Table Of Content

Index to Volume 38 Articles Jirousek, Lori, “ ‘That Commonality of Feeling’: Hurston, Hybridity, and Aguiar, Sarah Appleton, “ ‘Passing on’ Ethnography: [38] 417-427 Death: Stealing Life in Toni Morrison’s Johnson, Michael, “ ‘Try to Refrain from Paradise” :[ 38] 513-519 that Desire’: Self-Control and Violent Anderson, Maureen, “The White Reception Passion in Oscar Micheaux’s African of Jazz in America”: [38] 135-145 American Western”: [38] 361-377 Banks, Kimberly, “ ‘Like a violin for the | Knadler, Stephen, “Domestic Violence in wind to play’: Lyrical Approaches to the Harlem Renaissance: Remaking the Lynching by Hughes, Du Bois, and Record from Nella Larsen’s Passing to Toomer”: [38] 451-465 Toni Morrison’s Jazz”: [38] 99-118 Bergman, Jill, “ ‘Everything we hoped Laudun, John, “Reading Hurston she'd be’: Contending Forces in Writing”: [38] 45-60 Hopkins Scholarship”: [38] 181-199 Lavery A., Matthew, “The Ontogeny and Church, L. Teresa, Lenard D. Moore, and Phylogeny of Mackey’s Song of the Evie Shockley, “Incident in the Lives of Andoumboulou” :[ 38] 683-694 Three African American Poets, Written by Themselves”: [38] 281-282 Levecq, Christine, “Blues Poetics and Cochran, Robert, “Black Father: The Blues Politics in Walter Mosley’s RL’s Subversive Achievement of Joel Dream”: [38] 239-256 Chandler Harris”: [38] 21-34 | Lewis, Nghana tamu, “The Rhetoric of Cope, Virginia H., “ ‘I Verily Believed Mobility, the Politics of Consciousness: Myself to be a Free Woman’: Harriet Julia Mood Peterkin and the Case of a Jacobs's Journey into Capitalism”: [38] Black White Writer”: [38] 589-608 5-20 | May, Cedrick, “John Marrant and the Duane, Anna Mae, “Remaking Black Narrative Construction of an Early Motherhood in Frank J. Webb’s The Black Methodist Evangelical”: [38] 553- Garies and their Friends”: [38] 201-212 570 Feinstein, Sascha, “Black Pearls: Meyer, Adam, “Not Entirely Strange, But Recovered Memories”: [38] 295-301 Not Entirely Friendly Either: Jewish Grandt, Jiirgen E., “Kinds of Blue: Toni and Black Navigations of the Color Morrison, Hans Janowitz, and the Jazz Line”: [38] 441-450 Aesthetic”: [38] 303-322 | Miller, Elise, “The ‘Maw of Western Gray, W. Russel, “Hard-Boiled Black Culture’: James Baldwin and the Easy: Genre Conventions in A Red Anxieties of Influence”: [38] 625-636 Death” :[ 38] 489-498 | Moody, Joycelyn, “A Letter from the Gourdine, Angeletta KM, “Fashioning the Editor”: [38] 357-358 Body [as] Politic in Julie Dash’s Morgan, Thomas L., “The City as Refuge: Daughters of the Dust”: [38] 499-511 Constructing Urban Blackness in Paul Hayes, Elizabeth T., “The Named and the Laurence Dunbar’s The Sport of the Gods Nameless: Morrison's 124 and Naylor’s and James Weldon Johnson’s The ‘the Other Place’ as Semiotic Chorae”: Autobiography of an Ex-Colored Man”: [38] 669-681 [38] 213-237 Henry, Matthew, “He Is a ‘Bad Noon, Mark, “ ‘It ain’t your color, it’s Mother*$%@!