Antiquaries Journal 1993: Vol 73 Index

9 Pages·1993·1.7 MB·English

INDEX
Compiled by SusANNE ATKIN
Page numbers in italics refer to illustrations
Admont, nuns of, seal used by 154 Bassett, Stephen (ed), Death in Towns: Urban
adzes, Bronze Age, from Lichfield 125 Responses to the Dying and the Dead, 100-1600,
Albrecht V of Austria, device of 155 reviewed 197
Alexander III (Roland Bandinelli), pope 88, go, g1, Bayeux Tapestry 98, 104, 107
94-5, 98-103, 105, 106,107, 109, 110, ITI, 112, Bayley, Justine, review by, Mines et metallurgie chez
113 les éduens. Le district sidérurgique antique et médiéval
Alexander, Jonathan J. G., Medievai Illuminators and du morvan-auxois 194-5
their Methods of Work, reviewed 217-18 beads, amber, from Oakley Down 137
Alphonso V of Aragon and Naples, medal for 152 Belgium, distribution of Tournai fonts 72, 16, 18, 20
altars, golden, in Italy 169-70 bell shrine, metal, late eleventh century 148, 749
Altichiero, paintings for Sala del Consiglio, Venice Bergh Apton (Norfolk), Anglo-Saxon brooches 6, 7
98, 107 (table 5)
Amesbury see Butterfield Down Berkshire Record Office, typescript catalogue of
Angera (Italy), Rocca Borromeo, Visconti frescoes seals 153
98, 102, 103, 104 Berry, John, Duke of, devices used by 153
Anglo-Saxon period: brooches, great square- Bettey, J. H., review by, A History of the County of
headed, alloys of 1-10; brooches and spear- Somerset. Vol. VI. Andersfield, Cannington and
head from Hod Hill 132-40; cross-shaft (Ruth- North Petherton Hundreds (Bridgwater and Neigh-
well Cross) 141-8 bouring Parishes) 192-3
Antenori, Beato, doge 96 Binche (Belgium), Tournai font 24, 25 n.1
Antenori, Obelerio degli, doge 96 Binski, Paul, review by, The Tomb and the Tiara:
anvil, for goldworking, Bronze Age, from Lichfield Curial Tomb Sculpture in Rome and Avignon in the
125-32, 126 Later Middle Ages 218-19
Aragonese order of the Jarra, motto 155 Birke, Wolfram see Mangin, Michel
Assisi (Italy), St Francis cycle 88, 112 Bisham (Berks), Montagu’s Great Chamber,
Austrian Unicorn Society, badge 155 crown post construction 63
Avignon (France), St Martial cycle 88 Blanche ofC astille, queen 172
axe, bronze, Bronze Age, from Lichfield 125, 126, Blandford (Dorset), Anglo-Saxon button brooch
127 136
Blatchly, John, Francis Grose and Dudley
Snelgrove, exhibited by 178-80
Baardegem (Belgium), Tournai font 18, 24 Blazquez, Jose Maria and Arcadio del Castillo,
Badbury Rings (Dorset), spearhead from hillfort Prehistoria Y Edad Antigua, reviewed 193-4
136 Blessy (France), Tournai font 24, 25 n.1
Bailey, Donald M., a late Roman hunting knife, blocks: bronze, for metalworking, Bronze Age 125,
exhibited by 180-3, 187 126-7, 128; chalk see chalk plaque
Bailey, R. N., note on the Ruthwell Cross: a non- Bokerley Dyke (Dorset) 136-7
problem 141-8 Bonincontro de’Bovi, Historia de Discordia 100-1,
Ballinderry Crannog (Ireland), eighth century 102, 105, 108, 111, 113, 114
enamelled pin 148 Borg, Alan, review by, Cloister Design and Monastic
Barbara of Brandenburg, impresa of 152, 153 Reform in Toulouse: the Romanesque Sculpture of La
Barbarossa see Frederick I Barbarossa Daurade 215-16
Bardi, Girolamo, visit to the Doge’s Palace 85, 88, Boulge (Suffolk), Tournai font 14, 15-16, 22
90-1, 97-8, 103 Bourghelles (Belgium), Tournai font 20, 24, 25 n. 1
base cruck roofs see Marwell Hall Bradenstoke Priory, roof 47
INDEX
Compiled by SusANNE ATKIN
Page numbers in italics refer to illustrations
Admont, nuns of, seal used by 154 Bassett, Stephen (ed), Death in Towns: Urban
adzes, Bronze Age, from Lichfield 125 Responses to the Dying and the Dead, 100-1600,
Albrecht V of Austria, device of 155 reviewed 197
Alexander III (Roland Bandinelli), pope 88, go, g1, Bayeux Tapestry 98, 104, 107
94-5, 98-103, 105, 106,107, 109, 110, ITI, 112, Bayley, Justine, review by, Mines et metallurgie chez
113 les éduens. Le district sidérurgique antique et médiéval
Alexander, Jonathan J. G., Medievai Illuminators and du morvan-auxois 194-5
their Methods of Work, reviewed 217-18 beads, amber, from Oakley Down 137
Alphonso V of Aragon and Naples, medal for 152 Belgium, distribution of Tournai fonts 72, 16, 18, 20
altars, golden, in Italy 169-70 bell shrine, metal, late eleventh century 148, 749
Altichiero, paintings for Sala del Consiglio, Venice Bergh Apton (Norfolk), Anglo-Saxon brooches 6, 7
