Table Of Content

Index to Volume 41 Articles Duvall, J. Michael, and Julie Cary Nerad, “ ‘Suddenly and Shockingly Abdur-Rahman, Aliyyah I, “ ‘Simply a Black’: The Atavistic Child in Turn- Menacing Boy’: Analogizing Color, of-the-Twentieth Century American Undoing Dominance in James Fiction”: [41] 51-66 Baldwin's Giovanni's Room”: [41] 477-486 Elam, Michele, “Dunbar’s Children”: Alexander, Elizabeth, “Dunbar [41] 259-268 Lives!”: [41] 395-401 —, “Passing in the Post-Race Era: Anderson, Crystal, “The Afro-Asiatic Danzy Senna, Philip Roth, and Colson Whitehead”: [41] 749-768 Floating World: Post-Soul Ernest, John, “Traumatic Theology in Implications in the Art of iona rozeal the Narrative of the Life of Henry Box brown”: [41] 655-665 Brown, Written by Himself’: [41] 19-31 Andrews, William L., “African Fishkin, Shelley Fisher, Gavin Jones, American Review at 40: A Meta DuEwa Jones, Arnold Retrospective”: [41] 10-11 Rampersad, and Richard Ashe, Bertram D., “Theorizing the Yarborough, “African American Post-Soul Aesthetic: An Review Special Issue— Introduction”: Introduction”: [41] 609-623 [41] 203-204 —, Crystal Anderson, Mark Anthony Foster, Guy Mark, “ ‘Do I look like Neal, Evie Shockley, and Alexander someone you can come home to Weheliye, “These —Are—the from where you may be going?’: Re- Mapping Interracial ary in ‘Breaks’: A Roundtable Discussion Octavia Butler’s Kindred”: [41] 143- on Teaching the Post-Soul 164 Aesthetic”: [41] 787-803 Gabbin, Joanne, “Intimate Baker, Houston A., Jr., “African Intercessions in the Poetry of Paul American Review at 40: A Laurence Dunbar”: [41] 227-231 Retrospective”: [41] 8-9 Gardner, Eric, “ ‘You have no business Blount, Marcellus, “Paul Laurence to whip me’: The Freedom Suits of Dunbar and the African American Polly Wash and Lucy Ann Delaney”: Elegy”: [41] 239-246 [41] 33-50 Bradley, David, “Factoring out Race: Harris, Trudier, “African American The Cultural Context of Paul Review at 40: A Retrospective”: [41] 11-12 Laurence Dunbar”: [41] 357-366 Heise, Thomas, “Harlem is Burning: Braxton, Joanne, “Dunbar, the Urban Rioting and the ‘Black Originator”: [41] 205-214 Underclass’ in Chester Himes’s Blind Brown, Stephanie, “Bourgeois Man With a Pistol”: [41] 487-506 Blackness and Autobiographical Hughes, Jennifer A., “The Politics of Authenticity: Ellen Tarry’s The Third Incongruity in Paul Laurence Door”: [41] 557-570 Dunbar’s The Fanatics” :[ 41] 295-301 Clabough, Casey, “Toward Feminine LaCroix, David, “Following Her Act: Mythopoetic Visions: The Poetry of Sequence and Desire in Gayl Jones’s Gayl Jones”: [41] 99-114 The Healing”: [41] 115-126 Cohen, Michael, “Paul Laurence Jarrett, Gene Andrew, “Second- Dunbar and the Genres of Dialect”: Generation Realist; or, Dunbar the Naturalist”: [41] 289-294 [41] 247-257 Jones, David M., “Postmodernism, Pop Davis, Thadious, “African American Music, and Blues Practice in Nelson Review at 40: A Retrospective”: [41] George’s Post-Soul Culture”: [41] 12-13 695-707 Durkin, Anita, “Object Written, Kelley, Blair L. M., “Right to Ride: Written Object: Slavery, Scarring, African American Citizenship and and Complications of Authorship in Protest in the Era of Plessy v. Beloved”: [41] 541-556 Ferguson”: [41] 347-356 INDEX TO VOLUME 41 Kim, Daniel Won-gu, “ ‘We, Too, Rise Sapirstein, Ray, “Picturing Dunbar’s with You’: Recovering Langston Lyrics”: [41] 327-339 Hughes’s African (Re)Turn 1954-1960 Schur, Richard, “Post-Soul Aesthetics in An African Treasury, the Chicago in Contemporary African American Defender, and Black Orpheus”: [41] Art”: [41] 641-654 