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Aesthetics of Alienation: Reassessment of Early Soviet Cultural Theories PDF

172 Pages·2005·0.961 MB·English
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Aesthetics of Alienation Northwestern University Press Studies in Russian Literature and Theory Series Editors Robert Belknap Caryl Emerson Gary Saul Morson William Mills Todd III Andrew Wachtel Aesthetics of Alienation REASSESSMENT OF EARLY SOVIET CULTURAL THEORIES Evgeny Dobrenko Translated from the Russian by Jesse M. Savage northwestern university press /evanston, illinois Northwestern University Press Evanston, Illinois 60208-4170 Copyright © 2005 by Northwestern University Press. Published 2005. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 ISBN 0-8101-2025-9 Library of Congress Cataloging-in-Publication Data Dobrenko, E. A. (Evgenii Aleksandrovich) Aesthetics of alienation : reassessment of early Soviet cultural theories / Evgeny Dobrenko ; translated from the Russian by Jesse M. Savage. p. cm.—(Studies in Russian literature and theory) Includes bibliographical references and index. ISBN 0-8101-2025-9 (cloth : alk. paper) 1. Russian literature—20th century—History and criticism. 2. Socialist realism in literature. 3. Socialist realism—Soviet Union. 4. Aesthetics, Russian—20th century. 5. Communism and culture—Soviet Union. I. Title. II. Series. PG3026.S58D625 2005 891.709'358'0904—dc22 2005006090 8 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. This book is dedicated to the memory of Galina Andreevna Belaia (1931–2004) Anyone in Russia who has left the path of pure negation has fallen. —Dmitrii Pisarev Contents Translator’s Note xi Introduction xiii Chapter One The Academy of Poetry and Russian Society 3 Chapter Two Proletkult: “The Music of Revolution”; or, Creation Without Creators 10 Chapter Three RAPP: The Aesthetics of Restraint; or, Worldview as Creation 31 Chapter Four LEF:The Third Factoryas “New Aesthetic Enterprise” 52 Chapter Five Pereval: “Organic Creativity”; or, Hands for the Hourglass 75 Chapter Six The “Social Mandate”; or, Flexion in an InXexible Time 89 Chapter Seven Socialist Realism: The PetriWed Utopia 109 Notes 127 Works Cited 141 Index 149

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