98, 107 (table 5)
Amesbury see Butterfield Down Berkshire Record Office, typescript catalogue of
Angera (Italy), Rocca Borromeo, Visconti frescoes seals 153
98, 102, 103, 104 Berry, John, Duke of, devices used by 153
Anglo-Saxon period: brooches, great square- Bettey, J. H., review by, A History of the County of
headed, alloys of 1-10; brooches and spear- Somerset. Vol. VI. Andersfield, Cannington and
head from Hod Hill 132-40; cross-shaft (Ruth- North Petherton Hundreds (Bridgwater and Neigh-
well Cross) 141-8 bouring Parishes) 192-3
Antenori, Beato, doge 96 Binche (Belgium), Tournai font 24, 25 n.1
Antenori, Obelerio degli, doge 96 Binski, Paul, review by, The Tomb and the Tiara:
anvil, for goldworking, Bronze Age, from Lichfield Curial Tomb Sculpture in Rome and Avignon in the
125-32, 126 Later Middle Ages 218-19
Aragonese order of the Jarra, motto 155 Birke, Wolfram see Mangin, Michel
Assisi (Italy), St Francis cycle 88, 112 Bisham (Berks), Montagu’s Great Chamber,
Austrian Unicorn Society, badge 155 crown post construction 63
Avignon (France), St Martial cycle 88 Blanche ofC astille, queen 172
axe, bronze, Bronze Age, from Lichfield 125, 126, Blandford (Dorset), Anglo-Saxon button brooch
127 136
Blatchly, John, Francis Grose and Dudley
Snelgrove, exhibited by 178-80
Baardegem (Belgium), Tournai font 18, 24 Blazquez, Jose Maria and Arcadio del Castillo,
Badbury Rings (Dorset), spearhead from hillfort Prehistoria Y Edad Antigua, reviewed 193-4
136 Blessy (France), Tournai font 24, 25 n.1
Bailey, Donald M., a late Roman hunting knife, blocks: bronze, for metalworking, Bronze Age 125,
exhibited by 180-3, 187 126-7, 128; chalk see chalk plaque
Bailey, R. N., note on the Ruthwell Cross: a non- Bokerley Dyke (Dorset) 136-7
problem 141-8 Bonincontro de’Bovi, Historia de Discordia 100-1,
Ballinderry Crannog (Ireland), eighth century 102, 105, 108, 111, 113, 114
enamelled pin 148 Borg, Alan, review by, Cloister Design and Monastic
Barbara of Brandenburg, impresa of 152, 153 Reform in Toulouse: the Romanesque Sculpture of La
Barbarossa see Frederick I Barbarossa Daurade 215-16
Bardi, Girolamo, visit to the Doge’s Palace 85, 88, Boulge (Suffolk), Tournai font 14, 15-16, 22
90-1, 97-8, 103 Bourghelles (Belgium), Tournai font 20, 24, 25 n. 1
base cruck roofs see Marwell Hall Bradenstoke Priory, roof 47
INDEX
Bradley, Richard, Altering the Earth: the Origins of Carnuntum, pyxis 164
Monuments in Britain and Continental Europe, carpentry, medieval 37
reviewed 203-4 Carver, M.O.H. (ed), The Age of Sutton Hoo: the
Bradley, Richard and Mark Edmonds, Interpreting Seventh Century in North-Western Europe, reviewed
the Axe Trade: Production and Exchange in Neolithic 208-9
Britain, reviewed 199-200 Castellano da Bassano, poem by 101-2, 103, 108,
brass objects see knife (handle); pins 109, 110, 111, 113
Brault, Gerard J., ‘A French Source of the Lord ceramics: bowl for Medici pope 152-3; slipware
Marshal’s Roll (1295-6)’ 27-36 dish, with d’Este impresa 152; see also tiles
British Library: BL MS Harley 268 71; Smithfield chalk plaque, late Neolithic, from Butterfield Down
Decretals (MS Royal 10 E.IV) 75 n. 12 183-5, 184
British Museum: Bronze Age finds from Lichfield Chalons-sur-Marne (France), Tournai font 20, 24
125-7; late Roman hunting knife 180, 787, Champion, T. C., review by, Maiden Castle. Excava-
182-3; Papal rings 158; pyxis 161-5; seal dies tions and Field Survey 1985-86, 204-5
153; spearheads, Anglo-Saxon 136, 137 Chéreng (France), Tournai font 18, 20, 27, 22, 24
Bronze Age, goldworking anvil and metalwork, Chernykh, E. N., Ancient Metallurgy in the USSR: the
from Lichfield 125-32 Early Metal Age, reviewed 204
bronze objects see anvil; axe; blocks; finger; mount; Chichester (W. Sussex): pyxis 164; toilet instru-
pyxis ments 165
brooches: Anglo-Saxon: alloys of great square- Chippindale, Christopher, review by, Journal of
headed 1-10, annular g, button 136, 137, European Archaeology 195-6
cruciform and equal-armed, from Hod Hill Christchurch Priory (Hants), font 15
132-40, stamped ornament 2, 6, 6, 9; medieval. Clarendon Palace (Wilts), chamber decorated with
with proto-imprese 155 portraits 97
Brown, Michelle P., review by, Medieval Illuminators Clark, Willene B., The Stained Glass Art of WilliaJma y
