Anastasia Forever

251 Pages·2012·1.16 MB·English

by  Preble Joy

Copyright © 2012 by Joy Preble Cover and internal design © 2012 by Sourcebooks, Inc.
Series design by Cathleen Elliott/Fly Leaf Design Cover photos © Elisa Lazo de Valdez/Corbis, Jon
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The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real
persons, living or dead, is purely coincidental and not intended by the author.
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Contents
Front Cover
Title Page
Copyright
Viktor
Ethan
Anne
Chicago, The Present
Wrigley Field, Tuesday, 12:22 pm
Wrigley Field, Tuesday, 12:59 pm
Tuesday, 4:18 pm
Tuesday, 5:02 pm
Tuesday, 5:58 pm
Tuesday, 6:18 pm
A Really Little Village Somewhere in Russia, Definitely Not This Century
Wednesday, 12:42 am
London, 1926
Tasha’s Music Studio, Evening Maybe Wednesday, Maybe Not
The Ballet Theater, Evening Maybe Wednesday, Maybe Not
Theater Box, Beginning of Giselle Maybe Wednesday, Maybe Not
Theater Box, During Giselle Maybe Wednesday, Maybe Not
Tasha’s Flat, After the Ballet Maybe Wednesday, Maybe Not
Tasha’s Flat, After the Ballet Maybe Wednesday, Maybe Not
Chicago, The Present
Wednesday, 12:45 am
Wednesday, 1:03 am
Wednesday, 1:36 am
Wednesday, 2:41 am
Wednesday, 3:30 am
Wednesday, 4:53 am
Wednesday, 5:58 am
Wednesday, 6:45 am
In Baba Yaga’s Forest, Wednesday
Wednesday, 9:25 am
In Alexander Palace outside St. Petersburg, Definitely Not Present Day
Wednesday, 9:48 am
Still at Alexander Palace and Not Happy about It
Wednesday, 10:58 am
Wednesday, 11:53 am
Wednesday, 12:43 pm
Wednesday, 12:43 pm
Wednesday, 12:43 pm
Wednesday, 2:02 pm
Wednesday, 2:03 pm
Wednesday, 2:41 pm
Wednesday, 3:02 pm
Wednesday, 3:18 pm
Wednesday, 3:33 pm
A Month Later
The Swedish Film Festival, One Month and Three Days Later
Acknowledgments
About the Author
Back Cover
For Rose, Lily, Sylvia, and Lena—who struggled to get the journeys they
deserved.
“Again and again the two of us walk out together
Under the ancient trees, lie down again and again
Among the flowers, face to face with the sky.”
—Rainer Maria Rilke
Viktor
After a certain number of lifetimes, one becomes capable of much if only out of
sheer repetition. Like a magician’s sleight of hand, I learned to trick the world
into seeing things the way I wanted.
Only later did I come to realize that there was more to my story than what
showed on the surface. Magic has a price. Anything of value always does. It was
one I was willing to pay. But even I did not understand the true cost.
When I was a boy, my mother told me the tale of Koschei the Deathless. My
mother’s eyes grew bright and her skin went pink as though the telling was of
great importance. Later I would know why, but even then I understood I needed
this story. Marina—for she let me call her by her name; it was only just the two
of us after all—always knew.
I was Tsar Nicholas’s son—not that my father ever acknowledged me. But
Marina made sure I understood that it was both my truth and my destiny. It
forced us all to places we might not otherwise have gone: my mother to Baba
Yaga’s forest, my father to a blind refusal to see what needed to be seen, and
me…well, that is quite another tale.
“Stories within stories,” Baba Yaga loves to say. “Secrets within secrets.”
How clever she thinks she is, this witch who has toyed with me since my mother
first went to the forest to seek her. But she was not clever enough to stop me.
Not clever enough to know the power of her words.
Koschei was a man who couldn’t die. Or rather, who couldn’t be killed. He
had hidden his soul—as the tales go—inside the eye of a needle, tucked inside
an egg that sat inside a duck, inside of a hare, locked in a solid iron box, and
buried under a tree on some island that blinked and vanished as it saw fit.
As I grew older, I heard other versions. Sometimes the chest was made of
gold. Sometimes the island was in a different ocean. Sometimes Koschei could
be weakened. But always, always he lived. As long as his soul was hidden away,
as long as he had made it impossible to find, he lived.
This was the seed my mother’s story planted in me. That if I could not be my
father’s son, could not have the legacy of a tsar, immortality would have to
suffice. I would cheat death and gain the knowledge and the power that came
with living over and over.
I only knew this: I was willing to sacrifice my half sister for what I desired.
My sweet Anastasia, who believed in me so deeply that, like our father, she
blinded herself to what I really was. This is, I think, my only regret. That even as
I found delight in the ease with which I was able to manipulate her to my cause,
a piece of me ached at the destruction of this beautiful girl. Was I a monster? I
prefer to see myself as a pragmatist. Still it pains me—the look on her face that
day we came back from the forest. The day I lost my immortality and Anastasia
chose to return to the fate that I believe would have been hers anyway. Although
by then truth was a fluid thing for me; when I told her I was sorry, I was not
lying.
I asked Baba Yaga to take me because there was no other way to survive. No
other way to gain access to all that I was about to lose: the magic, the spells, the
secrets that reside underneath. I could not be other than what I have become.
Still, even the witch was unsure of my motives. I took pleasure in that for it
proved my strength. I had found a way to compel the mighty Baba Yaga. The
Bone Mother. The Death Crone. She was mad with it, unable to do anything but
snap up a Romanov.
For a long time now—at least as time goes in Baba Yaga’s hut—I have
belonged to the witch. She has owned my body and often my spirit, but not
always my mind. And in those moments when she grew distracted or bored or
mournful for her Anastasia and curious about Anne, I watched and learned and
plotted. Always I knew there was a way. One day I understood what it was.
The witch had transformed my physical self by then—honed me down to
bone in her own image. But as long as I breathed, as long as I could think and
had strength enough to crawl, it was enough.
Koschei, I thought, as I brought the witch her sweet tea. Koschei, I repeated
over and over in my mind as I huddled in the bed that was once Anastasia’s. As I
pulled the ragged comforter over the sticks that were my legs. Koschei, I said as
the witch’s black cat, her koshka, flicked its tongue at my fingers, harsh like
sandpaper against skin as transparent as tissue. I bled onto the floor, deep red
drops much thicker than anything else about me.
Here is what I hoped for that also came true: my great-great-granddaughter’s
heart betrayed her. Anne opened the door just enough. She let me free. She made
her promises. And watched in shock as I rose from the dead.
Resurrected.
Oh, the sweetness of the horror on their faces as Baba Yaga’s horseman
galloped off with me. I surprised them all: my captor, my descendant, my
protégé. Even sweet Lily who falsely believed she would have her revenge. She
swims still, cursed as a rusalka. I am free.
The story goes like this: no one leaves Baba Yaga’s forest the same as he
entered. And that is true for me. I have left much behind. But transformation is
good for the soul. If I cannot be what I hoped, then I will be something else.
Better to prevail than to bemoan my losses. My will is intact, my life eternal
once more. This time I will be more vigilant.
Secrets within secrets. But I won’t tell. They’ll have to kill me. Except that’s
the point. They can’t.