Table Of Content

Index to Volume 39 Articles Hoffman-Jeep, Lynda, “Creating Ethnography: Zora Neale Hurston Bryant, Cedric Gael, “ “The Soul has and Lydia Cabrera”: [39] 337-353 Bandaged Moments’: Reading the James, Jennifer, “ ‘Civil’ War Wounds: Gothic in ‘Big Boy Leaves Home,’ William Wells Brown, Violence, and Beloved, and Bram Stoker’s Dracula’: the Domestic Narrative”: [39] 39-54 [39] 541-553 Kang, Nancy, “ ‘As if I had entered a Bussey, Susan Hays, “Whose Will Be Paradise’: Fugitive Slave Narratives Done?: Self-Determination in Pauline and Cross-Border Literary History”: Hopkins’s Hagar’s Daughter”: [39] [39] 431-457 299-313 Lamothe, Daphne, “Gloria Naylor’s Butler, Robert, “The Loeb and Leopold Mama Day: Bridging Roots and Case: A Neglected Source for Native Routes”: [39] 155-169 Son”: [39] 555-567 Manuel, Carmen, “A Ghost in the Crossley, Scott, “Metaphorical Expressionist Jungle of O’Neill’s The Conceptions in Hip-Hop Music: Emperor Jones”: [39] 67-85 Toward a Better Understanding of Nicholls, David G., “FORGOTTEN the Hip-Hop Generation”: [39] 501- MANuscrirts: The Short Fiction of 512 George Wylie Henderson: A Debo, Annette, “Reflecting Violence in Selection”: [39] 491-499 the Warpland: Gwendolyn Brooks’s Norman, Brian, “Reading a ‘Closet Riot”: [39] 143-152 Screenplay’: Hollywood, James Dunning, Stefanie, “ ‘Ironic Soil’: Baldwin's Malcolms and the Threat Recuperative Rhythms and of Historical Irrelevance”: [39] 103- Negotiated Nationalisms”: [39] 231- 118 243 Nowlin, Michael, “James Weldon Ellison, Mary, “Echoes of Africa in To Johnson’s Black Manhattan and the Sleep with Anger and Eve's Bayou”: Kingdom of American Culture”: [39] [39] 213-229 315-325 Emery, Amy Fass, “The Zombie In/As Read, Andrew, “ ‘As if word magic the Text: Zora Neale Hurston’s Tell had anything to do with the courage My Horse”: [39] 327-336 it took to be a man’: Articulating Frazier, Valerie, “Domestic Epic Black Masculinity in Toni Morrison’s Warfare in Maud Martha”: [39] 133- Paradise” :[ 39] 527-540 141 Romero, Channette, “Creating the Fulton, Lorie Watkins, “Hiding Fire Beloved Community: Religion, Race, and Brimstone in Lacy Groves: The and Nation in Toni Morrison’s Twinned Trees of Beloved”: [39] 189- Paradise” :[ 39] 415-430 199 Stephens, Judith L., “Art, Activism, Gauthier, Marni, “The Other Side of and Uncompromising Attitude in Paradise: Toni Morrison’s Georgia Douglas Johnson’s Lynching (Un)Making of Mythic History”: [39] Plays”: [39] 87-102 395-414 Ward, Jr., Jerry W., “BACK TALK: Hagood, Taylor, “Dramatic Deception Katrina: A Matrix of Stories”: [39] and Black Identity in The First One 279-280 and Riding the Goat”: [39] 55-66 Wardi, Anissa J., “Freak Shows, Hobson, Christopher Z., “Invisible Man Spectacles, and Carnivals: Reading and African American Radicalism in Jonathan Demme’s Beloved”: [39] World War II”: [39] 355-376 513-526 INDEX TO VOLUME 39 623 Washington, Teresa N., “The Mother- Hahn, Steven, A Nation Under Our Feet: Daughter Ajé Relationship in Toni Black Political Struggles in the Rural Morrison’s Beloved’: [39] 171-188 South from Slavery to the Great Weathers, Glenda B., “Biblical Trees, Migration (Dolen Perkins-Valdez): Biblical Deliverance: Literary [39] 611-613 Landscapes of Zora Neale Hurston Harris, Duriel