Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santería PDF
Preview Afro-Cuban Religious Arts: Popular Expressions of Cultural Inheritance in Espiritismo and Santería
Afro-Cuban Religious Arts University Press of Florida Florida A&M University, Tallahassee Florida Atlantic University, Boca Raton Florida Gulf Coast University, Ft. Myers Florida International University, Miami Florida State University, Tallahassee New College of Florida, Sarasota University of Central Florida, Orlando University of Florida, Gainesville University of North Florida, Jacksonville University of South Florida, Tampa University of West Florida, Pensacola @ Afro-Cuban Religious Arts g W Popular Expressions of Cultural Inheritance in Espiritismo and Santería Kristine Juncker University Press of Florida Gainesville · Tallahassee · Tampa · Boca Raton · Pensacola Orlando · Miami · Jacksonville · Ft. Myers · Sarasota Copyright 2014 by Kristine Juncker All rights reserved Printed in the United States of America on recycled, acid-free paper This book may be available in an electronic edition. 19 18 17 16 15 14 6 5 4 3 2 1 Library of Congress Control Number: 2014934335 isbn 978-0-8130-4970-0 The University Press of Florida is the scholarly publishing agency for the State University System of Florida, comprising Florida A&M University, Florida Atlantic University, Florida Gulf Coast University, Florida International University, Florida State University, New College of Florida, University of Central Florida, University of Florida, University of North Florida, University of South Florida, and University of West Florida. University Press of Florida 15 Northwest 15th Street Gainesville, FL 32611-2079 http://www.upf.com This book is a part of the Latin American and Caribbean Arts and Culture publication initiative, funded by a grant from the Andew W. Mellon Foundation. To Samuel Aaron Shub Contents List of Plates xi List of Figures xiii List of Tables xv Acknowledgments xvii Note on Orthography and Naming xix Introduction 1 1 Religious Pluralism and the Afro-Cuban Ritual-Arts Movement, 1899–1969 12 2 Tiburcia and the Nested Spaces of Afro-Cuban Ritual Arts, 1861–1938 41 3 Hortensia and Iluminada: Afro-Cuban Ritual Altars at the Crossroads 69 4 Iluminada and Carmen: Arts of Historical Desire in 1950s and 1960s Spanish Harlem 96 Conclusion: Afro-Atlantic Arts and the Popular Sublime 117 Appendix: Food for the Oricha 129 Notes 133 Bibliography 157 Index 169
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