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Ancient Egypt in the Modern Imagination: Art, Literature and Culture PDF

381 Pages·2020·13.823 MB·English
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i ANCIENT EGYPT IN THE MODERN IMAGINATION ii iii ANCIENT EGYPT IN THE MODERN IMAGINATION ART, LITERATURE AND CULTURE Edited by Eleanor Dobson and Nichola Tonks iv BLOOMSBURY ACADEMIC Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, BLOOMSBURY ACADEMIC and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2020 Copyright © Eleanor Dobson, Nichola Tonks and contributors, 2020 Eleanor Dobson and Nichola Tonks have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as Editors of this work. Cover design by Adriana Brioso Cover image © The New York Public Library Digital Collections. 1895. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third- party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. ISBN: HB: 978-1 -7 883- 1339-1 ePDF: 978- 1- 7867- 3670- 3 eBook: 978-1-7867-2664-3 Typeset by Newgen KnowledgeWorks Pvt. Ltd., Chennai, India To find out more about our authors and books visit www.bloomsbury.com and sign up for our newsletters. v For my parents, Georgia and Mike E. D. For Toby & Phyllipa – without whom I could not exist For Lynda & Barry – without whom I would not exist N. T. vi vii CONTENTS List of Figures ix Notes on Contributors xi Introduction 1 Eleanor Dobson and Nichola Tonks PART I The Egyptological Imaginary 11 1 ‘Wonderful Things’ in Kingston upon Hull 13 Gabrielle Heffernan 2 ‘Let Sleeping Scarabs Alone’: When Egypt Came to Stonehenge 29 Martyn Barber 3 ‘Mummy First: Statue After’: Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art 47 Edward Chaney 4 Ancient Egypt in William S. Burroughs’s Novels 75 Riccardo Gramantieri 5 Between Success and Controversy: Christian Jacq and the Marketing of ‘Egyptological’ Fiction 89 Vassilaki Papanicolaou PART II Death and Mysticism 103 6 Egyptomania, English Pyramids and the Quest for Immortality 105 Jolene Zigarovich 7 Obituaries and Obelisks: Egyptianizing Funerary Architecture and the Cemetery as a Heterotopic Space 117 Nichola Tonks viii Contents 8 Tutankhartier: Death, Rebirth and Decoration; Or, Tutmania in the 1920s as a Metaphor for a Society in Recovery after World War One 127 Lizzie Glithero- West 9 Celtic Egyptians: Isis Priests of the Lineage of Scota 145 Caroline Tully 10 Jack the Ripper and the Mummy’s Curse: Ancient Egypt in From Hell 161 Eleanor Dobson PART III Gender and Sexuality 181 11 From Sekhmet to Suffrage: Ancient Egypt in Early Twentieth- Century Women’s Culture 183 Mara Gold 12 ‘The Use of Old Objects’: Ancient Egypt and English Writers around 1920 199 R. B. Parkinson 13 Women Surrealists and Egyptian Mythology: Sphinxes, Animals and Magic 213 Sabina Stent 14 Egyptian Excesses: Taylor, Burton and Cleopatra 229 Siv Jansson 15 The Mummy, the Priestess and the Heroine: Embodying and Legitimating Female Power in 1970s Girls’ Comics 247 Nickianne Moody Notes 261 Bibliography 333 Index 361 viii ix FIGURES 1.1 The Gold Throne. © Hands on History, Hull Museums. 18 1.2 The Footstool. © Hands on History, Hull Museums. 20 1.3 The Golden Shrine. © Hands on History, Hull Museums. 22 2.1 The scarab from Stonehenge Aerodrome. Line drawings by R. S. Newall originally published in Engleheart & Collignon 1936. 36 2.2 Aerial view of Stonehenge and the First World War aerodrome, the latter in the process of being dismantled. The photograph was taken on 12 July 1928, two months before the scarab was found, almost certainly on the site of the hangar seen at the top of the photograph. CCC 11796/ 4519, reproduced by permission of the Historic England Archive. 36 2.3 The scarab from Collingbourne Wood (or Ludgershall). Salisbury Museum acc. no. 1935/3 1 (‘On deposit from Mr James’. Max. length 107 mm, max. height 37 mm). Reproduced by permission of Salisbury Museum. 38 2.4 One of Alexander Keiller’s 1930s concrete obelisks at Avebury. This is an example of his ‘Mark 2’ design. Photo: M Barber. 45 3.1 Tut (1931). Sketch by Wyndham Lewis. Pencil, charcoal and wash, 11 × 9¼ in. By permission of the Wyndham Lewis Memorial Trust (a registered charity). 71 6.1 Francis Douce Mausoleum (c. 1748), Lower Wallop, Hampshire. Courtesy of The Mausolea & Monuments Trust. 111 6.2 John ‘Mad Jack’ Fuller, ‘The Pyramid’ (c. 1811), Brightling Churchyard. Courtesy of the Mausolea & Monuments Trust. 112 6.3 Burton Pyramid (c. 1837), St. Leonards, East Sussex. This image is in the public domain. 113 6.4 Kilmorey Mausoleum (c. 1850), St. Margarets, Richmond upon Thames. Courtesy of the Mausolea & Monuments Trust. 114 6.5 Courtoy Mausoleum (c. 1850), Brompton Cemetery, London. This image is in the public domain. 114 7.1 ‘Aerial View of Hamilton Mausoleum’, © A.P.S. (UK)/ Alamy Stock Photo. 124 7.2 ‘Hamilton Mausoleum’, © paulskinner25/ Stockimo/ Alamy Stock Photo. 125 8.1 ‘What the great find in Egypt may bring: a 3000- year old pharaoh “coming forth into the day” with the contemporary garlands which adorned his mummy’. © Illustrated London News Ltd/ Mary Evans. 132 8.2 Scarab brooch, Cartier London, 1924. Vincent Wulveryck, Collection Cartier © Cartier. 136 8.3 Scarab brooch, Cartier London, 1925. Nils Herrmann, Collection Cartier © Cartier. 137

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