E., Drag (Michael A. and Toni Morrison”: [39] 201-212 Antonucci): [39] 602-604 Wilks, Jennifer M., “New Women and Harris, Leslie M., In the Shadow of New Negroes: Archetypal Slavery: African Americans in New York Womanhood in The Living Is Easy”: City (Allan M. Winkler): [39] 613-615 [39] 569-579 Major, Clarence, One Flesh (Robert Young, Hershini Bhana, “Inheriting the Butler): [39] 251-252 Criminalized Black Body: Race, Martin, Jonathan D., Divided Mastery: Gender, and Slavery in Eva’s Man”: Slave Hiring in the American South [39] 377-393 (Patricia E. Clark): [39] 465-466 McWilliams, Jim, ed., Passing the Three Gates: Interviews with Charles Johnson Interviews (Marc C. Conner): [39] 481-483 Morejon, Nancy, Looking Within: Lowe, John, “ ‘Pulling in the natural Selected Poems, 1954-2000 / Mirar environment’: An Interview with Adentro: Poemas Escogidos, 1954-2000 Pinkie Gordon Lane”: [39] 17-38 (Carol Maier): [39] 252-254 Nesmith, N. Graham, “Lloyd Richards: Morgan, Stacy I., Rethinking Social Reminiscence of a Theatre Life and Realism: African American Art and Beyond”: [39] 281-298 Literature, 1930-1953 (‘BioDun J. Wood, Jacqueline, “ ‘This thing called Ogundayo): [39] 475-477 playwrighting’: An Interview with Neal, Mark Anthony, Songs in the Key of Sonia Sanchez on the Art of Her Black Life: A Rhythm and Blues Nation Drama”: [39] 119-132 (Heather Duerre Humann): [39] 255 Okantah, Mwatabu S., Reconnecting Reviews and Reviewers Memories: Dreams No Longer Deferred (Idris Kabir Syed): [39] 600-602 Boyd, Melba Joyce, Wrestling with the Onwueme, Osonye Tess, What Mama Muse: Dudley Randall and the Broadside Said: An Epic Drama (N. Graham Press (Thomas Bryant): [39] 598-599 Nesmith): [39] 256-257 Brown, Lee, ed., African Philosophy: Plumpp, Sterling D., Velvet BeBop Kente New and Traditional Perspectives Cloth (Michael A. Antonucci): [39] (Polycarp Ikuenobe): [39] 483-485 257-259 Callahan, John F., ed., Ralph Ellison's Radano, Ronald, Lying Up a Nation: Invisible Man: A Casebook (Robert Race and Black Music (William Butler): [39] 477-478 Kenney): [39] 259-261 Coleman, Wanda, Ostinato Vamps (Sara Rice, Alan, Radial Narratives of the Black Kosiba): [39] 247-249 Atlantic (Edward Margolies): [39] Dessens, Nathalie, Myths of Plantation 262-263 Society: Slavery in the American South Roy-Féquiere, Magali, Women, Creole and the West Indies (KaaVonia Identity, and Intellectual Life in Early Hinton): [39] 249-251 Twentieth-Century Puerto Rico (Ileana Elam, Jr., Harry J., The Past as Present in M. Rodriguez-Silva & Angela the Drama of August Wilson (Yuko Ginorio): [39] 618-621 Kurahashi): [39] 479-480 Sanders, Lynn Moss, Howard W. Fish, Cheryl J., Black and White Women’s Odum's Folklore Odyssey: Travel Narratives: Antebellum Transformation to Tolerance through Explorations (Edlie Wong): [39] 467- African American Folk Studies (Sharon 468 Masingale Bell): [39] 608-610 AFRICAN AMERICAN REVIEW Stover, Johnnie M., Rhetoric and — Blues for Mister Charlie: [39] 115 Resistance in Black Women’s — The Devil Finds Work: [39] 105 Autobiography (Chris Bell): [39] 469- — Giovanni's Room: [39] 114 471 —No Name in the Street: [39] 112 Sutherland, Luke, Venus As A Boy — One Day, When I Was Lost: A Scenario (Louis Chude-Sokei): [39] 604-607 Based