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FFIILLMM CCUULLTTUURREE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press AlexanderKluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Frontcoverillustration:AlexanderKluge.Photo:ReginaSchmeken Backcoverillustration:ArtistsundertheBigTop:Perplexed() Coverdesign:KokKorpershoek,Amsterdam Lay-out:japes,Amsterdam isbn (paperback) isbn (hardcover) e-isbn  nur  ©T.Forrest/AmsterdamUniversityPress, Allrightsreserved.Withoutlimitingtherightsundercopyrightreservedabove, nopartofthisbookmaybereproduced,storedinorintroducedintoaretrieval system,ortransmitted,inanyformorbyanymeans(electronic,mechanical, photocopying,recordingorotherwise)withoutthewrittenpermissionofboth thecopyrightownerandtheauthorofthebook. Everyefforthasbeenmadetoobtainpermissiontouseallcopyrightedillustra- tionsreproducedinthisbook.Nonetheless,whosoeverbelievestohaverights tothismaterialisadvisedtocontactthepublisher. ForAlexanderKluge …andinmemoryofMiriamHansen Table of Contents Introduction Editor’sIntroduction  TaraForrest TheStubbornPersistence of AlexanderKluge  ThomasElsaesser Film, Politics and the Public Sphere OnFilmand the Public Sphere  AlexanderKluge Cooperative AuteurCinemaand Oppositional Public Sphere: Alexander Kluge’s Contribution toGI A  MiriamHansen ‘What is Differentis Good’:Women and Femininity inthe Films ofAlexanderKluge  HeideSchlüpmann Rethinking History InSearch ofGermany: Alexander Kluge’sT P  AntonKaes Alexander Kluge andGerman History: ‘The Air Raidon Halberstadton8.4.1945’  DavidRoberts TheAir RaidonHalberstadt,8April 1945(extract)  AlexanderKluge Realism as Protest ConstructionSite Film: Kluge’sIdeaofRealismand HisShort Films  EikeFriedrichWenzel 8 AlexanderKluge TheSharpest Ideology: ThatRealityAppealstoitsRealistic Character  AlexanderKluge Debate on the Documentary Film:ConversationwithKlaus Eder,1980  AlexanderKlugeandKlausEder Opera as a ‘Power Plant of Emotion’ Undoing Act5: History, Bodiesand Operatic Remainsin T P E  CarylFlinn ‘FeelingsCan MoveMountains…’:AnInterviewwithAlexander Klugeon theFilm TP  F  FlorianHopf Alexander Kluge’s Phantomof the Opera  GertrudKoch Storytelling and Politics AnAnalytic StorytellerintheCourseofTime  AndreasHuyssen The Political as Intensityof Everyday Feelings  AlexanderKluge Atthe 2003 InternationalSecurity Conference  AlexanderKluge Television and Counter-Public Spheres Raw Materialsfor the Imagination:Kluge’s Work for Television  TaraForrest Television and Obstinacy  ChristianSchulte Reframing Islam in Television:Alexander Kluge’sInterviewson IslamandTerrorism since 9/11  TimGrünewald IntheReal TimeofFeelings:InterviewwithAlexanderKluge  AstridDeuber-MankowskyandGiacoSchiesser TableofContents 9 Television Interviews Character Armourand Mobile Warfare  AlexanderKlugeandHeinerMüller JeffMills:GodfatherofTechno  AlexanderKlugeandJeffMills TsunamiofEmotion:OnPuccini’sTosca  AlexanderKlugeandJosephVogl Early Cinema/Recent Work Reinventingthe Nickelodeon: Noteson Klugeand Early Cinema  MiriamHansen ‘All Things Are Enchanted Human Beings’:Remarks on Alexander Kluge’sN I A  ChristianSchulte SelectedBibliographyofEnglish-Language Texts  Acknowledgments  Notes onContributors  Index 

Description:
Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in English - comprises a wide selection
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Alexander Kluge: Raw Materials for the Imagination PDF

