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Antiquaries Journal 1993: Vol 73 Index PDF

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INDEX Compiled by SusANNE ATKIN Page numbers in italics refer to illustrations Admont, nuns of, seal used by 154 Bassett, Stephen (ed), Death in Towns: Urban adzes, Bronze Age, from Lichfield 125 Responses to the Dying and the Dead, 100-1600, Albrecht V of Austria, device of 155 reviewed 197 Alexander III (Roland Bandinelli), pope 88, go, g1, Bayeux Tapestry 98, 104, 107 94-5, 98-103, 105, 106,107, 109, 110, ITI, 112, Bayley, Justine, review by, Mines et metallurgie chez 113 les éduens. Le district sidérurgique antique et médiéval Alexander, Jonathan J. G., Medievai Illuminators and du morvan-auxois 194-5 their Methods of Work, reviewed 217-18 beads, amber, from Oakley Down 137 Alphonso V of Aragon and Naples, medal for 152 Belgium, distribution of Tournai fonts 72, 16, 18, 20 altars, golden, in Italy 169-70 bell shrine, metal, late eleventh century 148, 749 Altichiero, paintings for Sala del Consiglio, Venice Bergh Apton (Norfolk), Anglo-Saxon brooches 6, 7 98, 107 (table 5) Amesbury see Butterfield Down Berkshire Record Office, typescript catalogue of Angera (Italy), Rocca Borromeo, Visconti frescoes seals 153 98, 102, 103, 104 Berry, John, Duke of, devices used by 153 Anglo-Saxon period: brooches, great square- Bettey, J. H., review by, A History of the County of headed, alloys of 1-10; brooches and spear- Somerset. Vol. VI. Andersfield, Cannington and head from Hod Hill 132-40; cross-shaft (Ruth- North Petherton Hundreds (Bridgwater and Neigh- well Cross) 141-8 bouring Parishes) 192-3 Antenori, Beato, doge 96 Binche (Belgium), Tournai font 24, 25 n.1 Antenori, Obelerio degli, doge 96 Binski, Paul, review by, The Tomb and the Tiara: anvil, for goldworking, Bronze Age, from Lichfield Curial Tomb Sculpture in Rome and Avignon in the 125-32, 126 Later Middle Ages 218-19 Aragonese order of the Jarra, motto 155 Birke, Wolfram see Mangin, Michel Assisi (Italy), St Francis cycle 88, 112 Bisham (Berks), Montagu’s Great Chamber, Austrian Unicorn Society, badge 155 crown post construction 63 Avignon (France), St Martial cycle 88 Blanche ofC astille, queen 172 axe, bronze, Bronze Age, from Lichfield 125, 126, Blandford (Dorset), Anglo-Saxon button brooch 127 136 Blatchly, John, Francis Grose and Dudley Snelgrove, exhibited by 178-80 Baardegem (Belgium), Tournai font 18, 24 Blazquez, Jose Maria and Arcadio del Castillo, Badbury Rings (Dorset), spearhead from hillfort Prehistoria Y Edad Antigua, reviewed 193-4 136 Blessy (France), Tournai font 24, 25 n.1 Bailey, Donald M., a late Roman hunting knife, blocks: bronze, for metalworking, Bronze Age 125, exhibited by 180-3, 187 126-7, 128; chalk see chalk plaque Bailey, R. N., note on the Ruthwell Cross: a non- Bokerley Dyke (Dorset) 136-7 problem 141-8 Bonincontro de’Bovi, Historia de Discordia 100-1, Ballinderry Crannog (Ireland), eighth century 102, 105, 108, 111, 113, 114 enamelled pin 148 Borg, Alan, review by, Cloister Design and Monastic Barbara of Brandenburg, impresa of 152, 153 Reform in Toulouse: the Romanesque Sculpture of La Barbarossa see Frederick I Barbarossa Daurade 215-16 Bardi, Girolamo, visit to the Doge’s Palace 85, 88, Boulge (Suffolk), Tournai font 14, 15-16, 22 90-1, 97-8, 103 Bourghelles (Belgium), Tournai font 20, 24, 25 n. 1 base cruck roofs see Marwell Hall Bradenstoke Priory, roof 47 INDEX Compiled by SusANNE ATKIN Page numbers in italics refer to illustrations Admont, nuns of, seal used by 154 Bassett, Stephen (ed), Death in Towns: Urban adzes, Bronze Age, from Lichfield 125 Responses to the Dying and the Dead, 100-1600, Albrecht V of Austria, device of 155 reviewed 197 Alexander III (Roland Bandinelli), pope 88, go, g1, Bayeux Tapestry 98, 104, 107 94-5, 98-103, 105, 106,107, 109, 110, ITI, 112, Bayley, Justine, review by, Mines et metallurgie chez 113 les éduens. Le district sidérurgique antique et médiéval Alexander, Jonathan J. G., Medievai Illuminators and du morvan-auxois 194-5 their Methods of Work, reviewed 217-18 beads, amber, from Oakley Down 137 Alphonso V of Aragon and