on The Autobiography of Malcolm Thomas, Lorenzo, Dancing on Main X: [39] 103, 105, 111 Street (Van G. Garrett): [39] 597-598 Bambara, Toni Cade: [39] 172 Wallace-Sanders, Kimberly, ed., Skin —“Maggie of the Green Bottles”: [39] Deep, Spirit Strong: The Black Female 172 Body in American Culture (William Baraka, Amiri (also see Jones, LeRoi): Gleason): [39] 245-247 [39] 87, 107, 120, 122, 149 Weems, Mary E., Public Education and — Black Fire: [39] 122 Imagination-Intellect: I Speak from the Barnum, P. T.: [39] 516-518 Wound in My Mouth (Meiko Negishi Boas, Franz: [39] 327, 330-331, 338-339 & Anastasia Elder): [39] 473-475 Broadside Press: [39] 18 Wiese, Andrew, Places of Their Own: Brooks, Gwendolyn: [39] 24-25, 27, 29, African American Suburbanization in 133-141, 143-151 the Twentieth Century (Fred L. —“A Bronzeville Mother Loiters in Johnson, III): [39] 615-617 Mississippi. Meanwhile, a Wyatt, Jean, Risking Difference: Mississippi Mother Burns Bacon”: Identification, Race, and Community in [39] 144 Contemporary Fiction and Feminism —A Street in Bronzeville: [39] 24-25, 27, (Robert C. Samuels): [39] 607 144 Zoggyie, Haakayoo N., In Search of the — Annie Allen: [39] 24-25 Fathers: The Poetics of Disalienation in —“Ballad of Pearl May Lee”: [39] 144 the Narrative of Two Contemporary © —“The Ballad of Rudolph Reed”: [39] Afro-Hispanic Writers (Mar Gallego): 144 [39] 471-473 — The Bean Eaters: [39] 144 —”“The Chicago Defender Sends a Man Fiction to Little Rock”: [39] 144 — “The Last Quatrain of the Ballad of Green, April Y., “Wild Grape”: [39] Emmett Till”: [39] 144 581-595 — Maud Martha: [39] 133-141, 147 Lewis, William Henry, “In the —”“The Mecca”: [39] 27 Swamp”: [39] 5-15 — Riot: [39] 143-151 Nimblett, Anton, “Sections of an Brown, Sterling A.: [39] 80 Orange”: [39] 459-464 —“Negro Character as Seen by White Authors”: [39] 80 Poetry Brown, William Wells: [39] 39-52, 302, 432, 435 Spellman, A. B., “After Vallejo” and — The Black Man: His Antecedents, His “DEAR JOHN COLTRANE”: [39] Genius and His Achievements: [39] 40- 153-154 41, 47 —Clotel, or The President’s Daughter: Principal Subjects [39] 39, 41, 43-47, 49-50, 302, 432, 435 —Clotelle; or The Colored Heroine. A Tale Achebe, Chinua: [39] 180 of the Southern States: [39] 39, 41, 43, — Things Fall Apart: [39] 180 45-46, 48-49, 52 Ajé: [39] 171-186 —The Escape; or, A Leap For Freedom: Angelou, Maya: [39] 23 [39] 89 Aubert, Alvin: [39] 26 — The Negro In the American Rebellion: Baldwin, James: [39] 103-115 His Heroism and His Fidelity: [39] 39- — Another Country: [39] 113-114 40, 42, 45-46, 48 INDEX TO VOLUME 39 Bullins, Ed: [39] 120, 125 —“The Damnation of Women”: [39] Burnett, Charles: [39] 213-214, 216-220, 570-571 222-228 — The Souls of Black Folk: [39] 213, 316, —To Sleep With Anger (film): [39] 213- 322 214, 216-220, 222-228 Dumas, Henry: [39] 25 Burrill, Mary: [39] 92 Ellison, Ralph: [39] 113, 355-371 — Aftermath: [39] 92 — Invisible Man: [39] 113, 355-371 Cabot, John: [39] 143, 145-146 —Juneteenth: [39] 366, 370 Cabrera, Lydia: [39] 337-349 expressionism, theater of: [39] 71-80 — Cuentos negros: [39] 337, 340, 342-344, Fabio, Sarah Webster: [39] 26 347-348 Faulkner, William: [39] 202 Carby, Hazel V.: [39] 299, 308, 345 — The Sound and the Fury: [39] 202 