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American Scream: Allen Ginsberg's Howl and the Making of the Beat Generation PDF

324 Pages·2004·1.29 MB·English
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American Scream JONAH RASKIN American Scream Allen Ginsberg’s Howl and the Making of the Beat Generation UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London All quotations from Collected Poems: 1947–1980, White Shroud: Poems, 1980–1985,and Journals: Mid-Fifties, 1954– 1958in chapters 1 to 11 of American Screamare reproduced by permission. Specified excerpts from Journals: Mid-Fifties, 1954–1958,by Allen Ginsberg. Edited by Gordon Ball. Copyright © 1995 by Allen Ginsberg. Introductory material copyright © by Gordon Ball. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. Specified excerpts from thirty-one poems from Collected Poems: 1947–1980,by Allen Ginsberg. Copyright © 1984 by Allen Ginsberg. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. Specified excerpts from “I’m a Prisoner of Allen Ginsberg” from White Shroud: Poems, 1980–1985,by Allen Ginsberg. Copyright © 1986 by Allen Ginsberg. Reprinted by permission of HarperCollins Publishers, Inc., and Penguin Books Ltd. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2004 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Raskin, Jonah, 1942–. American scream : Allen Ginsberg’s Howl and the making of the Beat Generation / Jonah Raskin. p. cm. Includes bibliographical references (p. ) and index. isbn0-520-24015-4 (pbk. : alk. paper) 1. Ginsberg, Allen, 1926– Howl. 2. Literature and mental illness—United States—History—2oth century. 3. Ginsberg, Allen, 1926—Knowledge—Psychology. 4. Ginsberg, Allen, 1926—Psychology. 5. Poetry— Psychological aspects. 6. Mental illness in literature. 7. Beat generation. I. Title. ps3513.i74h636 2004 811(cid:2).54—dc22 2003059527 Manufactured in the United States of America 10 09 08 07 06 05 04 10 9 8 7 6 5 4 3 2 1 The paper used in this publication is both acid-free and totally chlorine-free (TCF). It meets the minimum requirements of ANSI/NISO Z39.48–1992 (R 1997) (Permanence of Paper). (cid:2)(cid:3) For R.F. Contents Acknowledgments ix Preface:AllenGinsberg’sGenius xi 1 Poetickall Bomshell 1 2 Family Business 25 Trilling-esque 3 Sense of “Civilization” 44 4 Juvenescent Savagery 65 5 Just like Russia 81 Ladies, We Are 6 Going through Hell 104 Another Coast’s Apple 7 for the Eye 121 8 Mythological References 143 9 Famous Authorhood 158 This Fiction Named 10 Allen Ginsberg 189 11 Best Minds 209 Notes and Sources 231 Index 263 Acknowledgments I would like to thank Bob Rosenthal and the Allen Ginsberg Trust for permission to quote from unpublished Ginsberg mate- rial at libraries across the United States. I also want to thank the Trust for permission to quote from the Annotated Howl,as well as from psychiatric reports obtained from the New York State Psy- chiatric Institute in Manhattan and from Langley Porter in San Francisco. I would like to thank the libraries themselves for permission to quote from Ginsberg’s letters, manuscripts, and journals. Un- published material appears here courtesy of the Department of Special Collections, Stanford University Libraries; Rare Book and Manuscript Library, Columbia University; Fales Library, New York University; Bancroft Library, the University of Cali- fornia at Berkeley; Harry Ransom Humanities Research Center, the University of Texas at Austin; and the Berg Collection of En- glish and American Literature, The New York Public Library Astor, Lenox, and Tilden Foundations. ix

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Written as a cultural weapon and a call to arms, Howl touched a raw nerve in Cold War America and has been controversial from the day it was first read aloud nearly fifty years ago. This first full critical and historical study of Howl brilliantly elucidates the nexus of politics and literature in w
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