Naples, medal for 152 Belgium, distribution of Tournai fonts 72, 16, 18, 20 altars, golden, in Italy 169-70 bell shrine, metal, late eleventh century 148, 749 Altichiero, paintings for Sala del Consiglio, Venice Bergh Apton (Norfolk), Anglo-Saxon brooches 6, 7 98, 107 (table 5) Amesbury see Butterfield Down Berkshire Record Office, typescript catalogue of Angera (Italy), Rocca Borromeo, Visconti frescoes seals 153 98, 102, 103, 104 Berry, John, Duke of, devices used by 153 Anglo-Saxon period: brooches, great square- Bettey, J. H., review by, A History of the County of headed, alloys of 1-10; brooches and spear- Somerset. Vol. VI. Andersfield, Cannington and head from Hod Hill 132-40; cross-shaft (Ruth- North Petherton Hundreds (Bridgwater and Neigh- well Cross) 141-8 bouring Parishes) 192-3 Antenori, Beato, doge 96 Binche (Belgium), Tournai font 24, 25 n.1 Antenori, Obelerio degli, doge 96 Binski, Paul, review by, The Tomb and the Tiara: anvil, for goldworking, Bronze Age, from Lichfield Curial Tomb Sculpture in Rome and Avignon in the 125-32, 126 Later Middle Ages 218-19 Aragonese order of the Jarra, motto 155 Birke, Wolfram see Mangin, Michel Assisi (Italy), St Francis cycle 88, 112 Bisham (Berks), Montagu’s Great Chamber, Austrian Unicorn Society, badge 155 crown post construction 63 Avignon (France), St Martial cycle 88 Blanche ofC astille, queen 172 axe, bronze, Bronze Age, from Lichfield 125, 126, Blandford (Dorset), Anglo-Saxon button brooch 127 136 Blatchly, John, Francis Grose and Dudley Snelgrove, exhibited by 178-80 Baardegem (Belgium), Tournai font 18, 24 Blazquez, Jose Maria and Arcadio del Castillo, Badbury Rings (Dorset), spearhead from hillfort Prehistoria Y Edad Antigua, reviewed 193-4 136 Blessy (France), Tournai font 24, 25 n.1 Bailey, Donald M., a late Roman hunting knife, blocks: bronze, for metalworking, Bronze Age 125, exhibited by 180-3, 187 126-7, 128; chalk see chalk plaque Bailey, R. N., note on the Ruthwell Cross: a non- Bokerley Dyke (Dorset) 136-7 problem 141-8 Bonincontro de’Bovi, Historia de Discordia 100-1, Ballinderry Crannog (Ireland), eighth century 102, 105, 108, 111, 113, 114 enamelled pin 148 Borg, Alan, review by, Cloister Design and Monastic Barbara of Brandenburg, impresa of 152, 153 Reform in Toulouse: the Romanesque Sculpture of La Barbarossa see Frederick I Barbarossa Daurade 215-16 Bardi, Girolamo, visit to the Doge’s Palace 85, 88, Boulge (Suffolk), Tournai font 14, 15-16, 22 90-1, 97-8, 103 Bourghelles (Belgium), Tournai font 20, 24, 25 n. 1 base cruck roofs see Marwell Hall Bradenstoke Priory, roof 47 INDEX Bradley, Richard, Altering the Earth: the Origins of Carnuntum, pyxis 164 Monuments in Britain and Continental Europe, carpentry, medieval 37 reviewed 203-4 Carver, M.O.H. (ed), The Age of Sutton Hoo: the Bradley, Richard and Mark Edmonds, Interpreting Seventh Century in North-Western Europe, reviewed the Axe Trade: Production and Exchange in Neolithic 208-9 Britain, reviewed 199-200 Castellano da Bassano, poem by 101-2, 103, 108, brass objects see knife (handle); pins 109, 110, 111, 113 Brault, Gerard J., ‘A French Source of the Lord ceramics: bowl for Medici pope 152-3; slipware Marshal’s Roll (1295-6)’ 27-36 dish, with d’Este impresa 152; see also tiles British Library: BL MS Harley 268 71; Smithfield chalk plaque, late Neolithic, from Butterfield Down Decretals (MS Royal 10 E.IV) 75 n. 12 183-5, 184 British Museum: Bronze Age finds from Lichfield Chalons-sur-Marne (France), Tournai font 20, 24 125-7; late Roman hunting knife 180, 787, Champion, T. C., review by, Maiden Castle. Excava- 182-3; Papal rings 158; pyxis 161-5; seal dies tions and Field Survey 1985-86, 204-5 153; spearheads, Anglo-Saxon 136, 137 Chéreng (France), Tournai font 18, 20, 27, 22, 24 Bronze Age, goldworking anvil and metalwork, Chernykh, E. N., Ancient Metallurgy in the USSR: the from Lichfield 125-32 Early Metal Age, reviewed 204 bronze objects see anvil; axe; blocks; finger; mount; Chichester (W. Sussex): pyxis 164; toilet instru- pyxis ments 165 brooches: Anglo-Saxon: alloys of great square- Chippindale, Christopher, review by, Journal of headed 1-10, annular g, button 