Cartwright, S. A.: [39] 519 Frank, Waldo: [39] 68 Chaucer, Geoffrey: [39] 202 — Holiday: [39] 68 —“The Merchant's Tale”: [39] 202 Fuller, Hoyt: [39] 20 Chesnutt, Charles W.: [39] 432, 441-443, Fusco, Coco: [39] 231-233 448, 451 Gabler-Hover, Janet: [39] 307-308 — The House Behind the Cedars: [39] 432 Gaines, Ernest: [39] 21 — Mandy Oxendine: [39] 433 Garner, Margaret: [39] 177-179 —“The Passing of Grandison”: [39] Gates, Henry Louis, Jr.: [39] 92, 332, 441-443, 451 546, 563 Civil War: [39] 39-43, 46-50 — The Signifying Monkey: [39] 92 Cleaver, Eldridge: [39] 234-235 Gilpin, Charles: [39] 70-71 — Soul on Ice: [39] 234-235 Giovanni, Nikki: [39] 20, 27, 179 Communist Party: [39] 355-371 Gomez, Jewelle: [39] 541, 550 Crisis: [39] 55 — The Gilda Stories: [39] 541, 550-551 Daily Worker: [39] 358-359 Graham, Maryemma: [39] 18 Danner, Margaret: [39] 18, 20 Grimké, Angelina Weld: [39] 92, 125 Davis, Angela: [39] 377, 390-391 — Rachel: [39] 92, 125 Davis, Ossie: [39] 285, 289, 298 Haley, Alex: [39] 103, 106-107, 109-110, de Certeau, Michel: [39] 301, 308-309, 113-114 382 Hansberry, Lorraine: [39] 287-89, 293, de Gobineau, Count Joseph Arthur: 296, 298 [39] 519 —A Raisin In The Sun: [39] 287-89, 296 de la Parra, Teresa: [39] 342-343 Harlem Renaissance: [39] 55, 64, 67-68, Delany, Martin: [39] 42, 44, 436 78, 80, 87-88, 90-95, 97-98, 125, 127- — Blake, or the Huts of America: [39] 44, 128, 319, 321-322, 570 436 Harper, Frances: [39] 39, 47, 52, 302 Delany, Samuel: [39] 242 —Iola Leroy: [39] 39, 47, 52, 302 Demme, Jonathan: [39] 513-517, 520- Harper, Michael: [39] 37 521, 523-524 —“A Love Supreme”: [39] 37 — Beloved (film): [39] 513-517, 520-524 Hayden, Robert: [39] 20-21 Dickinson, Emily: [39] 541-543 Hemphill, Essex: [39] 233 —“The Soul has bandaged Moments— Henderson, George Wylie: [39] 491-499 ”: [39] 541-543, 551 —Jule: [39] 491 Douglass, Frederick: [39] 41, 43, 363, — Ollie Miss: [39] 491-492 367, 432, 436, 438-439, 446 —”“ ‘Thy Name Is Woman’ ”: [39] 493- — The Heroic Slave: [39] 41, 43, 432 495 Drew, Benjamin: [39] 433, 439, 451 —“Time for a Dance”: [39] 495-499 — The Refugee; or, The Narratives of Herndon, Angelo: [39] 356, 359, 363 Fugitive Slaves in Canada Related By Heth, Joice: [39] 516-517, 523 Themselves: [39] 433, 435-441, 445-451 Hip Hop: [39] 501-510 Du Bois, W. E. B.: [39] 55, 87, 92, 213, Hopkins, Pauline: [39] 299-311 316, 322, 532, 570-571 —Contending Forces: [39] 299-300 AFRICAN AMERICAN REVIEW — Hagar’s Daughter: [39] 299-311 Lakoff and Johnson: [39] 502-503, 510 Howard, Adina: [39] 507 Lane, Pinkie Gordon: [39] 17-38 Hughes, Langston: [39] 79-80, 88, 92, —“College Teacher”: [39] 24 143, 381 —Elegy for Etheridge: [39] 18, 37 — The Big Sea: [39] 79-80 —“Elegy for Pete”: [39] 23 — The Ways of White Folks: [39] 381 —“Epitaph for the Blues”: [39] 18, 30 Hurricane Katrina: [39] 279-280 — “Finis”: [39] 18 Hurston, Zora Neale: [39] 55-61, 64, 88, —“The Girl in the Window”: [39] 36 92, 201-206, 209, 327-334, 337-349, 492 —“His Body is an Eloquence”: [39] 29 — Dust Tracks on a Road: [39] 328, 331 —“T Have Forgotten”: [39] 37 — The First One: [39] 55-61 —“I Never Scream”: [39] 20, 22 — Mules and Men: [39] 327-329, 334, 337, —“Marion”: [39] 33 346-347, 349 —“The Midnight Thoughts of the —Tell My Horse: [39] 327-334 Town