For Lola CONTENTS PREFACE: Miami, 1964 PART I 1. Cassius Marcellus Clay 2. The Loudest Child 3. The Bicycle 4. “Every Day Was Heaven” 5. The Prophet 6. “I’m Just Young and Don’t Give a Damn” 7. America’s Hero 8. Dreamer 9. “Twentieth-Century Exuberance” 10. “It’s Show Business” 11. Float Like a Butterfly, Sting Like a Bee 12. The Ugly Bear 13. “So What’s Wrong with the Muslims?” 14. Becoming Muhammad Ali 15. Choice 16. “Girl, Will You Marry Me?” 17. Assassination 18. Phantom Punch 19. True Love 20. A Holy War 21. No Quarrel 22. “What’s My Name?” 23. “Against the Furies” PART II 24. Exile 25. Faith 26. Martyr 27. Song and Dance and Prayer 28. The Greatest Book of All Time 29. Stand by Me 30. Comeback 31. “The World Is Watching You” 32. A Different Fighter 33. The Five-Million-Dollar Match 34. Ali v. Frazier 35. Freedom 36. Trickeration PART III 37. A Fight to the Finish 38. Heart of Darkness 39. Fighter’s Heaven 40. “Ali Boma Ye!” 41. Rumble in the Jungle 42. Moving on Up 43. Impulses 44. Ali-Frazier III 45. Getting Old 46. “They May Not Let Me Quit” 47. “Do You Remember Muhammad Ali?” 48. Staggered 49. Crown Prince 50. Old 51. Humpty Dumpty 52. The Last Hurrah 53. Too Many Punches 54. “He’s Human, Like Us” 55. A Torch 56. The Long, Black Cadillac POSTSCRIPT ACKNOWLEDGMENTS NOTES APPENDIX: Career Record LIST OF ILLUSTRATIONS INDEX PREFACE Miami, 1964 ROUND 1. THE CHALLENGER: CASSIUS CLAY A long, black Cadillac glides past waving palm trees and stops in front of the Surfside Community Center. The afternoon sun flashes off the car’s chrome bumpers. Cassius Clay gets out. He’s dressed in a custom-made denim jacket and swinging a dandyish walking stick. He checks to see if anyone has noticed him. Not yet. He shouts, “I’m the biggest thing in history! I’m the king!” Clay is tall and stunningly handsome, with an irresistible smile. He’s a force of gravity, quickly pulling people into his orbit. Horns honk. Cars on Collins Avenue stop. Women lean out of hotel windows and shout his name. Men in shorts and girls in tight pants gather around to see the boastful boxer they’ve been hearing so much about. “Float like a butterfly! Sting like a bee!” he yells. “Rumble, young man, rumble! Ahhhh!” As the crowd grows, the chief of police arrives and tries to move Clay off the street and into a parking lot where he might cause less trouble. A newspaper photographer points his camera, but instead of smiling Clay opens his mouth wide in a pantomime scream. He throws a left jab that stops inches short of the camera. “I’m pretty and move as fast as lightning,” he says in his sweet Kentucky accent. “I’m just twenty-two and I’m gonna make a million dollars!” ROUND 2. THE CHAMPION: SONNY LISTON Sonny Liston’s left hand is a battering ram, his right a sledgehammer. Bom! Boom! Bom! Boom! He pounds the heavy bag so hard the walls shake and sportswriters’ hands jump as they scribble ornate synonyms for “scary.” Liston is the most punishing boxer in more than a generation, with fists each measuring fifteen inches around and a chest jutting forth like the front end of an M4 Sherman tank. He is fearless and vicious. How vicious? Once, he started a fight with a cop, beat the cop senseless, snatched his gun, picked him up and dumped him in an alley, and then walked away smiling, wearing the cop’s hat. Liston does not merely defeat his opponents; he breaks them, shames them, haunts them, leaves them flinching from his punches in their dreams. Sonny Liston is America’s curse. He is the black menace sprung from white racist stereotypes. And he likes it that way. “There’s got to be good guys, and there’s got to be bad guys,” he says, comparing the world to a cowboy movie. “Bad guys are supposed to lose. I change that. I win.” When he learns that the young man he will soon fight for boxing’s world heavyweight championship is outside the community center where he trains, Liston steps into the sun to meet the troublemaker. He swats away the outstretched hands of fans and marches until he’s nearly within punching distance of Cassius Clay. Liston stops and smiles. “Clay,” he tells a reporter, “is just a little kid who needs a spanking.” ROUND 3. THE MINISTER: MALCOLM X In a cramped hotel room near John F. Kennedy Airport in New York, thirty- eight-year-old Malcolm X talks into the night, telling his life story to a reporter. Malcolm is a tall, lean man with a strong jaw and horn-rimmed glasses. Even smiling, he bears a stern expression. Malcolm paces as he dictates, sitting only to scribble notes on napkins. He can’t wait until old age to produce his autobiography. He’s recently been suspended from the Nation of Islam for disobeying the radical group’s leader, Elijah Muhammad, and doesn’t know if he’ll ever go back. A few months earlier, Elijah Muhammad had ordered his ministers not to comment on the assassination of President Kennedy, out of respect for a nation in mourning, but Malcolm had spoken out anyway, saying the killing was an outgrowth of the violence sown by America in Vietnam, the Congo, and Cuba. “Being an old farm boy myself,” Malcolm had said, “chickens coming home to roost never did
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