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American Art Deco PDF

296 Pages·1986·42.73 MB·English
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ACT IRIICAN HfiRIN COUNTY FREE LIBRARY IDIEC'L 311110G9997741 <* r n w DUNC4 AILASYaVIIE Art Deco was the most important decorative style of the late 1920s and 30s, and its expression in America was seen in architecture, sculpture, furniture, textiles, ceramics, silver, graphic arts, — jewelry in virtually every area of the fine and decorative arts. This splendid book explores the indigenous tradition of Art Deco in America and, in over 500 illustrations, reveals the beauty and extent of the style as it was mani- fested in the United States. Art Deco, which in its pure form reached its climax at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes in Paris, had an impact on art and design that was felt throughout the Western world. When similar exhibitions appeared in American museums and department stores, American designers were quick to take hold of the new style and make it their own, and it became enormously popular. Most of the important buildings of the era, in all parts of the country, were embellished with strong Art Deco themes. William van Alen, Ely Jacques Kahn, and Joseph Urban, among oth- ers, created some of the most memorable archi- tecture of the century: the Chrysler Building and Radio City Music Hall in New York; the Union Trust Building in Detroit; the Richfield Oil Building and the Pan-Pacific Auditorium in Los Angeles. Furniture, whether in homes, offices, restau- rants, or nightclubs, was revolutionized by Art Deco's modernist stylizations (including the uniquely American skyscraper motif), and American designers from Paul Theodore Frankl to Donald Deskeyto Russel WrighttoWaltervon Nessen created sofas, screens, and dressing tables in the Art Deco spirit. On radios, book — covers, fabrics, automobiles the influence of Art Deco abounded. This beautifully produced volume displays and discusses American Art Deco in all its varia- tions. Brilliant illustrations, including 233 plates in superb color, make the period between the world wars come to life in objects ranging from cocktail shakers to the Trylon and Perisphere of the 1939 World's Fair. Alastair Duncan, an inter- nationally acknowledged authority on Art Deco and Art Nouveau, and the author of ten books on the subject, brings the style into focus in a detailed and entertaining text. This is truly the definitive volume on the American interpretation of one of the most successful design styles of the century. 502 illustrations, icluding 233plates in full color i 4/S7 CIVIC CENTER 3 1111 00999 7741 i DECO AMERICAM ART JacquesSchnier "TwoDancers," bronzegroup, 15 in. (38cm)high, 1931 (collectionJohnP.Axelrod) DUNCAN ALASTAIR I DECO AMERICAN ART = HARRY M. ABRAMS, IMC. = RUBLISHERS,NEWY()RK — K NICHOLAS LibraryofCongressCataloging-in-Publication Data Duncan,Alastair, 1942- Americanartdeco. Bibliography: p. Includesindex. — 1.Artdeco UnitedStates. 2.Art,Modern 20thcentury—UnitedStates. I.Title. N6512.5.A7D86 1986 709'.73 86-3561 ISBN0-8109-1850-1 Copyright©1986ThamesandHudsonLtd,London Publishedin 1986byHarryNAbrams, Incorporated,NewYork.Allrightsreserved. Nopart ofthecontentsofthisbookmaybereproduced withoutthewrittenpermissionofthepublishers TimesMirrorBooks PrintedandboundinJapan COMTEMTSI INTRODUCTION 7 1 2 EXHIBITIONS 20 3 FURNITURE 31 4 LIGHTING AMD CLOCKS (( 5 SILVER 79 6 METALWARE 95 CERAMICS 7 104 8 GLASS 122 9 TEXTILES 131 ARCHITECTURE 10 146 SCULPTURE 207 11 PAINTING AND GRAPHICS )34 12 JEWELPY 13 246 WOPLDEAIPS 14 258 INDUSTRIAL DESIGN )(7 15 NOTES ON THE TEXT 279 BIBLIOGRAPHY 286 APPENDIX )S7 INDEX )S7 IN WIN (AIINs \( Myverysinceregratitudetothemanywhoprovidedready AlanMoss,theMuseumoftheCityofNewYork(Jennifer assistanceandinformationinthecompilationofthisbook. Bright),JanNadelman,VictorNardmi,theNationalMuseum ofAmericanArt(Dr.ElizabethBroun,TomBower,PatriciaC. These,inalphabeticalorder,includeLynnAbbie,HerbertS. Geeson,BarbaraNosanow,andRachelM.Allen),Albert Adler,theArtInstituteofChicago(SherylBailey),theAtlantic Nesle,theNewarkMuseum(UlyssesG.Dietz),theNiagara RichfieldCompany,theAuburn-DuesenbergMuseum MohawkPowerCorporation(JamesM.Cosgrove),the (GreggButtermore),theAveryLibrary(JanetParks,Harriet NorthwestArchitecturalArchives:UniversityofMinnesota Stratis,andJayHendricks),JohnP.Axelrod,BobBarrett, (AlanLathropandSusanBrown),theNortonGalleryand