An thnography E of unger H Politics, Subsistence, and the Unpredictable Grace of the Sun Kristin D. Phillips An ETHNOGRAPHY of HUNGER FRAMING THE GLOBAL BOOK SERIES The Framing the Global project, an initiative of Indiana University Press and the Indiana University Center for the Study of Global Change, is funded by the Andrew W. Mellon Foundation. Hilary E. Kahn and Deborah Piston-Hatlen, Series Editors Advisory Committee Alfred C. Aman Jr. Eduardo Brondizio Maria Bucur Bruce L. Jaffee Patrick O’Meara Radhika Parameswaran Richard R. Wilk An ETHNOGR APH Y of HU NGER Politics, Subsistence, and the Unpredictable Grace of the Sun Kristin D. Phillips Indiana University Press This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA iupress.indiana.edu © 2018 by Kristin D. Phillips All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48–1992. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Names: Phillips, Kristin, author. Title: An ethnography of hunger : politics, subsistence, and the unpredictable grace of the sun / Kristin Phillips. Description: Bloomington : Indiana University Press, 2018. | Series: Framing the global book series | Includes bibliographical references and index. | Identifiers: LCCN 2018013046 (print) | LCCN 2018025310 (ebook) | ISBN 9780253038401 (e-book) | ISBN 9780253038364 (hardback : alk. paper) | ISBN 9780253038371 (pbk. : alk. paper) Subjects: LCSH: Subsistence economy—Tanzania. | Food security—Social aspects—Tanzania. | Food security—Political aspects—Tanzania. Classification: LCC HC885.Z9 (ebook) | LCC HC885.Z9 P61593 2018 (print) | DDC 339.46096782—dc23 LC record available at https://lccn.loc.gov/2018013046 1 2 3 4 5 23 22 21 20 19 18 To Jim, Burke, and Marcus Contents Preface ix Acknowledgments xvii Note on Language and Translation xxiii Introduction: Subsistence Citizenship 1 Part I: The Frames of Subsistence in Singida: Cosmology, Ethnography, History 1 Hunger in Relief: Village Life and Livelihood 25 2 The Unpredictable Grace of the Sun: Cosmology, Conquest, and the Politics of Subsistence 48 Part II: The Power of the Poor on the Threshold of Subsistence 3 We Shall Meet at the Pot of Ugali: Sociality, Differentiation, and Diversion in the Distribution of Food 79 4 Crying, Denying, and Surviving Rural Hunger 106 Part III: Subsistence Citizenship 5 Subsistence versus Development 131 6 Patronage, Rights, and the Idioms of Rural Citizenship 151 Conclusion: The Seasons of Subsistence and Citizenship 177 Bibliography 183 Index 201 Preface In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. . . . Don’t get bogged down with precise descriptions. Africa is big: fifty-four countries, 900 million people who are too busy starving and dying and warring and emigrating to read your book. . . . Among your characters you must always include The Starving African, who wanders the refugee camp nearly naked, and waits for the benevolence of the West. Her children have flies on their eyelids and pot bellies, and her breasts are flat and empty. She must look utterly helpless. She can have no past, no history; such diversions ruin the dramatic moment. Moans are good. She must never say anything about herself in the dialogue except to speak of her (unspeakable) suffering. Binyavanga Wainaina, How to Write about Africa 6-Day Visit to Rural African Village Completely Transforms Woman’s Facebook Profile Picture 2014 headline from satirical newspaper The Onion T renchant critiques of the Global North’s representations of the African continent mark our new millennium. Often articulated as satire, such critiques— of literature, film, travelogues, Western media, academic and aid-industry publi- cations, and more recently, social media—poke fun at projected ideas of “Africa” as utterly primitive, desperately hungry, hopelessly broken, or wholly unspoilt. Such pervasive (yet contradictory) images highlight the personal insecurities, political and economic agendas, superficiality, and what Stephen Ellis (2011) aptly referred to as a singular “unoriginality” that undergirds so many repre- sentations of African contexts to Western publics today. Tongue-in-cheek, these satires present readers with the most hackneyed and effective tropes they might employ to reduce Africa to a single country, and a billion Africans’ lives to—what Chimamanda Ngozi Adichie (2009) calls—a “single story.” A 2012 article in the satirical newspaper The Onion mocks the way in which media depictions render “Africa” not merely a site of death, dearth, and disaster, but itself the explanation for them: Africa, which affects upwards of 40 million new residents annually, has only grown more deadly over the years. According to WHO figures, many of the afflicted die from Africa or Africa-related complications before they even ix