419-441 Scott-Childress, Reynolds J., “Paul Leuchtenmiuller, Thomas, “Paul Laurence Dunbar and the Project of Laurence Dunbar’s Overlooked Cultural Reconstruction”: [41] 367-375 Play”: [41] 319-326 Shiffman, Dan, “Richard Wright's 12 Li, Xilao, “ ‘I Know Why the Caged Million Black Voices and World War Bird Sings!’: Dunbar in China”: [41] Il-era Civic Nationalism”: [41] 443-458 387-393 Smethurst, James, “Paul Laurence Lucasi, Stephen, “William Wells Dunbar and Turn-into-the-20'- Brown's Narrative & Traveling Century African American Dualism”: Subjectivity”: [41] 521-539 [41] 377-386 Maxwell, William J., “Dunbar’s Taylor, Paul C., “Post-Black, Old Bohemian Gallery: Foreign Color and Black”: [41] 625-640 Fin-de-Siecle Modernism”: [41] 341-346 Terry, Jennifer, “ ‘When Dey ‘Listed Mullen, Harryette, “ “When he is least Colored Soldiers’: Paul Laurence himself’: Dunbar and Double Dunbar’s Poetic Engagement with Consciousness in African American the Civil War, Masculinity, and Poetry”: [41] 277-282 Violence”: [41] 269-275 Nielsen, Aldon Lynn, “ ‘Purple Haze’: Thomas, Rhondda R., “Exodus and Dunbar’s Lyric Legacy”: [41] 283-288 Colonization: Charting the Journey in —, “FOREWORD: Preliminary Postings the Journals of Daniel Coker, a from a Neo-Soul”: [41] 601-608 descendant of Africa”: [41] 507-519 Nurhussein, Nadia, “Paul Laurence Van Wienen, Mark, and Julie Kraft, Dunbar’s Performances and the “How the Socialism of W. E. B. Du Epistolary Dialect Poem”: [41] 233-238 Bois Still Matters: Black Socialism in Omry, Keren, “Literary Free Jazz? The Quest of the Silver Fleece—and Mumbo Jumbo and Paradise: Language Beyond”: [41] 67-85 and Meaning”: [41] 127-141 Waligora-Davis, Nicole A., “Dunbar Patterson, Anita, “FORGOTTEN and the Science of Lynching”: [41] Manuscripts: ‘And Bid Him 303-311 Translate: Langston Hughes's Ward, Jerry W., Jr., “African American Translations of Poetry from French,’ Review at 40: A Retrospective”: [41] by Alfred Guillaume”: [41] 407-417 14-15 Pereira, Malin, “ ‘The Poet in the Weik, Alexa, ” ‘The Uses and Hazards World, the World in the Poet’: Cyrus of Expatriation’: Richard Wright's Cassells’s and Elizabeth Alexander's Cosmopolitanism in Process”: [41] Versions of Post-Soul 459-475 Cosmopolitanism”: [41] 709-725 Weixlmann, Joe, “African American Pierce, Yolanda, “That Old Time Review at 40: A Retrospective”: [41] 5-8 Religion: Christian Faith in Dunbar’s ‘The Strength of Gideon’ ”: [41] 313-318 Interview Ramsey, William, “An End of Southern History: The Down-home Quests of Kolin, Philip C., “Revisiting Toni Morrison and Colson Funnyhouse: An Interview with Billie Whitehead”: [41] 769-785 Allen”: [41] 165-175 Reed, Brian, “The Dark Room Collective and Post-Soul Poetics”: Poetry [41] 727-747 Robinson, Lillian S., and Greg Harris, William J.,“A GUY IN A Robinson, “Paul Laurence Dunbar: A BLACK SUV,” “MOTHER TO SON,” Credit to His Race?”: [41] 215-225 “THE FAMOUS COLORED Rottenberg, Catherine, “Begging to WRITER,” and “DUNBAR”: [41] 17-18 Differ: Nella Larsen’s Quicksand and Vest, Jennifer Lisa, “Somebody Forgot Anzia Yezierska’s Arrogant Beggar”: to Tell Somebody Something”: [41] [41] 87-98 571-573 AFRICAN AMERICAN REVIEW Reviews and Reviewers McGill, Lisa D., Constructing Black Selves: Caribbean American Narratives Bell, Bernard W., The Contemporary and the Second Generation (Daryl African American Novel: Its Folk Roots Cumber Dance): [41] 812-814 and Modern Literary Branches (Robert Moore, Lenard D., Gathering at the Butler): [41] 187-188 Crossroads (Hiromi Furukawa): [41] Belluscio, Stephen J., To Be Suddenly 