ebook img

After Nietzsche: Notes Towards a Philosophy of Ecstasy PDF

228 Pages·2002·1.013 MB·English
Save to my drive
Quick download
Download
Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.

Preview After Nietzsche: Notes Towards a Philosophy of Ecstasy

After Nietzsche Notes Towards a Philosophy of Ecstasy Jill Marsden Renewing Philosophy General Editor: Gary Banham Titles include: Kyriaki Goudeli CHALLENGES TO GERMAN IDEALISM Schelling, Fichte and Kant Keekok Lee PHILOSOPHY AND REVOLUTIONS IN GENETICS Jill Marsden AFTER NIETZSCHE Notes Towards a Philosophy of Ecstasy Celine Surprenant THE CONCEPT OF THE MASS IN FREUD Jim Urpeth FROM KANT TO DELEUZE Martin Weatherston HEIDEGGER’S INTERPRETATION OF KANT Categories, Imagination and Temporality Renewing Philosophy Series Standing Order ISBN 0–333–91928–9 (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England After Nietzsche Notes Towards a Philosophy of Ecstasy Jill Marsden © Jill Marsden 2002 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2002 by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin’s Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 0–333–91876–2 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Marsden, Jill, 1964– After Nietszche: notes towards a philosophy of ecstasy / Jill Marsden. p. cm. – (Renewing philosophy) Includes bibliographical references (p. ) and index. ISBN 0-333-91876-2 (cloth) 1. Nietzsche, Friedrich Wilhelm, 1844–1900 – Criticism and interpretation. 2. Nietzsche, Friedrich Wilhelm, 1844–1900. Geburt der Trag`edie. 3. Ecstasy. I. Title. II. Series B3318.E37 M27 2002 193–dc21 2002072519 10 9 8 7 6 5 4 3 2 1 11 10 09 08 07 06 05 04 03 02 Printed and bound in Great Britain by Antony Rowe Ltd, Chippenham and Eastbourne For Mark Price Contents Series Editor’s Foreword ix Preface xi Acknowledgements xvii 1 In the Horizon of the Infinite 1 2 The Tempo of Becoming 24 3 A Feeling of Life 47 4 Men of Fire 73 5 A General Theory of Collapse 96 6 The Night of Unknowing 123 7 Great Moments of Oblivion 148 8 The Sense of Eternity 171 Notes 188 Bibliography 198 Index 205 vii Series Editor’s Foreword That Nietzsche marks a decisive event in the history of philosophy is a statement often made. Rarely however is it given the type of exploration that enables the location of the impact of Nietzsche in relation to subsequent philosophy. If philosophy in the wake of Nietzsche is given new tasks and goals then the nature of them must require a register of a profoundly new kind. That this new kind of exploration rarely breaks through the writings of Nietzsche scholar- ship can hardly be disputed. With the work of Jill Marsden we finally have a voice that can locate the register that is required to begin addressing the kind of breakthrough that Nietzsche represents. Here we find a language that is driven, that tests its own sensible possibilities in its own statements, which can elaborate a response to Nietzsche that does not pre-judge the stakes of argumentation against him. Begging the question against Nietzsche is the most common activity in writing on his achievement. The writing here, by contrast, is carried on the wave of joy that Nietzsche would inaugurate. The type of inquiry that is called for in being able to describe sensations cannot be of the same kind as is appropriate to discourse eloquently on the logical properties of statements. Therefore it requires a particular type of voice to make clear what it would be for the body itself to be engaged in writing. If Jill Marsden in producing a writing of the kind that fits the intervention of Nietzsche into philosophy has done something rare, it is rare in the sense of the exquisite. To write well about the sensi- ble basis of thought should itself invoke qualities of beauty and grace. To fail at this is to risk failing at everything. It is a true delight and pleasure to return from the experience of this text with the feeling that this failure has here been averted. If there is philosophy that emerges after and because of Nietzsche then this philosophy will have to be located in relation to his legacy. This is also part of the work that Jill Marsden has here per- formed: setting out this legacy in relation to a set of writers whose possibility emerges through an engagement with the spiritual ix

See more

The list of books you might like

Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.