439 Pages·2012·2.76 MB·English
by  Tara Forrest
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FFIILLMM CCUULLTTUURREE IN TRANSITION Alexander Kluge Raw Materials for the Imagination EDITED BY TARA FORREST Amsterdam University Press AlexanderKluge Alexander Kluge Raw Materials for the Imagination Edited by Tara Forrest Frontcoverillustration:AlexanderKluge.Photo:ReginaSchmeken Backcoverillustration:ArtistsundertheBigTop:Perplexed() Coverdesign:KokKorpershoek,Amsterdam Lay-out:japes,Amsterdam isbn (paperback) isbn (hardcover) e-isbn  nur  ©T.Forrest/AmsterdamUniversityPress, Allrightsreserved.Withoutlimitingtherightsundercopyrightreservedabove, nopartofthisbookmaybereproduced,storedinorintroducedintoaretrieval system,ortransmitted,inanyformorbyanymeans(electronic,mechanical, photocopying,recordingorotherwise)withoutthewrittenpermissionofboth thecopyrightownerandtheauthorofthebook. Everyefforthasbeenmadetoobtainpermissiontouseallcopyrightedillustra- tionsreproducedinthisbook.Nonetheless,whosoeverbelievestohaverights tothismaterialisadvisedtocontactthepublisher. ForAlexanderKluge …andinmemoryofMiriamHansen Table of Contents Introduction Editor’sIntroduction  TaraForrest TheStubbornPersistence of AlexanderKluge  ThomasElsaesser Film, Politics and the Public Sphere OnFilmand the Public Sphere  AlexanderKluge Cooperative AuteurCinemaand Oppositional Public Sphere: Alexander Kluge’s Contribution toGI A  MiriamHansen ‘What is Differentis Good’:Women and Femininity inthe Films ofAlexanderKluge  HeideSchlüpmann Rethinking History InSearch ofGermany: Alexander Kluge’sT P  AntonKaes Alexander Kluge andGerman History: ‘The Air Raidon Halberstadton8.4.1945’  DavidRoberts TheAir RaidonHalberstadt,8April 1945(extract)  AlexanderKluge Realism as Protest ConstructionSite Film: Kluge’sIdeaofRealismand HisShort Films  EikeFriedrichWenzel 8 AlexanderKluge TheSharpest Ideology: ThatRealityAppealstoitsRealistic Character  AlexanderKluge Debate on the Documentary Film:ConversationwithKlaus Eder,1980  AlexanderKlugeandKlausEder Opera as a ‘Power Plant of Emotion’ Undoing Act5: History, Bodiesand Operatic Remainsin T P E  CarylFlinn ‘FeelingsCan MoveMountains…’:AnInterviewwithAlexander Klugeon theFilm TP  F  FlorianHopf Alexander Kluge’s Phantomof the Opera  GertrudKoch Storytelling and Politics AnAnalytic StorytellerintheCourseofTime  AndreasHuyssen The Political as Intensityof Everyday Feelings  AlexanderKluge Atthe 2003 InternationalSecurity Conference  AlexanderKluge Television and Counter-Public Spheres Raw Materialsfor the Imagination:Kluge’s Work for Television  TaraForrest Television and Obstinacy  ChristianSchulte Reframing Islam in Television:Alexander Kluge’sInterviewson IslamandTerrorism since 9/11  TimGrünewald IntheReal TimeofFeelings:InterviewwithAlexanderKluge  AstridDeuber-MankowskyandGiacoSchiesser TableofContents 9 Television Interviews Character Armourand Mobile Warfare  AlexanderKlugeandHeinerMüller JeffMills:GodfatherofTechno  AlexanderKlugeandJeffMills TsunamiofEmotion:OnPuccini’sTosca  AlexanderKlugeandJosephVogl Early Cinema/Recent Work Reinventingthe Nickelodeon: Noteson Klugeand Early Cinema  MiriamHansen ‘All Things Are Enchanted Human Beings’:Remarks on Alexander Kluge’sN I A  ChristianSchulte SelectedBibliographyofEnglish-Language Texts  Acknowledgments  Notes onContributors  Index 

Description:
Alexander Kluge is best known as a founding member of the New German Cinema. His work, however, spans a diverse range of fields and, over the last fifty years, he has been active as a filmmaker, writer and television producer. This book - the first of its kind in English - comprises a wide selection
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