821-823 White: Literary Realism and Racial Morel, Lucas E., ed., Ralph Ellison and Passing (KaaVonia Hinton): [41] 814-816 the Raft of Hope: A Political Companion Brown, Nicholas, Utopian Generations: to Invisible Man (Robert Butler): [41] The Political Horizon of Twentieth- 820-821 Century Literature (Edward Pereira, Malin, Rita Dove’s Cosmopoli- Dauterich): [41] 805-807 tanism (Brian Reed): [41] 590-592 Carr, Cynthia, Our Town: A Heartland Pierce, Yolanda, Hell without Fires: Lynching, a Haunted Town, and the Slavery, Christianity, and the Hidden History of White America Antebellum Spiritual Narrative (Amina (Shawn Smith): [41] 177-179 Gautier): [41] 818-819 Courtney, Susan, Hollywood and Sacks, Marcy C., Before Harlem: The Fantasies of Miscegenation: Spectacular Black Experience in New York City Narratives of Gender and Race, 1903- before World War I (David Krasner): 1967 (Konomi Ara): [41] 188-190 [41] 575-576 Dickson-Carr, Darryl, The Columbia Shawki, Ahmed, Black Liberation and Guide to Contemporary African Socialism (Kenneth J. Bindas): [41] American Fiction (Bernard W. Bell): 183-184 [41] 185-187 Singh, Nikhil Pal, Black Is a Country: Fleissner, Robert F., Shakespeare and Race and the Unfinished Struggle for Africa: The Dark Lady of His Sonnets Democracy (Virginia Whatley Smith): Revamped and Other Africa-Related [41] 586-588 Associations (Lucy Kelly Hayden): Sundquist, Eric J., Strangers in the Land: 588-589 Blacks, Jews, Post-Holocaust America Floyd-Thomas, Stacey M., ed., Deeper (Edward Margolies): [41] 816-817 Shades of Purple: Womanism in Religion Whalan, Mark, ed., The Letters of Jean and Society (Jaehwan Han): [41] 584-585 Toomer, 1919-1924 (Kathleen Pfeiffer): Gadsby, Meredith M., Sucking Salt: [41] 576-578 Caribbean Women Writers, Migration, Wonham, Henry B., Playing the Races: and Survival (Daryl Cumber Dance): Ethnic Caricature and American [41] 580-582 Gomez, Michael A., ed., Diasporic Africa: A Literary Realism (Kiyohiko Reader (Lauren Hauptman): [41] 809-811 Murayama): [41] 190-192 Hill, Shirley A., Black Intimacies: A Gender Perspective on Families and Principal Subjects Relationships (Shawnrece Miller): [41] 180-181 2 Live Crew: [41] 678 Hutchinson, George, In Search of Nella Adams, Nehemiah: [41] 22 Larsen: A Biography of the Color Line —A South-Side View of Slavery; or, Three (Robert Butler): [41] 578-580 Months at the South: [41] 22 Ikuenobe, Polycarp, Philosophical Adorno, Theodor W.: [41] 128-132, 138 Perspectives on Communalism and —“Vers une Musique Informelle”: [41] Morality in African Traditions (Babacar 128, 130-131 M’Baye): [41] 807-809 African American Review: [41]: 5-15 Kolin, Philip C., Understanding Afrofuturism: [41] 695-705 Adrienne Kennedy (Robert L. Tener): Alexander, Elizabeth: [41] 709-724, 734 [41] 181-183 — American Sublime: [41] 718 Lowe, John, ed., Bridging Southern — Antebellum Dream Book: [41] 718-719, 721 Cultures: An Interdisciplinary Approach — The Black Interior: [41] 719 (JoSann Lien): [41] 582-583 — Body of Life: [41] 718-719 723 McBride, Dwight A., Why I Hate —“The Dark Room: An Invocation”: Ambercrombie & Fitch: Essays on Race [41] 734 and Sexuality (Yupei Zhou): [41] 824-826 —“Early Cinema”: [41] 721 INDEX TO VOLUME 41 829 — “Feminist Poem Number One”: [41] Cassells, Cyrus: [41] 709-724 721-722 —“Coda”: [41] 717 —“Haircut:” [41] 720-721 —“Down from the Houses of Magic”: —“Manhattan Elegy”: [41] 719-720 [41] 714 —“Paul Says”: [41] 721 —“Local Train”: [41] 722-723 —“Peccant”: [41] 721 —“Soul”: [41] 717-718 —“Race”: [41] 721 — Soul Make a Path Through Shouting: —“Translator”: [41] 723 [41] 714, 717 — Venus Hottentot: [41] 718-719 Century: [41] 367-368, 371-372 —“Visitor”: [41] 721 Charles, Michael Ray: [41] 641, 645, — “Walking (1963)”: [41] 718 648-651 Allen, Billie: [41] 165-175 Chesnutt, Charles W.: [41] 56, 770 American Colonization Society: [41] — The House Behind the Cedars: [41] 56 507-517 The Chicago Defender: [41] 420, 426-429, Aragon, Louis: [41] 407-410 434-435 —“Magnitogorsk [Fragments]”: [41] Child, F. J.: [41] 249, 252 407-408, 411-413 Chopin, Kate: [41] 55 Atavism: [41] 51-64 —“Désirée’s Baby”: [41] 55-56 Badu, Erykah: [41] 697-705 Citashe, I. W. W.: [41] 423 Baldwin, James: [41] 462, 477-485 —“Weapon”: [41] 423-424 — Another Country: [41] 485 Civil War: [41] 269-274, 279-281 — Giovanni's Room: [41] 477, 485 Clark, Kenneth: [41] 490-491 —Go Tell it on the Mountain: [41] 477, 485 — Dark Ghetto: [41] 490, 496, 499 —“Words of a Native Son”: [41] 477-478 Classical Theatre of Harlem: [41] 165, Baraka, Amiri: [41] 671, 682-685 169-175 — Blues People: [41] 671, 682-685 Coker, Daniel: [41] 507-517 Basquiat, Jean-Michel: [41] 641, 643- — The Journal of Daniel Coker, a 645, 651 Descendant of Africa, From the Time of Beatty, Paul: [41] 616, 658, 788, 790-791, 796 Leaving New York, in the Ship Elizabeth, — Tuff: [41] 796-797 Capt. Sebor, on a Voyage for Sherbro, In — The White Boy Shuffle: [41] 616, 658, Africa, in Company with Three Agents, 790-792, 795-796 and About Ninety Persons of Colour, Beggar Trope: [41] 87-96 With an Appendix: [41] 507-517 Bell, Pedro: [41] 731 Coleman, Ornette: [41] 131-132 Black Atlantic: [41] 343, 695-696, 702- — Free Jazz: [41] 131-133, 137 703, 711, 713-718, 720-721 Coltrane, John: [41] 131, 133 Black Orpheus: [41] 431-432 — Ascension: [41] 131 Blues: [41] 667-668, 670-672, 680-691 Communist Party: [41] 419-421, 443, 456 Brawley, Benjamin: [41] 218-219 Conrad, Joseph: [41] 464-466 — Paul Laurence Dunbar: Poet of His — Heart of Darkness: [41] 464-466 People: [41] 218 Cosmopolitanism: [41] 459-472, 710-14, Brown, Henry Box: [41] 19-30 716, 720 — Narrative of the Life of Henry Box The Crisis: [41] 67-68, 70, 72, 495 Brown, Written By Himself: [41] 19-30 Cultural Mulatto: [41] 605, 608, 613- brown, iona rozeal: [41] 665-664 616, 620, 656, 710, 749, 752-753, 755 Brown, John: [41] 78 Cultural Reconstruction: [41] 367-373 —John Brown: [41] 78 Dalmage, Heather: [41] 150-151 Brown, William Wells: [41] 521-537 Damas, Léon-Gontran: [41] 407-410 —The American Fugitive in Europe: —“Banalité sans aucun doute [Trite Sketches of Places and People Abroad: without Doubt}”: [41] 408-409, 414, 415 [41] 522-524 —“Elle s’en vint [She Left Herself One —Clotel; or, the President's Daughter: Evening)”: [41] 408-409, 414, 415 [41] 521-522 —“Je ne sais rien en vérité [Really I — The Narrative of William Wells Brown, Know]”: [41] 408-409, 414, 415 A Fugitive Slave: [41] 521-537 Danto, Arthur: [41] 636-639 Burns, Robert: [41] 209-210, 212, 279 Dark Room Collective: [41] 727-744 Butler, Octavia: [41] 143-162 Davenport, Benjamin Rush: [41] 57, 59-62 — Kindred: [41] 143-162 — Blood Will Tell: [41] 57, 59-62 AFRICAN AMERICAN REVIEW Davis, Miles: [41] 133 — The Fanatics: [41] 295-300 — Milestones: [41] 133 —Folks from Dixie: [41] 770 Delaney, Lucy Ann: [41] 33-45 —“Forty Acres and a Mule”: [41] 287 —From the Darkness Cometh the Light: — “Frederick Douglass”: [41] 210, 229, [41] 33-35, 39, 42, 44 239-241, 246 Dialect Poetry: [41] 233-237, 247-255 —“The Gambler’s Wife”: [41] 325 Diop, David: [41] 432 — “The Garret”: [41] 344-345 — “Africa”: [41] 432 —“God Reigns”: [41] 229 Dixon, Thomas: [41] 51, 306-307 —“Goin’ Back”: [41] 370 — The Clansman: [41] 51, 306-307 —“The Hapless Southern Negro”: Double consciousness: [41] 122, 228, [41] 354 230, 277-281, 360, 363, 377-385, 391, —“Happy! Happy! Happy!”: [41] 235- 460, 619, 789 237 Douglass, Frederick: [41] 21, 239, 379, —“The Haunted Oak”: [41] 220, 273- 390, 525, 527, 534-537, 714-716, 769-770 274, 372-373 — The Heroic Slave: [41] 536-537 — Herrick: [41] 319-325 —My Bondage and My Freedom: [41] 379 —“Higher Education”: [41] 307 — Narrative of the Life of Frederick —“Hot”: [41] 215 Douglass, An American Slave: [41] 21, —in China: [[41] 387-392 525, 527, 534-535, 714 —In Old Plantation Days: [41] 770 Dove, Rita: [41] 710, 712 —“In Summer”: [41] 209 —On the Bus With Rosa Parks: [41] 710 —“In the Morning”: [41] 205, 229 — The Poet's World: [41] 712 —“The Ingrate”: [41] 208 — The Yellow House on the Corner: [41] 710 —"“L’il Brown Baby”: [41] 215, 229, 260, Du Bois, W. E. B.: [41] 67-81, 156, 239- 262-263 240, 246, 278, 363, 377-379, 381, 495, —“L’il Gal”: [41] 215-216 641, 649, 714-716, 764, 789 — “Lullaby”: [41] 262-263 —“The Damnation of Women”: [41] 156 —“The Lynching of Jube Benson”: [41] — Dark Princess: [41] 77 304-310 — Darkwater: [41] 76 —Lyrics of Lowly Life: [41] 216, 251, 359, — The Negro: [41] 67, 76 362, 378, 380, 384 — “Of Spiritual Strivings”: [41] 764 —Lyrics of the Hearthside: [41] 342, 344-346 — The Quest for the Silver Fleece: [41] 67-81 — Majors and Minors: [41] 206, 279, 358- — The Souls of Black Folk: [41] 239-240, 359, 362, 379-380, 384 246, 363, 377, 379, 714, 716, 789 —”“A Negro Love Song”: [41] 229 Dunbar, Paul Laurence: [41] 203-401, 770 —“Negroes of the Tenderloin”: [41] —“Alice”: [41] 229 285, 370 —“Anna ‘Lizer’s Stumblin’ Block”: — Oak and Ivy: [41] 206, 358-359, 362, 388 [41] 228 —“Ode to Ethiopia”: [41] 218 —“An Ante-bellum Sermon”: [41] 229 —“Old Abe’s Tradition”: [41] 228 —“ Appreciation”: [41] 263 —“The Ordeal at Mt. Hope”: [41] 352 —“The Bohemian”: [41] 342, 344-345 —”“Our Martyred Soldiers”: [41] 209 —“Booker T. Washington”: [41] 210- —“Our New Madness”: [41] 261 211, 240-241 —“The Party”: [41] 229, 395-397 —“A Border Ballad”: [41] 209-210 — Poems of Cabin and Field: [41] 327-331 — Candle Lightin’ Time: [41] 327 —Poetry for children: [[41] 259-265 —Clorindy, or the Origin of the Cakewalk: —“The Poet”: [41] 360 [41] 215, 222, 319 —“The Poet and His Song”: [41] 378-379 —“The Colored Soldiers”: [41] 209, 229, —“The Poet and the Baby”: [41] 263 271-272, 274 —“The Pool”: [41] 216, 229 —“Comrade?”: [41] 209 —“A Prayer”: [41] 228 — “Confirmation”: [41] 209 — “Prometheus”: [41] 206 —“A Corn Song”: [41] 252-253, 379, 390 —“Recession Never”: [41] 295, 305, —“A Death Song”: [41] 217 308, 349 — “The Deserted Plantation”: [41] 253- —“Robert Gould Shaw”: [41] 210, 218, 254, 330-331, 390 220, 229, 274 —“Down Lover's Lane”: [41] 216 —“The Scapegoat”: [41] 216 —“England as Seen by a Black Man”: —“Songs”: [41] 252 [41] 343, 354 — “Sorrow for Sin”: [41] 229 INDEX TO VOLUME 41 831 —“Speakin’ at de Cou’t-house”: [41] — Buppies, B-Boys, Baps and Bohos: Notes 279-281 on Post-Soul Black Culture: [41] 610, —“The Spelling Bee”: [41] 209 668-670, 709 — The Sport of the Gods: [41] 216, 219, — Death of Rhythm and Blues: [41] 670- 342, 344-346 671, 677 —“The Strength of Gideon”: [41] 313-317 — Hip Hop America: [41] 677-678 — “Sympathy”: [41] 220 ,223, 228, 286- —Post-Soul Nation: The Explosive, 287, 344, 387- 392 Contradictory, Triumphant, and Tragic —“The Trustfulness of Polly”: [41] 221 1980s as Experienced by African —“To Cynthia”: [41] 320-321, 323 