and their Methods of Work 217-18 Bolton, reviewed 220—1
Brownsword, R. and J. Hines, ‘The Alloys of a clay see moulds
Sample of Anglo-Saxon Great Square-headed coins, Roman, from area of Hod Hill 136
Brooches’ 1-10 Cole, William, A Catalogue of Netherlandish and North
Bruce-Mitford, Rupert, review by, The Origins of European Roundels in Britain, reviewed 219
Beowulf and the Pre-Viking Kingdom of East Anglia Cologne (Germany), pyxis 164
210-11 Comines (France), Tournai font 24, 25 n.1
Bryn Athyn (Penn., USA), Academy of the New Compiégne (France), Saint-Antoine, Tournai font
Church museum, font 22, 24 20, 22, 23, 24
Budny, Mildred and Leslie French, review by, Compiégne, Tournoi de 28
English Caroline Script and Monastic History: Coningsby (Lincs), Church House, roof construc-
Studies in Benedictinism, A.D. 950-1030 211 tion: crown post 63; jowl 53
Burch, Edward, engraver, intaglio by 175-8 Contarini, Andrea, doge 106-7
Burgundy, Duke of, device used by 153 copper-alloy objects see brooches; cosmetic grin-
burials and graves: Roman, at Elsenham 161-5; ders; Papal rings
Anglo-Saxon 137, 138, 139 Cornaro, Marco, doge 81
Bury St Edmunds (Suffolk), Anglo-Saxon brooch, cosmetic grinders, copper-alloy, Romano-British,
Westgarth Gardens [27] 7 (& table 6) from London 165-9
Butterfield Down (Wiltshire), decorated chalk Craddock, P. T., review by, Ancient Metallurgy in the
plaque, late Neolithic 183-5, 184 USSR: the Early Metal Age 204
Crook, John, ‘The Medieval Roofo fM arwell Hall,
Hampshire’ 37-68
Caen (France), medieval tiles from 170-5, 171, 174 cross-shaft, Anglo-Saxon, at Ruthwell 141-8
Cakmak, Ahmet S. see Mark, Robert Cubbington (Warks), Manor House, strutting 67
Cambridgeshire, Anglo-Saxon brooches 3, and see n. 16
Little Wilbraham; Linton Heath
Camden, William, note on his 1610 edition of Dandolo, Andrea, doge 93, 101, 108, 112
Britannia 158-60 Dandolo, Enrico, doge 105
Caorle (Italy), Pala d’oro in Cathedral of St Ste- Dartington Hall (Devon): crown post 63; short
phen, medieval 169-70, 169 spandrel posts 53, 62
224 THE ANTIQUARIES JOURNAL
Deftinge (Belgium), Tournai font 18, 24 finger, bronze, Roman, from Verulamium (exhi-
Deighton, Alan, “The Literary Context of the Wall- bited) 185-8
painting at Idsworth, Hampshire’ 69-75 Fishpool (Notts), hoard of medieval jewellery 155
del Castillo, Arcadio see BlasquezJ,os e Maria Florence (Italy): legend of the hairy anchorite and
Delluc, Brigitte and Gilles Delluc, L’Art Pariétal St John the Baptist 71, 72; Medici device 152;
Archaque en Aquitaine, reviewed 197-8 mosaics of the baptistery 89
Dendermonde (Belgium), Tournai font 16, 18, 79, Foister, Susan, review by, North European Panel
24 Paintings: a Catalogue ofN etherlandish and German
dendrochronological analysis, of roof timbers at Paintings before 1600 in English Churches and Col-
Marwell Hall 41, 63 (& table 1) leges 220
Deux-Acren (Belgium), Tournai font 16, 18, 24 fonts: Mosan 16, 20, 22, 25 n. 2; Tournai stone and
Drake, C. S., ‘The Distribution of Tournai Fonts’ craftsmanship 11-26
11-26 Fox, Bishop 41
Diilken-Odilienberg (Germany), font 16, 22 France: distribution of Tournai fonts 12, 16, 18, 20;
Dumville, David N., English Caroline Script and Mon- legend of the hairy anchorite 71, 72; medals
astic History: Studies in Benedictinism, A.D. 950- and imprese 152, 153, 154; rolls as source for
1030, reviewed 211 Lord) Marshal’s_ Roll, thirteenth-century
Dunning, R. W. (ed), A History of the County of 27-36; pyxides, Roman (from ‘Pas-de-Calais’
Somerset. Vol. VI. Andersfield, Cannington and North and unknown, France?) 164
Petherton Hundreds (Bridgwater and Neighbouring Frederick I Barbarossa, Emperor 88, 94-5, 98, 99,
Parishes), reviewed 192-3 100-2, 103, 105, 107, 108, 109, 113
Durham (Co Durham), catalogue of seals 153 French, Leslie see Budny, Mildred
Dyson, T. see Steadman, K. Fresné-la-mére hoard, metalwork 131
Froxfield (Hants), Trees Cottage, base cruck hall
64
Eagles, Bruce and Catherine Mortimer, note on Froyennes (Belgium), Tournai font 18, 24
Early Anglo-Saxon artefacts from Hod Hill,
Dorset 132-40 Gallaix (Belgium), Tournai font 18, 24
East Anglia: Anglo-Saxon brooches 3, 6; cosmetic Gand (Belgium), Abbey of Saint-Bavon, font 18
grinders (mortars) 168 Garbett, William, architect 41
