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Andrea Dworkin The Political Memoir of a Feminist Militant BOOKS BY ANDREA DWORKIN Woman Hating Our Blood: Prophecies and Discourses on Sexual Politics the new woman’s broken heart: short stories Pornography: Men Possessing Women Right-wing Women Ice and Fire Intercourse Pornography and Civil Rights: A New Day for Women's Equality (with Catharine A. MacKinnon) Letters from a War Zone Mercy Life and Death: Unapologetic Writings On the Continuing War Against Women In Harm’s Way: The Pornography Civil Rights Hearings (with Catharine A. MacKinnon) , Scapegoat: The Jews, Israel and Wrmen’s Liberation To Ricki Abrams and Catharine A. MacKinnon To Ruth and Jackie Continuum The Tower Building 11 York Road London SE1 7NX www. continuumbooks. com Copyright © 2002 by Andrea Dworkin This edition first published 2006 in the UK by Continuum All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage or retrieval system, without prior permission from the publishers. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN 0-8264-9147-2 Typeset by Continuum Printed and bound by MPG Books Ltd, Cornwall Je est un autre Rimbaud Contents Preface xi Music 1 1 Music 2 5 Music 3 7 The Pedophilic Teacher 12 “Silent Night” 18 Plato 22 The High School Library 27 The Bookstore 32 The Fight 36 The Bomb 40 Cuba 1 45 David Smith 48 Contraception 52 Young Americans for Freedom 55 Cuba 2 60 The Grand Jury 62 The Orient Express 66 Easter 69 Knossos 72 Heartbreak Kazantzakis 74 Discipline 77 The Freighter 80 Strategy 83 Suffer the Little Children 89 Theory 93 The Vow 96 My Last Leftist Meeting 100 Petra Kelly 104 Capitalist Pig 108 One Woman 112 It Takes a Village 117 True Grit 121 Anita 124 Prisons 127 Sister, Can You Spare a Dime? 130 The Women 136 Counting 139 Heartbreak 145 Basics 148 Immoral 155 Memory 158 Acknowledgments 164 X Preface I have been asked, politely and not so politely, why I am myself. This is an accounting any woman will be called on to give if she asserts her will. In the home the question will be couched in a million cruelties, some subtle, some so egregious they rival the injuries of organized war. A woman writer makes herself conspicuous by publishing, not by writing. Although one could argue - and I would - that publishing is essential to the development of the writing itself, there will be exceptions. After all, suppose Max Brod had burned Kafka’s work as Kafka had wanted? The private writer, which Kafka was, must be more common among women than men: few men have Kafka’s stunning self-loathing, but many women do; then again, there is the obvious - that the public domain in which the published work lives has been considered the male domain. In our day, more women publish but many more do not, and despite the glut of mediocre and worthless books published each year just in the United States, there must be a she-Kafka, or more than one, in hiding somewhere, just as there must be a she-Proust, whose vanity turned robust when it came to working over so many years on essentially xi

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Andrea Dworkin. The Political Memoir of a Feminist Militant It would be a few years before the feminist ferment would begin to produce a
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