#’: Shaft and Contemporary Black Masculinity”: [38] your scabbing’: Literary Depictions of 119-126 African American Strikebreakers”: [38] Houston, Kerr, “Athletic Iconography in 429-439 Spike Lee’s Early Feature Films”: [38] O’Brien, C. C., “Cosmopolitanism in 637-649 Georgia Douglas Johnson’s Anti- Hughes, Sheila Hassell, “A Prophet Lynching Literature”: [38] 571-587 Overheard: A Juxtapositional Reading Okonkwo, Christopher N., “A Critical of Gwendolyn Brooks’s ‘In the Mecca’ ”: Divination: Reading Sula as Ogbanje- [38] 257-280 Abiku”: [38] 651-668 INDEX TO VOLUME 38 743 Pavli¢, Edward M., “ ‘Papa Legba, Chalmers, David, Backfire: How the Ku Klux Ouvrier Barriere Pour Moi Passer’: Esu Klan Helped the Civil Rights Movement in Their Eyes & Zora Neale Hurston’s (Joseph J. Wydeven): [38] 731-733 Diasporic Modernism”: [38] 61-85 Crisler, Jesse S., Robert C. Leitz III, and Scruggs, Charles, “The Pastoral and the Joseph R. McElrath, Jr., An Exemplary City in Carl Franklin’s One False Move”: Citizen: Letters of Charles W. Chesnutt, [38] 323-334 1906-1932 (Robert Butler): [38] 525-526 Sherrard-Johnson, Cherene, ““ad ‘This plague Davis, David Brion, Challenging the Boundaries ofS lavery (Lewis Fried): [38] of their own locusts’: Space, Property, 530-532 and Identity in Dorothy West’s The DeCosta-Willis, Miriam, ed., Daughters of Living is Easy”: [38] 609-624 the Diaspora: Afra-Hispanic Writers Steinberg, Marc, “Inverting History in (Douglas Field): [38] 341-343 Octavia Butler’s Postmodern Slave De Santis, Christopher C., ed., Langston Narrative”: [38] 467-476 Hughes and the Chicago Defender: Essays Thompson, Mark Christian, “National on Race, Politics, and Culture, 1942-62 (R. Socialism and Blood-Sacrifice in Zora Baxter Miller): [38] 723-727 Neale Hurston’s Moses, Man oft he Doyle, Mary Ellen, Voices from the Quarters: Mountain”: [38] 395-415 The Fiction of Ernest ]. Gaines (Robert Whitted, Qiana, “In My Flesh Shall I See Butler): [38] 348-350 God: Ritual Violence and Racial Doyle, Mary Ellen, Voices from the Quarters: Redemption in ‘The Black Christ’ ”: [38] The Fiction ofE rnest ]. Gaines (Marc 379-393 Steinberg): [38] 350-351 Duffy, Susan, ed., The Political Plays of Langston Hughes (R. Baxter Miller): [38] Interviews 723-727 Fanuzzi, Robert, Abolition’s Public Sphere Glave, Dianne, “ ‘My Characters are (Aaron Ogletree, Esq.): [38] 541-543 Teaching Me to be Strong’: An Interview Gallego, Mar, Passing Novels in the Harlem with Tananarive Due”: [38] 695-705 Renaissance: Identity Politics and Textual Nesmith, N. Graham, “William Branch: (A trategies (Yupei Zhou): [38] 720-723 conversation) Reminiscence”: [38] 477- Giovanni, Nikki, The Black-Eyed Pea: Poems ‘4tO1 88 and Not Quite Poems (Ethel Morgan Smith): [38] 173-174 Gould, Philip, Barbaric Traffic: Commerce and Reviews and Reviewers Antislavery in the Eighteenth-Century Atlantic World (David Raybin): [38] 718- Abernathy, Jeff, To