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Algorithms and Subjectivity: The Subversion of Critical Knowledge PDF

129 Pages·2022·1.71 MB·English
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Algorithms and Subjectivity In this thought-provoking volume, Eran Fisher interrogates the relationship between algorithms as epistemic devices and modern notions of subjectivity. Over the past few decades, as the instrumentalization of algorithms has created knowledge that informs our decisions, preferences, tastes, and actions, and the very sense of who we are, they have also undercut, and arguably undermined, the Enlightenment-era ideal of the subject. Fisher finds that as algorithms enable a reality in which knowledge is created by circumventing the participation of the self, they also challenge contemporary notions of subjectivity. Through four case-studies, this book provides an empirical and theoretical investigation of this transformation, analyzing how algorithmic knowledge differs from the ideas of critical knowledge which emerged during modernity – Fisher argues that algorithms create a new type of knowledge, which in turn changes our fundamental sense of self and our concept of subjectivity. This book will make a timely contribution to the social study of algorithms and will prove especially valuable for scholars working at the intersections of media and communication studies, internet studies, information studies, the sociology of technology, the philosophy of technology, and science and technology studies. Eran Fisher is Associate Professor at the Department of Sociology, Political Science, and Communication at the Open University of Israel. He studies the link between digital media technology and society. His books include Media and New Capitalism in the Digital Age (2010), Internet and Emotions (2014; co-edited with Tova Benski), and Reconsidering Value and Labour in the Digital Age (2015; co-edited with Christian Fuchs). Routledge Focus on Digital Media and Culture The Serial Podcast and Storytelling in the Digital Age Edited by Ellen McCracken Media Piracy in the Cultural Economy Intellectual Property and Labor Under Neoliberal Restructuring Gavin Mueller Mobilizing the Latinx Vote Media, Identity, and Politics Arthur D. Soto-Vásquez Playlisting Collecting Music, Remediated Onur Sesigür Understanding Reddit Elliot T. Panek Algorithms and Subjectivity The Subversion of Critical Knowledge Eran Fisher Algorithms and Subjectivity The Subversion of Critical Knowledge Eran Fisher First published 2022 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN and by Routledge 605 Third Avenue, New York, NY 10158 Routledge is an imprint of the Taylor & Francis Group, an informa business © 2022 Eran Fisher The right of Eran Fisher to be identified as author of this work, and of Yoav Mehozay for his contribution to Chapter 2 and Norma Musih for her contribution to Chapter 4, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloguing-in-Publication Data A catalog record has been requested for this book ISBN: 978-1-032-05194-9 (hbk) ISBN: 978-1-032-05207-6 (pbk) ISBN: 978-1-003-19656-3 (ebk) DOI: 10.4324/9781003196563 Typeset in Times New Roman by MPS Limited, Dehradun To Uri Ram Contents Introduction: Subjectivity redundant 1 1 Can algorithmic knowledge be critical? 8 2 How algorithms think about humans? with Yoav Mehozay 30 3 Can algorithms tell us who we are? 50 4 Can algorithms make aesthetic judgments? with Norma Musih 67 5 Do algorithms have a right to the city? 88 Epilogue 109 Index 117 Introduction: Subjectivity redundant In recent years, almost unnoticeably, algorithms have become close companions. They are now embedded in digital media – from dating sites to navigational applications – hence taking part in almost every realm of life. Algorithms render the plethora of data that individuals create as they use digital media into knowledge about them, pri- marily in order to provide them with personalized content that matches their personality, taste, and will. This algorithmic knowl- edge, in turn, shapes how we experience the digital environment, how we see the world, and how we think about ourselves. At the heart of this book is a dual argument. First, the book argues that algorithms create a new way of knowing, which, in turn, changes our fundamental sense of self and our concept of subjectivity. The book analyzes algorithms as epistemic devices, geared toward creating knowledge, which informs users’ decisions, preferences, tastes, and actions, and changes the very sense of who they are. Second, in doing so, algorithms subvert a key tenet of modern subjectivity: the par- ticipation of the self in creating knowledge about the self, its capa- city for mobilizing self-reflection and critical knowledge in order to expand its realm of freedom. With modernity and with the Enlightenment, the constitution of subjectivity has been entwined with knowledge. Subjectivity – under- stood here as a quasi-transcendental (both utopian and actual) realm of individual freedom and authenticity – could only be achieved by a self that gained critical knowledge about the world, about social rea- lity, and most prominently about itself. As scientific and humanist knowledge had increasingly replaced theological cosmologies, in- dividuals increasingly participated in creating that knowledge. And as they created knowledge about themselves, they also constituted their subjectivity as a realm of freedom, as that realm that allows in- dividuals to articulate “this is what I think/like/want”. DOI: 10.4324/9781003196563-1

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