East Meon (Hants), Tournai font 15, 25 Gardner, Julian, The Tomb and the Tiara: Curial Tomb
Edmonds, Mark see Bradley, Richard Sculpture in Rome and Avignon in the Later Middle
Edward I, king: depicted in decorative scheme 98; Ages, reviewed 218-19
rolls of arms 27; sub-infeodation abolished 41 Gent (Belgium), Tournai font 24
Edward the Black Prince, shield for peace, in Can- Gentile da Fabriano, paintings in the Doge’s Palace
terbury 154 attributed to 82, 83, 88
Elsenham (Essex), enamelled bronze pyxis, Roman Germany: legend of the hairy anchorite 71, 72;
161-5, 162 Tournai fonts 16
Ely Cathedral (Cambs), Irish disc headed pin, Gilbert of Sempringham, St, bones of 169
ninth-twelfth centuries 148, 150 Glankeen (Co. Tipperary), late eleventh century
Empingham (Rutland; Leics), Anglian artefacts 9 bell shrine of St Cuilean 148, 749
enamel decoration: on Roman bronze pyxis 161-5, glasswork see pyxis
162; on Anglo-Saxon brooches 2; on medieval gold objects see Pale d’oro
Irish metalwork 148-51 -gold-working see anvil
Ere (Belgium), Tournai font 18, 24 Gondecourt (France), Tournai font 16, 18, 24
Escanaffles (Belgium), Tournai font 18, 20, 27, 24 Gonzaga, Francesco, cardinal 158
Evin-Malmaison (France), Tournai font 18, 24 Gonzaga, Gianfrancesco II, Marquis of Mantua,
Exhibits at Ballots 161-88; bibliography 189-91; tile pavement for 152
notes 188 Goodall, John A.: medieval tiles from Caen, exhi-
bited by 170-5, 171, 174; note on the earliest
imprese, a study of some medieval seals and
Falieri, Marino, portrait of 81, 85 devices 152-7; note on ‘Papal rings’, a quattro-
Farrell, Robert and Carol Neumann de Vegvar cento reference 157-8
(eds), Sutton Hoo: Fifty Years After, reviewed Grierson, Philip and Melinda Mays, A Catalogue of
208-9 Late Roman Coins in the Dumbarton Oaks Collection
INDEX 225
and in the Whittemore Collection, from Arcadius and Ipswich (Suffolk): Anglo-Saxon brooches, Had-
Honorius to the Accession of Anastasius, reviewed leigh Road 6, 7-8 (& table 7), Ipswich [XVI]a 7
205-6 (& table 6), 8 (& table 7), [pswich [XVI]b 7 (&
Grose, Francis, artist, and Dudley Snelgrove (exhi- table 6), 8 (& table 7); Museum, Tournai font
bit) 178-80 fragment found in town ditch 14, 15, 24, 25; St
Gréssinger, Christa, North European Panel Paintings: Peter’s church, Tournai font 11, 73, 15, 25
a Catalogue of Netherlandish and German Paintings Ireland, niello and enamel on medieval metalwork
before 1600 in English Churches and Colleges, 148-51
reviewed 220 iron object see knife
Guarbecque (France), Tournai font 18, 24 Italy: legend of the hairy anchorite 71, 72; Papal
Guariento, paintings in the Doge’s Palace, Venice rings 157-8; seals 153; use of imprese, medi-
81, 98, 107; Battle of Spoleto 88, 89, 90, 94, 95; eval 152
Paradiso 81, 82, 84, 85, 92-3, 96, 103, 105
Jackson, Ralph, function and manufacture of
Haccombe (Devon), church roof6 3
Romano-British cosmetic grinders: two
hairy anchorite legend 69-75
important new finds from London, exhibited
Hall, R. A., reviews by: Aspects of Saxo-Norman
by 165-9
London: I. Building and Street Development
Jacobello del Fiore: altarpiece, formerly in Ceneda
211-14; Aspects ofS axo-Norman London: II. Finds
Cathedral g2, g6; in Venice 82
and Environmental Evidence 212-14; Aspects of
Jan van Beverley (chapbook, 1543) 72, 73, 73, 74
Saxo-Norman London: III. The Bridgehead and
Jarler, archbishop of Upsala, seal of 154
Billingsgate to 1200 212-14; Post Medieval Pottery
jewellery, medieval, imprese and proto-imprese
in London, 1500-1700 212-14; Timber Building
designs 152, 155; see also brooches; Papal rings
Techniques in London c.goo-1400 212-14
Johannes Chrysostomus, St 72, 74
Hautmont (France), Tournai font 20, 22, 23, 24
John of Beverley, St 72, 73-4
Hawker, P. C., the Caorle Pala d’oro, exhibited by
John the Fearless, collar 153
169-70
John of Pontoise, Bishop 37
Herentals (France), Tournai font 24, 25 n. 1
Johns, Catherine, enamelled bronze pyxis from a
Hills, Catherine, reviews by: Sutton Hoo: Fifty Years
Roman grave at Elsenham, Essex, exhibited
After 208-9; The Age of Sutton Hoo: the Seventh
by 161-5, 162
Century in North-Western Europe 208-9; Voyage to
Johnston, Alan, review by, Knossos From Greek
the Other World: the Legacy of Sutton Hoo 208-9
City to Roman Colony: Excavations at the Unex-
Hines,J . see Brownsword, R.