Hell and Back: Race and 720 Graham, Herman, III, The Brothers’ Vietnam Betrayal in the Southern Novel (Gary M. War: Black Power, Manhood, and the Black Ciuba): [38] 733-735 Military Experience (Willie J. Harrell, Jr.): Agozino, Biko, Counter-Colonial [38] 345-348 Criminology: A Critique of Imperialist Harrison, Paul Carter, Victor Leo Walker II, Reason (Yoshinobu Nakajima): [38] 740- and Gus Edwards, eds., Black Theatre: 742 Ritual Performance in the African Diaspora Beaulieu, Elizabeth Ann, ed., The Toni (Teresa N. Washington): [38] 157-159 Morrison Encyclopedia (Yoshiko Okoso): Hill, Errol G., and James V. Hatch, A [38] 168-169 History of African American Theatre (Henry Betts, Robert B., In Search of York: The Slave Miller): [38] 335-337 Who Went to the Pacific with Lewis and Hogue, W. Lawrence, The African American Clark (Wilma King): [38] 165 Male, Writing, and Difference: A Polycentric Bower, Martha Gilman, “Color Struck under Approach to African American Literature, the Gaze”: Ethnicity and the Pathology of Criticism, and History (Miguel A. Segovia): Being in the Plays of Johnson, Hurston, [38] 737-740 Childress, Hansberry, and Kennedy (Robert Hughes, Langston, Autobiography: I Wonder L. Tener): [38] 729-731 as I Wander. Vol. 14. The Collected Works of Brown, Cecil, Stagolee Shot Billy (Edward Langston Hughes (Fred L. Standley): [38] Margolies): [38] 171-173 529-530 AFRICAN AMERICAN REVIEW Humez, Jean, Harriet Tubman: The Life and Fiction the Life Story (Pero G. Dagbovie): [38] 526- 528 Dickinson, Stephanie, “Lynching in Illouz, Eva, Oprah Winfrey and the Glamour Stereoscope”: [38] 35-43 of Misery: An Essay on Popular Culture Fewell, Richard, “Reflections in Church (David Krasner): [38] 539-541 Ceilings”: [38] 521-522 Johnson, Dianne, ed., Works for Children and Gautier, Amina, “Yearn”: [38] 127-134 Young Adults: Poetry, Fiction, and Other Lohier, Patrick, “Harvard 1917”: [38] 87-98 Writing. Vol. 11. The Collected Works of Spencer, Rochelle, “American Idyll”: [38] Langston Hughes (R. Baxter Miller): [38] 707-713 727-729 Kachun, Mitch, Festivals of Freedom: Memory and Meaning in African American Poetry Emancipation Celebrations, 1808-1915 (Virginia Whatley Smith): [38] 535-537 Champion, Ken, “SOCIAL SCIENTIST,” Kaplan, Carla, ed., Zora Neale Hurston: A “FIRST DAY BACK”: [38] 147-148 Life in Letters (Teresa Gilliams): [38] 532- Church, L. Teresa, “Freedom at Sunrise”: 534 [38] 287 King, Woodie, Jr., The Impact of Race: Theatre Coleman, Wanda, “The Warnings in a Mad and Culture (Andrew Warnes): [38] 544- Dog’s Eyes”: [38] 523-524 545 Jackson, Gale, “Spring 1862, Letter to Lhamon, W. T., Jr., Jump Jim Crow: Lost Daughter”: (38] 359-360 Plays, Lyrics and Street Prose oft he First Labu, Ariono-jovan, “Borrowing Dead”: Atlantic Popular Culture (James V. Hatch): [38] 154-155 [38] 337-339 Liyong, Taban lo, “circumspect penelope Moten, Fred, In the Break: The Aesthetics of