Americans (Previously Known as Blacks —“To Miss Mary Britton”: [41] 230, 350 and wyv d That Negroes: [41] 670 — The Uncalled: [41] 228, 290-293 Gilroy, Paul: [41] 147, 377, 462-463, 467, —“Unexpressed”: [41] 283 471-472, 533, 699, 702, 705, 711, 715- — “The Unsung Heroes”: [41] 271-272 716, 718-719 —“The Walls of Jericho”: [41] 228 —The Black Atlantic: Modernity and —”“We Wear the Mask”: [41] 207, 220- Double Consciousness: [41] 462-463, 221, 223, 228, 233-234, 279, 333, 380, 392 533, 702, 711 —“When All Is Done”: [41] 230-231 Golden, Thelma: [41]: 610, 612, 625-628, —“When Dey ’Listed Colored 632, 634, 636, 639-640, 646, 697, 724, Soldiers”: [41] 209, 220, 269-271, 274 788-789 —”“When Malindy Sings”: [41] 207-208, Grewal, Inderpal: [41] 711-712 229, 286-287 Hampton Institute Camera Club: [41] —“When De Co’n Pone is Hot”: [41] 327-335 215, 229 Hansberry, Lorraine: [41] 754 Dunbar-Nelson, Alice: [41] 207, 215, — Les Blancs: [41] 754 217, 237, 289, 323 — Frances E. W.: [41] 53 Durham, Robert Lee: [41] 57-59 —Iola Leroy: [41] 51, 54-55 — The Call of the South: [41] 57-59 Harris, Joel Chandler: [41] 379 Ellis, Thomas Sayers: [41] 727-728, 731- — Uncle Remus: His Songs and Sayings: 732, 741-744 [41] 379 — The Maverick Room: [41] 742 Hegel, Georg: [41] 636-639 —“Nicknames”: [41] 741 Higginson, Thomas Wentworth: [41] 250 —“Stretchin’ Out”: [41] 742 —”“Negro Spirituals”: [41] 250 Ellis, Trey: [41] 602-606, 609-615, 617, Himes, Chester: [41] 487-504, 731-732 619, 656-657, 700, 709-710, 729, 731, — Blind Man with a Pistol: [41] 487-504 788, 791, 794, 796 — My Life of Absurdity: [41] 495, 503 — “The New Black Aesthetic”: [41] 602- — Plan B: [41] 504 606, 609-615, 619, 656, 700, 709, 731, Hopkins, Pauline: [41] 55 788-789, 801 —“Talma Gordon: [41] 55-56 — Platitudes: [41] 614, 617 Howells, William Dean: [41] 53, 206, 230, — Right Here, Right Now: [41] 614-615 237, 248, 279, 289-291, 296, 347, 378 Ellison, Ralph: [41] 492, 495-496, 712-713 —An Imperative Duty: [41] 53-55 — “Harlem is Nowhere”: [41] 495 Hughes, Langston: [41] 388-389, 407-410, — Invisible Man: [41] 492, 495 412-413, 415, 417, 419-436, 611, 770 © —“The World and the Jug”: [41] 712-713 — “Africa”: [41] 430-431 Exodus narratives: [41] 507-517 — “African Question Mark”: [41] 431 Fabre, Michel: [41] 467-469 —An African Treasury: [41] 419-425 Farm Security Administration: [41] 443, — “Black Writers in a Troubled 447-451, 454-455 World”: [41] 421 Fisk Singers: [41] 249 —I Wonder as I Wander: [41] 388 Free Jazz: [41] 127-139 —“In Explanation of Our Times”: [41] 431 Freedom Suits: [41] 33-45 —“Junior Addict”: [41] 432-434 Gadamer, Hans-Georg: [41] 460, 469-471 —“Let’s Take Back Our African — Truth and Method: [41] 469-470 Names”: [41] 427 Gallagher, Ellen: [41] 645 —“Memo to Non-White Peoples”: [41] 431 Gayle, Addison: [41] 603-606 —“A Mint Julep, Mammy Faubus”: — The Black Aesthetic: [41] 603-606 [41] 429-430 George, Nelson: [41] 610, 625, 631, 635, —“The Negro Artist and the Racial 655-656, 667-692, 709 Mountain”: [41] 388, 421, 611, 770 AFRICAN AMERICAN REVIEW —“The Negro Speaks of Rivers”: [41] 770 Kennedy, Adrienne: [41] 165-175 — The Panther and the Lash: [41] 430-431 —Funnyhouse: [41] 165-175 —“Simple on Negro History Week”: Klein, Naomi: [41] 675-676 [41] 427-428 — No Logo: [41] 675-676 —“So?”: [41] 431 Knapp, he [41] 24-27 Hurston, Zora Neale: [41] 770 — Autobiography of Elder Jacob Knapp: — Their Eyes Were Watching God: [41] 770 [41] 25-27 Jacobs, Harriet: [41] 146-147, 525, 537 Komunyakaa, Yusef: [41] 770 —Incidents in the Life ofa S lave Girl: [41] — “Facing It”: [41] 770 147, 525, 537 —“Tu Do Street”: [41] 770 Afro-Asian art: [41] 655-664 Larsen, Nella: [41] 87-96, 795 Jewish identity: [41] 87-88, 90, 92-96 — Passing: [41] 795 Jim Crow segregation: [41] 56-57, 62, — Quicksand: [41] 87-96 230, 347-354, 378, 381, 384-385 Lawrence, Jacob: [41] 641 Johnson, James Weldon: [41] 56, 217, Lewis, Oscar: [41] 490-491, 496 749, 765, 794-795 —A Study of Slum Culture: [41] 490, 496 — The Autobiography of an Ex-Colored The Liberator: [41] 433-434 Man: [41] 56, 749, 765, 794-795 Ligon, Glenn: [41] 646 —The Book of American Negro Poetry: Locke, Alain: [41] 641, 649, 697 [41] 217 Lynching: [41] 303-310 Johnson, Robert: [41] 682-683, 685, 687-691 cBride, James: [41] 770 Jones, Gayl: [41] 99-114, 115-125 — The Color of Water: [41] 770 —“ Alternative”: [41] 103 McKay, Claude: [41] 388-389, 494-495, 497 —“Angry”: [41] 106 — Harlem: Negro Metropolis: [41] 497 — Home to Harlem: [41] 494-495 —“Chance”: [41] 103 —“If We Must Die”: [41] 389 —“Composition with Guitar and McKnight, Reginald: [41] 613 Apples”: [41] 112-113 —“The Honey Boys”: [41] 613 —Corregidora: [41] 99, 102 Michaels, Walter Benn: [41] 752, 754-755 —“The Cup”: [41] 102-103 —“Autobiography of an Ex-White —“Deep Song”: [41] 101-102 Man”: [41] 752 —“Ensinanca”: [41] 109-110 Miscegenation: [41] 143-162 — Eva's Man: [41] 102 Morrison, Toni: [41] 127-139, 541-554, —“The Father”: [41] 106 769-784 — “Fiction Study”: [41] 109 — Beloved: [41] 541-554, 776-779 —“From Almeyda”: [41] 106 — Jazz: [41] 128 —“The Fur Station”: [41] 105 — Paradise: [41] 127-139 —“The Gathering”: [41] 104 — Playing in the Dark: Whiteness and the — The Healing: [41] 99, 113, 115-125 Literary Imagination: [41] 541-542, 551, 554 — “Jasper Notes”: [41] 102 —“Recitatif”: [41] 137-138 —“The Lovers”: [41] 102 —“Rootedness: The Ancestor as — “The Machete Woman”: [41] 111 Foundation: [41] 771 —“Many Die Here”: [41] 104 — Song of Solomon: [41] 771-776 —“Palmares”: [41] 105 —“Unspeakable Things Unspoken: The —“Part IV of Journal”: [41] 103-104 Afro-American Presence in American — “Salvation”: [41] 104 Literature”: [41] 541, 551, 771 — “Satori”: [41] 104 Moynihan Report: [41] 490-491, 494, —“The Shoemaker and Sadism of the 496, 499 Senhora”: [41] 108 Myrdal, Gunnar: [41] 488-489 — Song for Anninho: [41] 100, 105-109, 112 —An American Dilemma: [41] 488-489, 494 —“Waiting for the Miracle”: [41] 113-114 NAACP: [41] 68, 70-71, 80, 426-427, —“Wild Figs and Secret Places”: [41] 443, 445, 641 110-111 Natus Albus: [41] 52 —“Work in Progress”: [41] 106, 112 Natus A2thiopus: [41] 52 —“Xarque”: [41] 112 Neal, Larry: [41] 611 — Xarque and Other Poems: [41] 111-113 —“The Black Arts Movement”: [41] 611 Jones, Lisa: [41] 612, 614-615, 710 Neal, Mark Anthony: [41] 611, 625, 631, — Bulletproof Diva: Tales of Race, Sex and 655-656, 709, 732-734, 743, 788, 791, 794 Hair: [41] 612, 614-615 —“Response to NBA Critiques”: [41] Keats, John: [41] 206, 210, 212 612-744 INDEX TO VOLUME 41 — Songs in the Key of Black Life: A Shelby Tommie: [41] 625, 631, 634 Rhythm and Blues Nation: [41] 743 Slave Songs of the United States: [41] — Soul Babies: Black Popular Culture and 250-251 the Post-Soul Aesthetic: [41] 611, 709, Smith, Tracy K.: [41] 737 733, 744, 788, 791, 794 — “Serenade”: [41] 737-738 —“What the Music Said”: [41] 732-733 Socialism: [41] 67-81 “Negro ballad”: [41] 248-252, 251-252, 255 Sollors, Werner: [41] 52, 54 New Black Aesthetic: [41] 603-608, 617, — Neither White Nor Black Yet Both: [41] 52 620, 700, 709, 710, 787-788, 801 St. Louis Circuit Court: [41] 33-36, 39-45 NewBlack: [41] 609, 743-744, 788, 