichaelSharpandtheserieseditorsattheCam- bridge Classical Studies Series (initially Michael Reeve, then RobinOsborne).IthankRichardHunterandDavidSedleyin particularforalltheirhelpwithimprovingthemanuscriptand fortheirpatiencethroughouttheprocess.DuringthistimeIam gratefulforallthesupportandencouragementIhavereceived for this project from many Classicist friends and colleagues. I have been fortunate to have presented my work on Apuleius to a range of audiences in North America and Europe, and I appreciate all the feedback I have received. For their support, professional,intellectualandpersonal,Iwanttothankthefol- lowinginparticular:TonyBoyle,KirkFreudenburg,ErikGun- derson,RichardHunter,HelenMoralesandDavidSedley. OhioStateUniversity(OSU)hasbeenawonderfulplaceto work and I thank all my colleagues in the Classics Depart- ment here. For general mentoring, as well as advice on the manuscript, I am especially grateful to Ben Acosta-Hughes, Will Batstone, Frank Coulson, Fritz Graf, David Hahm, Anthony Kaldellis and Allan Silverman. I thank the OSU ix Preface graduatestudents,whoseownworkonApuleiushasmademe rethinkthisproject:SarahDubina,SamFlores,SteveMaiullo, AaronPalmoreandAnnaPeterson. In terms of my thinking on Apuleius beyond OSU, I have benefited from many like-minded interlocutors, from pivotal conversations at conferences to more extended exchanges. I thank Ken Dowden, Denis Feeney, Julia Gaisser, Luca Graverini,StephenHarrison,VincentHunink,WytseKeulen, AndrewLaird,ClaudioMoreschini,EleanorRust,SoniaSab- nis, John Penwill and Maaike Zimmermann. I also want to especially thank Ellen Finkelpearl and Ben Lee for their sin- gularenthusiasmandsupportformyprojectthroughout. IoweJohnHendersonthepulchramercesforteachingmeby example,forinspirationandfortheconstantsupportthrough- outthisprocess(‘Words,Don’tcomeeasy’).Perhapsthepoint of the present book (and the original dissertation – that is, before it became itself again, mutuo nexu) has always been to explainhowoneofhisfootnotes(Henderson(2001)189n.10) relatestothestatementitissettoexplain. It has been a long process for my closest friends and fam- ily, and I want to thank them here for their love and patience: my friends Ben Berlyn, Brendan Cooper, Jonathan Edwards, Hywel John, Richard Tacon, Duncan White; and my fam- ily: Eneko Campos-Fletcher, Abbe Fletcher, Alan Fletcher, Shielagh Finlay, Louise Jones, Dan Leonard and Lois Ray Leonard. For our son Eneko, for our life together, for her daily love and guiding inspiration, this book is dedicated to mi pareja, RebekaCampos-Astorkiza. x
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