regards ragged odysseus”: [38] 289-293 the Black Racial Tradition (Candice M. McElroy, Colleen J., “CODEX: FROSTBITE”: Jenkins): [38] 344-345 (38] 551-552 Nurse, Donna Bailey, What's a Black Critic to Moore, Lenard D., “HOLY-OILED FIN- Do?: Interviews, Profiles and Reviews of GERS,” [38] 286 Black Writers (Eric Gardner): [38] 715-718 Nazarene, Robert, “We Are The Land Ostrom, Hans, Langston Hughes: A Study of Where Everyman”: [38] 156 the Short Fiction (R. Baxter Miller): [38] Shockley, Evie, “ballad of bertie county”: 723-727 [38] 283-285 Prendergast, Catherine, Literacy and Racial Whitlow, Carolyn Beard, “BAPTISMAL,” Justice: The Politics of Learning after Brown “From Sorrow Songs”: [38] 149-153 v. Board of Education (Christina Haas): [38] 537-539 Romano, Renee C., Black-White Marriage in Principal Subjects Postwar America (Andrew Warnes): [38] 162-163 Abrahams, Peter: [38] 435 Saxton, Alexander, The Rise and Fall of the — Mine Boy: [38] 435 White Republic: Class Politics and Mass Attaway, William: [38] 434-435, 437 Culture in Nineteenth-Century America — Blood on the Forge: [38] 434-435, 437 (Kiyohiko Murayama): [38] 339-341 Baldwin, James: [38] 65, 70-71, 303, 324, Scott, Lynn Orilla, James Baldwin's Later 625-634 Fiction: Witness to the Journey (Douglas — Another Country: [38] 65 Field): [38] 166-167 —No Name in the Street: [38] 625-626, Wilson, Charles E., Jr., Walter Mosley: A 634 Critical Companion (John M. Reilly): [38] — Nobody Knows My Name: [38] 634 170-171 — Notes ofa Native Son: [38] 625, 627- Xing, Jun, and Lane Ryo Hirabayashi, eds., 633 Reversing the Lens: Ethnicity, Race, Gender, —“Sonny’s Blues”: [38] 65, 71 and Sexuality through Film (Debra Bland, Alden: [38] 434-436 Johanyak): [38] 164 — Behold a Cry: [38] 434-436 Yancy, George, Who is White?: Latinos, Blues: [38] 239-253 Asians, and the New Black/Nonblack Divide Boas, Franz: [38] 400, 407-408, 417-418, (Amanda Davis): [38] 159-161 420-421, 424-426 INDEX TO VOLUME 38 — Anthropology and Modern Life: [38] 426 366, 374, 382, 441, 451-455, 457-463 Bonner, Marita: [38] 617-618 —“The Coming of John”: [38] 452-464 —“On the Altar”: [38] 617-618 — Darkwater: Voices within the Veil: [38] Branch, William: [38] 477-488 382 —A Medal for Willie: [38] 480, 482-484, — The Souls of Black Folk: [38] 441 487 Due, Tananarive: [38] 695-705 — Baccalaureate: [38] 487 — Amusement: [38] 699 —In Splendid Error: [38] 477-478, 483 — The Between: [38] 695-696, 698-699, 701 —“No Blues for Langston Hughes”: — The Black Rose: [38] 695, 697, 701-702 [38] 488 — Different Blood: [38] 700 Brooks, Gwendolyn: [38] 257-276 — Freedom in the Family: A Mother- —A Street in Bronzeville: [38] 259-262 Daughter Memoir of the Fight for Civil — Annie Allen: [38] 260, 262-263 cys [38] 695, 698, 702 — Bean Eaters: [38] 263 — The Good House: [38] 697, 704-705 —In the Mecca: [38] 257, 263-276 — The Living Blood: [38] 695, 697, 699, Butler, Octavia: [38] 467-475 