BecketAssociates,JosephDuciBella,BillBenedict,Michael SchoolofArt,theMuseumofArtofOgunquit(HenryStrater), Bleichfeld,RichardBohl,FrederickBrandt,WalterScott JohnPerricault,PfluegerAssociates(DebraHuskisson), Braznell,CarloBreeze,BrookgreenGardens(RobinA. RussellP.Phillips,MaximePolack,theQueen'sMuseum Salmon),TheBrooklynMuseum(DianePilgrimand (EileenShepherd),DonReed,AnthonyRobins,the ChristopherWilk),Dr.AnnellaBrown,theBuffaloandErie RockefellerCenter(AnitaMcGurnandJamesReed),the CountyHistoricalSociety(ThomasPayne),theButlerLibrary RockwellMuseum(BobbyRockwellandMichaelDuty), (AlisonScott),BarbaraB.Capitman,TheCarnegieInstitute JosephRosenburg,WilliamRothschild,ChristineRoussel,the (PhillipM.Johnston),CharlesH.Carpenter,Jr.,theCatalino SaintLouisArtMuseum(ChristinaH. Nelson),theSan IslandMuseumSociety(PatriciaAnneMoore),IrwinS. FranciscoPublicLibrary(GladysHansonandPatriciaAkre), Chanin,theChicagoHistoricalSociety(SharonS.Darling, RobertSchoelkopf,ViktorSchreckengost,ArlenePalmer WimdeWit,ZabraClark,andRobertBreugmann),Christie's Schwind,SeveranceHall(DeniseHorstmanandTimothyD. NewYorkandGeneva(DavidRobinson,PeterL.Daly,Karin Parkinson),AmyFreedmanSharak,JuliusShulman, L.Willis,Mary-BethMcCaffrey,LeslieWeckstein,Carol Sotheby'sNewYork(JacquelineSamolsandAmyMurphy), Haggerty,HansNadelhoffer,SueFiamma,DebiJackson, JewelStern,JohnStern,theSteubenGlassCompany(Chloe GeorgesdeBartha,AxelleThijssen,andJosephSiejack),the Zerwick),WilliamStraus,DavidStravitz,RichardStriner,the ChryslerMuseum(NancyO.Merrill),theCincinnatiArt TampaMuseum(RebeccaL.Wilson),JeffreyThier,Tiffany& Museum(KarenZukowski),theClevelandInstituteofArt Co.(JohnLoringandKathyMurtha),KazTsuruta,Susan (DennisBuckandRobertaA.Hubbard),theCleveland Tunick,CharlesUht,theUniversityArtMuseum: Universityof MuseumofArt(HenryHawley),JoyceColton,theCooper- CaliforniaatSantaBarbara(ProfessorDavidGebhardand HewittMuseum(ElaineE.Dee,DavidMcFadden,Timothy GavinTownsend),ElayneVarian,WilliamWarmus,George Rub,WilliamClagett,DerekOstergord,MargaretLuchars, H,WatermanIII,WilliamT.Weber,LarryWhiteley,the SarahA.Seggerman,ScottHyde,andCathyMartinez),The WhitneyMuseumofAmericanArt(JodyErdman),Carol CorningMuseumofGlass(PriscillaPriceandJane Willis,RobertWinter,DianeWolf,theMitchellWolfson,Jr., Spillmon),theCowanPotteryMuseum(VictoriaF.Peltz),the CollectionofDecorativeandPropagandaArts(Stephen CranbrookAcademyofArt(SusanWaller),MichaelCrowe, Greengard,CarolAlper,andMercedesA.Quiroga),the theDallasHistoricalSociety(PeggyRiddle),WilliamDavis, YaleUniversityArtGallery(PatricioKaneandKarenDavies), Jr.,AnthonydeLorenzo,MonroeDenton,theDetroitInstitute andLarryZim. ofArts(PatriciaK.LawrenceandMaryAnnWilkinson), MartinDiamond,MartinEidelberg,RichardFarnan,CarlU. Particularthanksisextendedtothefollowingforspecial Fauster,MarkFeldman,CatherineA.Fitch,BarryFriedman, assistance:RandyJuster,whosemanyphotographsattest DenisGallion,VernonGay,LaurieGentile,VickyGold, admirablytohisabilitiesasaphotographerandhisbroad RobertGoodman,DavidHalpern,RitaHanke,David knowledgeofAmericanArtDecoarchitecture;KatherineC. Hanks,Hedrich-Blessing(WilliamThompkins),Tony Kurland,forinnumerablehoursofresearch,muchofit Heinsbergen,TerryHelgesen,LloydHerman(theRenwick tedious,AlanMoss,forhisreadinesstoshareinformationin Gallery),AdamC Heyman,PeterHill,WilliamHill,Hirschl afieldinwhichhehaslongbeenanacknowledged andAdler(SusanMenconi),theIndianapolisMuseumofArt authority;TimothyRub,fortheselflessmannerinwhichhe (JanetFeemster),Inglett-Wolson(DanInglettandGene offeredinvaluablearchivalandphotographicsourceswhich Watson),CarlY.In,JamesJ Jennewein.theJordan-Volpe wouldotherwisehavebeenmissed,andAlice,mywife,for GalleryIToddVolpe),RondyJuster,MurielKarasik,DunyB bothherexpertadviceonAmericansculptureandher Kotzmon,GraceKeating,RonaldandLeeKeno,VickiLevi, supportthroughthreeyearsofresearch.Thanks,also,to SydneyandFrancesLewis,theLibraryofCongress(Ford DonaldDeskeyandViktorSchreckengostfortheircomments Peatros),MilesLoune,MichaelandWendyLubin,Mark onvarioussectionsofthetext Finally,thebookisatributeto MacDonald,Mrs Malatesta,DonaldMcCormick,the thepioneerresearchbyKarenDavies,whose1983 MetropolitanMuseumofArt(CraigMiller,LindaG Lawson, exhibitioncataloguefortheYaleUniversityArtGallery,At andAndrewSpahr),AllenMichaan,RandalMichelson,the HomeinManhattan,provided,inpart,theimpetusforthis MinnesotaMuseumofArtIGlonaKittleson),DanielMorris, book

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