The subtitle of Kent's first memoir, and first book since 2002's The Dark Stuff collected his writings on rock music, says it all: this is a staggering and vibrant account of one music critic's decadent decade. Kent, whose journalism helped define the UK's New Musical Express in its heyday, reportedly spent 15 years working on this book, sifting through his drug-addled memory to provide a blow-by-blow, year-by-year account of his dark and chaotic journey from teenage fan to celebrated music critic to serious junkie. Packed with up-close-and-personal encounters on both sides of the Atlantic with the likes of the Rolling Stones, David Bowie, and Led Zeppelin, this memoir is a refreshingly bleak and grimy chronicle of an oft-mythologized era. Kent's sometimes unfavorable recollections seldom veer into character assassinations, nor does he glorify the sex, drugs, and rock'n'roll lifestyle that nearly killed him. Along the way, Kent falls in love with Chrissie Hynde, takes a beating from Sid Vicious, and finds a life-saver in Iggy Pop. Kent's personal, candid style makes the exploits, few of which are pretty or heroic, read like an intimate all-night conversation. 10 pages of b&w photos.
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The Onion’s AV Club, 9/1/10
“Apathy ping-pongs easily between personal reminiscences and more general overviews of rock’s shape each year.”
Goldmine, 10/1
“A vibrant story, an autobiography that never hits auto-pilot”
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Library Journal_, 9/24
“A candid, graphic, and fascinating memoir of [Kent’s] 1970s... Amazing true stories on every page... Highly recommended for anyone interested in the dark days of rock and in British rock journalism.”
Hartford_ Advocate, _10/15/10
“Nearly every page of Apathy contains a scene about which you find yourself muttering out loud, ‘No way,’ and two pages later Kent has fleshed it out so completely that you can almost hear him responding ‘Way’...If you ever wanted to be a fly on the wall to rock ‘n’ roll debauchery, Nick Kent is your man.”
Buffalo_ News
_“_Apathy_ is not some sordid tale of rockstar trainspotting...Kent mattered (and matters still) because he was a great writer, a passionate music love and a man able to tap into the cultural zeitgeist at will. Essential reading for anyone who cares about the rock culture of the ‘70s.”
Glide Magazine, 10/27/10
“[A]nyone who can write a memoir that includes folks like David Bowie, Chrissie Hynde, Lou Reed, and Keith Richards and never comes off as a name-dropper must be telling a pretty good story, wouldn’t you say?”
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Milwaukee__ Shepherd Express_, 11/8/10
“[A] compelling page-turner and revealing look at the origins of heavy metal, space rock, glitter and punk.”
Crawdaddy! , 11/24/10
“At once sentimental, salacious, and sometimes shocking slice of essential music memoir...If there is redemption in Kent’s decade of groping in the dark, it’s that he lived to illuminate it; his emotional appreciation of rock’s art prevails over 30 years of chitchat and theory about it...A whistle blower and old-time investigative journalist, Kent fulfills a necessary function as truth teller in the flighty discourse of pop culture. Reporting back from a time when the complicity of the press and the audience converged to become the great rock ‘n’ roll swindle, he’s done his due diligence and given us more than a glimpse behind the curtain.”
Detroit_ Metrotimes,_ 11/30/10
“One of the more fascinating reads of the year.”
Metroland, 12/13/10
“Englishman Nick Kent had a front-row seat for the tumult of music that spilled out of the ’60s into the ’70s...He depicts it all with the same honest flair that put him on the map as a journalist in the first place.”
Houston_ Press_, 12/15/10
“Know this: Nick Kent had more fun by age 24 than you will during your entire life. His fascinating eyewitness accounts include musical (but mostly non-musical) recreational pursuits with a who's who of '70s rock... An eminently readable and rollicking ride, Apathy for the Devil...is a great read. Kent's hero, and Almost Famous cameo, Lester Bangs would be proud.”
Publishers Weekly, 2/28/11
“A staggering and vibrant account of one music critic's decadent decade...A blow-by-blow, year-by-year account of [Kent’s] dark and chaotic journey from teenage fan to celebrated music critic to serious junkie. Packed with up-close-and-personal encounters on both sides of the Atlantic...this memoir is a refreshingly bleak and grimy chronicle of an oft-mythologized era...Kent's personal, candid style makes the exploits, few of which are pretty or heroic, read like an intimate all-night conversation.”