plored Mansion II 202-3
Hod Hill (Dorset), Early Anglo-Saxon artefacts
Jorgensen, Lise Bender, North European Textiles until
132-40
AD 1000, reviewed 196-7
Holywell Row see under Suffolk
Journal of European Archaeology, reviewed 195-6
Hooke, Della, review by, Pre-Viking Lindsey 209-10
Julian of Norwich 73-4
Horsham (Sussex), short spandrel posts 67 n. 17
Horsman, V., C. Milne and G. Milne, Aspects of
Saxo-Norman London: I. Building and Street
Keay, Simon, review by, Prehistoria Y Edad Antiqua
Development, reviewed 211-14
Horste, Kathryn, Cloister Design and Monastic Reform 193-4
Keesmann, Ingo see Mangin, Michel
in Toulouse: the Romanesque Sculpture of La Dau-
Kendall, Calvin B. and Peter S. Wells (eds), Vovage
rade, reviewed 215-16
to the Other World: the Legacy of Sutton Hoo,
Hove (Belgium), Tournai font 18, 24
reviewed 208-9
Hurst, John G., review by, Pottery in Archaeology 193
Kent, John, review by, A Catalogue of Late Roman
Coins in the Dumbarton Oaks Collection and in the
Ichtegem (Belgium), Tournai font 24, 25 n.1 Whittemore Collection, from Arcadius and Honorius
Idsworth (Hants), wall-painting (fourteenth- to the Accession of Anastasius 205-6
century) in church of St Hubert 69-75 Kertch (Crimea), pyxis 164
Iffley (Oxon), font 16 King Barrow Ridge (Wiltshire), chalk plaques,
imprese (seals and devices), medieval 152-7 prehistoric 184-5
intaglio: note on a cornelian intaglio Antinous made King, David J., review by, A Catalogue of Netherlan-
by Edward Burch 175-8, 176, 177 dish and North European Roundels in Britain 219
226 THE ANTIQUARIES JOURNAL
knife, iron and brass, late Roman 180-3, 181 McAlpine collection, Bronze Age anvil 130
Knowle Farm see Lichfield Mangin, Michel, Ingo Keesmann, Wolfram Birke
Kontich (Belgium), Tournai font 18, 24 and Alain Ploquin, Mines et metallurgie chez les
éduens. Le district sidérurgique antique et médiéval du
morvan-auxois, reviewed 194-5
Mantua (Italy), Sala del Pisanello 88
La Neuville-les-Corbie (France), Tournai font 16, manuscripts see Lord Marshal’s Roll
18, 24 Mark, Robert and Ahmet S. Cakmak (eds), Hagia
La Niece, Susan and Colleen Stapleton, note on Sophia from the Age of Justinian to the Present,
niello and enamel on Irish metalwork 148-51 reviewed 206-8
Lakenheath see under Suffolk Market Overton (Rutland; Leics), Anglo-Saxon
Lampernisse (Belgium), Tournai font 24, 25 n. 1 brooches 8 (& table 7)
Laon (Spain), font in cathedral 22 Marks, Richard, Stained Glass in England during the
Larissa, Thessaly (Greece), pyxis 164 Middle Ages, reviewed 216-17
Lawson, AndrewJ. , a late Neolithic chalk plaque Marlborough, Duke of, George Spencer, intaglio
from Butterfield Down, Wiltshire, exhibited owned by 176-8, 177
by 183-5 Marquise (France), stone quarries and workshops
Le Tréport (France), Tournai font 16, 20, 22 22, 25n.2
lead: Byzantine seals 154; model for cosmetic grin- Martin da Canal, writer 93, 100, 101, 104-5, 114
der 167, 168, 168 Martindale, Andrew, “The Venetian Sala del Gran
Lechlade (Glos), cemetery 1 Consiglio and its fourteenth-century decora-
Leicester (Leics), roof construction 64 tion’ 76-124
Leo X, pope, bowl with imprese of 153 Marwell Hall (Hants) 37-68: background and
Lesquielles-Saint-Germain, font 22 ownership 37, 41; cross-wings 42, south 45;
Lessines (Belgium), Saint-Pierre, Tournai font 18, porch 45; rere-arch 42, 43; staircase 41-2; three
24 bay hall 41, 42, 45, 60, 62; two-centred door-
Lewknor (Oxon), central truss of the ‘Great Barn’ way 42
46 roof (medieval), arcade plates 45-6, 53-5, 58;
Lichfield (Staffs), Knowle Farm, Bronze Age carpenters’ assembly marks 47, 59-60;
goldworking anvil and other metalwork common rafter trusses 58-60, 59; green paint
125-32 51, 55; louvre 60, 67; wind-braces 54-5, 58;
Lichtervelde (Belgium), Tournai font 16, 18, 24 alterations to 64; post-medieval phases 64-5
Lincoln (Lincs): Cathedral, Tournai font 15, 25; Maxstoke Castle (Warks), Great Hall, crown post
Deloraine Court (James Street) and No.34 construction 63