701-702, 705 — Kindred: [38] 467-475 — My Soul to Keep: [38] 695-697, 699, Chandler, Raymond: [38] 493-494, 497 701-705 — The Big Sleep: [38] 493 — Separate and Related: [38] 699-700 — The High Window: [38] 493-494 Dunbar, Paul Laurence: [38] 213-215, Chesnutt, Charles: [38] 216-217, 442, 217-223, 225, 230, 325-326 448 — The Sport of the Gods: [38] 213-215, — The Conjure Woman: [38] 216 219-222, 225, 230, 325-326 — The House Behind the Cedars: [38] 442, Eliot, T. S.: [38] 62, 64-66, 73 448 —“Eeldrop and Appleflex”: [38] 73 — The Marrow of Tradition: [38] 217 — Inventions of the March Hare: [38] 73 The Christian Recorder: [38] 571 —“The Love Song of J. Alfred Christie, Agatha: [38] 493 Prufrock”: [38] 64 — The Murder of Roger Ackroyd: [38] 493 — “Tradition and the Individual Clark, J. P.: [38] 660 Talent”: [38] 64 —“ Abiku”: [38] 660 Ellison, Ralph: [38] 64-66, 70-71, 75, 78, Cleaver, Eldridge: [38] 633-634 401 — Soul on Ice: [38] 633 — Invisible Man: [38] 64 The Colored American Magazine: [38] —“Recent Negro Fiction”: [38] 401 181-196, 571 —“Richard Wright’s Blues”: [38] 78 Coltrane, John: [38] 295-301 Faulkner, William: [38] 72 — Ascension: [38] 296-301 — Absalom, Absalom!: [38] 72, 79 — Black Pearls: [38] 295-296, 298-301 Fauset, Jessie Redmon: [38] 441, 443- Conroy, Jack: [38] 433-434 448 — The Disinherited: [38] 433-434 —Comedy: American Style: [38] 443-444 Cooper, Anna Julia: [38] 190-191, 215- — Plum Bun: [38] 445-448 o 1 7 Fitzgerald, F. Scott: [38] 323-324 —A Voice from the South: [38] 190-191, — The Great Gatsby: [38] 323-324 215-216 Franklin, Benjamin: [38] 627-628, 633 The Crisis: [38] 182-186, — The Autobiography: [38] 627-628 Cullen, Countée: [38] 379-391 Franklin, Carl: [38] 323-332 — “The Black Christ”: [38] 379-391 — One False Move: [38] 323-332 Dash, Julie: [38] 499-509 Frazier, E. Franklin: [38] 616 — Daughters of the Dust: [38] 499-509 — Black Bourgeoisie: [38] 616 Descartes, Reneé: [38] 500 Gaines, Ernest: [38] 381 — Meditation Two: [38] 500 — The Autobiography of Miss Jane Douglass, Frederick: [38] 210-211 Pittman: [38] 381 — The Heroic Slave: [38] 211 Garvey, Marcus: [38] 398 — Narrative of the Life of Frederick Griffith, D. W.: [38] 431, 580, 584, 596 Douglass: [38] 210-211 — The Birth of a Nation: [38] 136, 431, Doyle, Sir Arthur Conan: [38] 492-493 580, 584, 596 —“A Scandal in Bohemia”: [38] 492 Grimké, Angelina Weld: [38] 583 Du Bois, W. E. B.: [38] 183, 303, 326, — Rachel: [38] 583 AFRICAN AMERICAN REVIEW Hammett, Dashiell: [38] 493, 495, 497 —And they still paused . . . : [38] 583 — Maltese Falcon: [38] 495 —“Appreciation” :[ 38] 577-578 — Red Harvest: [38] 493 —“Black Woman”: [38] 583 Harper, Frances E. W.: [38] 215-217, 442 —“Common Dust”: [38] 577 —lIola Leroy: [38] 215-216, 442 —“Cosmopolite”: [38] 574, 577 Harris, Joel Chandler: [38] 21-33 — The Dream for World Peace: [38] 584 — On the Plantation: [38] 21, 25, 33 —“Fusion”: [38] 577 — Uncle Remus: His Songs and Sayings: — “The Man to Be”: [38] 577 [38] 21-27, 29-31, 33 — “Maternity”: [38] 583 Hayden, Robert: [38] 64, 66, 70, 75 —“Octoroon”: [38] 574-576 — “Divers”: [38] 64 — “Of One Blood”: [38] 575-576 —“Words in the Mourning Time”: [38] — Paupaulekejo: [38] 572, 578-581 64 — Plumes: [38] 582 Himes, Chester: [38] 493 — Safe: [38] 582 —All Shot Up: [38] 493 —“Smothered Fires”: [38] 583-584 — The Real Cool Killers: [38] 493 —A Sunday Morning in the South: [38] Hopkins, Pauline: [38] 181-196, 571 382, 583 —A Love Supreme: [38] 181 —“Why”: [38] 576 —Contending Forces: [38] 181-182 —“Woman”: [38] 582 — Of One Blood: [38] 181 Johnson, James Weldon: [38] 213-214, Hughes, Langston: [38] 57, 65, 381, 384, 217, 222-230, 441-442, 444 390-391, 442, 451-455, 457-458, 463 —Along This Way: [38] 217 —“Christ in Alabama”: [38] 381 — The Autobiography of an Ex-Colored — “Home”: [38] 452-458, 461-464 Man: [38] 213-214, 222-230, 441-442, —“Who’s Passing for Who?”: [38] 442 444 Hurston, Zora Neale: [38] 45-58, 61-84, —God’s Trombones: [38] 444 243, 395-411, 417-426 Johnson, Robert: [38] 82-83, 239-243, — “The Characteristics of Negro 245-246, 249-250, 332 Expression”: [38] 66, 422-423 Killens, John Oliver: [38] 443 — Dust Tracks on a Road: [38] 396, 417- — The Cotillion: [38] 443 418, 420, 424 King, Jr., Martin Luther: [38] 496 — “Fire and the Cloud”: [38] 397 King, Rodney: [38] 496 —Jonah’s Gourd Vine: [38] 83 Komunyakaa, Yusef: [38] 62, 65-66, 78, — Moses, Man of the Mountain: [38] 395- 83 411 — “Confluence”: [38] 62, 83 — “Mother Catherine”: [38] 423 — “Crossroads”: [38] 65-66 — Mules and Men: [38] 45-49, 51-56, 63, —“Langston Hughes + Poetry = The 66, 75-76, 81, 417-421, 424 Blues”: [38] 78 — “Shouting”: [38] 423 Labor, organized: [38] 429-437 —Tell My Horse: [38] 61, 66-68, 75-76, Larsen, Nella: [38] 108-112, 115, 441- 78, 81 442, 444 — Their Eyes Were Watching God: [38] — Passing: [38] 108-112, 115, 442, 444 45-46, 49-53, 55-57, 61-64, 66-84 Lee, Spike: [38] 637-648 —“What White Publishers Won’t —Do The Right Thing: [38] 638-647 Print”: [38] 425 —Jungle Fever: [38] 637, 645-647 Igbo: [38] 651, 653-655, 665-666 — Mo’ Better Blues: [38] 639, 644-645, Jacobs, Harriet: [38] 5-18, 210, 470, 670- 648 671 — School Daze: [38] 639-641 — Incidents in the Life ofa Slave Girl: — She’s Gotta Have It: [38] 637-639 Written by Herself: [38] 5-18, 470, 670- Lindsay, Vachel: [38] 137 671 —“The Congo”: [38] 137 Janowitz, Hans: [38] 303-307, 315-316 — “Mumbo Jumbo”: [38] 137 — Jazz: [38] 303-307, 315-316 lynching: [38] 379-391, 461-463, 571- Jazz: [38] 65-66, 71, 135-145, 303-322, 574, 579, 580-583, 595-596 422 MacDonald, John D.: [38] 490-491, 496- Job, Book of: [38] 385-390 497 Johnson, Georgia Douglas: [38] 382, —A Tan and Sandy Silence: [38] 490-491 572-584 Mackey, Nathaniel: [38] 683-692 INDEX TO VOLUME 38 — Song of the Andoumboulou: [38] 683- —Green Thursday: [38] 606 692 — On a Plantation: [38] 