136, 137, European Archaeology 195-6 cruciform and equal-armed, from Hod Hill Christchurch Priory (Hants), font 15 132-40, stamped ornament 2, 6, 6, 9; medieval. Clarendon Palace (Wilts), chamber decorated with with proto-imprese 155 portraits 97 Brown, Michelle P., review by, Medieval Illuminators Clark, Willene B., The Stained Glass Art of WilliaJma y and their Methods of Work 217-18 Bolton, reviewed 220—1 Brownsword, R. and J. Hines, ‘The Alloys of a clay see moulds Sample of Anglo-Saxon Great Square-headed coins, Roman, from area of Hod Hill 136 Brooches’ 1-10 Cole, William, A Catalogue of Netherlandish and North Bruce-Mitford, Rupert, review by, The Origins of European Roundels in Britain, reviewed 219 Beowulf and the Pre-Viking Kingdom of East Anglia Cologne (Germany), pyxis 164 210-11 Comines (France), Tournai font 24, 25 n.1 Bryn Athyn (Penn., USA), Academy of the New Compiégne (France), Saint-Antoine, Tournai font Church museum, font 22, 24 20, 22, 23, 24 Budny, Mildred and Leslie French, review by, Compiégne, Tournoi de 28 English Caroline Script and Monastic History: Coningsby (Lincs), Church House, roof construc- Studies in Benedictinism, A.D. 950-1030 211 tion: crown post 63; jowl 53 Burch, Edward, engraver, intaglio by 175-8 Contarini, Andrea, doge 106-7 Burgundy, Duke of, device used by 153 copper-alloy objects see brooches; cosmetic grin- burials and graves: Roman, at Elsenham 161-5; ders; Papal rings Anglo-Saxon 137, 138, 139 Cornaro, Marco, doge 81 Bury St Edmunds (Suffolk), Anglo-Saxon brooch, cosmetic grinders, copper-alloy, Romano-British, Westgarth Gardens [27] 7 (& table 6) from London 165-9 Butterfield Down (Wiltshire), decorated chalk Craddock, P. T., review by, Ancient Metallurgy in the plaque, late Neolithic 183-5, 184 USSR: the Early Metal Age 204 Crook, John, ‘The Medieval Roofo fM arwell Hall, Hampshire’ 37-68 Caen (France), medieval tiles from 170-5, 171, 174 cross-shaft, Anglo-Saxon, at Ruthwell 141-8 Cakmak, Ahmet S. see Mark, Robert Cubbington (Warks), Manor House, strutting 67 Cambridgeshire, Anglo-Saxon brooches 3, and see n. 16 Little Wilbraham; Linton Heath Camden, William, note on his 1610 edition of Dandolo, Andrea, doge 93, 101, 108, 112 Britannia 158-60 Dandolo, Enrico, doge 105 Caorle (Italy), Pala d’oro in Cathedral of St Ste- Dartington Hall (Devon): crown post 63; short phen, medieval 169-70, 169 spandrel posts 53, 62 224 THE ANTIQUARIES JOURNAL Deftinge (Belgium), Tournai font 18, 24 finger, bronze, Roman, from Verulamium (exhi- Deighton, Alan, “The Literary Context of the Wall- bited) 185-8 painting at Idsworth, Hampshire’ 69-75 Fishpool (Notts), hoard of medieval jewellery 155 del Castillo, Arcadio see BlasquezJ,os e Maria Florence (Italy): legend of the hairy anchorite and Delluc, Brigitte and Gilles Delluc, L’Art Pariétal St John the Baptist 71, 72; Medici device 152; Archaque en Aquitaine, reviewed 197-8 mosaics of the baptistery 89 Dendermonde (Belgium), Tournai font 16, 18, 79, Foister, Susan, review by, North European Panel 24 Paintings: a Catalogue ofN etherlandish and German dendrochronological analysis, of roof timbers at Paintings before 1600 in English Churches and Col- Marwell Hall 41, 63 (& table 1) leges 220 Deux-Acren (Belgium), Tournai font 16, 18, 24 fonts: Mosan 16, 20, 22, 25 n. 2; Tournai stone and Drake, C. S., ‘The Distribution of Tournai Fonts’ craftsmanship 11-26 11-26 Fox, Bishop 41 Diilken-Odilienberg (Germany), font 16, 22 France: distribution of Tournai fonts 12, 16, 18, 20; Dumville, David N., English Caroline Script and Mon- legend of the hairy anchorite 71, 72; medals astic History: Studies in Benedictinism, A.D. 950- and imprese 152, 153, 154; rolls as source for 1030, reviewed 211 Lord) Marshal’s_ Roll, thirteenth-century Dunning, R. W. (ed), A History of the County of 27-36; pyxides, Roman (from ‘Pas-de-Calais’ Somerset. Vol. VI. Andersfield, Cannington and North and unknown, France?) 