Bargate, roof construction 46-7 Mays, Melinda see Grierson, Philip
Linton Heath (Cambs), Anglo-Saxon brooch 3 Medici family, device used by 152, 153
(table 2), 5-6,5 , 7 (table 4); stamp on brooches medieval period see imprese; Ireland (metalwork);
6, 6 Marwell Hall; tiles; Venice, Doge’s Palace;
Little Wilbraham (Cambs), Anglo-Saxon broo- wall-painting
ches, Little Wilbraham Illa and IIIb 6, 7 (table Meeks, Nigel, note on the scientific study of the
3), 8 (& table 8), 9 anvil from Lichfield 129-30
Liversage, David, Barkaer. Long Barrows and Settle- Meilegem (Belgium), Tournai font 24, 25 n.1
ments, reviewed 198-9 Mercer, Roger, review by, Altering the Earth: the
Lokeren (Belgium), font 16 Origins of Monuments in Britain and Continental
London: Blossoms Inn, cosmetic grinder 166-7, Europe 203-4
166; Public Record Office, card index of seals metal alloys, of Anglo-Saxon great square-headed
153; Skipton Street, cosmetic grinder 167, 68, brooches 1-10
168; Victoria and Albert Museum, tiles with metal-working, Bronze Age goldworking anvil
imprese for the Gonzaga family 152; Westmin- 125-32
ster, Painted Chamber 104, 108; Westminster metalwork see bell shrine; brass objects; bronze
Hall 115 n.5; see also British Library; British objects; copper-alloy objects; iron object; gold
Museum objects; Ireland; lead
Long, William, and Marwell Hall 41, 45, 65 Michelino da Besozzo 82
Lord Marshal’s Roll, a French source for 27-36 Mildmay family, and Marwell Hall 41
Lower Brockhampton (Herefs), base cruck hall 64 Milne, C. see Horsman, V.
INDEX 227
Milne, G., Timber Building Techniques in London c.goo- Papal rings 157-8
1400, reviewed 212-14; see also Horsman, V. Paris (France): Notre Dame, north-west portal 96;
Mons (Belgium), font 16 Salle des Pas Perdus 96, 97, 115 n.5
Montdidier (France), Saint-Pierre, Tournai font Paul II, pope, rings with the arms of 158
16, 18, 20, 20, 24 Pearce,J. ,P ost Medieval Pottery in London, 1500-1700,
Morningthorpe (Norfolk), Anglo-Saxon brooches reviewed 212-14
6, 7 (table 5); Anglian cemetery 9 Perugino, commission for painting in the Sala del
Mortimer, Catherine see Eagles, Bruce Consiglio, Venice 85, go, 111
Mosan fonts 16, 20, 22, 25 n.2 Pervijze (Belgium), Tournai font 18, 24
moulds, clay, for square-headed brooches 4-5 Peterchurch (Herefs), Wellbrook Manor, base
mount, enamelled bronze, eleventh century, from cruck hall 64
Weston-under-Penyard 149-50, 151 Philip the Good, gold collar 153
pins: eighth century, enamelled, from Ballinderry
Crannog 148; ninth to twelfth century, brass
Needham, Stuart P., note on a Bronze Age disc headed, from Ely Cathedral 148, 160
goldworking anvil from Lichfield, Staf- Pisanello, Antonio: frescoes in Venice attributed to
fordshire 125-32 82, 88; medals by 152
Neolithic period see chalk plaque plaque see chalk plaque
Netherlands, legend of the hairy anchorite and Ploquin, Alain see Mangin, Michel
Saint John of Beverley 71, 72, 73 pyxis, enamelled bronze, Roman, from Elsenham
Neuf-Berquin (France), Tournai font 16, 18, 24 161-5, 162
Neumann de Vegvar, Carol see Farrell, Robert
New York (USA), Metropolitan Museum of Art,
pyxis 164 radiocarbon dating, for King Barrow Ridge mat-
Newton, Sam, The Origins of Beowulf and the Pre- erial 185
Viking Kingdom of East Anglia, reviewed 210-11 René d’Anjou, motto of the order of the Crescent
Niblett, Rosalind, a bronze finger from Veru- 155
lamium, exhibited by 185-8 Ribemont (France), Tournai font 16, 18, 20, 24, 25
Nicholas, bishop of Viborg, seal of 154 n.I
niello decoration: on Anglo-Saxon brooches 2; on Ridgway, David, The First Western Greeks, reviewed
medieval Irish metalwork 148-51 201-2
Nivelles (Belgium), Tournai font 18, 24 Riversdown (Hants): jowls 53; upper roof structure
Noirlac abbey (France), curved timber roof braces 62-3
63 Roesdahl, Else and David M. Wilson (eds), From
Noordpeene (France), Tournai font 16, 18, 24 Viking to Crusader: Scandinavia and Europe 800-
Northamptonshire, Anglo-Saxon brooches 3 1200, reviewed 214
