Table Of Content

And the Ocean Danced Piano Sonata IV, Presto Moderato, 2022 Tribute to the Pacific Ocean. Col pugno, is a splash. Gerry Joe Weise The melodies, are the sea creatures. Walking basslines, swim up or down. (1959) Intro. Presto moderato ( = 210) calc. approx. 13:45 min. Piano               cantabile           Staccatissimi are played like hand claps.         6                                                            13                                                 18                                                            ISMN 979-0-9022640-5-1 Contemporary ARC Australia And the Ocean Danced. Sonata IV. 22                                                              25                                                   A  29                                                                    33                                                             breve B  37                                            energico tratt.                                  2 And the Ocean Danced. Sonata IV. 41          rubato                                         46                                                   51                           cresc. _ _  _      accel. _  _ _  _ a tempo     loco   57                                                 Mvt.II. Scherzo 61 C  loco        () scherzando               rfz _ _                             And the Ocean Danced. Sonata IV.  3  65                rfz _  _    sfz                                        69              rfz _ _                                              D  73         rfz _  _                                                     loco riten. accel. _ _ _ _ _ a tempo   77             33     legato            ()                  rallentando _ _ _ _ _ _ _ _ _ _ D1 a tempo 81                                        4 And the Ocean Danced. Sonata IV. 84                                             87                               tratt.     breve    D2 89       cresc.  _             rfz  _  _  _ tratt. sff            breve     D3  92                    rfz _  _ tratt.                                       96   cresc. _ _ _ _  _  _ _   giocoso                                  And the Ocean Danced. Sonata IV. 5 E 102                legato                              107                                              ritardando _ _ _ _ _ _ _ _  loco 110           strepitoso    cresc.  _  _ _ _  _  _  sfz              Prestissimo ( = 234) accelerando poco a poco _ _ _ _ F 113               stringendo  _  _ _  _  norm.                    col pugno        rallentando poco a poco _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 117           tratt.                            6 And the Ocean Danced. Sonata IV. (rall.) _ _ _ _ _ _ _ _ _ _ _ _ _ a tempo come prima F1 121                      con fuoco  cresc.  _  _  _  _ _  _  _                      125            33             cresc.  _  _  _  _  _                  col pugno       col pugno   breve   F2 128            (cresc.) _  _ _ ff     leggiero                   col pugno _  _ _ _   _ _ norm.                    F3 132             norm.    tratt.                        poco ritenuto  loco  G 138          rfz _  _ cresc.  _  _  _  _ _  _  _ _       cantabile        tratt. col pugno                       And the Ocean Danced. Sonata IV. 7 rallentando _ _ _ H  142 loco 3                     norm.        con brio            secco           a Tempo II ( = 200)  riten. accelerando 146                               rfz _                        accel. poco a poco _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ rallentando   trill vivace 149                           sf     sff                     a Tempo II rallentando _ _ _ _ quasi a Tempo II   loco breve 152                                                          Mvt.III.     Minuetto ( = 196) lunga I  155 loco                   ()                                        8 And the Ocean Danced. Sonata IV. loco   162                    tratt. leggiero                      loco 170                                            a Tempo II I1  177                   cantabile                              184 loco J            rf  _ _ tratt.  gioioso                                        191                                                           And the Ocean Danced. Sonata IV. 9

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And The Ocean Danced, by Gerry Joe Weise, (full score) PDF

2022·2.1 MB·English
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Preview And The Ocean Danced, by Gerry Joe Weise, (full score)

And the Ocean Danced Piano Sonata IV, Presto Moderato, 2022 Tribute to the Pacific Ocean. Col pugno, is a splash. Gerry Joe Weise The melodies, are the sea creatures. Walking basslines, swim up or down. (1959) Intro. Presto moderato ( = 210) calc. approx. 13:45 min. Piano               cantabile           Staccatissimi are played like hand claps.         6                                                            13                                                 18                                                            ISMN 979-0-9022640-5-1 Contemporary ARC Australia And the Ocean Danced. Sonata IV. 22                                                              25                                                   A  29                                                                    33                                                             breve B  37                                            energico tratt.                                  2 And the Ocean Danced. Sonata IV. 41          rubato                                         46                                                   51                           cresc. _ _  _      accel. _  _ _  _ a tempo     loco   57                                                 Mvt.II. Scherzo 61 C  loco        () scherzando               rfz _ _                             And the Ocean Danced. Sonata IV.  3  65                rfz _  _    sfz                                        69              rfz _ _                                              D  73         rfz _  _                                                     loco riten. accel. _ _ _ _ _ a tempo   77             33     legato            ()                  rallentando _ _ _ _ _ _ _ _ _ _ D1 a tempo 81                                        4 And the Ocean Danced. Sonata IV. 84                                             87                               tratt.     breve    D2 89       cresc.  _             rfz  _  _  _ tratt. sff            breve     D3  92                    rfz _  _ tratt.                                       96   cresc. _ _ _ _  _  _ _   giocoso                                  And the Ocean Danced. Sonata IV. 5 E 102                legato                              107                                              ritardando _ _ _ _ _ _ _ _  loco 110           strepitoso    cresc.  _  _ _ _  _  _  sfz              Prestissimo ( = 234) accelerando poco a poco _ _ _ _ F 113               stringendo  _  _ _  _  norm.                    col pugno        rallentando poco a poco _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 117           tratt.                            6 And the Ocean Danced. Sonata IV. (rall.) _ _ _ _ _ _ _ _ _ _ _ _ _ a tempo come prima F1 121                      con fuoco  cresc.  _  _  _  _ _  _  _                      125            33             cresc.  _  _  _  _  _                  col pugno       col pugno   breve   F2 128            (cresc.) _  _ _ ff     leggiero                   col pugno _  _ _ _   _ _ norm.                    F3 132             norm.    tratt.                        poco ritenuto  loco  G 138          rfz _  _ cresc.  _  _  _  _ _  _  _ _       cantabile        tratt. col pugno                       And the Ocean Danced. Sonata IV. 7 rallentando _ _ _ H  142 loco 3                     norm.        con brio            secco           a Tempo II ( = 200)  riten. accelerando 146                               rfz _                        accel. poco a poco _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ rallentando   trill vivace 149                           sf     sff                     a Tempo II rallentando _ _ _ _ quasi a Tempo II   loco breve 152                                                          Mvt.III.     Minuetto ( = 196) lunga I  155 loco                   ()                                        8 And the Ocean Danced. Sonata IV. loco   162                    tratt. leggiero                      loco 170                                            a Tempo II I1  177                   cantabile                              184 loco J            rf  _ _ tratt.  gioioso                                        191                                                           And the Ocean Danced. Sonata IV. 9

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