164 Petherton Hundreds (Bridgwater and Neighbouring Frederick I Barbarossa, Emperor 88, 94-5, 98, 99, Parishes), reviewed 192-3 100-2, 103, 105, 107, 108, 109, 113 Durham (Co Durham), catalogue of seals 153 French, Leslie see Budny, Mildred Dyson, T. see Steadman, K. Fresné-la-mére hoard, metalwork 131 Froxfield (Hants), Trees Cottage, base cruck hall 64 Eagles, Bruce and Catherine Mortimer, note on Froyennes (Belgium), Tournai font 18, 24 Early Anglo-Saxon artefacts from Hod Hill, Dorset 132-40 Gallaix (Belgium), Tournai font 18, 24 East Anglia: Anglo-Saxon brooches 3, 6; cosmetic Gand (Belgium), Abbey of Saint-Bavon, font 18 grinders (mortars) 168 Garbett, William, architect 41 East Meon (Hants), Tournai font 15, 25 Gardner, Julian, The Tomb and the Tiara: Curial Tomb Edmonds, Mark see Bradley, Richard Sculpture in Rome and Avignon in the Later Middle Edward I, king: depicted in decorative scheme 98; Ages, reviewed 218-19 rolls of arms 27; sub-infeodation abolished 41 Gent (Belgium), Tournai font 24 Edward the Black Prince, shield for peace, in Can- Gentile da Fabriano, paintings in the Doge’s Palace terbury 154 attributed to 82, 83, 88 Elsenham (Essex), enamelled bronze pyxis, Roman Germany: legend of the hairy anchorite 71, 72; 161-5, 162 Tournai fonts 16 Ely Cathedral (Cambs), Irish disc headed pin, Gilbert of Sempringham, St, bones of 169 ninth-twelfth centuries 148, 150 Glankeen (Co. Tipperary), late eleventh century Empingham (Rutland; Leics), Anglian artefacts 9 bell shrine of St Cuilean 148, 749 enamel decoration: on Roman bronze pyxis 161-5, glasswork see pyxis 162; on Anglo-Saxon brooches 2; on medieval gold objects see Pale d’oro Irish metalwork 148-51 -gold-working see anvil Ere (Belgium), Tournai font 18, 24 Gondecourt (France), Tournai font 16, 18, 24 Escanaffles (Belgium), Tournai font 18, 20, 27, 24 Gonzaga, Francesco, cardinal 158 Evin-Malmaison (France), Tournai font 18, 24 Gonzaga, Gianfrancesco II, Marquis of Mantua, Exhibits at Ballots 161-88; bibliography 189-91; tile pavement for 152 notes 188 Goodall, John A.: medieval tiles from Caen, exhi- bited by 170-5, 171, 174; note on the earliest imprese, a study of some medieval seals and Falieri, Marino, portrait of 81, 85 devices 152-7; note on ‘Papal rings’, a quattro- Farrell, Robert and Carol Neumann de Vegvar cento reference 157-8 (eds), Sutton Hoo: Fifty Years After, reviewed Grierson, Philip and Melinda Mays, A Catalogue of 208-9 Late Roman Coins in the Dumbarton Oaks Collection INDEX 225 and in the Whittemore Collection, from Arcadius and Ipswich (Suffolk): Anglo-Saxon brooches, Had- Honorius to the Accession of Anastasius, reviewed leigh Road 6, 7-8 (& table 7), Ipswich [XVI]a 7 205-6 (& table 6), 8 (& table 7), [pswich [XVI]b 7 (& Grose, Francis, artist, and Dudley Snelgrove (exhi- table 6), 8 (& table 7); Museum, Tournai font bit) 178-80 fragment found in town ditch 14, 15, 24, 25; St Gréssinger, Christa, North European Panel Paintings: Peter’s church, Tournai font 11, 73, 15, 25 a Catalogue of Netherlandish and German Paintings Ireland, niello and enamel on medieval metalwork before 1600 in English Churches and Colleges, 148-51 reviewed 220 iron object see knife Guarbecque (France), Tournai font 18, 24 Italy: legend of the hairy anchorite 71, 72; Papal Guariento, paintings in the Doge’s Palace, Venice rings 157-8; seals 153; use of imprese, medi- 81, 98, 107; Battle of Spoleto 88, 89, 90, 94, 95; eval 152 Paradiso 81, 82, 84, 85, 92-3, 96, 103, 105 Jackson, Ralph, function and manufacture of Haccombe (Devon), church roof6 3 Romano-British cosmetic grinders: two hairy anchorite legend 69-75 important new finds from London, exhibited Hall, R. A., reviews by: Aspects of Saxo-Norman by 165-9 London: I. Building and Street Development Jacobello del Fiore: altarpiece, formerly in Ceneda 211-14; Aspects ofS axo-Norman London: II. Finds Cathedral g2, g6; in Venice 82 and Environmental Evidence 212-14; Aspects of Jan van Beverley (chapbook, 1543) 72, 73, 73, 74 Saxo-Norman London: III. The Bridgehead and Jarler, archbishop of Upsala, seal of 154 Billingsgate to 1200 212-14; Post Medieval Pottery jewellery, medieval, imprese and proto-imprese in London, 1500-1700 212-14; Timber Building designs 152, 155; see also brooches; Papal rings Techniques in London c.goo-1400 212-14 Johannes Chrysostomus, St 72, 74 Hautmont (France), Tournai font 20, 22, 23, 24 