Akhenaten’s Sed-festival at Karnak Studies in Egyptology Edited by Alan B. Lloyd Professor of Classics and Ancient History, University College of Swansea Editorial Advisor: A. F. Shore Professor of Egyptology, University of Liverpool The Egyptian Temple, Patricia Spencer The Administration of Egypt in the Old Kingdom, Nigel Strudwick Corpus of Reliefs of the New Kingdom from the Memphite Necropolis and Lower Egypt Volumel, Geoffrey Thorndike Martin Problems and Priorities in Egyptian Archaeology, Edited by Jan Assmann, Gunter Burkard and Vivian Davies Lost Tombs, Lise Manniche Decoration in Egyptian Tombs of the Old Kingdom, Yvonne Harpur Untersuchungen zu den Totenbuchpapyri der 18. Dynastiem Irmtraut Munro The Monuments of Senenmut, Peter F. Dorman The Fort Cemetery at Hierakonpolis, Barbara Adams The Duties of the Vizier, G.P.F. van den Boom A Glossary of Ancient Egyptian Nautical Titles and Terms, Dilwyn Jones Land Tenure in the Ramesside Period, Sally L.D. Katary Valley of the Kings, C.N. Reeves The Cobra Goddess of Ancient Egypt, Sally B. Johnson A Bibliography of the Amarna Period and its Aftermath, Geoffrey Thorndike Martin The Private Chapel in Ancient Egypt, Ann H. Bomann Forthcoming: After Tutankhamun, Edited by C.N. Reeves Gods, Priests and Men, Aylward M. Blackman, compiled and edited by Alan B. Lloyd The City of Meroe, Lazio Torok Akhenaten' s Sed-festival at Karnak Jocelyn Gohary First published 1992 by Kegan Paul International Ltd Published 2019 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN 52 Vanderbilt Avenue, New York, NY 10017 Routledge is an imprint oft he Taylor & Francis Group, an informa business © Jocelyn Gohary 1992 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data Gohary, Jocelyn, /944- Akhenaten's Sed - festival at Karnak. - (Studies in Egyptology). 1. Egypt. Akhenaten, Pharaoh of Egypt, fl. I 379-1362 B.C. I. Title II. Series 932'.014'0924 ISBN 0-7103-0380-7 Library of Congress Cataloging-in-Publication Data Gohary, Jocelyn (Jocelyn Olive), 1944- Akhenaten's Sed-festival at Karnak/ Jocelyn Gohary. p. cm. - (Studies in Egyptology) Includes bibliographical references and index. ISBN 0-7103-0380-7 1. Akhenaten, King of Egypt. 2. Sed festival. 3. Karnak (Egypt) - Antiquities. I. Series. DT87.4.G64 1991 932'.014'0924 - dc20 90-46308 CIP ISBN 13: 978-0-7103-0380-6 (hbk) Table of Contents Preface v List of Plates vii Abbreviations ix Part I: the Sed-Festival 1. Definition of the Sed-festival 1 2. Date of the Sed-festival 3 3. Location of the Sed-festival 5 4. Evidence of Sed-festivals 6 5. The Rites of the Sed-festival 9 Part II: Sed-festival scenes of Amenhotep IV on the Karaak talatat 1. The Akhenaten Temple Project 26 2. The number of Sed-festivals celebrated by Amenhotep IV 29 3. The location of the celebration of Amenhotep IV’s Sed-festival 34 4. Wall area covered by Sed-festival scenes 36 5. Size of figures in Sed-festival scenes 36 6. The identification of Sed-festival scenes 37 Part III: Catalogue of matched scenes and individual talatat 1. Matched scenes 40 2. Individual blocks 120 Part IV: Conclusion 167 Appendix: Register of Matched Scenes and Individual Blocks 170 Footnotes 205 Bibliography 230 Index 236 iii Taylor & Francis Taylor & Francis Group http://taylora ndfr a ncis.com Preface and Acknowl e dgmen t s The reign of the pharaoh Amenhotep IV-Akhenaten is a period of ancient Egyptian history on which there is much information, though most of it is of a controversial nature. The Sed-festival is an ancient religious festival for which much evidence exists but because of the incompleteness of that evidence, several different interpretations of the festival have arisen. Amenhotep IV apparently celebrated a Sed-festival early in his reign and recorded the event in his new temple complex dedicated to the Aten at Karnak. Blocks from the temple buildings which were re-used after the death of Amenhotep IV, were examined and photographed by the Akhenaten Temple Project between 1966 and 1977 in an attempt to analyse, with the aid of the computer, scenes carved on the blocks known as the Akhenaten 'talatat*. The present work covers a selection of these blocks, those depicting parts of the Sed-festival. Whilst working for the Project from 1968 to 1973, I was entrusted with the task of studying the Sed-festival scenes, which eventually formed the basis of my Ph.D. thesis presented in 1977. This research was originally to have been one of a series of publications on the findings of the Akhenaten Temple Project, but due to