Whore”: [39] 26-27 — Their Eyes Were Watching God: [39] —“Miriam”: [39] 18 172, 201-206, 209, 329, 331 — The Mystic Female: [39] 20, 22, 26 Hyman, Earle: [39] 289-290 —“Old Photo from a Family Album, Jacobs, Harriet: [39] 378, 547 1915”: [39] 33 —Incidents in the Life of a Slave Girl: [39] —“On This Louisiana Day”: [39] 22 378, 547-549 —“The Plum Ripens”: [39] 18 James, C. L. R.: [39] 360-361 — Poems for an Outcast: [39] 18 Johnson, Georgia Douglas: [39] 87-98 —”Portrait”: [39] 35 —A Bill to be Passed: [39] 90-91, 94 —“Prose Poem Portrait”: [39] 33 —A Sunday Morning in the South: [39] —“Rain Ditch”: [39] 21 89-94, 96, 98 —“Songs to a Dialysis Machine”: [39] —And Yet They Paused: [39] 91-92, 94, 29 97 —“This Treasured Book”: [39] 25 — Blue Blood: [39] 88 —“To a Female Poet That I Know”: —Blue-Eyed Black Boy: [39] 88, 92, 96-98 [39] 25 — Plumes: [39] 88 —”“To Sonia Sanchez”: [39] 27 — Safe: [39] 91, 96 — Wind Thoughts: [39] 18, 25, 29-30 Johnson, James Weldon: [39] 68, 88, 92, Larsen, Nella: [39] 432 315-322, 432-433 — Passing: [39] 432 — Along This Way: [39] 317-319 Lee, Canada: [39] 286, 359 —The Autobiography of an Ex-Colored Lee, Spike: [39] 104-115 Man: [39] 432-433 — Malcolm X (film): [39] 104-115 — Black Manhattan: [39] 315-322 Lemmons, Kasi: [39] 213-217, 221, 223- Johnson, William Henry: [39] 517-519 228 Jones, Gayl: [39] 377-392 —Eve’s Bayou (film): [39] 213-217, 221- —Eva’s Man: [39] 377-392 228 Jones LeRoi (also see Baraka, Amiri): Leopold, Nathan: [39] 556-565 [39] 20, 23, 120 —Life Plus 99 Years: [39] 561, 565 Kerner Report: [39] 145 Lindsay, Vachel: [39] 68 Killens, John Oliver: [39] 362-363 —“The Congo”: [39] 68 — And Then We Heard The Thunder: [39] Locke, Alain: [39] 68-70, 88, 316-317, 362-363 322 Kincaid, Jamaica: [39] 172-174, 183, 186 — The New Negro: [39] 68-69, 317, 322 —“My Mother”: [39] 172-175, 184 Loeb and Leopold case: [39] 556-565 Knight, Etheridge: [39] 19, 23, 27 Lorde, Audre: [39] 172-173, 175, 182, — “The Idea of Ancestry”: [39] 19 186, 231 — Poems from Prison: [39] 19 —Zami: A New Spelling of My Name: Komunyakaa, Yusef: [39] 21 [39] 172-173, 175 Kweli, Talib: [39] 508-509 Lubiano, Wahneema: [39] 231-232, 234 Lacan, Jacques: [39] 542, 545 lynching dramas: [39] 89-98 INDEX TO VOLUME 39 Madhubuti, Haki: [39] 20 Poitier, Sidney: [39] 285-289, 296 Malcolm X: [39] 103-115, 149 Randall, Dudley: [39] 18 — The Autobiography: [39] 103-115 Rap: [39] 501, 503-510 Marrant, John: [39] 450 Rawick, George P.: [39] 179 — Narrative of the Lord's Wondering — The Unwritten History of Slavery: [39] Dealings with John Marrant, A Black: 179 [39] 450 Redmond, Eugene: [39] 25 Marshall, Paule: [39] 165 Reid-Pharr, Robert: [39] 231-232, 234 —Praisesong for the Widow: [39] 165 Richards, Lloyd: [39] 281-298 McKay, Claude: [39] 97 Robeson, Paul: [39] 286 — “Ifw e must die”: [39] 97 “Roots” (TV miniseries): [39] 109-110 McNeil, Claudia: [39] 287-288 Sanchez, Sonia: [39] 19-20, 27, 119-131 Miller, May: [39] 55-56, 61-64 —A Trip to a Backwoods Farms: [39] 122 — Riding the Goat: [39] 55-56, 61-64 — The Bronx Is Next: [39] 119-120, 122- Million Man March: [39] 231-232, 234 124, 128-130 Mordecai, Benjamin: [39] 296-298 — Dirty Hearts: [39] 119, 121-122, 127 Morrison, Toni: [39] 163-165, 171-185, — Does Your House Have Lions?: [39] 126 189-198, 201-202, 207-209, 395-412, —I’m Black When I’m Singin’, I'm Blue 415-428, 431, 513, 520-524, 527-539, When I Ain’t: [39] 119, 125, 127 541, 545-547, 550-551 — Malcolm Man Don’t Live Here No Mo: — Beloved: [39] 171-185, 189-198, 201- [39] 123 202, 206-209, 395-396, 415, 424, 431, — Sister Son/ji: [39] 119, 121, 123-125, 513-517, 520-524, 541, 545-551 130 —Jazz: [39] 177, 183, 396, 415, 417 — They That Sit In Darkness: [39] 127 — Paradise: [39] 177, 395-412, 415-428, —Uh Huh, But How Does It Free Us: [39] 527-539 119, 121, 123-124, 129-130 —Playing in the Dark: [39] 397, 529 Scarface: [39] 501, 506 — Song of Solomon: [39] 432 Seabrook, William: [39] 333 — Sula: [39] 172, 177 — Magic Island: [39] 333 — Tar Baby: [39] 165 Seldes, Gilbert: [39] 320 NAACP: [39] 88-92, 97-98 Sexton, Anne: [39] 35-36 Nappy Roots: [39] 506 Shange, Ntozake: [39] 172 Naylor, Gloria: [39] 155-168 — Sassafrass, Cypress, & Indigo: [39] 172 — Mama Day: [39] 155-168 Sollors, Werner: [39] 310-311 NedgéOcello, Me’Shell: [39] 234-241 Sperber’s Law: [39] 502, 504 — Plantation Lullabies (album): [39] 234- Steward, Austin: [39] 443 242 —Twenty-Two Years a Slave, and Forty “New Negro”: [39] 67-68, 70, 87, 90-91, Years a Freeman: [39] 443 94, 96, 98 Stoker, Bram: [39] 546-547, 550 Nietzsche, Friedrich: [39] 541-542 — Dracula: [39] 546-551 Notorious B.1.G.: [39] 506 Stuckey, Sterling: [39] 232-233 O'Neill, Eugene: [39] 67-81, 318 Tate, Greg: [39] 238-240 —All God’s Chillun Have Wings: [39] 71, Thurman, Wallace: [39] 432 318 — The Blacker the Berry: [39] 432 — Emperor Jones: [39] 68-81 Tutola, Amos: [39] 172 —The Hairy Ape: [39] 71-72 —My Life in the Bush of Ghosts: [39] 172 Opportunity: [39] 55, 69, 88, 322, 339 Van Vechten, Carl: [39] 68 Osbey, Brenda Marie: [39] 21 — Nigger Heaven: [39] 68 Ovington, Mary White: [39] 90 Voodoo: [39] 327-334 — The Awakening: [39] 90 Walker, Alice: [39] 172 Parks, Suzan-Lori: [39] 293 — The Color Purple: [39] 172 Phillips, Caryl: [39] 391 Walker, Margaret: [39] 17-18, 20, 24 — Higher Ground: [39] 391 —“For My People”: [39] 18, 20 Poe, Edgar Allan: [39] 541 Webb, Frank J.: [39] 432 AFRICAN AMERICAN REVIEW — The Garies and Their Friends: [39] 432 —“Big Boy Leaves Home”: [39] 541- West, Dorothy: [39] 569-578 546, 551 —The Living Is Easy: [39] 569-578 — Black Boy: [39] 17, 555 White, George: [39] 291-293 —“Down by the Riverside”: [39] 555 White, Walter: [39] 90 —“The Ethics of Living Jim Crow”: Wilson, August: [39] 87, 126, 281, 293- [39] 542-543 298 —“How ‘Bigger’ Was Born”: [39] 541, —Joe Turner’s Come And Gone: [39] 293 555, 562-563 — Fences: [39] 281, 293, 295 —“The Man Who Killed A Shadow”: —Ma Rainey’s Black Bottom: [39] 293- [39] 555 294 —“The Man Who Lived — The Piano Lesson: [39] 293, 296 Underground”: [39] 555 — Seven Guitars: [39] 293 — Native Son: [39] 113, 541, 544, 546, — Two Trains Running: [39] 293 550, 555-565 Wilson, Harriet E.: [39] 432 — The Outsider: [39] 555 — Our Nig: [39] 432 — Rite of Passage: [39] 555 Winfrey, Oprah: [39] 514 — Savage Holiday: [39] 555-556 World War II: [39] 358-371 — White Man, Listen!: [39] 80 Wright, Richard: [39] 17, 80, 113, 356, Writers League Against Lynching: [39] 358-361, 366, 371, 541-543, 545-546, 91 555-565 Yoruba: [39] 171-172, 178-179 INDEX TO VOLUME 39