John of Beverley, St 72, 73-4 Hawker, P. C., the Caorle Pala d’oro, exhibited by John the Fearless, collar 153 169-70 John of Pontoise, Bishop 37 Herentals (France), Tournai font 24, 25 n. 1 Johns, Catherine, enamelled bronze pyxis from a Hills, Catherine, reviews by: Sutton Hoo: Fifty Years Roman grave at Elsenham, Essex, exhibited After 208-9; The Age of Sutton Hoo: the Seventh by 161-5, 162 Century in North-Western Europe 208-9; Voyage to Johnston, Alan, review by, Knossos From Greek the Other World: the Legacy of Sutton Hoo 208-9 City to Roman Colony: Excavations at the Unex- Hines,J . see Brownsword, R. plored Mansion II 202-3 Hod Hill (Dorset), Early Anglo-Saxon artefacts Jorgensen, Lise Bender, North European Textiles until 132-40 AD 1000, reviewed 196-7 Holywell Row see under Suffolk Journal of European Archaeology, reviewed 195-6 Hooke, Della, review by, Pre-Viking Lindsey 209-10 Julian of Norwich 73-4 Horsham (Sussex), short spandrel posts 67 n. 17 Horsman, V., C. Milne and G. Milne, Aspects of Saxo-Norman London: I. Building and Street Keay, Simon, review by, Prehistoria Y Edad Antiqua Development, reviewed 211-14 Horste, Kathryn, Cloister Design and Monastic Reform 193-4 Keesmann, Ingo see Mangin, Michel in Toulouse: the Romanesque Sculpture of La Dau- Kendall, Calvin B. and Peter S. Wells (eds), Vovage rade, reviewed 215-16 to the Other World: the Legacy of Sutton Hoo, Hove (Belgium), Tournai font 18, 24 reviewed 208-9 Hurst, John G., review by, Pottery in Archaeology 193 Kent, John, review by, A Catalogue of Late Roman Coins in the Dumbarton Oaks Collection and in the Ichtegem (Belgium), Tournai font 24, 25 n.1 Whittemore Collection, from Arcadius and Honorius Idsworth (Hants), wall-painting (fourteenth- to the Accession of Anastasius 205-6 century) in church of St Hubert 69-75 Kertch (Crimea), pyxis 164 Iffley (Oxon), font 16 King Barrow Ridge (Wiltshire), chalk plaques, imprese (seals and devices), medieval 152-7 prehistoric 184-5 intaglio: note on a cornelian intaglio Antinous made King, David J., review by, A Catalogue of Netherlan- by Edward Burch 175-8, 176, 177 dish and North European Roundels in Britain 219 226 THE ANTIQUARIES JOURNAL knife, iron and brass, late Roman 180-3, 181 McAlpine collection, Bronze Age anvil 130 Knowle Farm see Lichfield Mangin, Michel, Ingo Keesmann, Wolfram Birke Kontich (Belgium), Tournai font 18, 24 and Alain Ploquin, Mines et metallurgie chez les éduens. Le district sidérurgique antique et médiéval du morvan-auxois, reviewed 194-5 Mantua (Italy), Sala del Pisanello 88 La Neuville-les-Corbie (France), Tournai font 16, manuscripts see Lord Marshal’s Roll 18, 24 Mark, Robert and Ahmet S. Cakmak (eds), Hagia La Niece, Susan and Colleen Stapleton, note on Sophia from the Age of Justinian to the Present, niello and enamel on Irish metalwork 148-51 reviewed 206-8 Lakenheath see under Suffolk Market Overton (Rutland; Leics), Anglo-Saxon Lampernisse (Belgium), Tournai font 24, 25 n. 1 brooches 8 (& table 7) Laon (Spain), font in cathedral 22 Marks, Richard, Stained Glass in England during the Larissa, Thessaly (Greece), pyxis 164 Middle Ages, reviewed 216-17 Lawson, AndrewJ. , a late Neolithic chalk plaque Marlborough, Duke of, George Spencer, intaglio from Butterfield Down, Wiltshire, exhibited owned by 176-8, 177 by 183-5 Marquise (France), stone quarries and workshops Le Tréport (France), Tournai font 16, 20, 22 22, 25n.2 lead: Byzantine seals 154; model for cosmetic grin- Martin da Canal, writer 93, 100, 101, 104-5, 114 der 167, 168, 168 Martindale, Andrew, “The Venetian Sala del Gran Lechlade (Glos), cemetery 1 Consiglio and its fourteenth-century decora- Leicester (Leics), roof construction 64 tion’ 76-124 Leo X, pope, bowl with imprese of 153 Marwell Hall (Hants) 37-68: background and Lesquielles-Saint-Germain, font 22 ownership 37, 41; cross-wings 42, south 45; Lessines (Belgium), Saint-Pierre, Tournai font 18, porch 45; rere-arch 42, 43; staircase 41-2; three 24 bay hall 41, 42, 45, 60, 62; two-centred door- Lewknor (Oxon), central truss of the ‘Great Barn’ way 42 46 roof (medieval), arcade plates 45-6, 53-5, 58; Lichfield (Staffs), Knowle