Nouvion-le-Vineux (France), font 22 Roman period: objects recycled in Anglo-Saxon
Nurse, Bernard, note on the 1610 edition of Cam- period 2; roads in France and Flanders 72, 20;
den’s Britannia 158-60 see also burials and graves; coins; knife
Nurstead Hall (Kent), roof construction 64 Romano-British period see cosmetic grinders
Romsey Abbey (Hants), font 15
Rotselaar/Rotselaer (Belgium), Tournai font 18, 24
Oakley Down (Dorset), sixth-century burial 137 Roubaix (Belgium), Tournai font 20, 24, 25 n.1
Orton, Clive, Paul Tyers and Alan Vince, Pottery in Ruthwell (Dumfriesshire; Dumf & Gall), Ruthwell
Archaeology, reviewed 193 Cross (Anglo-Saxon cross-shaft) 141-8
Oxford (Oxon), Warden’s Hall, Merton College 46 Rutland: Anglo-Saxon brooches 3, and see also
Empingham; Market Overton
Padua (Italy): Arena Chapel 88, 89, 90; hall 83;
Oratorio di S. Giorgio 88 Sackett, L. H., Knossos — From Greek City to Roman
Palagia, Olga, The Pediments of the Parthenon, Colony: Excavations at the Unexplored Mansion II,
reviewed 200-1 reviewed 202-3
Pale d’oro (golden altars) 169-70 St Albans (Herts): St Michael’s School, bronze
Palmyra (Syria), pyxis 164 finger 185-6; toilet instruments and cosmetic
palstave-adzes see adzes grinders 165, 167, 168
THE ANTIQUARIES JOURNAL
St Mary Bourne (Hants), Tournai font 15, 20, 25 stonework see cross-shaft; fonts
Saint-Just-en-Chaussée, Tournai font 16, 17, 18, 22 Suffolk, Anglo-Saxon brooches: Holywell Row IT 2, 3
Saint-Sauveur (Belgium), Tournai font 18, 25 (& table 1), 7, 9; Lakenheath [XV] 3-4 (& table
Saint-Venant (France), Tournai font 16, 18, 25 2), 4, 5, 6, 7, 9; Suffolk [IV] 2,3 (& table 1) 7, 9;
saints see under name Tuddenham [XV] 3-4 (& table 3), 4, 5, 6, 7, 9; see
Salisbury (Hants): hoard of Bronze Age metalwork also Bury St Edmunds; Ipswich
130; Old Deanery, roof construction 46 Surduk (Yugoslavia), pyxis 164
San Gimignano (Italy), Sala di Dante 104, 108-9 Sutton Courtenay Abbey (Oxon), crown post con-
Scandinavia: square-headed brooches, metalwork struction 63
and craftspeople 5, 9; Tournai stone tomb- Switzerland, bronze fingers, Roman 187
slabs 11 Szombathely (Hungary), pyxis 164
Schofield,J . see Steadman, K.
Scotland, Tournai stone tomb-slabs 11
seals and devices (imprese), medieval 153-5 Taunton (Som), “Tudor Tavern’, short spandrel
Seidmann, Gertrud, a cornelian intaglio Antinous by posts 53, 62
Edward Burch, exhibited by 175-8 Tawstock (Devon), church roof6 3
Seymour, Sir Henry, and Marwell manor 41, 45 Thomas, Julian, review by, Interpreting the Axe
Sforza, Lodovico, Duke of Milan, impresa on slip- Trade: Production and Exchange in Neolithic Britain
ware dish 152 199-200
Sharples, N. M., Maiden Castle. Excavations and Field Thornton Curtis (Lincs), Tournai font 15, 25
Survey 1985-86, reviewed 204-5 Tiepolo family 97
Shepherd, G. B., review by, The First Western Greeks Tiepolo, Giacomo, doge 98
201-2 Tiepolo, Iacopo, doge 91
Siena (Italy), Palazzo Pubblico, decoration 93, 106, tiles, medieval: from Caen 170-5, 171, 174; imprese
107, 108, 110 on 152
Sieveking, Ann, review by, L’Art Pariétal Archaque en Tiptofts (Essex), roof construction 64
Aquitaine 197-8 Titian, paintings for Sala del Consiglio, Venice 111;
Sigismund, insignia of the order of the Dragon 155 Battle of Spoleto 88, go
Sleaford (Lincs), Anglo-Saxon copper-alloy objects Torcello (Italy), museum, Pala d’oro 169
from cemetery 9 Tournai (France), fonts of Tournai marble (lime-
Sligo (Ireland), gold embedded in an anvil 131 stone) 11-26
Smithfield Decretals 75 n. 12 Tuddenham see under Suffolk
Snelgrove, Dudley, and drawings by Francis Grose Tyers, Paul see Orton, Clive
178-80
Society of Antiquaries, Library of, Lord Marshal’s
roll 27-36 Urcel (France), font 22
Soignies (Belgium), Tournai font 18, 25
Southampton (Hants), St Michael’s Church,
Tournai font 13, 15, 24, 25 Veneziano, Antonio, artist 82
spearheads, Anglo-Saxon 136, 137-8, from Hod Venice (Italy): Doge’s Palace: building history
Hill 136, 737 77-83; ceiling 84; and the doge 81, 92, 96;
