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ApproachingtheAncientArtifact Approaching the Ancient Artifact Representation,Narrative,andFunction AFestschriftinHonorofH.AlanShapiro Editedby AmaliaAvramidou andDeniseDemetriou ISBN978-3-11-030873-0 e-ISBN978-3-11-030881-5 LibraryofCongressCataloging-in-PublicationData ACIPcatalogrecordforthisbookhasbeenappliedforattheLibraryofCongress. BibliographicinformationpublishedbytheDeutscheNationalbibliothek TheDeutscheNationalbibliothekliststhispublicationintheDeutscheNationalbibliografie; detailedbibliographicdataareavailableontheInternetathttp://dnb.dnb.de. ©2014WalterdeGruyterGmbH,Berlin/Boston Coverimage:bpk|RMN–GrandPalais|Hervé‚Lewandowski Typesetting:jürgenullrichtyposatz,Nördlingen Printing:Hubert&Co.GmbH&Co.KG,Göttingen ♾Printedonacid-freepaper PrintedinGermany www.degruyter.com Acknowledgements Thisvolumehasbenefitedfromthesupportofseveralinstitutionsandmanyindivi- duals.Wewishheretothankallofthem. We are grateful to Mario Iozzo for planting the idea that grewinto this volume, and for his help in the initial planning stages. We are deeply indebted to John H. Oakley and Matthew Roller, who have been pillars of support throughout this project; we thank them for their continuous assistance given at a moment’s notice, advice,encouragement,andforbeingsuchwonderfulco-conspirators! Thisvolumewouldneverhavematerializedwithoutthegenerousfinancialcon- tributions of the Alexander Onassis Foundation in New York and the D. Robinson Fund (The Johns Hopkins University). We express our warmest thanks to Amalia Cosmetatou in New York, and Matthew Roller and Howard Egeth in Baltimore, for their help in securing these subvention grants. We are also grateful to the History DepartmentatMichiganStateUniversityforitsfinancialsupport. Thecontributorstothisvolumehavebeensupportiveofourprojectfromthestart andwewishtothankallofthemfortheircommitmenttoit,aswellasformanagingto keepthisFestschriftasecretfromthehonorandforalmosttwoyears.Severalofthem arealsoaffiliatedwithmuseumsaroundtheworldandhavegraciouslyallowedother authors in this volume (and, sometimes, themselves!) to reproduce here images of objects in their collections’ holdings. In addition, we would like to express our appreciationtoallthoseofAlan’sfriendsandcolleagueswho,thoughtheywantedto participateinthevolume,intheendwereunabletoforvariouspersonalandprofes- sionalreasons. Lastbutnotleast,wewishtothankAubreyCatroneatMichiganStateUniversity for her tireless contribution to the preparation of this Festschrift, Ginnie Miller, the AdministratoroftheClassicsDepartmentatTheJohnsHopkinsUniversity,forallof herhelp,andtheeditorialteam–MirkoVonderstein,StellaDiedrich,HannesKaden, and Johanna Wange, in particular – at De Gruyter, Berlin, for their interest in our projectandtheirfriendlyassistancethroughouteverystepoftheprocess. Collaboratingonaprojectanddoingsofromacrosscontinentsturnedouttobea fruitful, rewarding, and enjoyable experience for both of us. We are honored to be able to present this volume to our mentor, without whose intellectual guidance, unflaggingsupport,andselflessteaching,neitherofuswouldbewherewearetoday. ToAlanShapiro! Table of Contents AcknowledgementsV ContributorsXI AbbreviationsXV AmaliaAvramidouandDeniseDemetriou ForewordXVII H.AlanShapiro:BibliographyXIX MythintoArt SarahP.Morris HelenRe-Claimed,TroyRe-Visited:ScenesofTroyinArchaicGreekArt3 BethCohen Polyxena’sDroppedHydria:TheEpicCycleandtheIconographyofGravityin AthenianVasePainting15 TylerJoSmith MythintoArt:ABlack-figureColumnKraterfromCastleAshbyattheUniversity ofVirginia31 J. MichaelPadgett TheSerpentintheGarden:Herakles,Ladon,andtheHydra43 HeideMommsen ReflectionsonTriton53 ErikaSimon HeraklesandGerasinEtruria65 RalfvondenHoff TheseusandAithra!AForgottenFragmentandanOldProblem69 MarioIozzo TheseusandPeriphetesbytheSabouroffPainter?77 MarcelloBarbanera DressingtoHunt.SomeRemarksontheCalyxKraterfromtheSo-calledHouseof C. JuliusPolybiusinPompeii91 VIII TableofContents MichalisTiverios Phrixos’Self-sacrificeandhis“Euphemia”105 StephanSteingräber PhiloktetesinBrauron(Attica)andVolterra(Etruria)117 SusanRotroffandRobertLamberton TheTombsofAmazons127 IconographyofMourning SusanB.Matheson TheWretchednessofOldKings141 JudithM.Barringer AthenianStateMonumentsfortheWarDead:EvidencefromaLoutrophoros153 WendyE.Closterman WomenasGiftGiversandGiftProducersinAncientAthenianFuneraryRitual161 MatthewRoller Volgeinescia:OntheParadoxofPraisingWomen’sInvisibility175 DietrichBoschung ReducedMyths:RomanAshChestswithMythologicalScenes185 JohnH.Oakley RomanSarcophagiintheToledoMuseumofArt197 ArtandCult MonikaTrümper BathingintheSanctuariesofAsklepiosandApolloMaleatasatEpidauros211 OlgaPalagia TheThreeGracesatthePanathenaia233 LinaKokkinou HermesandtheAthenianAcropolis:HermesEnagonios(?)onaRed-figureMiniature AmphoraofPanathenaicShapebytheBulasGroup243 TableofContents IX NassiMalagardis ἈναθήματαontheAthenianAcropolisandintheSanctuaryoftheNymph (600–560 BCE):TheCaseoftheSkyphoi255 GuyHedreen TheArtificialSculpturalImageofDionysosinAthenianVasePaintingandthe MythologicalDiscourseofEarlyGreekLife267 AllisonSurtees SatyrsasWomenandMaenadsasMen:TransvestitesandTransgressionin DionysianWorship281 CourtshipScenes DyfriWilliams “ToDreamtheImpossibleDream”297 JeniferNeils HareandtheDog:ErosTamed311 RobertF.Sutton ATypeγCourtingSceneforAlan:TheSpitzerAmphoraatBrynMawrCollege319 AdrienneLezzi-Hafter ALazyAfternoon335 NarrativeStrategies J. RobertGuy AMatterofStyle/WhyStyleMatters:ABirthofAthenaRevisited341 JasperGaunt StoryandStatus:TheFrançoisVaseandtheKraterfromVix349 BettinaKreuzer AFrameforNames:TheCaseoftheHydriaLouvreF287363 MarkD.Stansbury-O’Donnell CompositionandNarrativeonSkyphoiofthePenelopePainter373