Farm, Bronze Age carpenters’ assembly marks 47, 59-60; goldworking anvil and other metalwork common rafter trusses 58-60, 59; green paint 125-32 51, 55; louvre 60, 67; wind-braces 54-5, 58; Lichtervelde (Belgium), Tournai font 16, 18, 24 alterations to 64; post-medieval phases 64-5 Lincoln (Lincs): Cathedral, Tournai font 15, 25; Maxstoke Castle (Warks), Great Hall, crown post Deloraine Court (James Street) and No.34 construction 63 Bargate, roof construction 46-7 Mays, Melinda see Grierson, Philip Linton Heath (Cambs), Anglo-Saxon brooch 3 Medici family, device used by 152, 153 (table 2), 5-6,5 , 7 (table 4); stamp on brooches medieval period see imprese; Ireland (metalwork); 6, 6 Marwell Hall; tiles; Venice, Doge’s Palace; Little Wilbraham (Cambs), Anglo-Saxon broo- wall-painting ches, Little Wilbraham Illa and IIIb 6, 7 (table Meeks, Nigel, note on the scientific study of the 3), 8 (& table 8), 9 anvil from Lichfield 129-30 Liversage, David, Barkaer. Long Barrows and Settle- Meilegem (Belgium), Tournai font 24, 25 n.1 ments, reviewed 198-9 Mercer, Roger, review by, Altering the Earth: the Lokeren (Belgium), font 16 Origins of Monuments in Britain and Continental London: Blossoms Inn, cosmetic grinder 166-7, Europe 203-4 166; Public Record Office, card index of seals metal alloys, of Anglo-Saxon great square-headed 153; Skipton Street, cosmetic grinder 167, 68, brooches 1-10 168; Victoria and Albert Museum, tiles with metal-working, Bronze Age goldworking anvil imprese for the Gonzaga family 152; Westmin- 125-32 ster, Painted Chamber 104, 108; Westminster metalwork see bell shrine; brass objects; bronze Hall 115 n.5; see also British Library; British objects; copper-alloy objects; iron object; gold Museum objects; Ireland; lead Long, William, and Marwell Hall 41, 45, 65 Michelino da Besozzo 82 Lord Marshal’s Roll, a French source for 27-36 Mildmay family, and Marwell Hall 41 Lower Brockhampton (Herefs), base cruck hall 64 Milne, C. see Horsman, V. INDEX 227 Milne, G., Timber Building Techniques in London c.goo- Papal rings 157-8 1400, reviewed 212-14; see also Horsman, V. Paris (France): Notre Dame, north-west portal 96; Mons (Belgium), font 16 Salle des Pas Perdus 96, 97, 115 n.5 Montdidier (France), Saint-Pierre, Tournai font Paul II, pope, rings with the arms of 158 16, 18, 20, 20, 24 Pearce,J. ,P ost Medieval Pottery in London, 1500-1700, Morningthorpe (Norfolk), Anglo-Saxon brooches reviewed 212-14 6, 7 (table 5); Anglian cemetery 9 Perugino, commission for painting in the Sala del Mortimer, Catherine see Eagles, Bruce Consiglio, Venice 85, go, 111 Mosan fonts 16, 20, 22, 25 n.2 Pervijze (Belgium), Tournai font 18, 24 moulds, clay, for square-headed brooches 4-5 Peterchurch (Herefs), Wellbrook Manor, base mount, enamelled bronze, eleventh century, from cruck hall 64 Weston-under-Penyard 149-50, 151 Philip the Good, gold collar 153 pins: eighth century, enamelled, from Ballinderry Crannog 148; ninth to twelfth century, brass Needham, Stuart P., note on a Bronze Age disc headed, from Ely Cathedral 148, 160 goldworking anvil from Lichfield, Staf- Pisanello, Antonio: frescoes in Venice attributed to fordshire 125-32 82, 88; medals by 152 Neolithic period see chalk plaque plaque see chalk plaque Netherlands, legend of the hairy anchorite and Ploquin, Alain see Mangin, Michel Saint John of Beverley 71, 72, 73 pyxis, enamelled bronze, Roman, from Elsenham Neuf-Berquin (France), Tournai font 16, 18, 24 161-5, 162 Neumann de Vegvar, Carol see Farrell, Robert New York (USA), Metropolitan Museum of Art, pyxis 164 radiocarbon dating, for King Barrow Ridge mat- Newton, Sam, The Origins of Beowulf and the Pre- erial 185 Viking Kingdom of East Anglia, reviewed 210-11 René d’Anjou, motto of the order of the Crescent Niblett, Rosalind, a bronze finger from Veru- 155 lamium, exhibited by 185-8 Ribemont (France), Tournai font 16, 18, 20, 24, 25 Nicholas, bishop of Viborg, seal of 154 n.I niello decoration: on Anglo-Saxon brooches 2; on Ridgway, David, The First Western Greeks, reviewed medieval Irish metalwork 148-51 201-2 Nivelles (Belgium), Tournai font 18, 24 Riversdown (Hants): jowls 53; upper roof structure