APOPHIS: Omnibus Edition 1 APOPHIS: Omnibus Edition 2 APOPHIS: Omnibus Edition APOPHIS by Michael Kelly A Publication of the Order of Apep 3 APOPHIS: Omnibus Edition For Ipsissimus James Lewis: A Remanifestation Copyright 2009 by the author of this book Michael Kelly. The book author retains sole copyright to his or her contributions to this book. 4 APOPHIS: Omnibus Edition CONTENTS Introduction..............................................................................7 The Trail of the Serpent...........................................................9 The Seven Heads of the Ancient Dragon...............................39 The Work of the First Head...................................................69 The Work of the Second Head...............................................93 The Work of the Third Head................................................125 The Work of the Fourth Head..............................................159 The Work of the Fifth Head.................................................219 The Work of the Sixth Head................................................265 The Work of the Seventh Head............................................283 Further Reading...................................................................287 5 APOPHIS: Omnibus Edition 6 APOPHIS: Omnibus Edition INTRODUCTION Draconian magic is unequivocally a school of the Left-Hand Path. That is to say it is a school which teaches the immortalisation and deification of the individual psyche, as opposed to the Right-Hand Path which seeks to submerge that psyche within a sense of universal oneness. Draconian magic is in its very essence terrifying, alienating and antinomian, but – for the successful few – it is ultimately liberating, illuminating and joyous. It is definitely not for the faint- hearted or dilettante. Casual experimentation will prove worthless, as the act of tearing oneself from the womb of the cosmos is an exercise of Will and heroism, qualities gained only through intense struggle. This may sound very off-putting, but so it should. Dragons in western lore are creatures of terror and death. These fearful archetypes resonate with those from other cultural roots, such as Tiamat, the Serpent of Eden and especially the Egyptian Apep, the primal serpent of Chaos. This book takes the symbolism of the seven-headed dragon of antiquity and instructs the reader how to awaken each of these heads within his own psyche, until he truly becomes a magical dragon, a god in essence. This work is 7 APOPHIS: Omnibus Edition presented in a carefully measured curriculum, which if followed will provide a steady and powerful process of awakening. The work of the heads must be approached in the order given in order to ensure consistent and reliable results. Picking and choosing may result in nothing at best or mental imbalance at worst. Experienced magicians may feel inclined to take short cuts to reflect what they have already learned. Truly experienced magicians will not do so, recognising that there is always more to learn. The teachings codified in this book are derived from my experience as past Grand Master of the Temple of Set's Order of Leviathan and were further developed in the later independent Order of Apep. They have been tested by many strong Initiates over many years and are of proven efficacy. The first footsteps of this curriculum may be familiar from many schools of magical practice, but the Work of the later heads is, I believe, unique in print. Never before have the ultimate aims and essence of the Left-Hand Path been revealed so clearly in practical steps. To those who will plumb the abyss of the reptilian mind, awaken the fire serpent and ultimately see through the Eye of Leviathan, I salute you! Michael Kelly - The Dragon Fafnir - Winter 2009 8 APOPHIS: Omnibus Edition CHAPTER ONE THE TRAIL OF THE SERPENT What is Draconian Magic? Draconian magic is, by definition, magic fuelled by the symbolism and energies of dragons. Although today dragons tend to be relegated to fantasy novels (usually trilogies, of course) or fantasy cinema, their mythological roots are deep and dark. I suspect that most people with a fascination for dragons today have acquired it through fantasy rather than myth. This is not always a bad thing. Tolkien's Smaug stands upon firm and recognisable mythological roots, for instance, and the serpents who slither through Robert E. Howard's Conan stories are truly bearers of the helm of awe. But many of the dragons of popular fantasy are far removed from the Draconian spirit, becoming just another monster in a fictional menagerie. The journey of rediscovering the true essence of the dragon is an uncomfortable and terrifying experience for most contemporary people, cruelly displaying aspects of their own selves that they would rather not acknowledge. But self- knowledge and self-integration are the only true keys to 9 APOPHIS: Omnibus Edition magical wisdom and magical power. Draconian lore and practice are rarely found in any of the published books on magic. There are a few very notable exceptions, of course. Kenneth Grant's Typhonian Trilogies are packed full of references to the Draconian current and should be sought out and avidly devoured by all students of this present curriculum. Don Webb's growing corpus of Setian magical books – commencing with The Seven Faces of Darkness – are likewise indispensible for both theoretical and practical purposes. A selected, annotated reading list is included at the back of this book. One reason that so little of the Draconian current appears in modern magical books is that it is unashamedly and irrevocably Left-Hand Path in its aims and methodologies. People are very afraid of this. The Right- Hand Path teaches that the goal of the soul is to attain a blissful union with God / Goddess / Universe, or – in the purest forms of Right-Hand Path philosophy, such as Buddhism – the very cessation of existence in a serene nothingness. The Left-Hand Path in contrast champions individual existence and ultimate Self-deification as its goal. The Universe is not a thing to lose oneself in, but a magnificent arena for play in which the Self may express and develop its own unique and indissoluble essence in an ever- expanding cycle of Remanifestation. The first thing that the Initiate learns, however, is that he knows next to nothing of himself. The personality is a hotch-potch of parental and societal conditioning, shaped and reshaped by the media, advertising and selective education. The first tasks for the student are to strip away the accretions to finally reveal his own unsullied central core. This process of self-revelation is the first opening of the Eye of Leviathan, learning to see things – and particularly oneself – as they 10