problems which arose over the publishing of subsequent volumes after Volume 1 appeared in 1976, this work on the Sed-festival talatat has remained unpublished until now. With a subject as popular as the reign of Amenhotep IV-Akhenaten, new books and articles are constantly appearing and fresh ideas being suggested. Since 1975 Professor Donald B. Redford of Toronto University, has been conducting excavations on the site of the Aten Temple at the east end of Karnak. In addition, the Centre Franco-Egyptien at Karnak is continuing to study, with the aid of more advanced computer techniques than those available to the Akhenaten Temple Project two decades ago, talatat extracted by them from the west wing of the Ninth Pylon. It is very difficult to keep abreast of all these more recent pieces of information, whilst at the same time trying to finalize a work such as this book, where my main concern is to make available to all interested persons the hitherto unpublished record of the Sed-festival of Amenhotep IV from Karnak. I hope that any shortcomings in that respect will be outweighed by the presentation of what can still only be regarded as a first report and analysis of the Sed-festival scenes, which will no doubt be added to and reinterpreted as fresh evidence and new finds come to light. This study may not clarify many points about the Sed-festival in general, but it is hoped that it will add some more information on the development of the cult of the Aten and the effect of this cult on the enactment of a religious festival which can be traced back to the Archaic Period. v My especial thanks are due the late Mr. Ray Winfield Smith (Director of the Akhenaten Temple Project from 1965 to 1972) and Professor Donald B. Redford (Director of the Akhenaten Temple Project from 1972 onwards) for allowing me to use material from the Project for my study of Amenhotep IV’s Sed-festival at Karnak. I also wish to thank Professor Redford for permission to publish the Project’s photographs and other data on the talatat. There are several other persons to whom I extend my gratitude for their help and encouragement; the late Professor H. W. Fairman and Professor A. F. Shore of the School of Archaeology and Oriental Studies, Liverpool University, for their guidance during my original research; Dr. C. F. Nims, ex-Director of Chicago House, Luxor, for copies of the drawings of scenes from the tomb of Kheruef before its publication; Dr. G. Haeny, ex-Director of the Swiss Archaeological Institute in Cairo, for access to unpublished photographs of blocks from the mortuary temple of Amenhotep III; past staff members of the Akhenaten Temple Project, in particular the late Mr. Leslie Greener for the line-drawing of Scene 1; Miss S. Crowgey for her translation of M. Mathieu’s article on the Sed-festival; Mr. Y. A. Abdel-Ghaffar for his painstaking work in preparing the manuscript and my husband, Said, for his constant support and practical assistance. Finally, I express my thanks to the present publishers for enabling this work to become available to a wider public at long last. Jocelyn Gohary vi List o£ Plates 1. Matched Scenes: I-XIX: the palanquin procession XX: the tnt3t-dais XXI: the tnt3t-dais; a possible baldachin XXII: the tnt3t-dais; a foundation rite; the heb-sed band XXIII: the heb-sed band XXIV-XXVII: the palace XXVI11-XXXIX : the offering-kiosk series XL-XLI: the Re'-Harakhte altars XLII : miscellaneous figures of the king XLIII-XLV: the lion and sphinx palanquin XLVI : procession scenes; inscriptions XLVII: narrative inscriptions XLVIII-XLIX: homage scenes L: the 'Kheruef’ dancers LI: dancers and musicians LII: cattle LIII-LVI: the offering-with-libation ceremony LVII : the Window of Appearance; men carrying meat LVIII: miscellaneous priests LIX: the Window of Appearance LX: the Window of Appearance; male dancers; the atef-crown; priests LXI : ladies-in-waiting LXII : ladies-in-waiting; soldiers LXIII: miscellaneous officials LXIV-LXVI: miscellaneous officials with titles. 2. Individual blocks: LXVII-LXXVII: palanquin procession scenes LXXVIII-LXXXV: the offering-kiosk series LXXXVI: miscellaneous small scale figures of the king LXXXVII: lion-furniture; the tnt3t-dais LXXXVIII: scenes paralleled in other Sed-festival reliefs LXXXIX: depictions of Re' -Harakhte; the Re'-Harakhte altars XC-XCI: miscellaneous figures of the king and queen XCII : the sinuous wall; the king and queen in the Window of Appearance XCIII: the atef-crown; possible foundation rites; the hb-sd motif band vii