Noirlac abbey (France), curved timber roof braces 62-3 63 Roesdahl, Else and David M. Wilson (eds), From Noordpeene (France), Tournai font 16, 18, 24 Viking to Crusader: Scandinavia and Europe 800- Northamptonshire, Anglo-Saxon brooches 3 1200, reviewed 214 Nouvion-le-Vineux (France), font 22 Roman period: objects recycled in Anglo-Saxon Nurse, Bernard, note on the 1610 edition of Cam- period 2; roads in France and Flanders 72, 20; den’s Britannia 158-60 see also burials and graves; coins; knife Nurstead Hall (Kent), roof construction 64 Romano-British period see cosmetic grinders Romsey Abbey (Hants), font 15 Rotselaar/Rotselaer (Belgium), Tournai font 18, 24 Oakley Down (Dorset), sixth-century burial 137 Roubaix (Belgium), Tournai font 20, 24, 25 n.1 Orton, Clive, Paul Tyers and Alan Vince, Pottery in Ruthwell (Dumfriesshire; Dumf & Gall), Ruthwell Archaeology, reviewed 193 Cross (Anglo-Saxon cross-shaft) 141-8 Oxford (Oxon), Warden’s Hall, Merton College 46 Rutland: Anglo-Saxon brooches 3, and see also Empingham; Market Overton Padua (Italy): Arena Chapel 88, 89, 90; hall 83; Oratorio di S. Giorgio 88 Sackett, L. H., Knossos — From Greek City to Roman Palagia, Olga, The Pediments of the Parthenon, Colony: Excavations at the Unexplored Mansion II, reviewed 200-1 reviewed 202-3 Pale d’oro (golden altars) 169-70 St Albans (Herts): St Michael’s School, bronze Palmyra (Syria), pyxis 164 finger 185-6; toilet instruments and cosmetic palstave-adzes see adzes grinders 165, 167, 168 THE ANTIQUARIES JOURNAL St Mary Bourne (Hants), Tournai font 15, 20, 25 stonework see cross-shaft; fonts Saint-Just-en-Chaussée, Tournai font 16, 17, 18, 22 Suffolk, Anglo-Saxon brooches: Holywell Row IT 2, 3 Saint-Sauveur (Belgium), Tournai font 18, 25 (& table 1), 7, 9; Lakenheath [XV] 3-4 (& table Saint-Venant (France), Tournai font 16, 18, 25 2), 4, 5, 6, 7, 9; Suffolk [IV] 2,3 (& table 1) 7, 9; saints see under name Tuddenham [XV] 3-4 (& table 3), 4, 5, 6, 7, 9; see Salisbury (Hants): hoard of Bronze Age metalwork also Bury St Edmunds; Ipswich 130; Old Deanery, roof construction 46 Surduk (Yugoslavia), pyxis 164 San Gimignano (Italy), Sala di Dante 104, 108-9 Sutton Courtenay Abbey (Oxon), crown post con- Scandinavia: square-headed brooches, metalwork struction 63 and craftspeople 5, 9; Tournai stone tomb- Switzerland, bronze fingers, Roman 187 slabs 11 Szombathely (Hungary), pyxis 164 Schofield,J . see Steadman, K. Scotland, Tournai stone tomb-slabs 11 seals and devices (imprese), medieval 153-5 Taunton (Som), “Tudor Tavern’, short spandrel Seidmann, Gertrud, a cornelian intaglio Antinous by posts 53, 62 Edward Burch, exhibited by 175-8 Tawstock (Devon), church roof6 3 Seymour, Sir Henry, and Marwell manor 41, 45 Thomas, Julian, review by, Interpreting the Axe Sforza, Lodovico, Duke of Milan, impresa on slip- Trade: Production and Exchange in Neolithic Britain ware dish 152 199-200 Sharples, N. M., Maiden Castle. Excavations and Field Thornton Curtis (Lincs), Tournai font 15, 25 Survey 1985-86, reviewed 204-5 Tiepolo family 97 Shepherd, G. B., review by, The First Western Greeks Tiepolo, Giacomo, doge 98 201-2 Tiepolo, Iacopo, doge 91 Siena (Italy), Palazzo Pubblico, decoration 93, 106, tiles, medieval: from Caen 170-5, 171, 174; imprese 107, 108, 110 on 152 Sieveking, Ann, review by, L’Art Pariétal Archaque en Tiptofts (Essex), roof construction 64 Aquitaine 197-8 Titian, paintings for Sala del Consiglio, Venice 111; Sigismund, insignia of the order of the Dragon 155 Battle of Spoleto 88, go Sleaford (Lincs), Anglo-Saxon copper-alloy objects Torcello (Italy), museum, Pala d’oro 169 from cemetery 9 Tournai (France), fonts of Tournai marble (lime- Sligo (Ireland), gold embedded in an anvil 131 stone) 11-26 Smithfield Decretals 75 n. 12 Tuddenham see under Suffolk Snelgrove, Dudley, and drawings by Francis Grose Tyers, Paul see Orton, Clive 178-80 Society of Antiquaries, Library of, Lord Marshal’s roll 27-36 Urcel (France), font 22 Soignies (Belgium), Tournai font 18, 25 Southampton (Hants), St Michael’s Church, Tournai font 13, 15, 24, 25 Veneziano, Antonio, artist 82 spearheads, Anglo-Saxon 136, 137-8, from Hod Venice (Italy): Doge’s Palace: building history Hill 136, 737 77-83; ceiling 84; and the doge 81, 92, 96; Spencer, George see Marlborough, Duke of entrance (c.1415-16) 79; first-floor plan 87; Spetisbury Rings (Dorset), Anglo-Saxon spear- Foscari wing (fifteenth century) 84, 85, 91, 95; heads from hillfort 137-8 great balcony 79, 84; and the Great Council Spiennes (Belgium), Tournai font 20, 25 79, 81, 92, 97; ground-floor plan 86; and its Spiere (Belgium), Tournai font 18, 25 medieval public 107-9; new sala (sala nova) 79, Spong Hill (Norf), Anglo-Saxon brooches 1, 6, 7 81, 84-5; old sala (sala vetus), twelfth century (table 3) 79, 81, 85, 91, 97; and the Procurators of St Stalhille (Belgium), Tournai font 20, 25 Mark’s 79, 81, 82; Sala del Scrutinio (ante- Stapleton, Colleen see La Niece, Susan chamber) 84, 85, 91; staircases 79, 85; throne Steadman, K., T. Dyson andJ . Schofield, Aspects of 81, 92 Saxo-Norman London: III. The Bridgehead and Sala del Gran Consiglio, decoration 76-124; Billingsgate to 1200, reviewed 212-14 arrangement and setting 83-92; Audience ofO tto Steno, Michele, doge 84 with his Imperial Father (by Pisanello) 88; Battle stone-working and quarrying I1, 15, 22 of Punto Salvore, north wall 102, 105,108, 111, INDEX 229 113, by Gentile da Fabriano 88; Battle of Spoleto Watchfield (Oxon), cemetery 1 (by Guariento), south wall 88, 89, 90, 94, 95; Wayment, Hilary G., reviews by, Stained Glass in Coronation of the Virgin (Paradiso) (by Gua- England during the Middle Ages 216-17; The riento) 77, 81, 82, 84, 85, 92-3, 96, 103, 105; Stained Glass Art of William Jay Bolton 220-1 discordia (history of Alexander; Alexander- Wellbrook (Herefs), crown post construction 63 Barbarossa) 81, 88, 91, 97-103, 108; ducal Wells, Peter S. see Kendall, Calvin B. ‘portraits’ 77, 81, 85, 96-7, 103, sixteenth- West Bromwich (Staffs), ‘Old Hall’, base cruck hall century 85; inscriptions 81, 88—g2, 97-8, 103, 61 116 n. 19, on capitals 89, by Sabellico 88, 89, Weston-under-Penyard (Heref & Worc), Irish text of (1425) 109-14; paintings repaired enamelled bronze mount, eleventh century (c.1409-12) 79, 81-2; replacements needed in 149-50, 151 the 1470s 83; post-1474 canvases 76, 83, 88, by Whittle, Alasdair, review by, Barkaer. Long Barrows Perugino (1494) 85, 90; reconstruction of the and Settlements 198-9 decoration 94-5; late sixteenth-century dec- Wijnbergen Roll 28-34 oration 76, 81, 85, 88, by Bellini workshop 89, Wild, John Peter, review by, North European Textiles 104, 112, 113, by Titian, Battle of Spoleto 88, go, until AD 1000 196-7 by Veronese 110 Pala d’oro 169; Scuola della Willoughby-on-the-Wolds (Notts), Broughton Carita 83, 84, 85 Lodge, Anglian cemetery 9 Vermand (France), Tournai font 16, 18, 78, 24, 25 Wilson, David M., review by, Death in Towns: Urban Verona (Italy), hall of the Scaliger family 96, 104 Responses to the Dying and the Dead 100-1600, 197; Verulamium, bronze finger from 185-8, 186, 187 see also Roesdahl, Else Vicenza (Italy), hall 83 Winchester (Hants): Cathedral, Tournai font 15, Vienna (Austria), pyxides in Kunsthistorisches 16, 24, 25; Pilgrims’ Hall, arcade plate 53, base Museum 164 cruck 47, 53, 57, hammerbeam roof 46, scissor Vimy (France), Tournai font 16, 18, 25 braces 62, spandrel posts 61-2 Vince, Alan (ed), Aspects of Saxo-Norman London: II. Woodford, Susan, review by, The Pediments of the Finds and Environmental Evidence, reviewed Parthenon 200-1 212-14; Pre-Viking Lindsey, reviewed 209-10; Woodlock de Merewell, Henry, Prior of St review by, From Viking to Crusader: Scandinavia Swithun’s 41 and Europe (800-1200) 214; see also Orton, Clive Woodlock, Walter 41 Visconti, Giangaleazzo 107; Visconti Hours for 152 Woodlock, William 41, 63 wrist-clasps, Anglo-Saxon 9 Wynter’s Armoury (Essex), crown post construc- wall-painting, fourteenth-century, at Idsworth tion 63 69-75 Warren, John, review by, Hagia Sophia from the Age of Justinian to the Present 206-8 Zedelgem (Belgium), Tournai font 16, 77, 18 Wasperton Manor Farm (Warks), base cruck hall Zillebeke (Belgium), Tournai font 18, 20, 25 61 Zyfflich (Germany), font 16

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