799 Stearns, Charles: [41] 20-21 Nicholson, David: [41] 602-605, 607- Stowe, Harriet Beecher: [41] 62 608, 610 — Uncle Tom’s Cabin: [41] 62 —“Painting It Black: African-American Tarry, Ellen: [41] 557-566 Artists, In Search of a New Aesthetic”: — The Third Door: [41] 557-566 [41] 602-605, 607-608, 610 Tate, Greg: [41] 609-611, 619, 656-657, Norris, Frank: [41] 289-291 709-710, 743, 788, 799 —“Beauty is Truth, Truth Beauty”: [41] 290 —“Cult-Nats Meet Freaky-Deke: The —“A Plea for Romantic Fiction”: [41] 290 Return of the Black Aesthetic”: [41] —“Zola as a Romantic Writer”: [41] 609-610, 619, 799 289-290 Toomer, Jean: [41] 770 O Brother, Where Art Thou?: [41] 682, — Cane: [41] 770 685-687 Tourgée, Albion: [41] 56 Passing: [41] 749-765 — Pactolus Prime: [41] 56 Pennington, J. W. C.: [41] 19 Translation: [41] 387-392, 407-410 —“The Great Conflict Requires Great Trethewey, Natasha: [41] 738-741 Faith”: [41] 19 — Bellocq’s Ophelia: [41] 739 Perse, St.-John: [41] 407-408 — Domestic Work: [41] 739 — Eloges: [41] 408 — “Incident”: [41] 738-739 Plessy v. Ferguson: [41] 230, 305, 316, —“King Cotton, 1907”: [41] 740-741 347-354, 378, 751 —“Miscegenation”: [41] 741 Popular Music: [41] 667-692, 695-705 — Native Guard: [41] 739, 741 Post-Black: [41] 609, 612, 625-640, 646, — “Scenes from a Documenta 648, 651, 695, 697-698, 700, 722, 724, History of Mississippi”: [41] 739-740 787-789, 799-801 — “South”: [41] 739 Post-Soul Aesthetic: [41] 602-803 —“Southern History”: [41] 739 Postmodernism: [41] 625-640, 667-692, — “What Is Evidence”: [41] 739 769, 771, 779-780, 783, 791, 799 Wald, Elijah: [41] , 682, 687-691 Reed, Ishmael: [41] 127-139, 285-286, 522 —Escaping the Delta: Robert Johnson and —Flight to Canada: [41] 522 the Invention of the Blues: [41] 687-691 — Mumbo Jumbo: [41] 127-139 Walker, Kara: [41] 645, 648-649, 651 — “Paul Lawrence Dunbar in the Ward, Jerry: [41] 616-620 Tenderloin”: [41] 285-286 Ward, Samuel Ringgold: [41] 32 Rhythm and Blues: [41] 667-669, 671, — Autobiography ofA Fugitive Negro: 677, 679, 681, 695-699, [41] 32 Rose, Tricia: [41] 675 Wash, Polly: [41] 33-45 — Black Noise: [41] 675 Weheliye, Alexander: [41] 695-697, 701 Roth, Philip: [41] 749-765 West, Cornel: [41] 675-676 — The Human Stain: [41] 749-765 — Race Matters: [41] 675-676 Roumain, Jacques: [41] 407-410 Whitehead, Colson: [41] 616, 749-765, — “Guinée [Guinea]”: [41] 409 769-784 —“Quand Bat le tam-tam. . . [When the — The Intuitionist: [41] 749-765 Tom-Tom Beats. . .]”: [41] 409 —John Henry Days: [41] 616, 780-783 Saar, Alison: [41] 641, 646-648, 651 White, Walter: [41] 749 Saar, Betye: [41] 643-645 — Flight: [41] 749 Scarring: [41] 541-554 Wiley, Kehinde: [41] 651-652 Senghor, Léopold Sédar: [41] 407 Wright, Richard: [41] 443-456, 459-472, — Negritude: [41] 407-408 495, 611, 657, 712-713 Senna, Danzy: [41] 615, 749-765, 793 —12 Million Black Voices: [41] 443-456 — Caucasia: [41] 615-616, 749-765, 793-795 — Black Power: [41] 462-466, 470-471, 657 AFRICAN AMERICAN REVIEW — “Blueprint for Negro Writing”: [41] 611 |— White Man Listen!: [41] 459, 466, 468, — The Color Curtain: [41] 463 470-472 —“The Ethics of Living Jim Crow”: Yezierska, Anzia: [41] 87-96 [41] 712 — The Arrogant Beggar: [41] 87-96 — “The Man Who Lived Under- Young, Kevin: [41] 734-737 ground”: [41] 495 — Leaving Saturn: [41] 737 — Native Son: [41] 448, 464 —“Television and Cruelty to Animals”: — The Outsider: [41] 463-464, 466-467 [41] 734-737 — Pagan Spain: [41] 464, 466, 468 — To Repel Ghosts: Five Sides in B Minor: —“What We Think of Their War”: [41] 443 | [41] 734, 737 INDEX TO VOLUME 41