589 Marrant, John: [38] 553-569 — Scarlet Sister Mary: [38] 589, 592, 596, —A Journal of the Reverend John 598-603, 606 Marrant: [38] 555, 557-558, 565, 567- — “Seeing Things”: [38] 593-595 579 Poe, Edgar Allan: [38] 492 —A Narrative of the Lord’s Wonderful — “The Murders of the Rue Morgue”: Dealings with John Marrant, A Black: [38] 492 [38] 554-555, 557-558, 560-562, 564- — “The Purloined Letter”: [38] 492 569 Poole, Ernest: [38] 432-433 McKay, Claude: [38] 107-108, 110, 113- — The Harbor: [38] 432-433 114, 382 Schuyler, George: [38] 443 — Home to Harlem: [38] 107-108, 110, — Black No More: {38} 443 113-114 Shaft: [38] 119-126 —“The Lynching”: (38] 382 Shaft 2000: [38] 119-126 Mencken, H. L.: [38] 589-593, 596 Sinclair, Upton: [38] 430-432 Micheaux, Oscar: [38] 361-375 — The Jungle: [38] 430-432 — The Conquest: [38] 367 Singleton, John: [38] 119-126, 323 — The Homesteader: [38] 361-375 — Boyz N the Hood: [38] 120, 122, 124, Morrison, Toni: [38] 99, 101, 112-115, 323 244, 303-308, 312-316, 472, 513-518, Song of the South: [38] 24 621, 651-666, 669, 671, 675-676 farbacles: [38] 632-633 — Beloved: [38] 472, 513-514, 517, 652, — Oedipus Rex: [38] 631-634 666, 669, 671-677, 679 Soyinka, Wole: [38] 657, 664 — The Bluest Eye: [38] 671 —“Abiku”: [38] 657, 664 — Jazz: [38] 99, 112-115, 303-308, 312- Stowe, Harriet Beecher: [38] 201-202, 316, 513-514, 517 205, 207, 211, 444, 627, 629, 633 — Paradise: [38] 513-518, 621, 666, 671 — Uncle Tom’s Cabin: [38] 216, 444, 629 — Song of Solomon: [38] 666 Toomer, Jean: [38] 65, 451-453, 455, 457- — Sula: [38] 651-666 461 Mosley, Walter: [38] 240-253, 489-491, —“Blood-Burning Moon”: [38] 452-453, 493-497 455-456, 459-460, 463-464 —A Red Death: [38] 489-491, 493-497 — Cane: [38] 460-461 —RL’s Dream: [38] 240-253 Turner, Frederick Jackson: [38] 324-325 Murray, Pauli: [38] 32 The Voice of the Negro: [38] 182-185 — Proud Shoes: The Story of an American Webb, Frank J.: [38] 201-211, 442 Family: [38] 32 — The Garies and their Friends: [38] 201- Naylor, Gloria: [38] 669, 671, 675-676 211, 442 — Bailey’s Café: [38] 671 West, Dorothy: [38] 609-622 — Mama Day: [38] 669, 671-679 — The Living is Easy: [38] 609-622 ogbanje abiku: [38] 651-666 White, Walter: [38] 382, 445, 447, 583 O'Neill, Eugene: [38] 573-574, 579-580 — The Fire in the Flint: [38] 382 —All God’s Chillun Got Wings: [38] 573- — Flight: [38] 445, 447 574, 579-580 Wister, Owen: [38] 363, 370-371, 373 Parker, Robert B.: [38] 491-492, 496-497 — The Virginian: [38] 363, 370-371, 373 — Early Autumn: [38] 491-492 Wright, Richard: [38] 57, 64, 66, 70, 627, Parks, Gordon: [38] 119-120, 122 629-631, 634 Peterkin, Julia Mood: [38] 589-606 — Black Boy: [38] 57 — Black April: [38] 589, 591-592, 596-599, — Native Son: [38] 629-630 602-603, 606 — “The Man Who Lived — Boy-Chillen: [38] 589 Underground”: [38] 64 — Bright Skin: [38] 589, 592, 596, 602-605 Yoruba: [38] 653-656, 661, 666 AFRICAN AMERICAN REVIEW els