Spencer, George see Marlborough, Duke of entrance (c.1415-16) 79; first-floor plan 87;
Spetisbury Rings (Dorset), Anglo-Saxon spear- Foscari wing (fifteenth century) 84, 85, 91, 95;
heads from hillfort 137-8 great balcony 79, 84; and the Great Council
Spiennes (Belgium), Tournai font 20, 25 79, 81, 92, 97; ground-floor plan 86; and its
Spiere (Belgium), Tournai font 18, 25 medieval public 107-9; new sala (sala nova) 79,
Spong Hill (Norf), Anglo-Saxon brooches 1, 6, 7 81, 84-5; old sala (sala vetus), twelfth century
(table 3) 79, 81, 85, 91, 97; and the Procurators of St
Stalhille (Belgium), Tournai font 20, 25 Mark’s 79, 81, 82; Sala del Scrutinio (ante-
Stapleton, Colleen see La Niece, Susan chamber) 84, 85, 91; staircases 79, 85; throne
Steadman, K., T. Dyson andJ . Schofield, Aspects of 81, 92
Saxo-Norman London: III. The Bridgehead and Sala del Gran Consiglio, decoration 76-124;
Billingsgate to 1200, reviewed 212-14 arrangement and setting 83-92; Audience ofO tto
Steno, Michele, doge 84 with his Imperial Father (by Pisanello) 88; Battle
stone-working and quarrying I1, 15, 22 of Punto Salvore, north wall 102, 105,108, 111,
INDEX 229
113, by Gentile da Fabriano 88; Battle of Spoleto Watchfield (Oxon), cemetery 1
(by Guariento), south wall 88, 89, 90, 94, 95; Wayment, Hilary G., reviews by, Stained Glass in
Coronation of the Virgin (Paradiso) (by Gua- England during the Middle Ages 216-17; The
riento) 77, 81, 82, 84, 85, 92-3, 96, 103, 105; Stained Glass Art of William Jay Bolton 220-1
discordia (history of Alexander; Alexander- Wellbrook (Herefs), crown post construction 63
Barbarossa) 81, 88, 91, 97-103, 108; ducal Wells, Peter S. see Kendall, Calvin B.
‘portraits’ 77, 81, 85, 96-7, 103, sixteenth- West Bromwich (Staffs), ‘Old Hall’, base cruck hall
century 85; inscriptions 81, 88—g2, 97-8, 103, 61
116 n. 19, on capitals 89, by Sabellico 88, 89, Weston-under-Penyard (Heref & Worc), Irish
text of (1425) 109-14; paintings repaired enamelled bronze mount, eleventh century
(c.1409-12) 79, 81-2; replacements needed in 149-50, 151
the 1470s 83; post-1474 canvases 76, 83, 88, by Whittle, Alasdair, review by, Barkaer. Long Barrows
Perugino (1494) 85, 90; reconstruction of the and Settlements 198-9
decoration 94-5; late sixteenth-century dec- Wijnbergen Roll 28-34
oration 76, 81, 85, 88, by Bellini workshop 89, Wild, John Peter, review by, North European Textiles
104, 112, 113, by Titian, Battle of Spoleto 88, go, until AD 1000 196-7
by Veronese 110 Pala d’oro 169; Scuola della Willoughby-on-the-Wolds (Notts), Broughton
Carita 83, 84, 85 Lodge, Anglian cemetery 9
Vermand (France), Tournai font 16, 18, 78, 24, 25 Wilson, David M., review by, Death in Towns: Urban
Verona (Italy), hall of the Scaliger family 96, 104 Responses to the Dying and the Dead 100-1600, 197;
Verulamium, bronze finger from 185-8, 186, 187 see also Roesdahl, Else
Vicenza (Italy), hall 83 Winchester (Hants): Cathedral, Tournai font 15,
Vienna (Austria), pyxides in Kunsthistorisches 16, 24, 25; Pilgrims’ Hall, arcade plate 53, base
Museum 164 cruck 47, 53, 57, hammerbeam roof 46, scissor
Vimy (France), Tournai font 16, 18, 25 braces 62, spandrel posts 61-2
Vince, Alan (ed), Aspects of Saxo-Norman London: II. Woodford, Susan, review by, The Pediments of the
Finds and Environmental Evidence, reviewed Parthenon 200-1
212-14; Pre-Viking Lindsey, reviewed 209-10; Woodlock de Merewell, Henry, Prior of St
review by, From Viking to Crusader: Scandinavia Swithun’s 41
and Europe (800-1200) 214; see also Orton, Clive Woodlock, Walter 41
Visconti, Giangaleazzo 107; Visconti Hours for 152 Woodlock, William 41, 63
wrist-clasps, Anglo-Saxon 9
Wynter’s Armoury (Essex), crown post construc-
wall-painting, fourteenth-century, at Idsworth tion 63
69-75
Warren, John, review by, Hagia Sophia from the Age
of Justinian to the Present 206-8 Zedelgem (Belgium), Tournai font 16, 77, 18
Wasperton Manor Farm (Warks), base cruck hall Zillebeke (Belgium), Tournai font 18, 20, 25
61 Zyfflich (Germany), font 16